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Color name
HEX #10975C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10975C it is the complementary color #EF68A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10975C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10975C shade: #159757, #26A96A, #37BB7D, #48CD90 and #59DFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10975C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10975C shade: #10975C, #008549, #007336, #006123 and #004F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10975C shade: #0F985C, #0F9837, #0F9813, #31980F and #56980F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10975C shade: #0F985C, #0F9881, #0F8A98, #0F6598 and #0F4098

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10975C shade matches the following richer shades: #0F985C and #02A55E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10975C shade: #0F985C, #1D8A5B, #2B7D59, #386F57 and #466155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10975C shade: #0F9812, #0F9836, #0F985A, #0F987F and #0F8C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10975C shade: #084D2F, #0C7246, #0F985C, #13BD73 and #17E28A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10975C shade: #10975C, #0F3298 and #98240F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10975C shade: #10975C, #5A0F98 and #985A0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10975C shade: #10975C, #0F3298, #980F4D and #98760F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10975C shade: #10975C, #160F98, #980F4D and #91980F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 39 / 41

HEX #10975C

RGB 16 151 92

HSL 153.78, 0.81%, 0.33%

LAB 55.09, -47.41, 21.93

 

Complementary color

CMYK 0 / 56 / 32 / 6

HEX #EF68A3

RGB 239 104 163

HSL 333.78, 0.81%, 0.67%

LAB 62.42, 57.81, -5.76

 

CMYK 86 / 0 / 42 / 41

HEX #159757

RGB 21 151 87

HSL 150.46, 0.76%, 0.34%

LAB 55.05, -48.01, 24.63

 

CMYK 78 / 0 / 37 / 34

HEX #26A96A

RGB 38 169 106

HSL 151.15, 0.63%, 0.41%

LAB 61.51, -49.15, 22.93

 

CMYK 71 / 0 / 33 / 27

HEX #37BB7D

RGB 55 187 125

HSL 151.82, 0.55%, 0.47%

LAB 67.9, -49.84, 21.39

 

CMYK 65 / 0 / 30 / 20

HEX #48CD90

RGB 72 205 144

HSL 152.48, 0.57%, 0.54%

LAB 74.22, -50.22, 19.99

 

CMYK 60 / 0 / 27 / 13

HEX #59DFA3

RGB 89 223 163

HSL 153.13, 0.68%, 0.61%

LAB 80.48, -50.41, 18.71

 

CMYK 89 / 0 / 39 / 41

HEX #10975C

RGB 16 151 92

HSL 153.78, 0.81%, 0.33%

LAB 55.09, -47.41, 21.93

 

CMYK 100 / 0 / 45 / 48

HEX #008549

RGB 0 133 73

HSL 152.93, 1%, 0.26%

LAB 48.58, -45.59, 23.81

 

CMYK 100 / 0 / 53 / 55

HEX #007336

RGB 0 115 54

HSL 148.17, 1%, 0.23%

LAB 42.04, -42.65, 25.92

 

CMYK 100 / 0 / 64 / 62

HEX #006123

RGB 0 97 35

HSL 141.65, 1%, 0.19%

LAB 35.34, -39.38, 27.96

 

CMYK 100 / 0 / 80 / 69

HEX #004F10

RGB 0 79 16

HSL 132.15, 1%, 0.15%

LAB 28.46, -35.58, 29.52

 

CMYK 90 / 0 / 39 / 40

HEX #0F985C

RGB 15 152 92

HSL 153.72, 0.82%, 0.33%

LAB 55.41, -47.86, 22.36

 

CMYK 90 / 0 / 64 / 40

HEX #0F9837

RGB 15 152 55

HSL 137.52, 0.82%, 0.33%

LAB 54.9, -53.98, 40.69

 

CMYK 90 / 0 / 88 / 40

HEX #0F9813

RGB 15 152 19

HSL 121.75, 0.82%, 0.33%

LAB 54.66, -56.98, 53.35

 

CMYK 68 / 0 / 90 / 40

HEX #31980F

RGB 49 152 15

HSL 105.11, 0.82%, 0.33%

LAB 55.22, -52.17, 54.92

 

CMYK 43 / 0 / 90 / 40

HEX #56980F

RGB 86 152 15

HSL 88.91, 0.82%, 0.33%

LAB 56.55, -41.62, 56.59

 

CMYK 90 / 0 / 39 / 40

HEX #0F985C

RGB 15 152 92

HSL 153.72, 0.82%, 0.33%

LAB 55.41, -47.86, 22.36

 

CMYK 90 / 0 / 15 / 40

HEX #0F9881

RGB 15 152 129

HSL 169.93, 0.82%, 0.33%

LAB 56.23, -38.83, 2.69

 

CMYK 90 / 9 / 0 / 40

HEX #0F8A98

RGB 15 138 152

HSL 186.13, 0.82%, 0.33%

LAB 52.45, -25.12, -16.17

 

CMYK 90 / 34 / 0 / 40

HEX #0F6598

RGB 15 101 152

HSL 202.34, 0.82%, 0.33%

LAB 40.7, -4.33, -34.39

 

CMYK 90 / 58 / 0 / 40

HEX #0F4098

RGB 15 64 152

HSL 218.54, 0.82%, 0.33%

LAB 29.5, 20.2, -52.36

 

CMYK 90 / 0 / 39 / 40

HEX #0F985C

RGB 15 152 92

HSL 153.72, 0.82%, 0.33%

LAB 55.41, -47.86, 22.36

 

CMYK 99 / 0 / 43 / 35

HEX #02A55E

RGB 2 165 94

HSL 153.87, 0.98%, 0.33%

LAB 59.65, -52.88, 26.84

 

