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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10D1FD it is the complementary color #EF2E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10D1FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10D1FD shade: #15D1F8, #26E3FF, #37F5FF, #48FFFF and #59FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10D1FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10D1FD shade: #10D1FD, #00BFEA, #00ADD7, #009BC4 and #0089B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10D1FD shade: #11D0FC, #1191FC, #1152FC, #1112FC and #4F11FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10D1FD shade: #11D0FC, #1191FC, #1152FC, #1112FC and #1111FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10D1FD shade matches the following richer shades: #11D0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10D1FD shade: #11D0FC, #25C4E9, #38B8D5, #4BACC2 and #5FA0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10D1FD shade: #11FCAA, #11FCE9, #11D1FC, #1192FC and #1154FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10D1FD shade: #0197B9, #02B9E2, #11D0FC, #3AD8FD and #63E0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10D1FD shade: #10D1FD, #6B11FC and #FCC911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10D1FD shade: #10D1FD, #FC11D1 and #D1FC11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10D1FD shade: #10D1FD, #6B11FC, #FC3C11 and #A2FC11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10D1FD shade: #10D1FD, #B211FC, #FC3C11 and #5CFC11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 17 / 0 / 1

HEX #10D1FD

RGB 16 209 253

HSL 191.14, 0.98%, 0.53%

LAB 77.76, -27.13, -33.38

 

Complementary color

CMYK 0 / 81 / 99 / 6

HEX #EF2E02

RGB 239 46 2

HSL 11.14, 0.98%, 0.47%

LAB 52.18, 69.81, 64.36

 

CMYK 92 / 16 / 0 / 3

HEX #15D1F8

RGB 21 209 248

HSL 190.31, 0.94%, 0.53%

LAB 77.6, -28.59, -30.95

 

CMYK 85 / 11 / 0 / 0

HEX #26E3FF

RGB 38 227 255

HSL 187.74, 1%, 0.57%

LAB 83.22, -34.19, -26.06

 

CMYK 78 / 4 / 0 / 0

HEX #37F5FF

RGB 55 245 255

HSL 183, 1%, 0.61%

LAB 88.61, -41.23, -17.86

 

CMYK 72 / 0 / 0 / 0

HEX #48FFFF

RGB 72 255 255

HSL 180, 1%, 0.64%

LAB 91.74, -44.02, -13.14

 

CMYK 65 / 0 / 0 / 0

HEX #59FFFF

RGB 89 255 255

HSL 180, 1%, 0.67%

LAB 92.07, -41.9, -12.61

 

CMYK 94 / 17 / 0 / 1

HEX #10D1FD

RGB 16 209 253

HSL 191.14, 0.98%, 0.53%

LAB 77.76, -27.13, -33.38

 

CMYK 100 / 18 / 0 / 8

HEX #00BFEA

RGB 0 191 234

HSL 191.03, 1%, 0.46%

LAB 71.69, -24.86, -32.54

 

CMYK 100 / 20 / 0 / 16

HEX #00ADD7

RGB 0 173 215

HSL 191.72, 1%, 0.42%

LAB 65.59, -22.14, -31.59

 

CMYK 100 / 21 / 0 / 23

HEX #009BC4

RGB 0 155 196

HSL 192.55, 1%, 0.38%

LAB 59.37, -19.34, -30.65

 

CMYK 100 / 23 / 0 / 31

HEX #0089B1

RGB 0 137 177

HSL 193.56, 1%, 0.35%

LAB 53.02, -16.45, -29.72

 

CMYK 93 / 17 / 0 / 1

HEX #11D0FC

RGB 17 208 252

HSL 191.23, 0.98%, 0.53%

LAB 77.44, -26.93, -33.35

 

CMYK 93 / 42 / 0 / 1

HEX #1191FC

RGB 17 145 252

HSL 207.32, 0.98%, 0.53%

LAB 59.34, 7.66, -61.82

 

CMYK 93 / 67 / 0 / 1

HEX #1152FC

RGB 17 82 252

HSL 223.4, 0.98%, 0.53%

LAB 43.04, 46.93, -88.34

 

CMYK 93 / 93 / 0 / 1

HEX #1112FC

RGB 17 18 252

HSL 239.74, 0.98%, 0.53%

LAB 33.09, 75.62, -104.85

 

CMYK 69 / 93 / 0 / 1

HEX #4F11FC

RGB 79 17 252

HSL 255.83, 0.98%, 0.53%

LAB 36.16, 77.42, -99.65

 

CMYK 93 / 17 / 0 / 1

HEX #11D0FC

RGB 17 208 252

HSL 191.23, 0.98%, 0.53%

LAB 77.44, -26.93, -33.35

 

CMYK 93 / 42 / 0 / 1

HEX #1191FC

RGB 17 145 252

HSL 207.32, 0.98%, 0.53%

LAB 59.34, 7.66, -61.82

 

CMYK 93 / 67 / 0 / 1

HEX #1152FC

RGB 17 82 252

HSL 223.4, 0.98%, 0.53%

LAB 43.04, 46.93, -88.34

 

CMYK 93 / 93 / 0 / 1

HEX #1112FC

RGB 17 18 252

HSL 239.74, 0.98%, 0.53%

LAB 33.09, 75.62, -104.85

 

CMYK 93 / 93 / 0 / 1

HEX #1111FC

RGB 17 17 252

HSL 240, 0.98%, 0.53%

LAB 33.02, 75.83, -104.97

 

CMYK 93 / 17 / 0 / 1

HEX #11D0FC

RGB 17 208 252

HSL 191.23, 0.98%, 0.53%

LAB 77.44, -26.93, -33.35

 

CMYK 93 / 17 / 0 / 1

HEX #11D0FC

RGB 17 208 252

HSL 191.23, 0.98%, 0.53%

LAB 77.44, -26.93, -33.35

 

