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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10C044 it is the complementary color #EF3FBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10C044. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10C044 shade: #15C03F, #26D252, #37E465, #48F678 and #59FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10C044. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10C044 shade: #10C044, #00AE31, #009C1E, #008A0B and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10C044 shade: #0FC144, #0FC114, #3BC10F, #6AC10F and #9AC10F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10C044 shade: #0FC144, #0FC174, #0FC1A4, #0FAEC1 and #0F7EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10C044 shade matches the following richer shades: #0FC144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10C044 shade: #0FC144, #20B04B, #319F52, #428E58 and #537D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10C044 shade: #3CC10F, #0FC112, #0FC142, #0FC171 and #0FC1A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10C044 shade: #097529, #0C9B36, #0FC144, #12E751 and #34EE6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10C044 shade: #10C044, #0F6BC1 and #C10F24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10C044 shade: #10C044, #420FC1 and #C1420F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10C044 shade: #10C044, #0F6BC1, #C10F8F and #C1650F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10C044 shade: #10C044, #0F36C1, #C10F8F and #C19A0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 65 / 25

HEX #10C044

RGB 16 192 68

HSL 137.73, 0.85%, 0.41%

LAB 68.19, -64.95, 49.83

 

Complementary color

CMYK 0 / 74 / 22 / 6

HEX #EF3FBB

RGB 239 63 187

HSL 317.73, 0.85%, 0.59%

LAB 57.55, 76.5, -26.96

 

CMYK 89 / 0 / 67 / 25

HEX #15C03F

RGB 21 192 63

HSL 134.74, 0.8%, 0.42%

LAB 68.18, -65.17, 51.93

 

CMYK 82 / 0 / 61 / 18

HEX #26D252

RGB 38 210 82

HSL 135.35, 0.69%, 0.49%

LAB 74.26, -67.14, 50.66

 

CMYK 76 / 0 / 56 / 11

HEX #37E465

RGB 55 228 101

HSL 135.95, 0.76%, 0.55%

LAB 80.31, -68.52, 49.25

 

CMYK 71 / 0 / 51 / 4

HEX #48F678

RGB 72 246 120

HSL 136.55, 0.91%, 0.62%

LAB 86.33, -69.47, 47.8

 

CMYK 65 / 0 / 45 / 0

HEX #59FF8B

RGB 89 255 139

HSL 138.07, 1%, 0.67%

LAB 89.63, -66.94, 42.99

 

CMYK 92 / 0 / 65 / 25

HEX #10C044

RGB 16 192 68

HSL 137.73, 0.85%, 0.41%

LAB 68.19, -64.95, 49.83

 

CMYK 100 / 0 / 72 / 32

HEX #00AE31

RGB 0 174 49

HSL 136.9, 1%, 0.34%

LAB 62.08, -62.26, 50.97

 

CMYK 100 / 0 / 81 / 39

HEX #009C1E

RGB 0 156 30

HSL 131.54, 1%, 0.31%

LAB 55.96, -58.48, 51.52

 

CMYK 100 / 0 / 92 / 46

HEX #008A0B

RGB 0 138 11

HSL 124.78, 1%, 0.27%

LAB 49.74, -54.21, 50.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 92 / 0 / 65 / 24

HEX #0FC144

RGB 15 193 68

HSL 137.87, 0.86%, 0.41%

LAB 68.5, -65.31, 50.18

 

CMYK 92 / 0 / 90 / 24

HEX #0FC114

RGB 15 193 20

HSL 121.69, 0.86%, 0.41%

LAB 68.24, -68.73, 65

 

CMYK 69 / 0 / 92 / 24

HEX #3BC10F

RGB 59 193 15

HSL 105.17, 0.86%, 0.41%

LAB 68.83, -63.55, 66.53

 

CMYK 45 / 0 / 92 / 24

HEX #6AC10F

RGB 106 193 15

HSL 89.33, 0.86%, 0.41%

LAB 70.34, -51.38, 68.41

 

CMYK 20 / 0 / 92 / 24

HEX #9AC10F

RGB 154 193 15

HSL 73.15, 0.86%, 0.41%

LAB 72.92, -33.71, 71.57

 

CMYK 92 / 0 / 65 / 24

HEX #0FC144

RGB 15 193 68

HSL 137.87, 0.86%, 0.41%

LAB 68.5, -65.31, 50.18

 

CMYK 92 / 0 / 40 / 24

HEX #0FC174

RGB 15 193 116

HSL 154.04, 0.86%, 0.41%

LAB 69.11, -57.94, 27.7

 

CMYK 92 / 0 / 15 / 24

HEX #0FC1A4

RGB 15 193 164

HSL 170.22, 0.86%, 0.41%

LAB 70.12, -46.77, 3.3

 

CMYK 92 / 10 / 0 / 24

HEX #0FAEC1

RGB 15 174 193

HSL 186.4, 0.86%, 0.41%

LAB 65.14, -29.56, -20.1

 

CMYK 92 / 35 / 0 / 24

HEX #0F7EC1

RGB 15 126 193

HSL 202.58, 0.86%, 0.41%

LAB 50.54, -3.54, -42.79

 

CMYK 92 / 0 / 65 / 24

HEX #0FC144

RGB 15 193 68

HSL 137.87, 0.86%, 0.41%

LAB 68.5, -65.31, 50.18

 

CMYK 92 / 0 / 65 / 24

HEX #0FC144

RGB 15 193 68

HSL 137.87, 0.86%, 0.41%

LAB 68.5, -65.31, 50.18

 

