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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #116990 it is the complementary color #EE966F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #116990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #116990 shade: #16698B, #277B9E, #388DB1, #499FC4 and #5AB1D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #116990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #116990 shade: #116990, #00577D, #00456A, #003357 and #002144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #116990 shade: #116A92, #114792, #112492, #201192 and #421192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #116990 shade: #116A92, #114792, #112492 and #111192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #116990 shade matches the following richer shades: #116A92 and #036F9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #116990 shade: #116A92, #1E6584, #2B6077, #385B6A and #45565D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #116990 shade: #119273, #118D92, #116B92, #114992 and #112692

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #116990 shade: #083448, #0C4F6D, #116A92, #1585B6 and #19A0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #116990 shade: #116990, #511192 and #928511

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #116990 shade: #116990, #92116B and #6B9211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #116990 shade: #116990, #511192, #923711 and #519211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #116990 shade: #116990, #781192, #923711 and #2A9211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 27 / 0 / 44

HEX #116990

RGB 17 105 144

HSL 198.43, 0.79%, 0.32%

LAB 41.59, -9.72, -28.2

 

Complementary color

CMYK 0 / 37 / 53 / 7

HEX #EE966F

RGB 238 150 111

HSL 18.43, 0.79%, 0.68%

LAB 70.27, 29.15, 34.31

 

CMYK 84 / 24 / 0 / 45

HEX #16698B

RGB 22 105 139

HSL 197.44, 0.73%, 0.32%

LAB 41.43, -11.18, -25.44

 

CMYK 75 / 22 / 0 / 38

HEX #277B9E

RGB 39 123 158

HSL 197.65, 0.6%, 0.39%

LAB 48.34, -12.71, -25.94

 

CMYK 68 / 20 / 0 / 31

HEX #388DB1

RGB 56 141 177

HSL 197.85, 0.52%, 0.46%

LAB 55.14, -13.81, -26.37

 

CMYK 63 / 19 / 0 / 23

HEX #499FC4

RGB 73 159 196

HSL 198.05, 0.51%, 0.53%

LAB 61.82, -14.63, -26.75

 

CMYK 58 / 18 / 0 / 16

HEX #5AB1D7

RGB 90 177 215

HSL 198.24, 0.61%, 0.6%

LAB 68.41, -15.24, -27.11

 

CMYK 88 / 27 / 0 / 44

HEX #116990

RGB 17 105 144

HSL 198.43, 0.79%, 0.32%

LAB 41.59, -9.72, -28.2

 

CMYK 100 / 30 / 0 / 51

HEX #00577D

RGB 0 87 125

HSL 198.24, 1%, 0.25%

LAB 34.59, -7.4, -27.64

 

CMYK 100 / 35 / 0 / 58

HEX #00456A

RGB 0 69 106

HSL 200.94, 1%, 0.21%

LAB 27.56, -3.87, -26.81

 

CMYK 100 / 41 / 0 / 66

HEX #003357

RGB 0 51 87

HSL 204.83, 1%, 0.17%

LAB 20.27, -0.01, -26.03

 

CMYK 100 / 51 / 0 / 73

HEX #002144

RGB 0 33 68

HSL 210.88, 1%, 0.13%

LAB 12.64, 4.35, -25.33

 

CMYK 88 / 27 / 0 / 43

HEX #116A92

RGB 17 106 146

HSL 198.6, 0.79%, 0.32%

LAB 42, -9.55, -28.75

 

CMYK 88 / 51 / 0 / 43

HEX #114792

RGB 17 71 146

HSL 214.88, 0.79%, 0.32%

LAB 31.12, 13.01, -46.07

 

CMYK 88 / 75 / 0 / 43

HEX #112492

RGB 17 36 146

HSL 231.16, 0.79%, 0.32%

LAB 21.79, 36.77, -61.34

 

CMYK 78 / 88 / 0 / 43

HEX #201192

RGB 32 17 146

HSL 246.98, 0.79%, 0.32%

LAB 19.15, 47.39, -65.68

 

CMYK 55 / 88 / 0 / 43

HEX #421192

RGB 66 17 146

HSL 262.79, 0.79%, 0.32%

LAB 22.42, 50.12, -60.16

 

CMYK 88 / 27 / 0 / 43

HEX #116A92

RGB 17 106 146

HSL 198.6, 0.79%, 0.32%

LAB 42, -9.55, -28.75

 

CMYK 88 / 51 / 0 / 43

HEX #114792

RGB 17 71 146

HSL 214.88, 0.79%, 0.32%

LAB 31.12, 13.01, -46.07

 

CMYK 88 / 75 / 0 / 43

HEX #112492

RGB 17 36 146

HSL 231.16, 0.79%, 0.32%

LAB 21.79, 36.77, -61.34

 

CMYK 88 / 88 / 0 / 43

HEX #111192

RGB 17 17 146

HSL 240, 0.79%, 0.32%

LAB 18.34, 46.75, -67.05

 

CMYK 88 / 27 / 0 / 43

HEX #116A92

RGB 17 106 146

HSL 198.6, 0.79%, 0.32%

LAB 42, -9.55, -28.75

 

CMYK 98 / 30 / 0 / 38

HEX #036F9F

RGB 3 111 159

HSL 198.46, 0.96%, 0.32%

LAB 44.08, -8.26, -33.23

 

CMYK 88 / 27 / 0 / 43

HEX #116A92

RGB 17 106 146

HSL 198.6, 0.79%, 0.32%

LAB 42, -9.55, -28.75

 

