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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #119496 it is the complementary color #EE6B69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #119496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #119496 shade: #169491, #27A6A4, #38B8B7, #49CACA and #5ADCDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #119496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #119496 shade: #119496, #008283, #007070, #005E5D and #004C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #119496 shade: #109597, #107197, #104C97, #102897 and #1D1097

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #119496 shade: #109597, #107197, #104C97, #102897 and #101097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #119496 shade matches the following richer shades: #109597 and #03A2A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #119496 shade: #109597, #1E8889, #2C7B7C, #396D6E and #476061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #119496 shade: #10974F, #109773, #109797, #107397 and #104F97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #119496 shade: #084C4D, #0C7072, #109597, #14BABC and #19DEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #119496 shade: #119496, #2B1097 and #976110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #119496 shade: #119496, #971097 and #979710

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #119496 shade: #119496, #2B1097, #971010 and #7C9710

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #119496 shade: #119496, #541097, #971010 and #549710

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 1 / 0 / 41

HEX #119496

RGB 17 148 150

HSL 180.9, 0.8%, 0.33%

LAB 55.58, -30.61, -10.28

 

Complementary color

CMYK 0 / 55 / 56 / 7

HEX #EE6B69

RGB 238 107 105

HSL 0.9, 0.8%, 0.67%

LAB 61.41, 50.39, 26.12

 

CMYK 85 / 0 / 2 / 42

HEX #169491

RGB 22 148 145

HSL 178.57, 0.74%, 0.33%

LAB 55.48, -31.83, -7.57

 

CMYK 77 / 0 / 1 / 35

HEX #27A6A4

RGB 39 166 164

HSL 179.06, 0.62%, 0.4%

LAB 61.98, -33.04, -8.63

 

CMYK 70 / 0 / 1 / 28

HEX #38B8B7

RGB 56 184 183

HSL 179.53, 0.53%, 0.47%

LAB 68.42, -33.9, -9.57

 

CMYK 64 / 0 / 0 / 21

HEX #49CACA

RGB 73 202 202

HSL 180, 0.55%, 0.54%

LAB 74.78, -34.51, -10.42

 

CMYK 59 / 0 / 0 / 13

HEX #5ADCDD

RGB 90 220 221

HSL 180.46, 0.66%, 0.61%

LAB 81.06, -34.94, -11.19

 

CMYK 89 / 1 / 0 / 41

HEX #119496

RGB 17 148 150

HSL 180.9, 0.8%, 0.33%

LAB 55.58, -30.61, -10.28

 

CMYK 100 / 1 / 0 / 49

HEX #008283

RGB 0 130 131

HSL 180.46, 1%, 0.26%

LAB 49.01, -28.84, -9.11

 

CMYK 100 / 0 / 0 / 56

HEX #007070

RGB 0 112 112

HSL 180, 1%, 0.22%

LAB 42.4, -26.21, -7.71

 

CMYK 100 / 0 / 1 / 63

HEX #005E5D

RGB 0 94 93

HSL 179.36, 1%, 0.18%

LAB 35.59, -23.51, -6.24

HEX #005E5D

CMYK 100 / 0 / 3 / 70

HEX #004C4A

RGB 0 76 74

HSL 178.42, 1%, 0.15%

LAB 28.55, -20.74, -4.7

HEX #004C4A

CMYK 89 / 1 / 0 / 41

HEX #109597

RGB 16 149 151

HSL 180.89, 0.81%, 0.33%

LAB 55.93, -30.84, -10.34

 

CMYK 89 / 25 / 0 / 41

HEX #107197

RGB 16 113 151

HSL 196.89, 0.81%, 0.33%

LAB 44.45, -11.82, -27.9

 

CMYK 89 / 50 / 0 / 41

HEX #104C97

RGB 16 76 151

HSL 213.33, 0.81%, 0.33%

LAB 32.95, 11.59, -46.16

 

CMYK 89 / 74 / 0 / 41

HEX #102897

RGB 16 40 151

HSL 229.33, 0.81%, 0.33%

LAB 23.21, 36.07, -62.07

 

CMYK 81 / 89 / 0 / 41

HEX #1D1097

RGB 29 16 151

HSL 245.78, 0.81%, 0.33%

LAB 19.5, 49.1, -68.21

 

CMYK 89 / 1 / 0 / 41

HEX #109597

RGB 16 149 151

HSL 180.89, 0.81%, 0.33%

LAB 55.93, -30.84, -10.34

 

CMYK 89 / 25 / 0 / 41

HEX #107197

RGB 16 113 151

HSL 196.89, 0.81%, 0.33%

LAB 44.45, -11.82, -27.9

 

CMYK 89 / 50 / 0 / 41

HEX #104C97

RGB 16 76 151

HSL 213.33, 0.81%, 0.33%

LAB 32.95, 11.59, -46.16

 

CMYK 89 / 74 / 0 / 41

HEX #102897

RGB 16 40 151

HSL 229.33, 0.81%, 0.33%

LAB 23.21, 36.07, -62.07

 

CMYK 89 / 89 / 0 / 41

HEX #101097

RGB 16 16 151

HSL 240, 0.81%, 0.33%

LAB 18.86, 48.64, -69.28

 

CMYK 89 / 1 / 0 / 41

HEX #109597

RGB 16 149 151

HSL 180.89, 0.81%, 0.33%

LAB 55.93, -30.84, -10.34

 

