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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10CEBA it is the complementary color #EF3145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10CEBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10CEBA shade: #15CEB5, #26E0C8, #37F2DB, #48FFEE and #59FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10CEBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10CEBA shade: #10CEBA, #00BCA7, #00AA94, #009881 and #00866E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10CEBA shade: #0FD0BC, #0FD088, #0FD054, #0FD020 and #33D00F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10CEBA shade: #0FD0BC, #0FB0D0, #0F7CD0, #0F48D0 and #0F14D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10CEBA shade matches the following richer shades: #0FD0BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10CEBA shade: #0FD0BC, #21BEAE, #34AC9F, #469A91 and #588883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10CEBA shade: #0FD053, #0FD086, #0FD0BA, #0FB3D0 and #0F80D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10CEBA shade: #098377, #0CAA99, #0FD0BC, #1BEDD7 and #42F0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10CEBA shade: #10CEBA, #1F0FD0 and #D06C0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10CEBA shade: #10CEBA, #BA0FD0 and #D0BA0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10CEBA shade: #10CEBA, #1F0FD0, #D00F26 and #C0D00F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10CEBA shade: #10CEBA, #590FD0, #D00F26 and #86D00F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 10 / 19

HEX #10CEBA

RGB 16 206 186

HSL 173.68, 0.86%, 0.44%

LAB 74.7, -46.22, -1.97

 

Complementary color

CMYK 0 / 79 / 71 / 6

HEX #EF3145

RGB 239 49 69

HSL 353.68, 0.86%, 0.56%

LAB 52.92, 70.51, 36.17

 

CMYK 90 / 0 / 12 / 19

HEX #15CEB5

RGB 21 206 181

HSL 171.89, 0.81%, 0.45%

LAB 74.6, -47.36, 0.58

 

CMYK 83 / 0 / 11 / 12

HEX #26E0C8

RGB 38 224 200

HSL 172.26, 0.75%, 0.51%

LAB 80.68, -48.77, -0.69

 

CMYK 77 / 0 / 10 / 5

HEX #37F2DB

RGB 55 242 219

HSL 172.62, 0.88%, 0.58%

LAB 86.72, -49.86, -1.85

 

CMYK 72 / 0 / 7 / 0

HEX #48FFEE

RGB 72 255 238

HSL 174.43, 1%, 0.64%

LAB 91.27, -48.58, -5.03

 

CMYK 65 / 0 / 0 / 0

HEX #59FFFF

RGB 89 255 255

HSL 180, 1%, 0.67%

LAB 92.07, -41.9, -12.61

 

CMYK 92 / 0 / 10 / 19

HEX #10CEBA

RGB 16 206 186

HSL 173.68, 0.86%, 0.44%

LAB 74.7, -46.22, -1.97

 

CMYK 100 / 0 / 11 / 26

HEX #00BCA7

RGB 0 188 167

HSL 173.3, 1%, 0.37%

LAB 68.57, -44.36, -0.6

 

CMYK 100 / 0 / 13 / 33

HEX #00AA94

RGB 0 170 148

HSL 172.24, 1%, 0.33%

LAB 62.41, -41.98, 0.93

 

CMYK 100 / 0 / 15 / 40

HEX #009881

RGB 0 152 129

HSL 170.92, 1%, 0.3%

LAB 56.13, -39.56, 2.53

 

CMYK 100 / 0 / 18 / 47

HEX #00866E

RGB 0 134 110

HSL 169.25, 1%, 0.26%

LAB 49.71, -37.08, 4.22

 

CMYK 93 / 0 / 10 / 18

HEX #0FD0BC

RGB 15 208 188

HSL 173.78, 0.87%, 0.44%

LAB 75.35, -46.55, -2.09

 

CMYK 93 / 0 / 35 / 18

HEX #0FD088

RGB 15 208 136

HSL 157.62, 0.87%, 0.44%

LAB 74.18, -59.24, 24.02

 

CMYK 93 / 0 / 60 / 18

HEX #0FD054

RGB 15 208 84

HSL 141.45, 0.87%, 0.44%

LAB 73.45, -67.99, 48.78

 

CMYK 93 / 0 / 85 / 18

HEX #0FD020

RGB 15 208 32

HSL 125.28, 0.87%, 0.44%

LAB 73.1, -72.41, 66.82

 

CMYK 75 / 0 / 93 / 18

HEX #33D00F

RGB 51 208 15

HSL 108.81, 0.87%, 0.44%

LAB 73.45, -69.49, 70.33

 

CMYK 93 / 0 / 10 / 18

HEX #0FD0BC

RGB 15 208 188

HSL 173.78, 0.87%, 0.44%

LAB 75.35, -46.55, -2.09

 

CMYK 93 / 15 / 0 / 18

HEX #0FB0D0

RGB 15 176 208

HSL 189.95, 0.87%, 0.44%

LAB 66.29, -25.6, -26.63

 

CMYK 93 / 40 / 0 / 18

HEX #0F7CD0

RGB 15 124 208

HSL 206.11, 0.87%, 0.44%

LAB 50.77, 3.47, -50.97

 

CMYK 93 / 65 / 0 / 18

HEX #0F48D0

RGB 15 72 208

HSL 222.28, 0.87%, 0.44%

LAB 36.54, 36.97, -74.05

 

CMYK 93 / 90 / 0 / 18

HEX #0F14D0

RGB 15 20 208

HSL 238.45, 0.87%, 0.44%

LAB 27.17, 63.56, -89.57

 

CMYK 93 / 0 / 10 / 18

HEX #0FD0BC

RGB 15 208 188

HSL 173.78, 0.87%, 0.44%

LAB 75.35, -46.55, -2.09

 