CMYK 77 / 23 / 0 / 48

HEX #1E6584

RGB 30 101 132

HSL 198.24, 0.63%, 0.32%

LAB 40, -10.52, -23.43

 

CMYK 64 / 19 / 0 / 53

HEX #2B6077

RGB 43 96 119

HSL 198.16, 0.47%, 0.32%

LAB 38.22, -10.03, -18.23

 

CMYK 47 / 14 / 0 / 58

HEX #385B6A

RGB 56 91 106

HSL 198, 0.31%, 0.32%

LAB 36.68, -8.17, -12.53

 

CMYK 26 / 8 / 0 / 64

HEX #45565D

RGB 69 86 93

HSL 197.5, 0.15%, 0.32%

LAB 35.42, -4.76, -6.23

 

CMYK 88 / 0 / 21 / 43

HEX #119273

RGB 17 146 115

HSL 165.58, 0.79%, 0.32%

LAB 53.94, -39.9, 7.4

 

CMYK 88 / 3 / 0 / 43

HEX #118D92

RGB 17 141 146

HSL 182.33, 0.79%, 0.32%

LAB 53.22, -28.48, -11.53

 

CMYK 88 / 27 / 0 / 43

HEX #116B92

RGB 17 107 146

HSL 198.14, 0.79%, 0.32%

LAB 42.32, -10.14, -28.25

 

CMYK 88 / 50 / 0 / 43

HEX #114992

RGB 17 73 146

HSL 213.95, 0.79%, 0.32%

LAB 31.71, 11.63, -45.11

 

CMYK 88 / 74 / 0 / 43

HEX #112692

RGB 17 38 146

HSL 230.23, 0.79%, 0.32%

LAB 22.23, 35.52, -60.6

 

CMYK 89 / 28 / 0 / 72

HEX #083448

RGB 8 52 72

HSL 198.75, 0.8%, 0.16%

LAB 19.95, -6.28, -16.48

 

CMYK 89 / 28 / 0 / 57

HEX #0C4F6D

RGB 12 79 109

HSL 198.56, 0.8%, 0.24%

LAB 31.29, -8.02, -22.84

 

CMYK 88 / 27 / 0 / 43

HEX #116A92

RGB 17 106 146

HSL 198.6, 0.79%, 0.32%

LAB 42, -9.55, -28.75

 

CMYK 88 / 27 / 0 / 29

HEX #1585B6

RGB 21 133 182

HSL 198.26, 0.79%, 0.4%

LAB 52.19, -11.43, -33.88

 

CMYK 89 / 27 / 0 / 14

HEX #19A0DB

RGB 25 160 219

HSL 198.25, 0.8%, 0.48%

LAB 62.05, -12.86, -39.3

 

CMYK 88 / 27 / 0 / 44

HEX #116990

RGB 17 105 144

HSL 198.43, 0.79%, 0.32%

LAB 41.59, -9.72, -28.2

 

CMYK 45 / 88 / 0 / 43

HEX #511192

RGB 81 17 146

HSL 269.77, 0.79%, 0.32%

LAB 24.4, 51.89, -56.83

 

CMYK 0 / 9 / 88 / 43

HEX #928511

RGB 146 133 17

HSL 53.95, 0.79%, 0.32%

LAB 55, -6.94, 56.57

 

CMYK 88 / 27 / 0 / 44

HEX #116990

RGB 17 105 144

HSL 198.43, 0.79%, 0.32%

LAB 41.59, -9.72, -28.2

 

CMYK 0 / 88 / 27 / 43

HEX #92116B

RGB 146 17 107

HSL 318.14, 0.79%, 0.32%

LAB 33.08, 56.89, -17.74

 

CMYK 27 / 0 / 88 / 43

HEX #6B9211

RGB 107 146 17

HSL 78.14, 0.79%, 0.32%

LAB 55.81, -30.92, 56.01

 

CMYK 88 / 27 / 0 / 44

HEX #116990

RGB 17 105 144

HSL 198.43, 0.79%, 0.32%

LAB 41.59, -9.72, -28.2

 

CMYK 45 / 88 / 0 / 43

HEX #511192

RGB 81 17 146

HSL 269.77, 0.79%, 0.32%

LAB 24.4, 51.89, -56.83

 

CMYK 0 / 62 / 88 / 43

HEX #923711

RGB 146 55 17

HSL 17.67, 0.79%, 0.32%

LAB 35.76, 36.62, 40.84

 

CMYK 45 / 0 / 88 / 43

HEX #519211

RGB 81 146 17

HSL 90.23, 0.79%, 0.32%

LAB 54.39, -40.8, 54.24

 

CMYK 88 / 27 / 0 / 44

HEX #116990

RGB 17 105 144

HSL 198.43, 0.79%, 0.32%

LAB 41.59, -9.72, -28.2

 

CMYK 18 / 88 / 0 / 43

HEX #781192

RGB 120 17 146

HSL 287.91, 0.79%, 0.32%

LAB 30.57, 57.78, -46.52

 

CMYK 0 / 62 / 88 / 43

HEX #923711

RGB 146 55 17

HSL 17.67, 0.79%, 0.32%

LAB 35.76, 36.62, 40.84

 

CMYK 71 / 0 / 88 / 43

HEX #2A9211

RGB 42 146 17

HSL 108.37, 0.79%, 0.32%

LAB 53.05, -51.51, 52.54

 

Description

Color code: HEX #116990 | qconv.com Color code: HEX #116990 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 105 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 105 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 27 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 27% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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