CMYK 98 / 2 / 0 / 35

HEX #03A2A5

RGB 3 162 165

HSL 181.11, 0.96%, 0.33%

LAB 60.41, -33.19, -11.59

 

CMYK 89 / 1 / 0 / 41

HEX #109597

RGB 16 149 151

HSL 180.89, 0.81%, 0.33%

LAB 55.93, -30.84, -10.34

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 65 / 1 / 0 / 51

HEX #2C7B7C

RGB 44 123 124

HSL 180.75, 0.48%, 0.33%

LAB 47.18, -23.18, -7.66

 

CMYK 48 / 1 / 0 / 57

HEX #396D6E

RGB 57 109 110

HSL 181.13, 0.32%, 0.33%

LAB 42.66, -17.04, -5.96

 

CMYK 27 / 1 / 0 / 62

HEX #476061

RGB 71 96 97

HSL 182.31, 0.15%, 0.33%

LAB 38.84, -9.01, -3.61

 

CMYK 89 / 0 / 48 / 41

HEX #10974F

RGB 16 151 79

HSL 148, 0.81%, 0.33%

LAB 54.87, -49.93, 28.68

 

CMYK 89 / 0 / 24 / 41

HEX #109773

RGB 16 151 115

HSL 164, 0.81%, 0.33%

LAB 55.56, -42.07, 9.71

 

CMYK 89 / 0 / 0 / 41

HEX #109797

RGB 16 151 151

HSL 180, 0.81%, 0.33%

LAB 56.56, -31.8, -9.39

 

CMYK 89 / 24 / 0 / 41

HEX #107397

RGB 16 115 151

HSL 196, 0.81%, 0.33%

LAB 45.09, -12.97, -26.9

 

CMYK 89 / 48 / 0 / 41

HEX #104F97

RGB 16 79 151

HSL 212, 0.81%, 0.33%

LAB 33.85, 9.56, -44.71

 

CMYK 90 / 1 / 0 / 70

HEX #084C4D

RGB 8 76 77

HSL 180.87, 0.81%, 0.17%

LAB 28.79, -18.79, -6.26

 

CMYK 89 / 2 / 0 / 55

HEX #0C7072

RGB 12 112 114

HSL 181.18, 0.81%, 0.25%

LAB 42.58, -24.76, -8.62

 

CMYK 89 / 1 / 0 / 41

HEX #109597

RGB 16 149 151

HSL 180.89, 0.81%, 0.33%

LAB 55.93, -30.84, -10.34

 

CMYK 89 / 1 / 0 / 26

HEX #14BABC

RGB 20 186 188

HSL 180.71, 0.81%, 0.41%

LAB 68.68, -36.61, -11.99

 

CMYK 89 / 1 / 0 / 12

HEX #19DEE1

RGB 25 222 225

HSL 180.9, 0.8%, 0.49%

LAB 80.68, -41.66, -14.01

 

CMYK 89 / 1 / 0 / 41

HEX #119496

RGB 17 148 150

HSL 180.9, 0.8%, 0.33%

LAB 55.58, -30.61, -10.28

 

CMYK 72 / 89 / 0 / 41

HEX #2B1097

RGB 43 16 151

HSL 252, 0.81%, 0.33%

LAB 20.51, 49.85, -66.5

 

CMYK 0 / 36 / 89 / 41

HEX #976110

RGB 151 97 16

HSL 36, 0.81%, 0.33%

LAB 45.86, 15.79, 49.7

 

CMYK 89 / 1 / 0 / 41

HEX #119496

RGB 17 148 150

HSL 180.9, 0.8%, 0.33%

LAB 55.58, -30.61, -10.28

 

CMYK 0 / 89 / 0 / 41

HEX #971097

RGB 151 16 151

HSL 300, 0.81%, 0.33%

LAB 36.34, 64.35, -40.01

 

CMYK 0 / 0 / 89 / 41

HEX #979710

RGB 151 151 16

HSL 60, 0.81%, 0.33%

LAB 60.56, -14.31, 61.45

 

CMYK 89 / 1 / 0 / 41

HEX #119496

RGB 17 148 150

HSL 180.9, 0.8%, 0.33%

LAB 55.58, -30.61, -10.28

 

CMYK 72 / 89 / 0 / 41

HEX #2B1097

RGB 43 16 151

HSL 252, 0.81%, 0.33%

LAB 20.51, 49.85, -66.5

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 18 / 0 / 89 / 41

HEX #7C9710

RGB 124 151 16

HSL 72, 0.81%, 0.33%

LAB 58.47, -26.22, 58.88

 

CMYK 89 / 1 / 0 / 41

HEX #119496

RGB 17 148 150

HSL 180.9, 0.8%, 0.33%

LAB 55.58, -30.61, -10.28

 

CMYK 44 / 89 / 0 / 41

HEX #541097

RGB 84 16 151

HSL 270.22, 0.81%, 0.33%

LAB 25.23, 53.74, -58.55

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 44 / 0 / 89 / 41

HEX #549710

RGB 84 151 16

HSL 89.78, 0.81%, 0.33%

LAB 56.14, -41.87, 56

 

Description

Color code: HEX #119496 | qconv.com Color code: HEX #119496 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 148 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 148 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 1 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 1% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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