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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #114A37 it is the complementary color #EEB5C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #114A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #114A37 shade: #164A32, #275C45, #386E58, #49806B and #5A927E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #114A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #114A37 shade: #114A37, #003824, #002611, #001400 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #114A37 shade: #104A37, #104A27, #104A18, #194A10 and #284A10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #114A37 shade: #104A37, #104A47, #103E4A, #102F4A and #101F4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #114A37 shade matches the following richer shades: #104A37, #09523A and #02593C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #114A37 shade: #104A37, #184335, #1F3B32, #273430 and #2E2D2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #114A37 shade: #104A18, #104A28, #104A37, #104A46 and #103F4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #114A37 shade: #010705, #09291E, #104A37, #186C50 and #208E69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #114A37 shade: #114A37, #10184A and #4A2010

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #114A37 shade: #114A37, #37104A and #4A3710

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #114A37 shade: #114A37, #10184A, #4A1024 and #4A4310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #114A37 shade: #114A37, #1A104A, #4A1024 and #414A10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 26 / 71

HEX #114A37

RGB 17 74 55

HSL 160, 0.63%, 0.18%

LAB 27.55, -23.47, 6.16

 

Complementary color

CMYK 0 / 24 / 16 / 7

HEX #EEB5C8

RGB 238 181 200

HSL 340, 0.63%, 0.82%

LAB 79.27, 23.48, -1.57

 

CMYK 70 / 0 / 32 / 71

HEX #164A32

RGB 22 74 50

HSL 152.31, 0.54%, 0.19%

LAB 27.57, -23.77, 9.4

 

CMYK 58 / 0 / 25 / 64

HEX #275C45

RGB 39 92 69

HSL 153.96, 0.4%, 0.26%

LAB 35.03, -23.83, 7.98

 

CMYK 49 / 0 / 20 / 57

HEX #386E58

RGB 56 110 88

HSL 155.56, 0.33%, 0.33%

LAB 42.3, -23.68, 6.78

 

CMYK 43 / 0 / 16 / 50

HEX #49806B

RGB 73 128 107

HSL 157.09, 0.27%, 0.39%

LAB 49.39, -23.46, 5.74

 

CMYK 38 / 0 / 14 / 43

HEX #5A927E

RGB 90 146 126

HSL 158.57, 0.24%, 0.46%

LAB 56.33, -23.23, 4.81

 

CMYK 77 / 0 / 26 / 71

HEX #114A37

RGB 17 74 55

HSL 160, 0.63%, 0.18%

LAB 27.55, -23.47, 6.16

 

CMYK 100 / 0 / 36 / 78

HEX #003824

RGB 0 56 36

HSL 158.57, 1%, 0.11%

LAB 19.87, -23, 7.79

 

CMYK 100 / 0 / 55 / 85

HEX #002611

RGB 0 38 17

HSL 146.84, 1%, 0.07%

LAB 12.13, -19.77, 10

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 78 / 0 / 26 / 71

HEX #104A37

RGB 16 74 55

HSL 160.34, 0.64%, 0.18%

LAB 27.53, -23.65, 6.12

 

CMYK 78 / 0 / 47 / 71

HEX #104A27

RGB 16 74 39

HSL 143.79, 0.64%, 0.18%

LAB 27.17, -27.56, 15.72

 

CMYK 78 / 0 / 68 / 71

HEX #104A18

RGB 16 74 24

HSL 128.28, 0.64%, 0.18%

LAB 26.94, -30.18, 24.11

 

CMYK 66 / 0 / 78 / 71

HEX #194A10

RGB 25 74 16

HSL 110.69, 0.64%, 0.18%

LAB 27.13, -28.91, 28.34

 

CMYK 46 / 0 / 78 / 71

HEX #284A10

RGB 40 74 16

HSL 95.17, 0.64%, 0.18%

LAB 27.81, -23.8, 29.24

 

CMYK 78 / 0 / 26 / 71

HEX #104A37

RGB 16 74 55

HSL 160.34, 0.64%, 0.18%

LAB 27.53, -23.65, 6.12

 

CMYK 78 / 0 / 4 / 71

HEX #104A47

RGB 16 74 71

HSL 176.9, 0.64%, 0.18%

LAB 28.01, -18.75, -3.52

 

CMYK 78 / 16 / 0 / 71

HEX #103E4A

RGB 16 62 74

HSL 192.41, 0.64%, 0.18%

LAB 23.84, -10.72, -11.79

 

CMYK 78 / 36 / 0 / 71

HEX #102F4A

RGB 16 47 74

HSL 207.93, 0.64%, 0.18%

LAB 18.53, -0.81, -20.04

 

CMYK 78 / 58 / 0 / 71

HEX #101F4A

RGB 16 31 74

HSL 224.48, 0.64%, 0.18%

LAB 13.14, 11.05, -28.65

 

CMYK 78 / 0 / 26 / 71

HEX #104A37

RGB 16 74 55

HSL 160.34, 0.64%, 0.18%

LAB 27.53, -23.65, 6.12

 

CMYK 89 / 0 / 29 / 68

HEX #09523A

RGB 9 82 58

HSL 160.27, 0.8%, 0.18%

LAB 30.4, -27.62, 8.22

 

CMYK 98 / 0 / 33 / 65

HEX #02593C

RGB 2 89 60

HSL 160, 0.96%, 0.18%

LAB 32.88, -31, 10.41

 

CMYK 78 / 0 / 26 / 71

HEX #104A37

RGB 16 74 55

HSL 160.34, 0.64%, 0.18%

LAB 27.53, -23.65, 6.12

 

