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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11781B it is the complementary color #EE87E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11781B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11781B shade: #167816, #278A29, #389C3C, #49AE4F and #5AC062

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11781B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11781B shade: #11781B, #006608, #005400, #004200 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11781B shade: #11781B, #237811, #3E7811, #5A7811 and #767811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11781B shade: #11781B, #117837, #117852, #11786E and #116678

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11781B shade matches the following richer shades: #11781B and #068312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11781B shade: #11781B, #1C6D24, #27622D, #325736 and #3D4B3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11781B shade: #3F7811, #247811, #117819, #117835 and #117850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11781B shade: #06300A, #0C5413, #11781B, #169C23 and #1BC02B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11781B shade: #11781B, #115B78 and #781131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11781B shade: #11781B, #191178 and #781911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11781B shade: #11781B, #115B78, #78116F and #782E11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11781B shade: #11781B, #113C78, #78116F and #784D11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

Complementary color

CMYK 0 / 43 / 4 / 7

HEX #EE87E4

RGB 238 135 228

HSL 305.83, 0.75%, 0.73%

LAB 70.25, 52.15, -30.46

 

CMYK 82 / 0 / 82 / 53

HEX #167816

RGB 22 120 22

HSL 120, 0.69%, 0.28%

LAB 43.74, -46.03, 42.49

 

CMYK 72 / 0 / 70 / 46

HEX #278A29

RGB 39 138 41

HSL 121.21, 0.56%, 0.35%

LAB 50.42, -47.7, 42.06

 

CMYK 64 / 0 / 62 / 39

HEX #389C3C

RGB 56 156 60

HSL 122.4, 0.47%, 0.42%

LAB 57.02, -48.6, 40.98

 

CMYK 58 / 0 / 55 / 32

HEX #49AE4F

RGB 73 174 79

HSL 123.56, 0.41%, 0.48%

LAB 63.55, -49.04, 39.68

 

CMYK 53 / 0 / 49 / 25

HEX #5AC062

RGB 90 192 98

HSL 124.71, 0.45%, 0.55%

LAB 70, -49.19, 38.33

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 71 / 0 / 86 / 53

HEX #237811

RGB 35 120 17

HSL 109.51, 0.75%, 0.27%

LAB 43.99, -44.01, 44.37

 

CMYK 48 / 0 / 86 / 53

HEX #3E7811

RGB 62 120 17

HSL 93.79, 0.75%, 0.27%

LAB 44.94, -36.43, 45.58

 

CMYK 25 / 0 / 86 / 53

HEX #5A7811

RGB 90 120 17

HSL 77.48, 0.75%, 0.27%

LAB 46.51, -25.52, 47.58

 

CMYK 2 / 0 / 86 / 53

HEX #767811

RGB 118 120 17

HSL 61.17, 0.75%, 0.27%

LAB 48.67, -12.87, 50.28

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 86 / 0 / 54 / 53

HEX #117837

RGB 17 120 55

HSL 142.14, 0.75%, 0.27%

LAB 43.99, -42.8, 27.82

 

CMYK 86 / 0 / 32 / 53

HEX #117852

RGB 17 120 82

HSL 157.86, 0.75%, 0.27%

LAB 44.46, -37.28, 13.21

 

CMYK 86 / 0 / 8 / 53

HEX #11786E

RGB 17 120 110

HSL 174.17, 0.75%, 0.27%

LAB 45.19, -29.59, -2.34

 

CMYK 86 / 15 / 0 / 53

HEX #116678

RGB 17 102 120

HSL 190.49, 0.75%, 0.27%

LAB 39.54, -16.94, -16.87

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 95 / 0 / 86 / 49

HEX #068312

RGB 6 131 18

HSL 125.76, 0.91%, 0.27%

LAB 47.39, -51.38, 47.03

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 74 / 0 / 67 / 57

HEX #1C6D24

RGB 28 109 36

HSL 125.93, 0.59%, 0.27%

LAB 40.1, -39.83, 33

 

CMYK 60 / 0 / 54 / 62

HEX #27622D

RGB 39 98 45

HSL 126.1, 0.43%, 0.27%

LAB 36.66, -31.53, 24.37

 

