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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #114254 it is the complementary color #EEBDAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #114254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #114254 shade: #16424F, #275462, #386675, #497888 and #5A8A9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #114254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #114254 shade: #114254, #003041, #001E2E, #000C1B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #114254 shade: #114254, #113054, #111E54, #161154 and #281154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #114254 shade: #114254, #113054, #111E54 and #111154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #114254 shade matches the following richer shades: #114254, #09465C and #004A65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #114254 shade: #114254, #193E4C, #213A44, #2A373B and #323333

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #114254 shade: #115442, #115454, #114254, #113054 and #111E54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #114254 shade: #030C10, #0A2732, #114254, #185D76 and #1F7899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #114254 shade: #114254, #301154 and #544B11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #114254 shade: #114254, #541142 and #425411

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #114254 shade: #114254, #301154, #542311 and #355411

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #114254 shade: #114254, #441154, #542311 and #215411

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

Complementary color

CMYK 0 / 21 / 28 / 7

HEX #EEBDAB

RGB 238 189 171

HSL 16.12, 0.66%, 0.8%

LAB 80.47, 15.03, 15.79

 

CMYK 72 / 16 / 0 / 69

HEX #16424F

RGB 22 66 79

HSL 193.68, 0.56%, 0.2%

LAB 25.66, -10.25, -12.28

 

CMYK 60 / 14 / 0 / 62

HEX #275462

RGB 39 84 98

HSL 194.24, 0.43%, 0.27%

LAB 33.25, -10.89, -12.82

 

CMYK 52 / 13 / 0 / 54

HEX #386675

RGB 56 102 117

HSL 194.75, 0.35%, 0.34%

LAB 40.62, -11.25, -13.29

 

CMYK 46 / 12 / 0 / 47

HEX #497888

RGB 73 120 136

HSL 195.24, 0.3%, 0.41%

LAB 47.79, -11.46, -13.73

 

CMYK 42 / 11 / 0 / 39

HEX #5A8A9B

RGB 90 138 155

HSL 195.69, 0.27%, 0.48%

LAB 54.78, -11.6, -14.16

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 100 / 26 / 0 / 75

HEX #003041

RGB 0 48 65

HSL 195.69, 1%, 0.13%

LAB 17.9, -7.82, -14.93

 

CMYK 100 / 35 / 0 / 82

HEX #001E2E

RGB 0 30 46

HSL 200.87, 1%, 0.09%

LAB 10, -4.08, -13.87

 

CMYK 100 / 56 / 0 / 89

HEX #000C1B

RGB 0 12 27

HSL 213.33, 1%, 0.05%

LAB 3.09, 0.17, -10.13

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 80 / 43 / 0 / 67

HEX #113054

RGB 17 48 84

HSL 212.24, 0.66%, 0.2%

LAB 19.53, 2.89, -25.18

 

CMYK 80 / 64 / 0 / 67

HEX #111E54

RGB 17 30 84

HSL 228.36, 0.66%, 0.2%

LAB 13.76, 16.27, -34.48

 

CMYK 74 / 80 / 0 / 67

HEX #161154

RGB 22 17 84

HSL 244.48, 0.66%, 0.2%

LAB 10.64, 26.16, -39.57

 

CMYK 52 / 80 / 0 / 67

HEX #281154

RGB 40 17 84

HSL 260.6, 0.66%, 0.2%

LAB 12.56, 29.01, -36.35

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 80 / 43 / 0 / 67

HEX #113054

RGB 17 48 84

HSL 212.24, 0.66%, 0.2%

LAB 19.53, 2.89, -25.18

 

CMYK 80 / 64 / 0 / 67

HEX #111E54

RGB 17 30 84

HSL 228.36, 0.66%, 0.2%

LAB 13.76, 16.27, -34.48

 

CMYK 80 / 80 / 0 / 67

HEX #111154

RGB 17 17 84

HSL 240, 0.66%, 0.2%

LAB 10.26, 25.58, -40.22

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 90 / 24 / 0 / 64

HEX #09465C

RGB 9 70 92

HSL 195.9, 0.82%, 0.2%

LAB 27.33, -9.51, -18.18

 

