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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10A63E it is the complementary color #EF59C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10A63E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10A63E shade: #15A639, #26B84C, #37CA5F, #48DC72 and #59EE85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10A63E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10A63E shade: #10A63E, #00942B, #008218, #007005 and #005E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10A63E shade: #10A73E, #10A716, #33A710, #5CA710 and #84A710

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10A63E shade: #10A73E, #10A767, #10A78F, #1095A7 and #106DA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10A63E shade matches the following richer shades: #10A73E and #01B538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10A63E shade: #10A73E, #1F9844, #2E894A, #3D7A4F and #4B6B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10A63E shade: #33A710, #10A715, #10A73D, #10A765 and #10A78D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10A63E shade: #095B22, #0C8130, #10A73E, #14CC4C and #21E95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10A63E shade: #10A63E, #105BA7 and #A7101F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10A63E shade: #10A63E, #3D10A7 and #A73D10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10A63E shade: #10A63E, #105BA7, #A71079 and #A75B10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10A63E shade: #10A63E, #102EA7, #A71079 and #A78810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 63 / 35

HEX #10A63E

RGB 16 166 62

HSL 138.4, 0.82%, 0.36%

LAB 59.64, -57.55, 42.87

 

Complementary color

CMYK 0 / 63 / 19 / 6

HEX #EF59C1

RGB 239 89 193

HSL 318.4, 0.82%, 0.64%

LAB 61.09, 68.09, -24.96

 

CMYK 87 / 0 / 66 / 35

HEX #15A639

RGB 21 166 57

HSL 134.9, 0.78%, 0.37%

LAB 59.64, -57.75, 45.11

 

CMYK 79 / 0 / 59 / 28

HEX #26B84C

RGB 38 184 76

HSL 135.62, 0.66%, 0.44%

LAB 65.92, -59.48, 43.72

 

CMYK 73 / 0 / 53 / 21

HEX #37CA5F

RGB 55 202 95

HSL 136.33, 0.58%, 0.5%

LAB 72.15, -60.61, 42.23

 

CMYK 67 / 0 / 48 / 14

HEX #48DC72

RGB 72 220 114

HSL 137.03, 0.68%, 0.57%

LAB 78.33, -61.32, 40.75

 

CMYK 63 / 0 / 44 / 7

HEX #59EE85

RGB 89 238 133

HSL 137.72, 0.81%, 0.64%

LAB 84.47, -61.73, 39.31

 

CMYK 90 / 0 / 63 / 35

HEX #10A63E

RGB 16 166 62

HSL 138.4, 0.82%, 0.36%

LAB 59.64, -57.55, 42.87

 

CMYK 100 / 0 / 71 / 42

HEX #00942B

RGB 0 148 43

HSL 137.43, 1%, 0.29%

LAB 53.34, -55, 44.18

 

CMYK 100 / 0 / 82 / 49

HEX #008218

RGB 0 130 24

HSL 131.08, 1%, 0.25%

LAB 47.02, -51.16, 44.88

 

CMYK 100 / 0 / 96 / 56

HEX #007005

RGB 0 112 5

HSL 122.68, 1%, 0.22%

LAB 40.57, -46.75, 44.11

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 90 / 0 / 63 / 35

HEX #10A73E

RGB 16 167 62

HSL 138.28, 0.83%, 0.36%

LAB 59.97, -57.87, 43.25

 

CMYK 90 / 0 / 87 / 35

HEX #10A716

RGB 16 167 22

HSL 122.38, 0.83%, 0.36%

LAB 59.71, -61.18, 57.15

 

CMYK 69 / 0 / 90 / 35

HEX #33A710

RGB 51 167 16

HSL 106.09, 0.83%, 0.36%

LAB 60.23, -56.72, 59.04

 

CMYK 45 / 0 / 90 / 35

HEX #5CA710

RGB 92 167 16

HSL 89.8, 0.83%, 0.36%

LAB 61.61, -45.68, 60.76

 

CMYK 21 / 0 / 90 / 35

HEX #84A710

RGB 132 167 16

HSL 73.91, 0.83%, 0.36%

LAB 63.82, -30.55, 63.49

 

CMYK 90 / 0 / 63 / 35

HEX #10A73E

RGB 16 167 62

HSL 138.28, 0.83%, 0.36%

LAB 59.97, -57.87, 43.25

 

CMYK 90 / 0 / 38 / 35

HEX #10A767

RGB 16 167 103

HSL 154.57, 0.83%, 0.36%

LAB 60.54, -51.1, 23.21

 

CMYK 90 / 0 / 14 / 35

HEX #10A78F

RGB 16 167 143

HSL 170.46, 0.83%, 0.36%

LAB 61.42, -41.41, 2.3

 

CMYK 90 / 11 / 0 / 35

HEX #1095A7

RGB 16 149 167

HSL 187.15, 0.83%, 0.36%

LAB 56.48, -25.63, -18.66

 

CMYK 90 / 35 / 0 / 35

HEX #106DA7

RGB 16 109 167

HSL 203.05, 0.83%, 0.36%

LAB 44, -3.28, -38.06

 

CMYK 90 / 0 / 63 / 35

HEX #10A73E

RGB 16 167 62

HSL 138.28, 0.83%, 0.36%

LAB 59.97, -57.87, 43.25

 

CMYK 99 / 0 / 69 / 29

HEX #01B538

RGB 1 181 56

HSL 138.33, 0.99%, 0.36%

LAB 64.44, -63.61, 50.71

 

CMYK 90 / 0 / 63 / 35

HEX #10A73E

RGB 16 167 62

HSL 138.28, 0.83%, 0.36%

LAB 59.97, -57.87, 43.25

 

