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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #118B71 it is the complementary color #EE748E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #118B71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #118B71 shade: #168B6C, #279D7F, #38AF92, #49C1A5 and #5AD3B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #118B71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #118B71 shade: #118B71, #00795E, #00674B, #005538 and #004325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #118B71 shade: #118C72, #118C51, #118C2F, #148C11 and #358C11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #118B71 shade: #118C72, #11858C, #11648C, #11438C and #11218C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #118B71 shade matches the following richer shades: #118C72 and #049979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #118B71 shade: #118C72, #1E7F6B, #2A7363, #37665C and #445955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #118B71 shade: #118C30, #118C51, #118C71, #11868C and #11658C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #118B71 shade: #084336, #0C6754, #118C72, #15B190 and #1AD6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #118B71 shade: #118B71, #11138C and #8C4011

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #118B71 shade: #118B71, #71118C and #8C7111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #118B71 shade: #118B71, #11138C, #8C112C and #8C8A11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #118B71 shade: #118B71, #34118C, #8C112C and #698C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 19 / 45

HEX #118B71

RGB 17 139 113

HSL 167.21, 0.78%, 0.31%

LAB 51.58, -37.42, 5.19

 

Complementary color

CMYK 0 / 51 / 40 / 7

HEX #EE748E

RGB 238 116 142

HSL 347.21, 0.78%, 0.69%

LAB 63.85, 49.47, 8.35

 

CMYK 84 / 0 / 22 / 45

HEX #168B6C

RGB 22 139 108

HSL 164.1, 0.73%, 0.32%

LAB 51.52, -38.32, 7.99

 

CMYK 75 / 0 / 19 / 38

HEX #279D7F

RGB 39 157 127

HSL 164.75, 0.6%, 0.38%

LAB 58.11, -39.26, 6.58

 

CMYK 68 / 0 / 17 / 31

HEX #38AF92

RGB 56 175 146

HSL 165.38, 0.52%, 0.45%

LAB 64.62, -39.83, 5.34

 

CMYK 62 / 0 / 15 / 24

HEX #49C1A5

RGB 73 193 165

HSL 166, 0.49%, 0.52%

LAB 71.06, -40.17, 4.23

 

CMYK 57 / 0 / 13 / 17

HEX #5AD3B8

RGB 90 211 184

HSL 166.61, 0.58%, 0.59%

LAB 77.41, -40.34, 3.22

 

CMYK 88 / 0 / 19 / 45

HEX #118B71

RGB 17 139 113

HSL 167.21, 0.78%, 0.31%

LAB 51.58, -37.42, 5.19

 

CMYK 100 / 0 / 22 / 53

HEX #00795E

RGB 0 121 94

HSL 166.61, 1%, 0.24%

LAB 44.92, -35.89, 6.75

 

CMYK 100 / 0 / 27 / 60

HEX #00674B

RGB 0 103 75

HSL 163.69, 1%, 0.2%

LAB 38.21, -33.27, 8.66

 

CMYK 100 / 0 / 34 / 67

HEX #005538

RGB 0 85 56

HSL 159.53, 1%, 0.17%

LAB 31.31, -30.54, 10.71

 

CMYK 100 / 0 / 45 / 74

HEX #004325

RGB 0 67 37

HSL 153.13, 1%, 0.13%

LAB 24.15, -27.6, 12.94

 

CMYK 88 / 0 / 19 / 45

HEX #118C72

RGB 17 140 114

HSL 167.32, 0.78%, 0.31%

LAB 51.94, -37.58, 5.12

 

CMYK 88 / 0 / 42 / 45

HEX #118C51

RGB 17 140 81

HSL 151.22, 0.78%, 0.31%

LAB 51.23, -45.44, 22.89

 

CMYK 88 / 0 / 66 / 45

HEX #118C2F

RGB 17 140 47

HSL 134.63, 0.78%, 0.31%

LAB 50.78, -50.85, 39.72

 

CMYK 86 / 0 / 88 / 45

HEX #148C11

RGB 20 140 17

HSL 118.54, 0.78%, 0.31%

LAB 50.62, -52.97, 50.25

 

CMYK 62 / 0 / 88 / 45

HEX #358C11

RGB 53 140 17

HSL 102.44, 0.78%, 0.31%

LAB 51.33, -46.94, 51.14

 

CMYK 88 / 0 / 19 / 45

HEX #118C72

RGB 17 140 114

HSL 167.32, 0.78%, 0.31%

LAB 51.94, -37.58, 5.12

 

CMYK 88 / 5 / 0 / 45

HEX #11858C

RGB 17 133 140

HSL 183.41, 0.78%, 0.31%

LAB 50.44, -26.45, -12.23

 

CMYK 88 / 29 / 0 / 45

HEX #11648C

RGB 17 100 140

HSL 199.51, 0.78%, 0.31%

LAB 39.79, -8.27, -28.61

 

CMYK 88 / 52 / 0 / 45

HEX #11438C

RGB 17 67 140

HSL 215.61, 0.78%, 0.31%

LAB 29.48, 13.27, -45.04

 

CMYK 88 / 76 / 0 / 45

HEX #11218C

RGB 17 33 140

HSL 232.2, 0.78%, 0.31%

LAB 20.44, 36.42, -59.83

 

CMYK 88 / 0 / 19 / 45

HEX #118C72

RGB 17 140 114

HSL 167.32, 0.78%, 0.31%

LAB 51.94, -37.58, 5.12

 

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

CMYK 88 / 0 / 19 / 45

HEX #118C72

RGB 17 140 114

HSL 167.32, 0.78%, 0.31%

LAB 51.94, -37.58, 5.12

 

