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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #116372 it is the complementary color #EE9C8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #116372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #116372 shade: #16636D, #277580, #388793, #4999A6 and #5AABB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #116372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #116372 shade: #116372, #00515F, #003F4C, #002D39 and #001B26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #116372 shade: #116473, #114973, #112F73, #111473 and #281173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #116372 shade: #116473, #114973, #112F73, #111473 and #111173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #116372 shade matches the following richer shades: #116473 and #066B7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #116372 shade: #116473, #1B5C68, #26555D, #314D53 and #3C4648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #116372 shade: #11734D, #117367, #116473, #114A73 and #113073

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #116372 shade: #06252B, #0B454F, #116473, #168397 and #1BA2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #116372 shade: #116372, #331173 and #735A11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #116372 shade: #116372, #731164 and #647311

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #116372 shade: #116372, #331173, #731F11 and #517311

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #116372 shade: #116372, #511173, #731F11 and #337311

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 13 / 0 / 55

HEX #116372

RGB 17 99 114

HSL 189.28, 0.74%, 0.26%

LAB 38.3, -17.42, -15.1

 

Complementary color

CMYK 0 / 34 / 41 / 7

HEX #EE9C8D

RGB 238 156 141

HSL 9.28, 0.74%, 0.74%

LAB 72.15, 28.88, 20.5

 

CMYK 80 / 9 / 0 / 57

HEX #16636D

RGB 22 99 109

HSL 186.9, 0.66%, 0.26%

LAB 38.2, -18.64, -12.18

 

CMYK 70 / 9 / 0 / 50

HEX #277580

RGB 39 117 128

HSL 187.42, 0.53%, 0.33%

LAB 45.24, -19.6, -12.97

 

CMYK 62 / 8 / 0 / 42

HEX #388793

RGB 56 135 147

HSL 187.91, 0.45%, 0.4%

LAB 52.15, -20.21, -13.65

 

CMYK 56 / 8 / 0 / 35

HEX #4999A6

RGB 73 153 166

HSL 188.39, 0.39%, 0.47%

LAB 58.93, -20.6, -14.25

 

CMYK 51 / 8 / 0 / 27

HEX #5AABB9

RGB 90 171 185

HSL 188.84, 0.4%, 0.54%

LAB 65.59, -20.85, -14.81

 

CMYK 85 / 13 / 0 / 55

HEX #116372

RGB 17 99 114

HSL 189.28, 0.74%, 0.26%

LAB 38.3, -17.42, -15.1

 

CMYK 100 / 15 / 0 / 63

HEX #00515F

RGB 0 81 95

HSL 188.84, 1%, 0.19%

LAB 31.14, -15.74, -14.23

 

CMYK 100 / 17 / 0 / 70

HEX #003F4C

RGB 0 63 76

HSL 190.26, 1%, 0.15%

LAB 23.92, -12.64, -13.01

 

CMYK 100 / 21 / 0 / 78

HEX #002D39

RGB 0 45 57

HSL 192.63, 1%, 0.11%

LAB 16.37, -9.34, -11.78

 

CMYK 100 / 29 / 0 / 85

HEX #001B26

RGB 0 27 38

HSL 197.37, 1%, 0.07%

LAB 8.34, -5.56, -10.57

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 85 / 37 / 0 / 55

HEX #114973

RGB 17 73 115

HSL 205.71, 0.74%, 0.26%

LAB 29.72, -1.26, -29.08

 

CMYK 85 / 59 / 0 / 55

HEX #112F73

RGB 17 47 115

HSL 221.63, 0.74%, 0.26%

LAB 21.54, 16.92, -42.21

 

CMYK 85 / 83 / 0 / 55

HEX #111473

RGB 17 20 115

HSL 238.16, 0.74%, 0.26%

LAB 14.72, 35.13, -53.42

 

CMYK 65 / 85 / 0 / 55

HEX #281173

RGB 40 17 115

HSL 254.08, 0.74%, 0.26%

LAB 15.95, 38.63, -51.33

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 85 / 37 / 0 / 55

HEX #114973

RGB 17 73 115

HSL 205.71, 0.74%, 0.26%

LAB 29.72, -1.26, -29.08

 

CMYK 85 / 59 / 0 / 55

HEX #112F73

RGB 17 47 115

HSL 221.63, 0.74%, 0.26%

LAB 21.54, 16.92, -42.21

 

CMYK 85 / 83 / 0 / 55

HEX #111473

RGB 17 20 115

HSL 238.16, 0.74%, 0.26%

LAB 14.72, 35.13, -53.42

 

CMYK 85 / 85 / 0 / 55

HEX #111173

RGB 17 17 115

HSL 240, 0.74%, 0.26%

LAB 14.16, 36.75, -54.35

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 95 / 15 / 0 / 51

HEX #066B7E

RGB 6 107 126

HSL 189.5, 0.91%, 0.26%

LAB 41.31, -18.31, -17.81

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 74 / 12 / 0 / 59

HEX #1B5C68

RGB 27 92 104

HSL 189.35, 0.59%, 0.26%

LAB 35.77, -15.78, -12.78

 

