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Color name
HEX #119BAA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #119BAA it is the complementary color #EE6455. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #119BAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #119BAA shade: #169BA5, #27ADB8, #38BFCB, #49D1DE and #5AE3F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #119BAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #119BAA shade: #119BAA, #008997, #007784, #006571 and #00535E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #119BAA shade: #109CAB, #1072AB, #1049AB, #101FAB and #2C10AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #119BAA shade: #109CAB, #1072AB, #1049AB, #101FAB and #1010AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #119BAA shade matches the following richer shades: #109CAB and #01A8BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #119BAA shade: #109CAB, #20909C, #2F848D, #3E777D and #4E6B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #119BAA shade: #10AB66, #10AB8F, #109EAB, #1075AB and #104CAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #119BAA shade: #095860, #0D7A86, #109CAB, #14BED1 and #25D6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #119BAA shade: #119BAA, #3C10AB and #AB7A10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #119BAA shade: #119BAA, #AB109E and #9EAB10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #119BAA shade: #119BAA, #3C10AB, #AB1D10 and #7FAB10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #119BAA shade: #119BAA, #6B10AB, #AB1D10 and #51AB10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 9 / 0 / 33

HEX #119BAA

RGB 17 155 170

HSL 185.88, 0.82%, 0.37%

LAB 58.48, -27.6, -17.33

 

Complementary color

CMYK 0 / 58 / 64 / 7

HEX #EE6455

RGB 238 100 85

HSL 5.88, 0.82%, 0.63%

LAB 59.84, 52.29, 35.4

 

CMYK 87 / 6 / 0 / 35

HEX #169BA5

RGB 22 155 165

HSL 184.2, 0.76%, 0.37%

LAB 58.35, -28.92, -14.68

 

CMYK 79 / 6 / 0 / 28

HEX #27ADB8

RGB 39 173 184

HSL 184.55, 0.65%, 0.44%

LAB 64.79, -30.31, -15.61

 

CMYK 72 / 6 / 0 / 20

HEX #38BFCB

RGB 56 191 203

HSL 184.9, 0.59%, 0.51%

LAB 71.16, -31.34, -16.43

 

CMYK 67 / 6 / 0 / 13

HEX #49D1DE

RGB 73 209 222

HSL 185.23, 0.69%, 0.58%

LAB 77.45, -32.13, -17.18

 

CMYK 63 / 6 / 0 / 5

HEX #5AE3F1

RGB 90 227 241

HSL 185.56, 0.84%, 0.65%

LAB 83.69, -32.72, -17.86

 

CMYK 90 / 9 / 0 / 33

HEX #119BAA

RGB 17 155 170

HSL 185.88, 0.82%, 0.37%

LAB 58.48, -27.6, -17.33

 

CMYK 100 / 9 / 0 / 41

HEX #008997

RGB 0 137 151

HSL 185.56, 1%, 0.3%

LAB 51.98, -25.65, -16.31

 

CMYK 100 / 10 / 0 / 48

HEX #007784

RGB 0 119 132

HSL 185.91, 1%, 0.26%

LAB 45.44, -22.94, -15.1

 

CMYK 100 / 11 / 0 / 56

HEX #006571

RGB 0 101 113

HSL 186.37, 1%, 0.22%

LAB 38.72, -20.15, -13.86

 

CMYK 100 / 12 / 0 / 63

HEX #00535E

RGB 0 83 94

HSL 187.02, 1%, 0.18%

LAB 31.79, -17.26, -12.6

 

CMYK 91 / 9 / 0 / 33

HEX #109CAB

RGB 16 156 171

HSL 185.81, 0.83%, 0.37%

LAB 58.81, -27.82, -17.38

 

CMYK 91 / 33 / 0 / 33

HEX #1072AB

RGB 16 114 171

HSL 202.06, 0.83%, 0.37%

LAB 45.75, -4.76, -37.63

 

