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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11A656 it is the complementary color #EE59A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11A656. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11A656 shade: #16A651, #27B864, #38CA77, #49DC8A and #5AEE9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11A656. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11A656 shade: #11A656, #009443, #008230, #00701D and #005E0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11A656 shade: #11A656, #11A62E, #1CA611, #44A611 and #6CA611

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11A656 shade: #11A656, #11A67E, #11A5A6, #117DA6 and #1155A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11A656 shade matches the following richer shades: #11A656 and #02B555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11A656 shade: #11A656, #209757, #2F8858, #3E7959 and #4C6A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11A656 shade: #1DA611, #11A62C, #11A654, #11A67C and #11A6A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11A656 shade: #095B2F, #0D8042, #11A656, #15CB69 and #22E77D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11A656 shade: #11A656, #1145A6 and #A61811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11A656 shade: #11A656, #5411A6 and #A65411

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11A656 shade: #11A656, #1145A6, #A61163 and #A67211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11A656 shade: #11A656, #1118A6, #A61163 and #A69E11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

Complementary color

CMYK 0 / 63 / 29 / 7

HEX #EE59A9

RGB 238 89 169

HSL 327.79, 0.81%, 0.64%

LAB 60.06, 64.71, -12.76

 

CMYK 87 / 0 / 51 / 35

HEX #16A651

RGB 22 166 81

HSL 144.58, 0.77%, 0.37%

LAB 59.92, -54.36, 34

 

CMYK 79 / 0 / 46 / 28

HEX #27B864

RGB 39 184 100

HSL 145.24, 0.65%, 0.44%

LAB 66.24, -55.71, 32.3

 

CMYK 72 / 0 / 41 / 21

HEX #38CA77

RGB 56 202 119

HSL 145.89, 0.58%, 0.51%

LAB 72.5, -56.57, 30.7

 

CMYK 67 / 0 / 37 / 14

HEX #49DC8A

RGB 73 220 138

HSL 146.53, 0.68%, 0.57%

LAB 78.72, -57.09, 29.21

 

CMYK 62 / 0 / 34 / 7

HEX #5AEE9D

RGB 90 238 157

HSL 147.16, 0.81%, 0.64%

LAB 84.87, -57.38, 27.83

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 100 / 0 / 55 / 42

HEX #009443

RGB 0 148 67

HSL 147.16, 1%, 0.29%

LAB 53.58, -51.9, 33.29

 

CMYK 100 / 0 / 63 / 49

HEX #008230

RGB 0 130 48

HSL 142.15, 1%, 0.25%

LAB 47.21, -48.71, 35.18

 

CMYK 100 / 0 / 74 / 56

HEX #00701D

RGB 0 112 29

HSL 135.54, 1%, 0.22%

LAB 40.7, -45.13, 36.69

 

CMYK 100 / 0 / 89 / 63

HEX #005E0A

RGB 0 94 10

HSL 126.38, 1%, 0.18%

LAB 34.04, -40.94, 37.06

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 90 / 0 / 72 / 35

HEX #11A62E

RGB 17 166 46

HSL 131.68, 0.81%, 0.36%

LAB 59.52, -59.19, 49.5

 

CMYK 83 / 0 / 90 / 35

HEX #1CA611

RGB 28 166 17

HSL 115.57, 0.81%, 0.36%

LAB 59.49, -59.97, 58.06

 

CMYK 59 / 0 / 90 / 35

HEX #44A611

RGB 68 166 17

HSL 99.46, 0.81%, 0.36%

LAB 60.38, -52.43, 59.17

 

CMYK 35 / 0 / 90 / 35

HEX #6CA611

RGB 108 166 17

HSL 83.36, 0.81%, 0.36%

LAB 62.08, -39.56, 61.29

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 90 / 0 / 24 / 35

HEX #11A67E

RGB 17 166 126

HSL 163.89, 0.81%, 0.36%

LAB 60.69, -45.4, 10.77

 

CMYK 90 / 1 / 0 / 35

HEX #11A5A6

RGB 17 165 166

HSL 180.4, 0.81%, 0.36%

LAB 61.47, -33.72, -10.56

 

CMYK 90 / 25 / 0 / 35

HEX #117DA6

RGB 17 125 166

HSL 196.51, 0.81%, 0.36%

LAB 48.93, -13.04, -29.72

 

CMYK 90 / 49 / 0 / 35

HEX #1155A6

RGB 17 85 166

HSL 212.62, 0.81%, 0.36%

LAB 36.69, 11.77, -49.15

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 99 / 0 / 53 / 29

HEX #02B555

RGB 2 181 85

HSL 147.82, 0.98%, 0.36%

LAB 64.74, -59.87, 37.91

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 79 / 0 / 42 / 41

HEX #209757

RGB 32 151 87

HSL 147.73, 0.65%, 0.36%

LAB 55.2, -46.8, 24.85

 

