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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11515F it is the complementary color #EEAEA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11515F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11515F shade: #16515A, #27636D, #387580, #498793 and #5A99A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11515F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11515F shade: #11515F, #003F4C, #002D39, #001B26 and #000913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11515F shade: #10515F, #103C5F, #10265F, #10115F and #25105F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11515F shade: #10515F, #103C5F, #10265F, #10115F and #10105F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11515F shade matches the following richer shades: #10515F and #075768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11515F shade: #10515F, #194B56, #22454D, #2C3F44 and #35393B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11515F shade: #105F42, #105F57, #10525F, #103D5F and #10285F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11515F shade: #041519, #0A333C, #10515F, #176F82 and #1D8DA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11515F shade: #11515F, #2D105F and #5F4D10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11515F shade: #11515F, #5F1052 and #525F10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11515F shade: #11515F, #2D105F, #5F1D10 and #425F10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11515F shade: #11515F, #45105F, #5F1D10 and #2B5F10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 15 / 0 / 63

HEX #11515F

RGB 17 81 95

HSL 190.77, 0.7%, 0.22%

LAB 31.42, -14.1, -13.78

 

Complementary color

CMYK 0 / 27 / 33 / 7

HEX #EEAEA0

RGB 238 174 160

HSL 10.77, 0.7%, 0.78%

LAB 76.67, 21.56, 16.41

 

CMYK 76 / 10 / 0 / 65

HEX #16515A

RGB 22 81 90

HSL 187.94, 0.61%, 0.22%

LAB 31.33, -15.2, -10.73

 

CMYK 64 / 9 / 0 / 57

HEX #27636D

RGB 39 99 109

HSL 188.57, 0.47%, 0.29%

LAB 38.65, -15.92, -11.44

 

CMYK 56 / 9 / 0 / 50

HEX #387580

RGB 56 117 128

HSL 189.17, 0.39%, 0.36%

LAB 45.8, -16.33, -12.06

 

CMYK 50 / 8 / 0 / 42

HEX #498793

RGB 73 135 147

HSL 189.73, 0.34%, 0.43%

LAB 52.79, -16.57, -12.62

 

CMYK 46 / 8 / 0 / 35

HEX #5A99A6

RGB 90 153 166

HSL 190.26, 0.3%, 0.5%

LAB 59.63, -16.71, -13.14

 

CMYK 82 / 15 / 0 / 63

HEX #11515F

RGB 17 81 95

HSL 190.77, 0.7%, 0.22%

LAB 31.42, -14.1, -13.78

 

CMYK 100 / 17 / 0 / 70

HEX #003F4C

RGB 0 63 76

HSL 190.26, 1%, 0.15%

LAB 23.92, -12.64, -13.01

 

CMYK 100 / 21 / 0 / 78

HEX #002D39

RGB 0 45 57

HSL 192.63, 1%, 0.11%

LAB 16.37, -9.34, -11.78

 

CMYK 100 / 29 / 0 / 85

HEX #001B26

RGB 0 27 38

HSL 197.37, 1%, 0.07%

LAB 8.34, -5.56, -10.57

 

CMYK 100 / 53 / 0 / 93

HEX #000913

RGB 0 9 19

HSL 211.58, 1%, 0.04%

LAB 2.19, -0.62, -5.54

 

CMYK 83 / 15 / 0 / 63

HEX #10515F

RGB 16 81 95

HSL 190.63, 0.71%, 0.22%

LAB 31.4, -14.22, -13.82

 

CMYK 83 / 37 / 0 / 63

HEX #103C5F

RGB 16 60 95

HSL 206.58, 0.71%, 0.22%

LAB 24.22, -0.98, -24.99

 

CMYK 83 / 60 / 0 / 63

HEX #10265F

RGB 16 38 95

HSL 223.29, 0.71%, 0.22%

LAB 17.1, 14.87, -36.42

 

CMYK 83 / 82 / 0 / 63

HEX #10115F

RGB 16 17 95

HSL 239.24, 0.71%, 0.22%

LAB 11.53, 29.61, -45.55

 

CMYK 61 / 83 / 0 / 63

HEX #25105F

RGB 37 16 95

HSL 255.95, 0.71%, 0.22%

LAB 13.17, 32.52, -42.78

 

CMYK 83 / 15 / 0 / 63

HEX #10515F

RGB 16 81 95

HSL 190.63, 0.71%, 0.22%

LAB 31.4, -14.22, -13.82

 

CMYK 83 / 37 / 0 / 63

HEX #103C5F

RGB 16 60 95

HSL 206.58, 0.71%, 0.22%

LAB 24.22, -0.98, -24.99

 

CMYK 83 / 60 / 0 / 63

HEX #10265F

RGB 16 38 95

HSL 223.29, 0.71%, 0.22%

LAB 17.1, 14.87, -36.42

 

CMYK 83 / 82 / 0 / 63

HEX #10115F

RGB 16 17 95

HSL 239.24, 0.71%, 0.22%

LAB 11.53, 29.61, -45.55

 

CMYK 83 / 83 / 0 / 63

HEX #10105F

RGB 16 16 95

HSL 240, 0.71%, 0.22%

LAB 11.32, 30.21, -45.89

 

CMYK 83 / 15 / 0 / 63

HEX #10515F

RGB 16 81 95

HSL 190.63, 0.71%, 0.22%

LAB 31.4, -14.22, -13.82

 

CMYK 93 / 16 / 0 / 59

HEX #075768

RGB 7 87 104

HSL 190.52, 0.87%, 0.22%

LAB 33.69, -15.16, -15.98

 

