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Color name
HEX #1114BA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1114BA it is the complementary color #EEEB45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1114BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1114BA shade: #1614B5, #2726C8, #3838DB, #494AEE and #5A5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1114BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1114BA shade: #1114BA, #0002A7, #000094, #000081 and #00006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1114BA shade: #1114BA, #3B11BA, #6911BA, #9711BA and #BA11B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1114BA shade: #1114BA and #1111BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1114BA shade matches the following richer shades: #1114BA and #0004CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1114BA shade: #1114BA, #2124AA, #323499, #424489 and #535478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1114BA shade: #1171BA, #1144BA, #1116BA, #3811BA and #6611BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1114BA shade: #0A0C6F, #0D1094, #1114BA, #1418E0 and #3235EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1114BA shade: #1114BA, #BA119E and #5ABA11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1114BA shade: #1114BA, #BA1116 and #16BA11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1114BA shade: #1114BA, #BA119E, #BAB511 and #11BA2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1114BA shade: #1114BA, #BA116B, #BAB511 and #11BA60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

Complementary color

CMYK 0 / 1 / 71 / 7

HEX #EEEB45

RGB 238 235 69

HSL 58.93, 0.83%, 0.6%

LAB 90.79, -17.45, 75.99

 

CMYK 88 / 89 / 0 / 29

HEX #1614B5

RGB 22 20 181

HSL 240.75, 0.8%, 0.39%

LAB 23.69, 56.13, -79.45

 

CMYK 81 / 81 / 0 / 22

HEX #2726C8

RGB 39 38 200

HSL 240.37, 0.68%, 0.47%

LAB 29.38, 54.91, -81.2

 

CMYK 74 / 74 / 0 / 14

HEX #3838DB

RGB 56 56 219

HSL 240, 0.69%, 0.54%

LAB 35.56, 52.84, -81.95

 

CMYK 69 / 69 / 0 / 7

HEX #494AEE

RGB 73 74 238

HSL 239.64, 0.83%, 0.61%

LAB 41.98, 50.57, -82.15

 

CMYK 65 / 64 / 0 / 0

HEX #5A5CFF

RGB 90 92 255

HSL 239.27, 1%, 0.68%

LAB 48.32, 47.72, -81.23

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 100 / 99 / 0 / 35

HEX #0002A7

RGB 0 2 167

HSL 239.28, 1%, 0.33%

LAB 19.36, 57.12, -78.26

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 100 / 100 / 0 / 57

HEX #00006E

RGB 0 0 110

HSL 240, 1%, 0.22%

LAB 10, 42.63, -58.06

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 68 / 91 / 0 / 27

HEX #3B11BA

RGB 59 17 186

HSL 254.91, 0.83%, 0.4%

LAB 26.38, 60.01, -77.89

 

CMYK 44 / 91 / 0 / 27

HEX #6911BA

RGB 105 17 186

HSL 271.24, 0.83%, 0.4%

LAB 31.69, 63.97, -68.94

 

CMYK 19 / 91 / 0 / 27

HEX #9711BA

RGB 151 17 186

HSL 287.57, 0.83%, 0.4%

LAB 38.77, 70.11, -57.08

 

CMYK 0 / 91 / 5 / 27

HEX #BA11B0

RGB 186 17 176

HSL 303.55, 0.83%, 0.4%

LAB 44.2, 74.36, -42.12

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 91 / 91 / 0 / 27

HEX #1111BA

RGB 17 17 186

HSL 240, 0.83%, 0.4%

LAB 23.89, 58.43, -82.11

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 100 / 98 / 0 / 20

HEX #0004CB

RGB 0 4 203

HSL 238.82, 1%, 0.4%

LAB 24.95, 65.85, -90.38

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 81 / 79 / 0 / 33

HEX #2124AA

RGB 33 36 170

HSL 238.69, 0.67%, 0.4%

LAB 25.22, 46.04, -70.29

 

CMYK 67 / 66 / 0 / 40

HEX #323499

RGB 50 52 153

HSL 238.83, 0.51%, 0.4%

LAB 27.94, 32.38, -55.46

 

