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Color name
HEX #11A07F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11A07F it is the complementary color #EE5F80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11A07F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11A07F shade: #16A07A, #27B28D, #38C4A0, #49D6B3 and #5AE8C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11A07F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11A07F shade: #11A07F, #008E6C, #007C59, #006A46 and #005833

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11A07F shade: #10A180, #10A159, #10A132, #16A110 and #3DA110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11A07F shade: #10A180, #109BA1, #1074A1, #104DA1 and #1026A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11A07F shade matches the following richer shades: #10A180 and #02AF87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11A07F shade: #10A180, #1F9378, #2D8470, #3C7668 and #4A6761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11A07F shade: #10A132, #10A159, #10A17F, #109CA1 and #1076A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11A07F shade: #095644, #0D7C62, #10A180, #14C69D and #1DE7B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11A07F shade: #11A07F, #1015A1 and #A14510

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11A07F shade: #11A07F, #7F10A1 and #A17F10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11A07F shade: #11A07F, #1015A1, #A11032 and #A19C10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11A07F shade: #11A07F, #3710A1, #A11032 and #7AA110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 21 / 37

HEX #11A07F

RGB 17 160 127

HSL 166.15, 0.81%, 0.35%

LAB 58.78, -42.67, 7.5

 

Complementary color

CMYK 0 / 60 / 46 / 7

HEX #EE5F80

RGB 238 95 128

HSL 346.15, 0.81%, 0.65%

LAB 59.82, 57.78, 10.7

 

CMYK 86 / 0 / 24 / 37

HEX #16A07A

RGB 22 160 122

HSL 163.48, 0.76%, 0.36%

LAB 58.71, -43.59, 10.22

 

CMYK 78 / 0 / 21 / 30

HEX #27B28D

RGB 39 178 141

HSL 164.03, 0.64%, 0.43%

LAB 65.12, -44.69, 8.76

 

CMYK 71 / 0 / 18 / 23

HEX #38C4A0

RGB 56 196 160

HSL 164.57, 0.56%, 0.49%

LAB 71.46, -45.41, 7.47

 

CMYK 66 / 0 / 16 / 16

HEX #49D6B3

RGB 73 214 179

HSL 165.11, 0.63%, 0.56%

LAB 77.74, -45.89, 6.3

 

CMYK 61 / 0 / 15 / 9

HEX #5AE8C6

RGB 90 232 198

HSL 165.63, 0.76%, 0.63%

LAB 83.95, -46.18, 5.23

 

CMYK 89 / 0 / 21 / 37

HEX #11A07F

RGB 17 160 127

HSL 166.15, 0.81%, 0.35%

LAB 58.78, -42.67, 7.5

 

CMYK 100 / 0 / 24 / 44

HEX #008E6C

RGB 0 142 108

HSL 165.63, 1%, 0.28%

LAB 52.32, -41.02, 9.1

 

CMYK 100 / 0 / 28 / 51

HEX #007C59

RGB 0 124 89

HSL 163.06, 1%, 0.24%

LAB 45.82, -38.48, 10.97

 

CMYK 100 / 0 / 34 / 58

HEX #006A46

RGB 0 106 70

HSL 159.62, 1%, 0.21%

LAB 39.16, -35.83, 12.97

 

CMYK 100 / 0 / 42 / 65

HEX #005833

RGB 0 88 51

HSL 154.77, 1%, 0.17%

LAB 32.3, -33.01, 15.11

 

CMYK 90 / 0 / 20 / 37

HEX #10A180

RGB 16 161 128

HSL 166.34, 0.82%, 0.35%

LAB 59.12, -42.89, 7.42

 

CMYK 90 / 0 / 45 / 37

HEX #10A159

RGB 16 161 89

HSL 150.21, 0.82%, 0.35%

LAB 58.34, -51.67, 27.82

 