CMYK 76 / 0 / 16 / 50

HEX #1E7F6B

RGB 30 127 107

HSL 167.63, 0.62%, 0.31%

LAB 47.64, -32.31, 3.04

 

CMYK 63 / 0 / 14 / 55

HEX #2A7363

RGB 42 115 99

HSL 166.85, 0.46%, 0.31%

LAB 43.73, -26.76, 2.17

 

CMYK 46 / 0 / 10 / 60

HEX #37665C

RGB 55 102 92

HSL 167.23, 0.3%, 0.31%

LAB 39.73, -18.75, 0.65

 

CMYK 24 / 0 / 4 / 65

HEX #445955

RGB 68 89 85

HSL 168.57, 0.13%, 0.31%

LAB 36.04, -8.95, -0.32

 

CMYK 88 / 0 / 66 / 45

HEX #118C30

RGB 17 140 48

HSL 135.12, 0.78%, 0.31%

LAB 50.79, -50.73, 39.28

 

CMYK 88 / 0 / 42 / 45

HEX #118C51

RGB 17 140 81

HSL 151.22, 0.78%, 0.31%

LAB 51.23, -45.44, 22.89

 

CMYK 88 / 0 / 19 / 45

HEX #118C71

RGB 17 140 113

HSL 166.83, 0.78%, 0.31%

LAB 51.91, -37.85, 5.66

 

CMYK 88 / 4 / 0 / 45

HEX #11868C

RGB 17 134 140

HSL 182.93, 0.78%, 0.31%

LAB 50.76, -26.95, -11.74

 

CMYK 88 / 28 / 0 / 45

HEX #11658C

RGB 17 101 140

HSL 199.02, 0.78%, 0.31%

LAB 40.11, -8.87, -28.1

 

CMYK 88 / 0 / 19 / 74

HEX #084336

RGB 8 67 54

HSL 166.78, 0.79%, 0.15%

LAB 24.74, -21.68, 2.77

 

CMYK 88 / 0 / 18 / 60

HEX #0C6754

RGB 12 103 84

HSL 167.47, 0.79%, 0.23%

LAB 38.58, -29.74, 3.72

 

CMYK 88 / 0 / 19 / 45

HEX #118C72

RGB 17 140 114

HSL 167.32, 0.78%, 0.31%

LAB 51.94, -37.58, 5.12

 

CMYK 88 / 0 / 19 / 31

HEX #15B190

RGB 21 177 144

HSL 167.31, 0.79%, 0.39%

LAB 64.66, -45.08, 6.42

 

CMYK 88 / 0 / 19 / 16

HEX #1AD6AE

RGB 26 214 174

HSL 167.23, 0.78%, 0.47%

LAB 76.9, -52.2, 7.68

 

CMYK 88 / 0 / 19 / 45

HEX #118B71

RGB 17 139 113

HSL 167.21, 0.78%, 0.31%

LAB 51.58, -37.42, 5.19

 

CMYK 88 / 86 / 0 / 45

HEX #11138C

RGB 17 19 140

HSL 239.02, 0.78%, 0.31%

LAB 17.82, 44.01, -64.18

 

CMYK 0 / 54 / 88 / 45

HEX #8C4011

RGB 140 64 17

HSL 22.93, 0.78%, 0.31%

LAB 36.52, 29.56, 41.06

 

CMYK 88 / 0 / 19 / 45

HEX #118B71

RGB 17 139 113

HSL 167.21, 0.78%, 0.31%

LAB 51.58, -37.42, 5.19

 

CMYK 19 / 88 / 0 / 45

HEX #71118C

RGB 113 17 140

HSL 286.83, 0.78%, 0.31%

LAB 28.92, 55.44, -45.54

 

CMYK 0 / 19 / 88 / 45

HEX #8C7111

RGB 140 113 17

HSL 46.83, 0.78%, 0.31%

LAB 48.79, 1.45, 51.26

 

CMYK 88 / 0 / 19 / 45

HEX #118B71

RGB 17 139 113

HSL 167.21, 0.78%, 0.31%

LAB 51.58, -37.42, 5.19

 

CMYK 88 / 86 / 0 / 45

HEX #11138C

RGB 17 19 140

HSL 239.02, 0.78%, 0.31%

LAB 17.82, 44.01, -64.18

 

CMYK 0 / 88 / 69 / 45

HEX #8C112C

RGB 140 17 44

HSL 346.83, 0.78%, 0.31%

LAB 29.81, 49.64, 18.8

 

CMYK 0 / 1 / 88 / 45

HEX #8C8A11

RGB 140 138 17

HSL 59.02, 0.78%, 0.31%

LAB 55.88, -12.41, 57.07

 

CMYK 88 / 0 / 19 / 45

HEX #118B71

RGB 17 139 113

HSL 167.21, 0.78%, 0.31%

LAB 51.58, -37.42, 5.19

 

CMYK 63 / 88 / 0 / 45

HEX #34118C

RGB 52 17 140

HSL 257.07, 0.78%, 0.31%

LAB 20.14, 47.11, -60.25

 

CMYK 0 / 88 / 69 / 45

HEX #8C112C

RGB 140 17 44

HSL 346.83, 0.78%, 0.31%

LAB 29.81, 49.64, 18.8

 

CMYK 25 / 0 / 88 / 45

HEX #698C11

RGB 105 140 17

HSL 77.07, 0.78%, 0.31%

LAB 53.81, -28.9, 54.27

 

Description

Color code: HEX #118B71 | qconv.com Color code: HEX #118B71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 139 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 139 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 19 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 19% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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