CMYK 93 / 0 / 10 / 18

HEX #0FD0BC

RGB 15 208 188

HSL 173.78, 0.87%, 0.44%

LAB 75.35, -46.55, -2.09

 

CMYK 83 / 0 / 8 / 25

HEX #21BEAE

RGB 33 190 174

HSL 173.89, 0.7%, 0.44%

LAB 69.62, -41.65, -2.89

 

CMYK 70 / 0 / 8 / 33

HEX #34AC9F

RGB 52 172 159

HSL 173.5, 0.54%, 0.44%

LAB 63.95, -35.64, -2.89

 

CMYK 55 / 0 / 6 / 40

HEX #469A91

RGB 70 154 145

HSL 173.57, 0.38%, 0.44%

LAB 58.47, -27.65, -3.01

 

CMYK 35 / 0 / 4 / 47

HEX #588883

RGB 88 136 131

HSL 173.75, 0.21%, 0.44%

LAB 53.3, -17.41, -2.49

 

CMYK 93 / 0 / 60 / 18

HEX #0FD053

RGB 15 208 83

HSL 141.14, 0.87%, 0.44%

LAB 73.44, -68.12, 49.22

 

CMYK 93 / 0 / 36 / 18

HEX #0FD086

RGB 15 208 134

HSL 156.99, 0.87%, 0.44%

LAB 74.15, -59.66, 25.01

 

CMYK 93 / 0 / 11 / 18

HEX #0FD0BA

RGB 15 208 186

HSL 173.16, 0.87%, 0.44%

LAB 75.3, -47.1, -1.09

 

CMYK 93 / 14 / 0 / 18

HEX #0FB3D0

RGB 15 179 208

HSL 189.02, 0.87%, 0.44%

LAB 67.2, -27.11, -25.25

 

CMYK 93 / 38 / 0 / 18

HEX #0F80D0

RGB 15 128 208

HSL 204.87, 0.87%, 0.44%

LAB 51.94, 1.03, -49.1

 

CMYK 93 / 0 / 9 / 49

HEX #098377

RGB 9 131 119

HSL 174.1, 0.87%, 0.27%

LAB 49.04, -32.6, -2.02

 

CMYK 93 / 0 / 10 / 33

HEX #0CAA99

RGB 12 170 153

HSL 173.54, 0.87%, 0.36%

LAB 62.62, -40.1, -1.56

 

CMYK 93 / 0 / 10 / 18

HEX #0FD0BC

RGB 15 208 188

HSL 173.78, 0.87%, 0.44%

LAB 75.35, -46.55, -2.09

 

CMYK 89 / 0 / 9 / 7

HEX #1BEDD7

RGB 27 237 215

HSL 173.71, 0.85%, 0.52%

LAB 84.85, -50.84, -2.52

 

CMYK 73 / 0 / 8 / 6

HEX #42F0DE

RGB 66 240 222

HSL 173.79, 0.85%, 0.6%

LAB 86.38, -47.06, -3.89

 

CMYK 92 / 0 / 10 / 19

HEX #10CEBA

RGB 16 206 186

HSL 173.68, 0.86%, 0.44%

LAB 74.7, -46.22, -1.97

 

CMYK 85 / 93 / 0 / 18

HEX #1F0FD0

RGB 31 15 208

HSL 244.97, 0.87%, 0.44%

LAB 27.26, 65.2, -89.41

 

CMYK 0 / 48 / 93 / 18

HEX #D06C0F

RGB 208 108 15

HSL 28.91, 0.87%, 0.44%

LAB 56.26, 34.42, 61.24

 

CMYK 92 / 0 / 10 / 19

HEX #10CEBA

RGB 16 206 186

HSL 173.68, 0.86%, 0.44%

LAB 74.7, -46.22, -1.97

 

CMYK 11 / 93 / 0 / 18

HEX #BA0FD0

RGB 186 15 208

HSL 293.16, 0.87%, 0.44%

LAB 46.09, 79.5, -57.79

 

CMYK 0 / 11 / 93 / 18

HEX #D0BA0F

RGB 208 186 15

HSL 53.16, 0.87%, 0.44%

LAB 75.18, -7.23, 75.13

 

CMYK 92 / 0 / 10 / 19

HEX #10CEBA

RGB 16 206 186

HSL 173.68, 0.86%, 0.44%

LAB 74.7, -46.22, -1.97

 

CMYK 85 / 93 / 0 / 18

HEX #1F0FD0

RGB 31 15 208

HSL 244.97, 0.87%, 0.44%

LAB 27.26, 65.2, -89.41

 

CMYK 0 / 93 / 82 / 18

HEX #D00F26

RGB 208 15 38

HSL 352.85, 0.87%, 0.44%

LAB 44.08, 67.83, 42.4

 

CMYK 8 / 0 / 93 / 18

HEX #C0D00F

RGB 192 208 15

HSL 64.97, 0.87%, 0.44%

LAB 79.81, -25.09, 78.11

 

CMYK 92 / 0 / 10 / 19

HEX #10CEBA

RGB 16 206 186

HSL 173.68, 0.86%, 0.44%

LAB 74.7, -46.22, -1.97

 

CMYK 57 / 93 / 0 / 18

HEX #590FD0

RGB 89 15 208

HSL 263.01, 0.87%, 0.44%

LAB 31.85, 67.94, -81.65

 

CMYK 0 / 93 / 82 / 18

HEX #D00F26

RGB 208 15 38

HSL 352.85, 0.87%, 0.44%

LAB 44.08, 67.83, 42.4

 

CMYK 36 / 0 / 93 / 18

HEX #86D00F

RGB 134 208 15

HSL 83.01, 0.87%, 0.44%

LAB 76.2, -47.87, 73.72

 

Description

Color code: HEX #10CEBA | qconv.com Color code: HEX #10CEBA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 206 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 206 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 10 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 10% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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