CMYK 90 / 0 / 69 / 37

HEX #10A132

RGB 16 161 50

HSL 134.07, 0.82%, 0.35%

LAB 57.88, -57.33, 46.16

 

CMYK 86 / 0 / 90 / 37

HEX #16A110

RGB 22 161 16

HSL 117.52, 0.82%, 0.35%

LAB 57.75, -59.16, 56.72

 

CMYK 62 / 0 / 90 / 37

HEX #3DA110

RGB 61 161 16

HSL 101.38, 0.82%, 0.35%

LAB 58.53, -52.47, 57.69

 

CMYK 90 / 0 / 20 / 37

HEX #10A180

RGB 16 161 128

HSL 166.34, 0.82%, 0.35%

LAB 59.12, -42.89, 7.42

 

CMYK 90 / 4 / 0 / 37

HEX #109BA1

RGB 16 155 161

HSL 182.48, 0.82%, 0.35%

LAB 58.16, -30.56, -12.7

 

CMYK 90 / 28 / 0 / 37

HEX #1074A1

RGB 16 116 161

HSL 198.62, 0.82%, 0.35%

LAB 45.87, -9.79, -31.58

 

CMYK 90 / 52 / 0 / 37

HEX #104DA1

RGB 16 77 161

HSL 214.76, 0.82%, 0.35%

LAB 33.96, 15.04, -50.56

 

CMYK 90 / 76 / 0 / 37

HEX #1026A1

RGB 16 38 161

HSL 230.9, 0.82%, 0.35%

LAB 23.9, 40.94, -67.05

 

CMYK 90 / 0 / 20 / 37

HEX #10A180

RGB 16 161 128

HSL 166.34, 0.82%, 0.35%

LAB 59.12, -42.89, 7.42

 

CMYK 99 / 0 / 23 / 31

HEX #02AF87

RGB 2 175 135

HSL 166.13, 0.98%, 0.35%

LAB 63.69, -47.45, 10

 

CMYK 90 / 0 / 20 / 37

HEX #10A180

RGB 16 161 128

HSL 166.34, 0.82%, 0.35%

LAB 59.12, -42.89, 7.42

 

CMYK 79 / 0 / 18 / 42

HEX #1F9378

RGB 31 147 120

HSL 166.03, 0.65%, 0.35%

LAB 54.57, -37.7, 5.47

 

CMYK 66 / 0 / 15 / 48

HEX #2D8470

RGB 45 132 112

HSL 166.21, 0.49%, 0.35%

LAB 49.77, -30.89, 3.23

 

CMYK 49 / 0 / 12 / 54

HEX #3C7668

RGB 60 118 104

HSL 165.52, 0.33%, 0.35%

LAB 45.52, -22.69, 1.86

 

CMYK 28 / 0 / 6 / 60

HEX #4A6761

RGB 74 103 97

HSL 167.59, 0.16%, 0.35%

LAB 41.25, -12.04, -0.06

 

CMYK 90 / 0 / 69 / 37

HEX #10A132

RGB 16 161 50

HSL 134.07, 0.82%, 0.35%

LAB 57.88, -57.33, 46.16

 

CMYK 90 / 0 / 45 / 37

HEX #10A159

RGB 16 161 89

HSL 150.21, 0.82%, 0.35%

LAB 58.34, -51.67, 27.82

 

CMYK 90 / 0 / 21 / 37

HEX #10A17F

RGB 16 161 127

HSL 165.93, 0.82%, 0.35%

LAB 59.1, -43.15, 7.95

 

CMYK 90 / 3 / 0 / 37

HEX #109CA1

RGB 16 156 161

HSL 182.07, 0.82%, 0.35%

LAB 58.47, -31.05, -12.23

 

CMYK 90 / 27 / 0 / 37

HEX #1076A1

RGB 16 118 161

HSL 197.79, 0.82%, 0.35%

LAB 46.5, -10.95, -30.6

 

