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Color name
HEX #11848E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11848E it is the complementary color #EE7B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11848E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11848E shade: #168489, #27969C, #38A8AF, #49BAC2 and #5ACCD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11848E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11848E shade: #11848E, #00727B, #006068, #004E55 and #003C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11848E shade: #10838D, #10618D, #10408D, #101E8D and #24108D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11848E shade: #10838D, #10618D, #10408D, #101E8D and #10108D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11848E shade matches the following richer shades: #10838D and #038E9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11848E shade: #10838D, #1D7880, #2A6E73, #366367 and #43585A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11848E shade: #108D53, #108D74, #10858D, #10638D and #10428D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11848E shade: #073E43, #0C6168, #10838D, #14A5B2 and #19C8D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11848E shade: #11848E, #31108D and #8D6310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11848E shade: #11848E, #8D1085 and #858D10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11848E shade: #11848E, #31108D, #8D1810 and #6C8D10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11848E shade: #11848E, #57108D, #8D1810 and #468D10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

Complementary color

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 84 / 4 / 0 / 46

HEX #168489

RGB 22 132 137

HSL 182.61, 0.72%, 0.31%

LAB 50.07, -26.54, -11.02

 

CMYK 75 / 4 / 0 / 39

HEX #27969C

RGB 39 150 156

HSL 183.08, 0.6%, 0.38%

LAB 56.73, -27.72, -11.97

 

CMYK 68 / 4 / 0 / 31

HEX #38A8AF

RGB 56 168 175

HSL 183.53, 0.52%, 0.45%

LAB 63.29, -28.54, -12.8

 

CMYK 62 / 4 / 0 / 24

HEX #49BAC2

RGB 73 186 194

HSL 183.97, 0.5%, 0.52%

LAB 69.77, -29.12, -13.55

 

CMYK 58 / 4 / 0 / 16

HEX #5ACCD5

RGB 90 204 213

HSL 184.39, 0.59%, 0.59%

LAB 76.17, -29.52, -14.23

 

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 100 / 7 / 0 / 52

HEX #00727B

RGB 0 114 123

HSL 184.39, 1%, 0.24%

LAB 43.46, -23.48, -12.74

 

CMYK 100 / 8 / 0 / 59

HEX #006068

RGB 0 96 104

HSL 184.62, 1%, 0.2%

LAB 36.68, -20.71, -11.43

 

CMYK 100 / 8 / 0 / 67

HEX #004E55

RGB 0 78 85

HSL 184.94, 1%, 0.17%

LAB 29.67, -17.83, -10.09

 

CMYK 100 / 9 / 0 / 74

HEX #003C42

RGB 0 60 66

HSL 185.45, 1%, 0.13%

LAB 22.39, -14.84, -8.7

 

CMYK 89 / 7 / 0 / 45

HEX #10838D

RGB 16 131 141

HSL 184.8, 0.8%, 0.31%

LAB 49.82, -25.17, -13.75

 

CMYK 89 / 31 / 0 / 45

HEX #10618D

RGB 16 97 141

HSL 201.12, 0.8%, 0.31%

LAB 38.87, -6.13, -30.66

 

CMYK 89 / 55 / 0 / 45

HEX #10408D

RGB 16 64 141

HSL 216.96, 0.8%, 0.31%

LAB 28.64, 15.7, -47.01

 

CMYK 89 / 79 / 0 / 45

HEX #101E8D

RGB 16 30 141

HSL 233.28, 0.8%, 0.31%

LAB 19.89, 38.53, -61.37

 

CMYK 74 / 89 / 0 / 45

HEX #24108D

RGB 36 16 141

HSL 249.6, 0.8%, 0.31%

LAB 18.67, 46.53, -63.37

 

CMYK 89 / 7 / 0 / 45

HEX #10838D

RGB 16 131 141

HSL 184.8, 0.8%, 0.31%

LAB 49.82, -25.17, -13.75

 

CMYK 89 / 31 / 0 / 45

HEX #10618D

RGB 16 97 141

HSL 201.12, 0.8%, 0.31%

LAB 38.87, -6.13, -30.66

 

CMYK 89 / 55 / 0 / 45

HEX #10408D

RGB 16 64 141

HSL 216.96, 0.8%, 0.31%

LAB 28.64, 15.7, -47.01

 

CMYK 89 / 79 / 0 / 45

HEX #101E8D

RGB 16 30 141

HSL 233.28, 0.8%, 0.31%

LAB 19.89, 38.53, -61.37

 

CMYK 89 / 89 / 0 / 45

HEX #10108D

RGB 16 16 141

HSL 240, 0.8%, 0.31%

LAB 17.48, 45.59, -65.38

 

CMYK 89 / 7 / 0 / 45

HEX #10838D

RGB 16 131 141

HSL 184.8, 0.8%, 0.31%

LAB 49.82, -25.17, -13.75

 

CMYK 98 / 8 / 0 / 40

HEX #038E9A

RGB 3 142 154

HSL 184.77, 0.96%, 0.31%

LAB 53.71, -27.03, -15.43

 