CMYK 43 / 0 / 38 / 66

HEX #325736

RGB 50 87 54

HSL 126.49, 0.27%, 0.27%

LAB 33.48, -21.18, 15.13

 

CMYK 19 / 0 / 16 / 71

HEX #3D4B3F

RGB 61 75 63

HSL 128.57, 0.1%, 0.27%

LAB 30.36, -8.35, 5.32

 

CMYK 48 / 0 / 86 / 53

HEX #3F7811

RGB 63 120 17

HSL 93.2, 0.75%, 0.27%

LAB 44.98, -36.09, 45.64

 

CMYK 70 / 0 / 86 / 53

HEX #247811

RGB 36 120 17

HSL 108.93, 0.75%, 0.27%

LAB 44.01, -43.8, 44.4

 

CMYK 86 / 0 / 79 / 53

HEX #117819

RGB 17 120 25

HSL 124.66, 0.75%, 0.27%

LAB 43.69, -46.46, 41.36

 

CMYK 86 / 0 / 56 / 53

HEX #117835

RGB 17 120 53

HSL 140.97, 0.75%, 0.27%

LAB 43.96, -43.12, 28.85

 

CMYK 86 / 0 / 33 / 53

HEX #117850

RGB 17 120 80

HSL 156.7, 0.75%, 0.27%

LAB 44.42, -37.76, 14.32

 

CMYK 88 / 0 / 79 / 81

HEX #06300A

RGB 6 48 10

HSL 125.71, 0.78%, 0.11%

LAB 16.38, -23.56, 19.02

 

CMYK 86 / 0 / 77 / 67

HEX #0C5413

RGB 12 84 19

HSL 125.83, 0.75%, 0.19%

LAB 30.56, -35.3, 30.45

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 86 / 0 / 78 / 39

HEX #169C23

RGB 22 156 35

HSL 125.82, 0.75%, 0.35%

LAB 56.16, -56.6, 50.14

 

CMYK 86 / 0 / 78 / 25

HEX #1BC02B

RGB 27 192 43

HSL 125.82, 0.75%, 0.43%

LAB 68.1, -66.41, 59.19

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 86 / 24 / 0 / 53

HEX #115B78

RGB 17 91 120

HSL 196.89, 0.75%, 0.27%

LAB 35.9, -10.58, -22.49

 

CMYK 0 / 86 / 59 / 53

HEX #781131

RGB 120 17 49

HSL 341.36, 0.75%, 0.27%

LAB 25.61, 44.24, 9.08

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 79 / 86 / 0 / 53

HEX #191178

RGB 25 17 120

HSL 244.66, 0.75%, 0.27%

LAB 15.3, 38.9, -55.68

 

CMYK 0 / 79 / 86 / 53

HEX #781911

RGB 120 25 17

HSL 4.66, 0.75%, 0.27%

LAB 25.95, 40.08, 30.28

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 86 / 24 / 0 / 53

HEX #115B78

RGB 17 91 120

HSL 196.89, 0.75%, 0.27%

LAB 35.9, -10.58, -22.49

 

CMYK 0 / 86 / 8 / 53

HEX #78116F

RGB 120 17 111

HSL 305.24, 0.75%, 0.27%

LAB 28.23, 51.67, -28.26

 

CMYK 0 / 62 / 86 / 53

HEX #782E11

RGB 120 46 17

HSL 16.89, 0.75%, 0.27%

LAB 29.38, 30.79, 33.48

 

CMYK 86 / 0 / 78 / 53

HEX #11781B

RGB 17 120 27

HSL 125.83, 0.75%, 0.27%

LAB 43.7, -46.3, 40.63

 

CMYK 86 / 50 / 0 / 53

HEX #113C78

RGB 17 60 120

HSL 214.95, 0.75%, 0.27%

LAB 25.88, 9.73, -38.36

 

CMYK 0 / 86 / 8 / 53

HEX #78116F

RGB 120 17 111

HSL 305.24, 0.75%, 0.27%

LAB 28.23, 51.67, -28.26

 

CMYK 0 / 36 / 86 / 53

HEX #784D11

RGB 120 77 17

HSL 34.95, 0.75%, 0.27%

LAB 36.63, 13.05, 39.99

 

Description

Color code: HEX #11781B | qconv.com Color code: HEX #11781B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 120 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 120 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 78 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 78% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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