CMYK 64 / 0 / 21 / 74

HEX #184335

RGB 24 67 53

HSL 160.47, 0.47%, 0.18%

LAB 25.15, -18.91, 4.08

 

CMYK 47 / 0 / 15 / 77

HEX #1F3B32

RGB 31 59 50

HSL 160.71, 0.31%, 0.18%

LAB 22.48, -13.2, 2.27

 

CMYK 25 / 0 / 8 / 80

HEX #273430

RGB 39 52 48

HSL 161.54, 0.14%, 0.18%

LAB 20.44, -6.46, 0.74

 

CMYK 0 / 2 / 2 / 82

HEX #2E2D2D

RGB 46 45 45

HSL 0, 0.01%, 0.18%

LAB 18.57, 0.45, 0.16

 

CMYK 78 / 0 / 68 / 71

HEX #104A18

RGB 16 74 24

HSL 128.28, 0.64%, 0.18%

LAB 26.94, -30.18, 24.11

 

CMYK 78 / 0 / 46 / 71

HEX #104A28

RGB 16 74 40

HSL 144.83, 0.64%, 0.18%

LAB 27.19, -27.35, 15.13

 

CMYK 78 / 0 / 26 / 71

HEX #104A37

RGB 16 74 55

HSL 160.34, 0.64%, 0.18%

LAB 27.53, -23.65, 6.12

 

CMYK 78 / 0 / 5 / 71

HEX #104A46

RGB 16 74 70

HSL 175.86, 0.64%, 0.18%

LAB 27.98, -19.08, -2.93

 

CMYK 78 / 15 / 0 / 71

HEX #103F4A

RGB 16 63 74

HSL 191.38, 0.64%, 0.18%

LAB 24.19, -11.33, -11.25

 

CMYK 86 / 0 / 29 / 97

HEX #010705

RGB 1 7 5

HSL 160, 0.75%, 0.02%

LAB 1.53, -1.85, 0.2

 

CMYK 78 / 0 / 27 / 84

HEX #09291E

RGB 9 41 30

HSL 159.38, 0.64%, 0.1%

LAB 14.05, -15.06, 3.82

 

CMYK 78 / 0 / 26 / 71

HEX #104A37

RGB 16 74 55

HSL 160.34, 0.64%, 0.18%

LAB 27.53, -23.65, 6.12

 

CMYK 78 / 0 / 26 / 58

HEX #186C50

RGB 24 108 80

HSL 160, 0.64%, 0.26%

LAB 40.41, -31.7, 8.77

 

CMYK 77 / 0 / 26 / 44

HEX #208E69

RGB 32 142 105

HSL 159.82, 0.63%, 0.34%

LAB 52.59, -39.23, 11.25

 

CMYK 77 / 0 / 26 / 71

HEX #114A37

RGB 17 74 55

HSL 160, 0.63%, 0.18%

LAB 27.55, -23.47, 6.16

 

CMYK 78 / 68 / 0 / 71

HEX #10184A

RGB 16 24 74

HSL 231.72, 0.64%, 0.18%

LAB 10.98, 16.41, -32.16

 

CMYK 0 / 57 / 78 / 71

HEX #4A2010

RGB 74 32 16

HSL 16.55, 0.64%, 0.18%

LAB 18.04, 18.58, 19.7

 

CMYK 77 / 0 / 26 / 71

HEX #114A37

RGB 17 74 55

HSL 160, 0.63%, 0.18%

LAB 27.55, -23.47, 6.16

 

CMYK 26 / 78 / 0 / 71

HEX #37104A

RGB 55 16 74

HSL 280.34, 0.64%, 0.18%

LAB 13.69, 29.97, -27.54

 

CMYK 0 / 26 / 78 / 71

HEX #4A3710

RGB 74 55 16

HSL 40.34, 0.64%, 0.18%

LAB 24.4, 3.78, 26.69

 

CMYK 77 / 0 / 26 / 71

HEX #114A37

RGB 17 74 55

HSL 160, 0.63%, 0.18%

LAB 27.55, -23.47, 6.16

 

CMYK 78 / 68 / 0 / 71

HEX #10184A

RGB 16 24 74

HSL 231.72, 0.64%, 0.18%

LAB 10.98, 16.41, -32.16

 

CMYK 0 / 78 / 51 / 71

HEX #4A1024

RGB 74 16 36

HSL 339.31, 0.64%, 0.18%

LAB 15.24, 28.9, 2.26

 

CMYK 0 / 9 / 78 / 71

HEX #4A4310

RGB 74 67 16

HSL 52.76, 0.64%, 0.18%

LAB 28.13, -3.83, 30.46

 

CMYK 77 / 0 / 26 / 71

HEX #114A37

RGB 17 74 55

HSL 160, 0.63%, 0.18%

LAB 27.55, -23.47, 6.16

 

CMYK 65 / 78 / 0 / 71

HEX #1A104A

RGB 26 16 74

HSL 250.34, 0.64%, 0.18%

LAB 9.68, 23.75, -34.26

 

CMYK 0 / 78 / 51 / 71

HEX #4A1024

RGB 74 16 36

HSL 339.31, 0.64%, 0.18%

LAB 15.24, 28.9, 2.26

 

CMYK 12 / 0 / 78 / 71

HEX #414A10

RGB 65 74 16

HSL 69.31, 0.64%, 0.18%

LAB 29.56, -12.57, 31.58

 

Description

Color code: HEX #114A37 | qconv.com Color code: HEX #114A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 74 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 74 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 26 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 26% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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