CMYK 89 / 7 / 0 / 45

HEX #10838D

RGB 16 131 141

HSL 184.8, 0.8%, 0.31%

LAB 49.82, -25.17, -13.75

 

CMYK 77 / 6 / 0 / 50

HEX #1D7880

RGB 29 120 128

HSL 184.85, 0.63%, 0.31%

LAB 45.98, -22.61, -11.87

 

CMYK 63 / 4 / 0 / 55

HEX #2A6E73

RGB 42 110 115

HSL 184.11, 0.46%, 0.31%

LAB 42.58, -19.46, -9.16

 

CMYK 48 / 4 / 0 / 60

HEX #366367

RGB 54 99 103

HSL 184.9, 0.31%, 0.31%

LAB 39.05, -14.29, -7.11

 

CMYK 26 / 2 / 0 / 65

HEX #43585A

RGB 67 88 90

HSL 185.22, 0.15%, 0.31%

LAB 35.81, -7.45, -3.79

 

CMYK 89 / 0 / 41 / 45

HEX #108D53

RGB 16 141 83

HSL 152.16, 0.8%, 0.31%

LAB 51.59, -45.49, 22.26

 

CMYK 89 / 0 / 18 / 45

HEX #108D74

RGB 16 141 116

HSL 168, 0.8%, 0.31%

LAB 52.31, -37.55, 4.49

 

CMYK 89 / 6 / 0 / 45

HEX #10858D

RGB 16 133 141

HSL 183.84, 0.8%, 0.31%

LAB 50.46, -26.19, -12.78

 

CMYK 89 / 30 / 0 / 45

HEX #10638D

RGB 16 99 141

HSL 200.16, 0.8%, 0.31%

LAB 39.51, -7.35, -29.66

 

CMYK 89 / 53 / 0 / 45

HEX #10428D

RGB 16 66 141

HSL 216, 0.8%, 0.31%

LAB 29.23, 14.3, -46.05

 

CMYK 90 / 7 / 0 / 74

HEX #073E43

RGB 7 62 67

HSL 185, 0.81%, 0.15%

LAB 23.32, -14.65, -7.94

 

CMYK 88 / 7 / 0 / 59

HEX #0C6168

RGB 12 97 104

HSL 184.57, 0.79%, 0.23%

LAB 37.16, -20.33, -10.68

 

CMYK 89 / 7 / 0 / 45

HEX #10838D

RGB 16 131 141

HSL 184.8, 0.8%, 0.31%

LAB 49.82, -25.17, -13.75

 

CMYK 89 / 7 / 0 / 30

HEX #14A5B2

RGB 20 165 178

HSL 184.94, 0.8%, 0.39%

LAB 61.89, -29.76, -16.66

 

CMYK 88 / 7 / 0 / 16

HEX #19C8D7

RGB 25 200 215

HSL 184.74, 0.79%, 0.47%

LAB 73.82, -34.59, -18.97

 

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 65 / 89 / 0 / 45

HEX #31108D

RGB 49 16 141

HSL 255.84, 0.8%, 0.31%

LAB 19.83, 47.48, -61.41

 

CMYK 0 / 30 / 89 / 45

HEX #8D6310

RGB 141 99 16

HSL 39.84, 0.8%, 0.31%

LAB 45.11, 9.98, 48.57

 

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 0 / 89 / 6 / 45

HEX #8D1085

RGB 141 16 133

HSL 303.84, 0.8%, 0.31%

LAB 33.41, 59.64, -33.7

 

CMYK 6 / 0 / 89 / 45

HEX #858D10

RGB 133 141 16

HSL 63.84, 0.8%, 0.31%

LAB 56.16, -17.2, 57.27

 

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 65 / 89 / 0 / 45

HEX #31108D

RGB 49 16 141

HSL 255.84, 0.8%, 0.31%

LAB 19.83, 47.48, -61.41

 

CMYK 0 / 83 / 89 / 45

HEX #8D1810

RGB 141 24 16

HSL 3.84, 0.8%, 0.31%

LAB 30.29, 47.1, 36.37

 

CMYK 23 / 0 / 89 / 45

HEX #6C8D10

RGB 108 141 16

HSL 75.84, 0.8%, 0.31%

LAB 54.32, -28.16, 54.99

 

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 38 / 89 / 0 / 45

HEX #57108D

RGB 87 16 141

HSL 274.08, 0.8%, 0.31%

LAB 24.7, 51.81, -53.2

 

CMYK 0 / 83 / 89 / 45

HEX #8D1810

RGB 141 24 16

HSL 3.84, 0.8%, 0.31%

LAB 30.29, 47.1, 36.37

 

CMYK 50 / 0 / 89 / 45

HEX #468D10

RGB 70 141 16

HSL 94.08, 0.8%, 0.31%

LAB 52.27, -42.45, 52.44

 

Description

Color code: HEX #11848E | qconv.com Color code: HEX #11848E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 132 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 132 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 7 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 7% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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