CMYK 52 / 50 / 0 / 46

HEX #424489

RGB 66 68 137

HSL 238.31, 0.35%, 0.4%

LAB 32.03, 19.42, -38.95

 

CMYK 31 / 30 / 0 / 53

HEX #535478

RGB 83 84 120

HSL 238.38, 0.18%, 0.4%

LAB 37, 8.61, -20.54

 

CMYK 91 / 39 / 0 / 27

HEX #1171BA

RGB 17 113 186

HSL 205.92, 0.83%, 0.4%

LAB 46.28, 1.76, -45.52

 

CMYK 91 / 63 / 0 / 27

HEX #1144BA

RGB 17 68 186

HSL 221.89, 0.83%, 0.4%

LAB 33.56, 31.23, -66.1

 

CMYK 91 / 88 / 0 / 27

HEX #1116BA

RGB 17 22 186

HSL 238.22, 0.83%, 0.4%

LAB 24.44, 56.74, -81.18

 

CMYK 70 / 91 / 0 / 27

HEX #3811BA

RGB 56 17 186

HSL 253.85, 0.83%, 0.4%

LAB 26.12, 59.84, -78.33

 

CMYK 45 / 91 / 0 / 27

HEX #6611BA

RGB 102 17 186

HSL 270.18, 0.83%, 0.4%

LAB 31.28, 63.64, -69.63

 

CMYK 91 / 89 / 0 / 56

HEX #0A0C6F

RGB 10 12 111

HSL 238.81, 0.83%, 0.24%

LAB 12.45, 37.57, -54.61

 

CMYK 91 / 89 / 0 / 42

HEX #0D1094

RGB 13 16 148

HSL 238.67, 0.84%, 0.32%

LAB 18.34, 47.66, -68.31

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 91 / 89 / 0 / 12

HEX #1418E0

RGB 20 24 224

HSL 238.82, 0.84%, 0.48%

LAB 29.87, 66.77, -94.32

 

CMYK 79 / 78 / 0 / 7

HEX #3235EC

RGB 50 53 236

HSL 239.03, 0.83%, 0.56%

LAB 36.52, 59.31, -90.08

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 0 / 91 / 15 / 27

HEX #BA119E

RGB 186 17 158

HSL 309.94, 0.83%, 0.4%

LAB 43.22, 71.86, -32.92

 

CMYK 52 / 0 / 91 / 27

HEX #5ABA11

RGB 90 186 17

HSL 94.08, 0.83%, 0.4%

LAB 67.53, -53.6, 65.51

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 0 / 91 / 88 / 27

HEX #BA1116

RGB 186 17 22

HSL 358.22, 0.83%, 0.4%

LAB 39.41, 61.49, 44.8

 

CMYK 88 / 0 / 91 / 27

HEX #16BA11

RGB 22 186 17

HSL 118.22, 0.83%, 0.4%

LAB 66, -66.38, 63.62

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 0 / 91 / 15 / 27

HEX #BA119E

RGB 186 17 158

HSL 309.94, 0.83%, 0.4%

LAB 43.22, 71.86, -32.92

 

CMYK 0 / 3 / 91 / 27

HEX #BAB511

RGB 186 181 17

HSL 58.22, 0.83%, 0.4%

LAB 71.91, -14.26, 71.5

 

CMYK 91 / 0 / 76 / 27

HEX #11BA2D

RGB 17 186 45

HSL 129.94, 0.83%, 0.4%

LAB 66.08, -65.26, 56.52

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 0 / 91 / 42 / 27

HEX #BA116B

RGB 186 17 107

HSL 328.05, 0.83%, 0.4%

LAB 41.06, 66.1, -4.89

 

CMYK 0 / 3 / 91 / 27

HEX #BAB511

RGB 186 181 17

HSL 58.22, 0.83%, 0.4%

LAB 71.91, -14.26, 71.5

 

CMYK 91 / 0 / 48 / 27

HEX #11BA60

RGB 17 186 96

HSL 148.05, 0.83%, 0.4%

LAB 66.58, -59.05, 34.73

 

Description

Color code: HEX #1114BA | qconv.com Color code: HEX #1114BA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 20 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 20 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 89 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 89% 0% 27% C M Y K

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Provide designers and agencies with accurate color values.

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