CMYK 80 / 0 / 55 / 40

HEX #1F9844

RGB 31 152 68

HSL 138.35, 0.66%, 0.36%

LAB 55.24, -50.55, 34.87

 

CMYK 66 / 0 / 46 / 46

HEX #2E894A

RGB 46 137 74

HSL 138.46, 0.5%, 0.36%

LAB 50.65, -41.36, 26.07

 

CMYK 50 / 0 / 35 / 52

HEX #3D7A4F

RGB 61 122 79

HSL 137.7, 0.33%, 0.36%

LAB 46.28, -30.1, 17.62

 

CMYK 30 / 0 / 21 / 58

HEX #4B6B55

RGB 75 107 85

HSL 138.75, 0.18%, 0.36%

LAB 42.26, -16.66, 8.66

 

CMYK 69 / 0 / 90 / 35

HEX #33A710

RGB 51 167 16

HSL 106.09, 0.83%, 0.36%

LAB 60.23, -56.72, 59.04

 

CMYK 90 / 0 / 87 / 35

HEX #10A715

RGB 16 167 21

HSL 121.99, 0.83%, 0.36%

LAB 59.71, -61.22, 57.38

 

CMYK 90 / 0 / 63 / 35

HEX #10A73D

RGB 16 167 61

HSL 137.88, 0.83%, 0.36%

LAB 59.97, -57.99, 43.69

 

CMYK 90 / 0 / 40 / 35

HEX #10A765

RGB 16 167 101

HSL 153.77, 0.83%, 0.36%

LAB 60.5, -51.51, 24.24

 

CMYK 90 / 0 / 16 / 35

HEX #10A78D

RGB 16 167 141

HSL 169.67, 0.83%, 0.36%

LAB 61.37, -41.96, 3.35

 

CMYK 90 / 0 / 63 / 64

HEX #095B22

RGB 9 91 34

HSL 138.29, 0.82%, 0.2%

LAB 33.26, -36.35, 26.08

 

CMYK 91 / 0 / 63 / 49

HEX #0C8130

RGB 12 129 48

HSL 138.46, 0.83%, 0.28%

LAB 46.96, -47.49, 34.93

 

CMYK 90 / 0 / 63 / 35

HEX #10A73E

RGB 16 167 62

HSL 138.28, 0.83%, 0.36%

LAB 59.97, -57.87, 43.25

 

CMYK 90 / 0 / 63 / 20

HEX #14CC4C

RGB 20 204 76

HSL 138.26, 0.82%, 0.44%

LAB 72.13, -67.47, 50.81

 

CMYK 86 / 0 / 60 / 9

HEX #21E95E

RGB 33 233 94

HSL 138.3, 0.82%, 0.52%

LAB 81.52, -73.27, 53.72

 

CMYK 90 / 0 / 63 / 35

HEX #10A63E

RGB 16 166 62

HSL 138.4, 0.82%, 0.36%

LAB 59.64, -57.55, 42.87

 

CMYK 90 / 46 / 0 / 35

HEX #105BA7

RGB 16 91 167

HSL 210.2, 0.83%, 0.36%

LAB 38.52, 8.14, -46.8

 

CMYK 0 / 90 / 81 / 35

HEX #A7101F

RGB 167 16 31

HSL 354.04, 0.83%, 0.36%

LAB 35.37, 56.76, 34.85

 

CMYK 90 / 0 / 63 / 35

HEX #10A63E

RGB 16 166 62

HSL 138.4, 0.82%, 0.36%

LAB 59.64, -57.55, 42.87

 

CMYK 63 / 90 / 0 / 35

HEX #3D10A7

RGB 61 16 167

HSL 257.88, 0.83%, 0.36%

LAB 24.17, 55.46, -70.16

 

CMYK 0 / 63 / 90 / 35

HEX #A73D10

RGB 167 61 16

HSL 17.88, 0.83%, 0.36%

LAB 40.56, 41.74, 46.62

 

CMYK 90 / 0 / 63 / 35

HEX #10A63E

RGB 16 166 62

HSL 138.4, 0.82%, 0.36%

LAB 59.64, -57.55, 42.87

 

CMYK 90 / 46 / 0 / 35

HEX #105BA7

RGB 16 91 167

HSL 210.2, 0.83%, 0.36%

LAB 38.52, 8.14, -46.8

 

CMYK 0 / 90 / 28 / 35

HEX #A71079

RGB 167 16 121

HSL 318.28, 0.83%, 0.36%

LAB 37.78, 63.44, -19

 

CMYK 0 / 46 / 90 / 35

HEX #A75B10

RGB 167 91 16

HSL 29.8, 0.83%, 0.36%

LAB 46.62, 26.32, 51.24

 

CMYK 90 / 0 / 63 / 35

HEX #10A63E

RGB 16 166 62

HSL 138.4, 0.82%, 0.36%

LAB 59.64, -57.55, 42.87

 

CMYK 90 / 72 / 0 / 35

HEX #102EA7

RGB 16 46 167

HSL 228.08, 0.83%, 0.36%

LAB 26.32, 38.23, -66.69

 

CMYK 0 / 90 / 28 / 35

HEX #A71079

RGB 167 16 121

HSL 318.28, 0.83%, 0.36%

LAB 37.78, 63.44, -19

 

CMYK 0 / 19 / 90 / 35

HEX #A78810

RGB 167 136 16

HSL 47.68, 0.83%, 0.36%

LAB 57.91, 1.09, 59.99

 

Description

Color code: HEX #10A63E | qconv.com Color code: HEX #10A63E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 166 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 166 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 63 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 63% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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