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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1098E4 it is the complementary color #EF671B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1098E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1098E4 shade: #1598DF, #26AAF2, #37BCFF, #48CEFF and #59E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1098E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1098E4 shade: #1098E4, #0086D1, #0074BE, #0062AB and #005098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1098E4 shade: #0F98E4, #0F5FE4, #0F25E4, #330FE4 and #6D0FE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1098E4 shade: #0F98E4, #0F5FE4, #0F25E4 and #0F0FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1098E4 shade matches the following richer shades: #0F98E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1098E4 shade: #0F98E4, #2392D1, #378DBD, #4B87A9 and #5F8295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1098E4 shade: #0FE4BD, #0FD3E4, #0F9AE4, #0F61E4 and #0F28E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1098E4 shade: #0A6597, #0D7EBE, #0F98E4, #2DAAF0 and #54BAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1098E4 shade: #1098E4, #850FE4 and #E4DA0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1098E4 shade: #1098E4, #E40F9A and #9AE40F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1098E4 shade: #1098E4, #850FE4, #E45A0F and #6FE40F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1098E4 shade: #1098E4, #C40FE4, #E45A0F and #2FE40F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 33 / 0 / 11

HEX #1098E4

RGB 16 152 228

HSL 201.51, 0.87%, 0.48%

LAB 60.04, -5.51, -47.46

 

Complementary color

CMYK 0 / 57 / 89 / 6

HEX #EF671B

RGB 239 103 27

HSL 21.51, 0.87%, 0.52%

LAB 60.01, 49.08, 62.81

 

CMYK 91 / 32 / 0 / 13

HEX #1598DF

RGB 21 152 223

HSL 201.09, 0.83%, 0.48%

LAB 59.84, -7.14, -45

 

CMYK 84 / 30 / 0 / 5

HEX #26AAF2

RGB 38 170 242

HSL 201.18, 0.89%, 0.55%

LAB 66.19, -9.36, -45.45

 

CMYK 78 / 26 / 0 / 0

HEX #37BCFF

RGB 55 188 255

HSL 200.1, 1%, 0.61%

LAB 72.23, -13.22, -43.01

 

CMYK 72 / 19 / 0 / 0

HEX #48CEFF

RGB 72 206 255

HSL 196.07, 1%, 0.64%

LAB 77.72, -20.75, -34.44

 

CMYK 65 / 12 / 0 / 0

HEX #59E0FF

RGB 89 224 255

HSL 191.2, 1%, 0.67%

LAB 83.26, -27.41, -25.91

 

CMYK 93 / 33 / 0 / 11

HEX #1098E4

RGB 16 152 228

HSL 201.51, 0.87%, 0.48%

LAB 60.04, -5.51, -47.46

 

CMYK 100 / 36 / 0 / 18

HEX #0086D1

RGB 0 134 209

HSL 201.53, 1%, 0.41%

LAB 53.66, -2.69, -46.95

 

CMYK 100 / 39 / 0 / 25

HEX #0074BE

RGB 0 116 190

HSL 203.37, 1%, 0.37%

LAB 47.25, 0.79, -46.3

 

CMYK 100 / 43 / 0 / 33

HEX #0062AB

RGB 0 98 171

HSL 205.61, 1%, 0.34%

LAB 40.7, 4.48, -45.68

 

CMYK 100 / 47 / 0 / 40

HEX #005098

RGB 0 80 152

HSL 208.42, 1%, 0.3%

LAB 33.99, 8.43, -45.1

 

CMYK 93 / 33 / 0 / 11

HEX #0F98E4

RGB 15 152 228

HSL 201.41, 0.88%, 0.48%

LAB 60.03, -5.55, -47.48

 

CMYK 93 / 58 / 0 / 11

HEX #0F5FE4

RGB 15 95 228

HSL 217.46, 0.88%, 0.48%

LAB 44.07, 29.75, -73.15

 

CMYK 93 / 84 / 0 / 11

HEX #0F25E4

RGB 15 37 228

HSL 233.8, 0.88%, 0.48%

LAB 31.87, 63.05, -93.29

 

CMYK 78 / 93 / 0 / 11

HEX #330FE4

RGB 51 15 228

HSL 250.14, 0.88%, 0.48%

LAB 30.99, 70.86, -94.72

 

CMYK 52 / 93 / 0 / 11

HEX #6D0FE4

RGB 109 15 228

HSL 266.48, 0.88%, 0.48%

LAB 36.36, 74.09, -85.65

 

CMYK 93 / 33 / 0 / 11

HEX #0F98E4

RGB 15 152 228

HSL 201.41, 0.88%, 0.48%

LAB 60.03, -5.55, -47.48

 

CMYK 93 / 58 / 0 / 11

HEX #0F5FE4

RGB 15 95 228

HSL 217.46, 0.88%, 0.48%

LAB 44.07, 29.75, -73.15

 

CMYK 93 / 84 / 0 / 11

HEX #0F25E4

RGB 15 37 228

HSL 233.8, 0.88%, 0.48%

LAB 31.87, 63.05, -93.29

 

CMYK 93 / 93 / 0 / 11

HEX #0F0FE4

RGB 15 15 228

HSL 240, 0.88%, 0.48%

LAB 29.52, 70.15, -97.2

 

CMYK 93 / 33 / 0 / 11

HEX #0F98E4

RGB 15 152 228

HSL 201.41, 0.88%, 0.48%

LAB 60.03, -5.55, -47.48

 

CMYK 93 / 33 / 0 / 11

HEX #0F98E4

RGB 15 152 228

HSL 201.41, 0.88%, 0.48%

LAB 60.03, -5.55, -47.48

 