CMYK 83 / 15 / 0 / 63

HEX #10515F

RGB 16 81 95

HSL 190.63, 0.71%, 0.22%

LAB 31.4, -14.22, -13.82

 

CMYK 71 / 13 / 0 / 66

HEX #194B56

RGB 25 75 86

HSL 190.82, 0.55%, 0.22%

LAB 29.19, -12.6, -11.43

 

CMYK 56 / 10 / 0 / 70

HEX #22454D

RGB 34 69 77

HSL 191.16, 0.39%, 0.22%

LAB 27.11, -10.07, -8.72

 

CMYK 35 / 7 / 0 / 73

HEX #2C3F44

RGB 44 63 68

HSL 192.5, 0.21%, 0.22%

LAB 25.28, -6.09, -5.5

 

CMYK 10 / 3 / 0 / 77

HEX #35393B

RGB 53 57 59

HSL 200, 0.05%, 0.22%

LAB 23.67, -1.21, -1.83

 

CMYK 83 / 0 / 31 / 63

HEX #105F42

RGB 16 95 66

HSL 157.97, 0.71%, 0.22%

LAB 35.38, -30.56, 10.2

 

CMYK 83 / 0 / 8 / 63

HEX #105F57

RGB 16 95 87

HSL 173.92, 0.71%, 0.22%

LAB 35.95, -24.55, -1.95

 

CMYK 83 / 14 / 0 / 63

HEX #10525F

RGB 16 82 95

HSL 189.87, 0.71%, 0.22%

LAB 31.74, -14.8, -13.29

 

CMYK 83 / 36 / 0 / 63

HEX #103D5F

RGB 16 61 95

HSL 205.82, 0.71%, 0.22%

LAB 24.56, -1.65, -24.46

 

CMYK 83 / 58 / 0 / 63

HEX #10285F

RGB 16 40 95

HSL 221.77, 0.71%, 0.22%

LAB 17.71, 13.38, -35.42

 

CMYK 84 / 16 / 0 / 90

HEX #041519

RGB 4 21 25

HSL 191.43, 0.72%, 0.06%

LAB 5.71, -4.4, -4.67

 

CMYK 83 / 15 / 0 / 76

HEX #0A333C

RGB 10 51 60

HSL 190.8, 0.71%, 0.14%

LAB 19.05, -10.23, -9.71

 

CMYK 83 / 15 / 0 / 63

HEX #10515F

RGB 16 81 95

HSL 190.63, 0.71%, 0.22%

LAB 31.4, -14.22, -13.82

 

CMYK 82 / 15 / 0 / 49

HEX #176F82

RGB 23 111 130

HSL 190.65, 0.7%, 0.3%

LAB 43.01, -17.77, -17.6

 

CMYK 82 / 15 / 0 / 35

HEX #1D8DA5

RGB 29 141 165

HSL 190.59, 0.7%, 0.38%

LAB 54.06, -21.23, -21.2

 

CMYK 82 / 15 / 0 / 63

HEX #11515F

RGB 17 81 95

HSL 190.77, 0.7%, 0.22%

LAB 31.42, -14.1, -13.78

 

CMYK 53 / 83 / 0 / 63

HEX #2D105F

RGB 45 16 95

HSL 262.03, 0.71%, 0.22%

LAB 14.14, 33.73, -41.15

 

CMYK 0 / 19 / 83 / 63

HEX #5F4D10

RGB 95 77 16

HSL 46.33, 0.71%, 0.22%

LAB 33.52, 0.71, 36.41

 

CMYK 82 / 15 / 0 / 63

HEX #11515F

RGB 17 81 95

HSL 190.77, 0.7%, 0.22%

LAB 31.42, -14.1, -13.78

 

CMYK 0 / 83 / 14 / 63

HEX #5F1052

RGB 95 16 82

HSL 309.87, 0.71%, 0.22%

LAB 21.63, 41.53, -19.94

 

CMYK 14 / 0 / 83 / 63

HEX #525F10

RGB 82 95 16

HSL 69.87, 0.71%, 0.22%

LAB 37.87, -16.18, 39.94

 

CMYK 82 / 15 / 0 / 63

HEX #11515F

RGB 17 81 95

HSL 190.77, 0.7%, 0.22%

LAB 31.42, -14.1, -13.78

 

CMYK 53 / 83 / 0 / 63

HEX #2D105F

RGB 45 16 95

HSL 262.03, 0.71%, 0.22%

LAB 14.14, 33.73, -41.15

 

CMYK 0 / 69 / 83 / 63

HEX #5F1D10

RGB 95 29 16

HSL 9.87, 0.71%, 0.22%

LAB 21.39, 29.28, 24.58

 

CMYK 31 / 0 / 83 / 63

HEX #425F10

RGB 66 95 16

HSL 82.03, 0.71%, 0.22%

LAB 36.71, -23.42, 38.44

 

CMYK 82 / 15 / 0 / 63

HEX #11515F

RGB 17 81 95

HSL 190.77, 0.7%, 0.22%

LAB 31.42, -14.1, -13.78

 

CMYK 27 / 83 / 0 / 63

HEX #45105F

RGB 69 16 95

HSL 280.25, 0.71%, 0.22%

LAB 17.75, 38.13, -35.12

 

CMYK 0 / 69 / 83 / 63

HEX #5F1D10

RGB 95 29 16

HSL 9.87, 0.71%, 0.22%

LAB 21.39, 29.28, 24.58

 

CMYK 55 / 0 / 83 / 63

HEX #2B5F10

RGB 43 95 16

HSL 99.49, 0.71%, 0.22%

LAB 35.47, -32.26, 36.84

 

Description

Color code: HEX #11515F | qconv.com Color code: HEX #11515F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 81 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 81 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 15 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 15% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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