CMYK 91 / 57 / 0 / 33

HEX #1049AB

RGB 16 73 171

HSL 217.94, 0.83%, 0.37%

LAB 33.6, 21.85, -57.15

 

CMYK 91 / 82 / 0 / 33

HEX #101FAB

RGB 16 31 171

HSL 234.19, 0.83%, 0.37%

LAB 23.77, 48.19, -73.32

 

CMYK 74 / 91 / 0 / 33

HEX #2C10AB

RGB 44 16 171

HSL 250.84, 0.83%, 0.37%

LAB 23.16, 55.47, -74.3

 

CMYK 91 / 9 / 0 / 33

HEX #109CAB

RGB 16 156 171

HSL 185.81, 0.83%, 0.37%

LAB 58.81, -27.82, -17.38

 

CMYK 91 / 33 / 0 / 33

HEX #1072AB

RGB 16 114 171

HSL 202.06, 0.83%, 0.37%

LAB 45.75, -4.76, -37.63

 

CMYK 91 / 57 / 0 / 33

HEX #1049AB

RGB 16 73 171

HSL 217.94, 0.83%, 0.37%

LAB 33.6, 21.85, -57.15

 

CMYK 91 / 82 / 0 / 33

HEX #101FAB

RGB 16 31 171

HSL 234.19, 0.83%, 0.37%

LAB 23.77, 48.19, -73.32

 

CMYK 91 / 91 / 0 / 33

HEX #1010AB

RGB 16 16 171

HSL 240, 0.83%, 0.37%

LAB 21.66, 54.5, -76.84

 

CMYK 91 / 9 / 0 / 33

HEX #109CAB

RGB 16 156 171

HSL 185.81, 0.83%, 0.37%

LAB 58.81, -27.82, -17.38

 

CMYK 99 / 10 / 0 / 27

HEX #01A8BA

RGB 1 168 186

HSL 185.84, 0.99%, 0.37%

LAB 62.97, -29.38, -19.5

 

CMYK 91 / 9 / 0 / 33

HEX #109CAB

RGB 16 156 171

HSL 185.81, 0.83%, 0.37%

LAB 58.81, -27.82, -17.38

 

CMYK 79 / 8 / 0 / 39

HEX #20909C

RGB 32 144 156

HSL 185.81, 0.66%, 0.37%

LAB 54.71, -25.49, -15.02

 

CMYK 67 / 6 / 0 / 45

HEX #2F848D

RGB 47 132 141

HSL 185.74, 0.5%, 0.37%

LAB 50.72, -22.09, -12.33

 

CMYK 50 / 5 / 0 / 51

HEX #3E777D

RGB 62 119 125

HSL 185.71, 0.34%, 0.37%

LAB 46.58, -16.92, -9.08

 

CMYK 29 / 3 / 0 / 57

HEX #4E6B6E

RGB 78 107 110

HSL 185.63, 0.17%, 0.37%

LAB 43.15, -9.74, -5.11

 

CMYK 91 / 0 / 40 / 33

HEX #10AB66

RGB 16 171 102

HSL 153.29, 0.83%, 0.37%

LAB 61.82, -52.77, 25.45

 

CMYK 91 / 0 / 16 / 33

HEX #10AB8F

RGB 16 171 143

HSL 169.16, 0.83%, 0.37%

LAB 62.69, -43.12, 4.14

 

CMYK 91 / 8 / 0 / 33

HEX #109EAB

RGB 16 158 171

HSL 185.03, 0.83%, 0.37%

LAB 59.44, -28.81, -16.43

 

CMYK 91 / 32 / 0 / 33

HEX #1075AB

RGB 16 117 171

HSL 200.9, 0.83%, 0.37%

LAB 46.68, -6.56, -36.17

 

CMYK 91 / 56 / 0 / 33

HEX #104CAB

RGB 16 76 171

HSL 216.77, 0.83%, 0.37%

LAB 34.44, 19.81, -55.78

 