CMYK 90 / 0 / 39 / 40

HEX #0F985C

RGB 15 152 92

HSL 153.72, 0.82%, 0.33%

LAB 55.41, -47.86, 22.36

 

CMYK 79 / 0 / 34 / 46

HEX #1D8A5B

RGB 29 138 91

HSL 154.13, 0.65%, 0.33%

LAB 50.91, -41.24, 16.89

 

CMYK 66 / 0 / 29 / 51

HEX #2B7D59

RGB 43 125 89

HSL 153.66, 0.49%, 0.33%

LAB 46.85, -33.8, 12.5

 

CMYK 50 / 0 / 22 / 56

HEX #386F57

RGB 56 111 87

HSL 153.82, 0.33%, 0.33%

LAB 42.61, -24.43, 7.82

 

CMYK 28 / 0 / 12 / 62

HEX #466155

RGB 70 97 85

HSL 153.33, 0.16%, 0.33%

LAB 38.74, -12.87, 3.61

 

CMYK 90 / 0 / 88 / 40

HEX #0F9812

RGB 15 152 18

HSL 121.31, 0.82%, 0.33%

LAB 54.66, -57.02, 53.58

 

CMYK 90 / 0 / 64 / 40

HEX #0F9836

RGB 15 152 54

HSL 137.08, 0.82%, 0.33%

LAB 54.89, -54.1, 41.13

 

CMYK 90 / 0 / 41 / 40

HEX #0F985A

RGB 15 152 90

HSL 152.85, 0.82%, 0.33%

LAB 55.38, -48.26, 23.41

 

CMYK 90 / 0 / 16 / 40

HEX #0F987F

RGB 15 152 127

HSL 169.05, 0.82%, 0.33%

LAB 56.18, -39.38, 3.76

 

CMYK 90 / 8 / 0 / 40

HEX #0F8C98

RGB 15 140 152

HSL 185.26, 0.82%, 0.33%

LAB 53.09, -26.13, -15.2

 

CMYK 90 / 0 / 39 / 70

HEX #084D2F

RGB 8 77 47

HSL 153.91, 0.81%, 0.17%

LAB 28.29, -28.32, 12.22

 

CMYK 89 / 0 / 39 / 55

HEX #0C7246

RGB 12 114 70

HSL 154.12, 0.81%, 0.25%

LAB 42.08, -38.08, 16.96

 

CMYK 90 / 0 / 39 / 40

HEX #0F985C

RGB 15 152 92

HSL 153.72, 0.82%, 0.33%

LAB 55.41, -47.86, 22.36

 

CMYK 90 / 0 / 39 / 26

HEX #13BD73

RGB 19 189 115

HSL 153.88, 0.82%, 0.41%

LAB 67.85, -56.49, 26.55

 

CMYK 90 / 0 / 39 / 11

HEX #17E28A

RGB 23 226 138

HSL 153.99, 0.82%, 0.49%

LAB 79.85, -64.8, 30.59

 

CMYK 89 / 0 / 39 / 41

HEX #10975C

RGB 16 151 92

HSL 153.78, 0.81%, 0.33%

LAB 55.09, -47.41, 21.93

 

CMYK 90 / 67 / 0 / 40

HEX #0F3298

RGB 15 50 152

HSL 224.67, 0.82%, 0.33%

LAB 25.71, 29.84, -58.56

 

CMYK 0 / 76 / 90 / 40

HEX #98240F

RGB 152 36 15

HSL 9.2, 0.82%, 0.33%

LAB 33.92, 46.75, 40.71

 

CMYK 89 / 0 / 39 / 41

HEX #10975C

RGB 16 151 92

HSL 153.78, 0.81%, 0.33%

LAB 55.09, -47.41, 21.93

 

CMYK 41 / 90 / 0 / 40

HEX #5A0F98

RGB 90 15 152

HSL 272.85, 0.82%, 0.33%

LAB 26.11, 54.98, -57.69

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 89 / 0 / 39 / 41

HEX #10975C

RGB 16 151 92

HSL 153.78, 0.81%, 0.33%

LAB 55.09, -47.41, 21.93

 

CMYK 90 / 67 / 0 / 40

HEX #0F3298

RGB 15 50 152

HSL 224.67, 0.82%, 0.33%

LAB 25.71, 29.84, -58.56

 

CMYK 0 / 90 / 49 / 40

HEX #980F4D

RGB 152 15 77

HSL 332.85, 0.82%, 0.33%

LAB 33.03, 55.56, 1.77

 

CMYK 0 / 22 / 90 / 40

HEX #98760F

RGB 152 118 15

HSL 45.11, 0.82%, 0.33%

LAB 51.46, 4.2, 54.46

 

CMYK 89 / 0 / 39 / 41

HEX #10975C

RGB 16 151 92

HSL 153.78, 0.81%, 0.33%

LAB 55.09, -47.41, 21.93

 

CMYK 86 / 90 / 0 / 40

HEX #160F98

RGB 22 15 152

HSL 243.07, 0.82%, 0.33%

LAB 19.14, 49.49, -69.44

 

CMYK 0 / 90 / 49 / 40

HEX #980F4D

RGB 152 15 77

HSL 332.85, 0.82%, 0.33%

LAB 33.03, 55.56, 1.77

 

CMYK 5 / 0 / 90 / 40

HEX #91980F

RGB 145 152 15

HSL 63.07, 0.82%, 0.33%

LAB 60.35, -17.54, 61.26

 

Description

Color code: HEX #10975C | qconv.com Color code: HEX #10975C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 151 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 151 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 39 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 39% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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