CMYK 65 / 0 / 35 / 47

HEX #2F8858

RGB 47 136 88

HSL 147.64, 0.49%, 0.36%

LAB 50.59, -38.03, 18.22

 

CMYK 49 / 0 / 26 / 53

HEX #3E7959

RGB 62 121 89

HSL 147.46, 0.32%, 0.36%

LAB 46.2, -27.24, 11.71

 

CMYK 28 / 0 / 15 / 58

HEX #4C6A5A

RGB 76 106 90

HSL 148, 0.16%, 0.36%

LAB 42.13, -14.67, 5.47

 

CMYK 83 / 0 / 90 / 35

HEX #1DA611

RGB 29 166 17

HSL 115.17, 0.81%, 0.36%

LAB 59.5, -59.86, 58.07

 

CMYK 90 / 0 / 73 / 35

HEX #11A62C

RGB 17 166 44

HSL 130.87, 0.81%, 0.36%

LAB 59.5, -59.37, 50.24

 

CMYK 90 / 0 / 49 / 35

HEX #11A654

RGB 17 166 84

HSL 146.98, 0.81%, 0.36%

LAB 59.92, -54.25, 32.45

 

CMYK 90 / 0 / 25 / 35

HEX #11A67C

RGB 17 166 124

HSL 163.09, 0.81%, 0.36%

LAB 60.65, -45.89, 11.82

 

CMYK 90 / 0 / 2 / 35

HEX #11A6A3

RGB 17 166 163

HSL 178.79, 0.81%, 0.36%

LAB 61.69, -35.1, -8.54

 

CMYK 90 / 0 / 48 / 64

HEX #095B2F

RGB 9 91 47

HSL 147.8, 0.82%, 0.2%

LAB 33.45, -34.05, 19.02

 

CMYK 90 / 0 / 48 / 50

HEX #0D8042

RGB 13 128 66

HSL 147.65, 0.82%, 0.28%

LAB 46.87, -44.19, 25.47

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 90 / 0 / 48 / 20

HEX #15CB69

RGB 21 203 105

HSL 147.69, 0.81%, 0.44%

LAB 72.16, -63.01, 37.25

 

CMYK 85 / 0 / 46 / 9

HEX #22E77D

RGB 34 231 125

HSL 147.72, 0.8%, 0.52%

LAB 81.28, -68.1, 38.97

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 90 / 58 / 0 / 35

HEX #1145A6

RGB 17 69 166

HSL 219.06, 0.81%, 0.36%

LAB 32.1, 22.6, -56.59

 

CMYK 0 / 86 / 90 / 35

HEX #A61811

RGB 166 24 17

HSL 2.82, 0.81%, 0.36%

LAB 35.6, 54.55, 42.36

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 49 / 90 / 0 / 35

HEX #5411A6

RGB 84 17 166

HSL 266.98, 0.81%, 0.36%

LAB 26.85, 57.05, -65.04

 

CMYK 0 / 49 / 90 / 35

HEX #A65411

RGB 166 84 17

HSL 26.98, 0.81%, 0.36%

LAB 44.92, 29.73, 49.55

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 90 / 58 / 0 / 35

HEX #1145A6

RGB 17 69 166

HSL 219.06, 0.81%, 0.36%

LAB 32.1, 22.6, -56.59

 

CMYK 0 / 90 / 40 / 35

HEX #A61163

RGB 166 17 99

HSL 326.98, 0.81%, 0.36%

LAB 36.76, 60.67, -6.66

 

CMYK 0 / 31 / 90 / 35

HEX #A67211

RGB 166 114 17

HSL 39.06, 0.81%, 0.36%

LAB 52.04, 12.98, 55.12

 

CMYK 90 / 0 / 48 / 35

HEX #11A656

RGB 17 166 86

HSL 147.79, 0.81%, 0.36%

LAB 59.95, -53.91, 31.46

 

CMYK 90 / 86 / 0 / 35

HEX #1118A6

RGB 17 24 166

HSL 237.18, 0.81%, 0.36%

LAB 22.04, 49.94, -73.18

 

CMYK 0 / 90 / 40 / 35

HEX #A61163

RGB 166 17 99

HSL 326.98, 0.81%, 0.36%

LAB 36.76, 60.67, -6.66

 

CMYK 0 / 5 / 90 / 35

HEX #A69E11

RGB 166 158 17

HSL 56.78, 0.81%, 0.36%

LAB 63.84, -11.22, 64.42

 

Description

Color code: HEX #11A656 | qconv.com Color code: HEX #11A656 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 166 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 166 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 48 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 48% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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