CMYK 59 / 9 / 0 / 64

HEX #26555D

RGB 38 85 93

HSL 188.73, 0.42%, 0.26%

LAB 33.35, -13.36, -9.52

 

CMYK 41 / 7 / 0 / 67

HEX #314D53

RGB 49 77 83

HSL 190.59, 0.26%, 0.26%

LAB 30.84, -8.73, -6.89

 

CMYK 17 / 3 / 0 / 72

HEX #3C4648

RGB 60 70 72

HSL 190, 0.09%, 0.26%

LAB 28.93, -3.55, -2.57

 

CMYK 85 / 0 / 33 / 55

HEX #11734D

RGB 17 115 77

HSL 156.73, 0.74%, 0.26%

LAB 42.64, -36.38, 13.63

 

CMYK 85 / 0 / 10 / 55

HEX #117367

RGB 17 115 103

HSL 172.65, 0.74%, 0.26%

LAB 43.3, -29.32, -0.93

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 85 / 36 / 0 / 55

HEX #114A73

RGB 17 74 115

HSL 205.1, 0.74%, 0.26%

LAB 30.05, -1.91, -28.56

 

CMYK 85 / 58 / 0 / 55

HEX #113073

RGB 17 48 115

HSL 221.02, 0.74%, 0.26%

LAB 21.84, 16.2, -41.73

 

CMYK 86 / 14 / 0 / 83

HEX #06252B

RGB 6 37 43

HSL 189.73, 0.76%, 0.1%

LAB 12.84, -8.76, -7.28

 

CMYK 86 / 13 / 0 / 69

HEX #0B454F

RGB 11 69 79

HSL 188.82, 0.76%, 0.18%

LAB 26.42, -13.75, -11.13

 

CMYK 85 / 13 / 0 / 55

HEX #116473

RGB 17 100 115

HSL 189.18, 0.74%, 0.26%

LAB 38.68, -17.62, -15.14

 

CMYK 85 / 13 / 0 / 41

HEX #168397

RGB 22 131 151

HSL 189.3, 0.75%, 0.34%

LAB 50.26, -21.34, -18.92

 

CMYK 86 / 13 / 0 / 27

HEX #1BA2BB

RGB 27 162 187

HSL 189.38, 0.75%, 0.42%

LAB 61.36, -24.88, -22.51

 

CMYK 85 / 13 / 0 / 55

HEX #116372

RGB 17 99 114

HSL 189.28, 0.74%, 0.26%

LAB 38.3, -17.42, -15.1

 

CMYK 56 / 85 / 0 / 55

HEX #331173

RGB 51 17 115

HSL 260.82, 0.74%, 0.26%

LAB 17.19, 39.94, -49.24

 

CMYK 0 / 22 / 85 / 55

HEX #735A11

RGB 115 90 17

HSL 44.69, 0.74%, 0.26%

LAB 39.58, 2.83, 42.34

 

CMYK 85 / 13 / 0 / 55

HEX #116372

RGB 17 99 114

HSL 189.28, 0.74%, 0.26%

LAB 38.3, -17.42, -15.1

 

CMYK 0 / 85 / 13 / 55

HEX #731164

RGB 115 17 100

HSL 309.18, 0.74%, 0.26%

LAB 26.64, 48.84, -23.72

 

CMYK 13 / 0 / 85 / 55

HEX #647311

RGB 100 115 17

HSL 69.18, 0.74%, 0.26%

LAB 45.65, -18.52, 47.1

 

CMYK 85 / 13 / 0 / 55

HEX #116372

RGB 17 99 114

HSL 189.28, 0.74%, 0.26%

LAB 38.3, -17.42, -15.1

 

CMYK 56 / 85 / 0 / 55

HEX #331173

RGB 51 17 115

HSL 260.82, 0.74%, 0.26%

LAB 17.19, 39.94, -49.24

 

CMYK 0 / 73 / 85 / 55

HEX #731F11

RGB 115 31 17

HSL 8.57, 0.74%, 0.26%

LAB 25.76, 35.99, 29.74

 

CMYK 30 / 0 / 85 / 55

HEX #517311

RGB 81 115 17

HSL 80.82, 0.74%, 0.26%

LAB 44.31, -26.88, 45.4

 

CMYK 85 / 13 / 0 / 55

HEX #116372

RGB 17 99 114

HSL 189.28, 0.74%, 0.26%

LAB 38.3, -17.42, -15.1

 

CMYK 30 / 85 / 0 / 55

HEX #511173

RGB 81 17 115

HSL 279.18, 0.74%, 0.26%

LAB 21.54, 44.63, -41.96

 

CMYK 0 / 73 / 85 / 55

HEX #731F11

RGB 115 31 17

HSL 8.57, 0.74%, 0.26%

LAB 25.76, 35.99, 29.74

 

CMYK 56 / 0 / 85 / 55

HEX #337311

RGB 51 115 17

HSL 99.18, 0.74%, 0.26%

LAB 42.77, -37.95, 43.44

 

Description

Color code: HEX #116372 | qconv.com Color code: HEX #116372 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 99 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 99 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 13 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 13% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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