CMYK 82 / 0 / 57 / 31

HEX #20B04B

RGB 32 176 75

HSL 137.92, 0.69%, 0.41%

LAB 63.23, -57.66, 41.01

 

CMYK 69 / 0 / 48 / 38

HEX #319F52

RGB 49 159 82

HSL 138, 0.53%, 0.41%

LAB 58.09, -48.04, 31.3

 

CMYK 54 / 0 / 38 / 44

HEX #428E58

RGB 66 142 88

HSL 137.37, 0.37%, 0.41%

LAB 53.18, -36.14, 21.8

 

CMYK 34 / 0 / 24 / 51

HEX #537D5F

RGB 83 125 95

HSL 137.14, 0.2%, 0.41%

LAB 48.68, -21.38, 11.81

 

CMYK 69 / 0 / 92 / 24

HEX #3CC10F

RGB 60 193 15

HSL 104.83, 0.86%, 0.41%

LAB 68.85, -63.36, 66.56

 

CMYK 92 / 0 / 91 / 24

HEX #0FC112

RGB 15 193 18

HSL 121.01, 0.86%, 0.41%

LAB 68.23, -68.79, 65.33

 

CMYK 92 / 0 / 66 / 24

HEX #0FC142

RGB 15 193 66

HSL 137.19, 0.86%, 0.41%

LAB 68.49, -65.53, 51.01

 

CMYK 92 / 0 / 41 / 24

HEX #0FC171

RGB 15 193 113

HSL 153.03, 0.86%, 0.41%

LAB 69.06, -58.51, 29.19

 

CMYK 92 / 0 / 17 / 24

HEX #0FC1A0

RGB 15 193 160

HSL 168.88, 0.86%, 0.41%

LAB 70.02, -47.83, 5.34

 

CMYK 92 / 0 / 65 / 54

HEX #097529

RGB 9 117 41

HSL 137.78, 0.86%, 0.25%

LAB 42.67, -44.58, 33.41

 

CMYK 92 / 0 / 65 / 39

HEX #0C9B36

RGB 12 155 54

HSL 137.62, 0.86%, 0.33%

LAB 55.87, -55.27, 42.23

 

CMYK 92 / 0 / 65 / 24

HEX #0FC144

RGB 15 193 68

HSL 137.87, 0.86%, 0.41%

LAB 68.5, -65.31, 50.18

 

CMYK 92 / 0 / 65 / 9

HEX #12E751

RGB 18 231 81

HSL 137.75, 0.86%, 0.49%

LAB 80.67, -75.07, 58.23

 

CMYK 78 / 0 / 55 / 7

HEX #34EE6B

RGB 52 238 107

HSL 137.74, 0.85%, 0.57%

LAB 83.41, -71.33, 50.2

 

CMYK 92 / 0 / 65 / 25

HEX #10C044

RGB 16 192 68

HSL 137.73, 0.85%, 0.41%

LAB 68.19, -64.95, 49.83

 

CMYK 92 / 45 / 0 / 24

HEX #0F6BC1

RGB 15 107 193

HSL 208.99, 0.86%, 0.41%

LAB 44.9, 8.2, -51.79

 

CMYK 0 / 92 / 81 / 24

HEX #C10F24

RGB 193 15 36

HSL 352.92, 0.86%, 0.41%

LAB 40.91, 63.93, 39.34

 

CMYK 92 / 0 / 65 / 25

HEX #10C044

RGB 16 192 68

HSL 137.73, 0.85%, 0.41%

LAB 68.19, -64.95, 49.83

 

CMYK 66 / 92 / 0 / 24

HEX #420FC1

RGB 66 15 193

HSL 257.19, 0.86%, 0.41%

LAB 27.71, 62.73, -79.81

 

CMYK 0 / 66 / 92 / 24

HEX #C1420F

RGB 193 66 15

HSL 17.19, 0.86%, 0.41%

LAB 46, 48.91, 52.98

 

CMYK 92 / 0 / 65 / 25

HEX #10C044

RGB 16 192 68

HSL 137.73, 0.85%, 0.41%

LAB 68.19, -64.95, 49.83

 

CMYK 92 / 45 / 0 / 24

HEX #0F6BC1

RGB 15 107 193

HSL 208.99, 0.86%, 0.41%

LAB 44.9, 8.2, -51.79

 

CMYK 0 / 92 / 26 / 24

HEX #C10F8F

RGB 193 15 143

HSL 316.85, 0.86%, 0.41%

LAB 43.74, 71.65, -22.94

 

CMYK 0 / 48 / 92 / 24

HEX #C1650F

RGB 193 101 15

HSL 28.99, 0.86%, 0.41%

LAB 52.6, 31.92, 57.63

 

CMYK 92 / 0 / 65 / 25

HEX #10C044

RGB 16 192 68

HSL 137.73, 0.85%, 0.41%

LAB 68.19, -64.95, 49.83

 

CMYK 92 / 72 / 0 / 24

HEX #0F36C1

RGB 15 54 193

HSL 226.85, 0.86%, 0.41%

LAB 30.86, 42.74, -74.68

 

CMYK 0 / 92 / 26 / 24

HEX #C10F8F

RGB 193 15 143

HSL 316.85, 0.86%, 0.41%

LAB 43.74, 71.65, -22.94

 

CMYK 0 / 20 / 92 / 24

HEX #C19A0F

RGB 193 154 15

HSL 46.85, 0.86%, 0.41%

LAB 65.34, 3.04, 67.06

 

Description

Color code: HEX #10C044 | qconv.com Color code: HEX #10C044 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 192 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 192 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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