CMYK 83 / 30 / 0 / 18

HEX #2392D1

RGB 35 146 209

HSL 201.72, 0.71%, 0.48%

LAB 57.58, -7.93, -40.73

 

CMYK 71 / 25 / 0 / 26

HEX #378DBD

RGB 55 141 189

HSL 201.49, 0.55%, 0.48%

LAB 55.62, -9.9, -32.46

 

CMYK 56 / 20 / 0 / 34

HEX #4B87A9

RGB 75 135 169

HSL 201.7, 0.39%, 0.48%

LAB 53.69, -9.46, -23.95

 

CMYK 36 / 13 / 0 / 42

HEX #5F8295

RGB 95 130 149

HSL 201.11, 0.22%, 0.48%

LAB 52.47, -7.34, -14.15

 

CMYK 93 / 0 / 17 / 11

HEX #0FE4BD

RGB 15 228 189

HSL 169.01, 0.88%, 0.48%

LAB 81.44, -54.49, 6.22

 

CMYK 93 / 7 / 0 / 11

HEX #0FD3E4

RGB 15 211 228

HSL 184.79, 0.88%, 0.48%

LAB 77.45, -36.12, -20.47

 

CMYK 93 / 32 / 0 / 11

HEX #0F9AE4

RGB 15 154 228

HSL 200.85, 0.88%, 0.48%

LAB 60.62, -6.69, -46.55

 

CMYK 93 / 57 / 0 / 11

HEX #0F61E4

RGB 15 97 228

HSL 216.9, 0.88%, 0.48%

LAB 44.59, 28.46, -72.3

 

CMYK 93 / 82 / 0 / 11

HEX #0F28E4

RGB 15 40 228

HSL 232.96, 0.88%, 0.48%

LAB 32.3, 61.75, -92.56

 

CMYK 93 / 33 / 0 / 41

HEX #0A6597

RGB 10 101 151

HSL 201.28, 0.88%, 0.32%

LAB 40.58, -5.02, -33.98

 

CMYK 93 / 34 / 0 / 25

HEX #0D7EBE

RGB 13 126 190

HSL 201.69, 0.87%, 0.4%

LAB 50.36, -4.77, -41.34

 

CMYK 93 / 33 / 0 / 11

HEX #0F98E4

RGB 15 152 228

HSL 201.41, 0.88%, 0.48%

LAB 60.03, -5.55, -47.48

 

CMYK 81 / 29 / 0 / 6

HEX #2DAAF0

RGB 45 170 240

HSL 201.54, 0.87%, 0.56%

LAB 66.21, -9.51, -44.32

 

CMYK 65 / 23 / 0 / 5

HEX #54BAF3

RGB 84 186 243

HSL 201.51, 0.87%, 0.64%

LAB 71.88, -12.4, -37.03

 

CMYK 93 / 33 / 0 / 11

HEX #1098E4

RGB 16 152 228

HSL 201.51, 0.87%, 0.48%

LAB 60.04, -5.51, -47.46

 

CMYK 42 / 93 / 0 / 11

HEX #850FE4

RGB 133 15 228

HSL 273.24, 0.88%, 0.48%

LAB 39.46, 76.3, -80.42

 

CMYK 0 / 4 / 93 / 11

HEX #E4DA0F

RGB 228 218 15

HSL 57.18, 0.88%, 0.48%

LAB 85.34, -14.78, 83.57

 

CMYK 93 / 33 / 0 / 11

HEX #1098E4

RGB 16 152 228

HSL 201.51, 0.87%, 0.48%

LAB 60.04, -5.51, -47.46

 

CMYK 0 / 93 / 32 / 11

HEX #E40F9A

RGB 228 15 154

HSL 320.85, 0.88%, 0.48%

LAB 50.88, 80.04, -18.03

 

CMYK 32 / 0 / 93 / 11

HEX #9AE40F

RGB 154 228 15

HSL 80.85, 0.88%, 0.48%

LAB 83.12, -48.98, 79.69

 

CMYK 93 / 33 / 0 / 11

HEX #1098E4

RGB 16 152 228

HSL 201.51, 0.87%, 0.48%

LAB 60.04, -5.51, -47.46

 

CMYK 42 / 93 / 0 / 11

HEX #850FE4

RGB 133 15 228

HSL 273.24, 0.88%, 0.48%

LAB 39.46, 76.3, -80.42

 

CMYK 0 / 61 / 93 / 11

HEX #E45A0F

RGB 228 90 15

HSL 21.13, 0.88%, 0.48%

LAB 55.93, 50.85, 62.49

 

CMYK 51 / 0 / 93 / 11

HEX #6FE40F

RGB 111 228 15

HSL 92.96, 0.88%, 0.48%

LAB 81.24, -62.85, 77.39

 

CMYK 93 / 33 / 0 / 11

HEX #1098E4

RGB 16 152 228

HSL 201.51, 0.87%, 0.48%

LAB 60.04, -5.51, -47.46

 

CMYK 14 / 93 / 0 / 11

HEX #C40FE4

RGB 196 15 228

HSL 290.99, 0.88%, 0.48%

LAB 49.1, 84.26, -64.27

 

CMYK 0 / 61 / 93 / 11

HEX #E45A0F

RGB 228 90 15

HSL 21.13, 0.88%, 0.48%

LAB 55.93, 50.85, 62.49

 

CMYK 79 / 0 / 93 / 11

HEX #2FE40F

RGB 47 228 15

HSL 110.99, 0.88%, 0.48%

LAB 79.69, -75.82, 75.48

 

Description

Color code: HEX #1098E4 | qconv.com Color code: HEX #1098E4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 152 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 152 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 33 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 33% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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