CMYK 90 / 0 / 21 / 66

HEX #095644

RGB 9 86 68

HSL 165.97, 0.81%, 0.19%

LAB 32.1, -26.68, 4.34

 

CMYK 90 / 0 / 21 / 51

HEX #0D7C62

RGB 13 124 98

HSL 165.95, 0.81%, 0.27%

LAB 46.15, -35.23, 6.17

 

CMYK 90 / 0 / 20 / 37

HEX #10A180

RGB 16 161 128

HSL 166.34, 0.82%, 0.35%

LAB 59.12, -42.89, 7.42

 

CMYK 90 / 0 / 21 / 22

HEX #14C69D

RGB 20 198 157

HSL 166.18, 0.82%, 0.43%

LAB 71.54, -50.38, 9.14

 

CMYK 87 / 0 / 20 / 9

HEX #1DE7B8

RGB 29 231 184

HSL 166.04, 0.81%, 0.51%

LAB 82.31, -56.27, 10.12

 

CMYK 89 / 0 / 21 / 37

HEX #11A07F

RGB 17 160 127

HSL 166.15, 0.81%, 0.35%

LAB 58.78, -42.67, 7.5

 

CMYK 90 / 87 / 0 / 37

HEX #1015A1

RGB 16 21 161

HSL 237.93, 0.82%, 0.35%

LAB 20.9, 49.67, -72.03

 

CMYK 0 / 57 / 90 / 37

HEX #A14510

RGB 161 69 16

HSL 21.93, 0.82%, 0.35%

LAB 41.01, 35.54, 46.51

 

CMYK 89 / 0 / 21 / 37

HEX #11A07F

RGB 17 160 127

HSL 166.15, 0.81%, 0.35%

LAB 58.78, -42.67, 7.5

 

CMYK 21 / 90 / 0 / 37

HEX #7F10A1

RGB 127 16 161

HSL 285.93, 0.82%, 0.35%

LAB 32.82, 61.97, -51.97

 

CMYK 0 / 21 / 90 / 37

HEX #A17F10

RGB 161 127 16

HSL 45.93, 0.82%, 0.35%

LAB 54.86, 3.33, 57.33

 

CMYK 89 / 0 / 21 / 37

HEX #11A07F

RGB 17 160 127

HSL 166.15, 0.81%, 0.35%

LAB 58.78, -42.67, 7.5

 

CMYK 90 / 87 / 0 / 37

HEX #1015A1

RGB 16 21 161

HSL 237.93, 0.82%, 0.35%

LAB 20.9, 49.67, -72.03

 

CMYK 0 / 90 / 69 / 37

HEX #A11032

RGB 161 16 50

HSL 345.93, 0.82%, 0.35%

LAB 34.35, 55.9, 21.56

 

CMYK 0 / 3 / 90 / 37

HEX #A19C10

RGB 161 156 16

HSL 57.93, 0.82%, 0.35%

LAB 62.84, -12.43, 63.63

 

CMYK 89 / 0 / 21 / 37

HEX #11A07F

RGB 17 160 127

HSL 166.15, 0.81%, 0.35%

LAB 58.78, -42.67, 7.5

 

CMYK 66 / 90 / 0 / 37

HEX #3710A1

RGB 55 16 161

HSL 256.14, 0.82%, 0.35%

LAB 22.85, 53.43, -68.72

 

CMYK 0 / 90 / 69 / 37

HEX #A11032

RGB 161 16 50

HSL 345.93, 0.82%, 0.35%

LAB 34.35, 55.9, 21.56

 

CMYK 24 / 0 / 90 / 37

HEX #7AA110

RGB 122 161 16

HSL 76.14, 0.82%, 0.35%

LAB 61.36, -31.85, 61.21

 

Description

Color code: HEX #11A07F | qconv.com Color code: HEX #11A07F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 160 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 160 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 21 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 21% 37% C M Y K

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Provide designers and agencies with accurate color values.

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