CMYK 100 / 27 / 0 / 60

HEX #004A65

RGB 0 74 101

HSL 196.04, 1%, 0.2%

LAB 29, -9.17, -21.37

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 67 / 18 / 0 / 70

HEX #193E4C

RGB 25 62 76

HSL 196.47, 0.5%, 0.2%

LAB 24.24, -8.24, -12.47

 

CMYK 51 / 15 / 0 / 73

HEX #213A44

RGB 33 58 68

HSL 197.14, 0.35%, 0.2%

LAB 22.89, -6.43, -9.18

 

CMYK 29 / 7 / 0 / 77

HEX #2A373B

RGB 42 55 59

HSL 194.12, 0.17%, 0.2%

LAB 22.09, -4.25, -4.27

 

CMYK 2 / 0 / 0 / 80

HEX #323333

RGB 50 51 51

HSL 180, 0.01%, 0.2%

LAB 21.15, -0.43, -0.16

 

CMYK 80 / 0 / 21 / 67

HEX #115442

RGB 17 84 66

HSL 163.88, 0.66%, 0.2%

LAB 31.47, -25.29, 4.71

 

CMYK 80 / 0 / 0 / 67

HEX #115454

RGB 17 84 84

HSL 180, 0.66%, 0.2%

LAB 32.03, -19.67, -5.87

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 80 / 43 / 0 / 67

HEX #113054

RGB 17 48 84

HSL 212.24, 0.66%, 0.2%

LAB 19.53, 2.89, -25.18

 

CMYK 80 / 64 / 0 / 67

HEX #111E54

RGB 17 30 84

HSL 228.36, 0.66%, 0.2%

LAB 13.76, 16.27, -34.48

 

CMYK 81 / 25 / 0 / 94

HEX #030C10

RGB 3 12 16

HSL 198.46, 0.68%, 0.04%

LAB 2.89, -1.69, -2.72

 

CMYK 80 / 22 / 0 / 80

HEX #0A2732

RGB 10 39 50

HSL 196.5, 0.67%, 0.12%

LAB 14.09, -6.38, -10.34

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 80 / 21 / 0 / 54

HEX #185D76

RGB 24 93 118

HSL 195.96, 0.66%, 0.28%

LAB 36.61, -11.74, -20.14

 

CMYK 80 / 22 / 0 / 40

HEX #1F7899

RGB 31 120 153

HSL 196.23, 0.66%, 0.36%

LAB 47.01, -13.76, -25.09

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 43 / 80 / 0 / 67

HEX #301154

RGB 48 17 84

HSL 267.76, 0.66%, 0.2%

LAB 13.65, 30.57, -34.53

 

CMYK 0 / 11 / 80 / 67

HEX #544B11

RGB 84 75 17

HSL 51.94, 0.66%, 0.2%

LAB 31.71, -3.58, 33.86

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 0 / 80 / 21 / 67

HEX #541142

RGB 84 17 66

HSL 316.12, 0.66%, 0.2%

LAB 18.71, 35.72, -13.71

 

CMYK 21 / 0 / 80 / 67

HEX #425411

RGB 66 84 17

HSL 76.12, 0.66%, 0.2%

LAB 33, -17.62, 34.56

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 43 / 80 / 0 / 67

HEX #301154

RGB 48 17 84

HSL 267.76, 0.66%, 0.2%

LAB 13.65, 30.57, -34.53

 

CMYK 0 / 58 / 80 / 67

HEX #542311

RGB 84 35 17

HSL 16.12, 0.66%, 0.2%

LAB 20.55, 21.43, 22.49

 

CMYK 37 / 0 / 80 / 67

HEX #355411

RGB 53 84 17

HSL 87.76, 0.66%, 0.2%

LAB 32.12, -23.37, 33.39

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 19 / 80 / 0 / 67

HEX #441154

RGB 68 17 84

HSL 285.67, 0.66%, 0.2%

LAB 16.84, 34.98, -29.2

 

CMYK 0 / 58 / 80 / 67

HEX #542311

RGB 84 35 17

HSL 16.12, 0.66%, 0.2%

LAB 20.55, 21.43, 22.49

 

CMYK 61 / 0 / 80 / 67

HEX #215411

RGB 33 84 17

HSL 105.67, 0.66%, 0.2%

LAB 31.12, -30.69, 32.07

 

Description

Color code: HEX #114254 | qconv.com Color code: HEX #114254 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 66 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 66 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 21 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 21% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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