CMYK 91 / 8 / 0 / 62

HEX #095860

RGB 9 88 96

HSL 185.52, 0.83%, 0.21%

LAB 33.74, -18.51, -10.89

 

CMYK 90 / 9 / 0 / 47

HEX #0D7A86

RGB 13 122 134

HSL 185.95, 0.82%, 0.29%

LAB 46.61, -23.1, -14.49

 

CMYK 91 / 9 / 0 / 33

HEX #109CAB

RGB 16 156 171

HSL 185.81, 0.83%, 0.37%

LAB 58.81, -27.82, -17.38

 

CMYK 90 / 9 / 0 / 18

HEX #14BED1

RGB 20 190 209

HSL 186.03, 0.83%, 0.45%

LAB 70.58, -31.96, -20.63

 

CMYK 84 / 8 / 0 / 9

HEX #25D6E9

RGB 37 214 233

HSL 185.82, 0.82%, 0.53%

LAB 78.68, -34.91, -21.28

 

CMYK 90 / 9 / 0 / 33

HEX #119BAA

RGB 17 155 170

HSL 185.88, 0.82%, 0.37%

LAB 58.48, -27.6, -17.33

 

CMYK 65 / 91 / 0 / 33

HEX #3C10AB

RGB 60 16 171

HSL 257.03, 0.83%, 0.37%

LAB 24.55, 56.44, -71.95

 

CMYK 0 / 29 / 91 / 33

HEX #AB7A10

RGB 171 122 16

HSL 41.03, 0.83%, 0.37%

LAB 54.67, 10.73, 57.67

 

CMYK 90 / 9 / 0 / 33

HEX #119BAA

RGB 17 155 170

HSL 185.88, 0.82%, 0.37%

LAB 58.48, -27.6, -17.33

 

CMYK 0 / 91 / 8 / 33

HEX #AB109E

RGB 171 16 158

HSL 305.03, 0.83%, 0.37%

LAB 40.41, 69.13, -37.56

 

CMYK 8 / 0 / 91 / 33

HEX #9EAB10

RGB 158 171 16

HSL 65.03, 0.83%, 0.37%

LAB 66.85, -21.44, 66.71

 

CMYK 90 / 9 / 0 / 33

HEX #119BAA

RGB 17 155 170

HSL 185.88, 0.82%, 0.37%

LAB 58.48, -27.6, -17.33

 

CMYK 65 / 91 / 0 / 33

HEX #3C10AB

RGB 60 16 171

HSL 257.03, 0.83%, 0.37%

LAB 24.55, 56.44, -71.95

 

CMYK 0 / 83 / 91 / 33

HEX #AB1D10

RGB 171 29 16

HSL 5.03, 0.83%, 0.37%

LAB 37.07, 54.77, 44.36

 

CMYK 26 / 0 / 91 / 33

HEX #7FAB10

RGB 127 171 16

HSL 77.03, 0.83%, 0.37%

LAB 64.7, -34.45, 64.08

 

CMYK 90 / 9 / 0 / 33

HEX #119BAA

RGB 17 155 170

HSL 185.88, 0.82%, 0.37%

LAB 58.48, -27.6, -17.33

 

CMYK 37 / 91 / 0 / 33

HEX #6B10AB

RGB 107 16 171

HSL 275.23, 0.83%, 0.37%

LAB 30.49, 61.13, -61.95

 

CMYK 0 / 83 / 91 / 33

HEX #AB1D10

RGB 171 29 16

HSL 5.03, 0.83%, 0.37%

LAB 37.07, 54.77, 44.36

 

CMYK 53 / 0 / 91 / 33

HEX #51AB10

RGB 81 171 16

HSL 94.84, 0.83%, 0.37%

LAB 62.43, -50.68, 61.27

 

Description

Color code: HEX #119BAA | qconv.com Color code: HEX #119BAA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 155 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 155 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 9 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 9% 0% 33% C M Y K

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Provide designers and agencies with accurate color values.

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