CMYK 84 / 16 / 0 / 9

HEX #25C4E9

RGB 37 196 233

HSL 191.33, 0.82%, 0.53%

LAB 73.39, -26.19, -29.36

 

CMYK 74 / 14 / 0 / 16

HEX #38B8D5

RGB 56 184 213

HSL 191.08, 0.65%, 0.53%

LAB 69.42, -24.81, -24.55

 

CMYK 61 / 11 / 0 / 24

HEX #4BACC2

RGB 75 172 194

HSL 191.09, 0.49%, 0.53%

LAB 65.67, -21.75, -19.75

 

CMYK 46 / 9 / 0 / 31

HEX #5FA0AF

RGB 95 160 175

HSL 191.25, 0.33%, 0.53%

LAB 62.23, -16.71, -14.27

 

CMYK 93 / 0 / 33 / 1

HEX #11FCAA

RGB 17 252 170

HSL 159.06, 0.98%, 0.53%

LAB 88.28, -67.73, 25.67

 

CMYK 93 / 0 / 8 / 1

HEX #11FCE9

RGB 17 252 233

HSL 175.15, 0.98%, 0.53%

LAB 89.68, -52.58, -4.83

 

CMYK 93 / 17 / 0 / 1

HEX #11D1FC

RGB 17 209 252

HSL 190.98, 0.98%, 0.53%

LAB 77.73, -27.43, -32.9

 

CMYK 93 / 42 / 0 / 1

HEX #1192FC

RGB 17 146 252

HSL 207.06, 0.98%, 0.53%

LAB 59.62, 7.06, -61.37

 

CMYK 93 / 67 / 0 / 1

HEX #1154FC

RGB 17 84 252

HSL 222.89, 0.98%, 0.53%

LAB 43.49, 45.72, -87.59

 

CMYK 99 / 18 / 0 / 27

HEX #0197B9

RGB 1 151 185

HSL 191.09, 0.99%, 0.36%

LAB 57.7, -21.08, -27.04

 

CMYK 99 / 18 / 0 / 11

HEX #02B9E2

RGB 2 185 226

HSL 190.98, 0.98%, 0.45%

LAB 69.61, -24.47, -31.4

 

CMYK 93 / 17 / 0 / 1

HEX #11D0FC

RGB 17 208 252

HSL 191.23, 0.98%, 0.53%

LAB 77.44, -26.93, -33.35

 

CMYK 77 / 15 / 0 / 1

HEX #3AD8FD

RGB 58 216 253

HSL 191.38, 0.98%, 0.61%

LAB 80.24, -27.94, -29.53

 

CMYK 61 / 11 / 0 / 1

HEX #63E0FD

RGB 99 224 253

HSL 191.3, 0.97%, 0.69%

LAB 83.47, -26.4, -24.5

 

CMYK 94 / 17 / 0 / 1

HEX #10D1FD

RGB 16 209 253

HSL 191.14, 0.98%, 0.53%

LAB 77.76, -27.13, -33.38

 

CMYK 58 / 93 / 0 / 1

HEX #6B11FC

RGB 107 17 252

HSL 262.98, 0.98%, 0.53%

LAB 38.82, 79.01, -95.16

 

CMYK 0 / 20 / 93 / 1

HEX #FCC911

RGB 252 201 17

HSL 46.98, 0.98%, 0.53%

LAB 83.18, 4.09, 82.7

 

CMYK 94 / 17 / 0 / 1

HEX #10D1FD

RGB 16 209 253

HSL 191.14, 0.98%, 0.53%

LAB 77.76, -27.13, -33.38

 

CMYK 0 / 93 / 17 / 1

HEX #FC11D1

RGB 252 17 209

HSL 310.98, 0.98%, 0.53%

LAB 57.75, 90.66, -39.1

 

CMYK 17 / 0 / 93 / 1

HEX #D1FC11

RGB 209 252 17

HSL 70.98, 0.98%, 0.53%

LAB 93.11, -38.53, 88.72

 

CMYK 94 / 17 / 0 / 1

HEX #10D1FD

RGB 16 209 253

HSL 191.14, 0.98%, 0.53%

LAB 77.76, -27.13, -33.38

 

CMYK 58 / 93 / 0 / 1

HEX #6B11FC

RGB 107 17 252

HSL 262.98, 0.98%, 0.53%

LAB 38.82, 79.01, -95.16

 

CMYK 0 / 76 / 93 / 1

HEX #FC3C11

RGB 252 60 17

HSL 10.98, 0.98%, 0.53%

LAB 56.06, 69.84, 64.16

 

CMYK 36 / 0 / 93 / 1

HEX #A2FC11

RGB 162 252 17

HSL 82.98, 0.98%, 0.53%

LAB 90.48, -55.84, 85.52

 

CMYK 94 / 17 / 0 / 1

HEX #10D1FD

RGB 16 209 253

HSL 191.14, 0.98%, 0.53%

LAB 77.76, -27.13, -33.38

 

CMYK 29 / 93 / 0 / 1

HEX #B211FC

RGB 178 17 252

HSL 281.11, 0.98%, 0.53%

LAB 48.13, 85.8, -79.5

 

CMYK 0 / 76 / 93 / 1

HEX #FC3C11

RGB 252 60 17

HSL 10.98, 0.98%, 0.53%

LAB 56.06, 69.84, 64.16

 

CMYK 63 / 0 / 93 / 1

HEX #5CFC11

RGB 92 252 17

HSL 100.85, 0.98%, 0.53%

LAB 87.94, -75.43, 82.41

 

Description

Color code: HEX #10D1FD | qconv.com Color code: HEX #10D1FD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 209 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 209 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 17 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 17% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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