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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11B44A it is the complementary color #EE4BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11B44A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11B44A shade: #16B445, #27C658, #38D86B, #49EA7E and #5AFC91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11B44A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11B44A shade: #11B44A, #00A237, #009024, #007E11 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11B44A shade: #10B54A, #10B51E, #30B510, #5CB510 and #89B510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11B44A shade: #10B54A, #10B577, #10B5A3, #109BB5 and #106FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11B44A shade matches the following richer shades: #10B54A and #00C645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11B44A shade: #10B54A, #20A54F, #319554, #418559 and #51755D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11B44A shade: #31B510, #10B51B, #10B547, #10B573 and #10B59F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11B44A shade: #096A2B, #0D903B, #10B54A, #14DB5A and #2DEB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11B44A shade: #11B44A, #105DB5 and #B5101B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11B44A shade: #11B44A, #4710B5 and #B54710

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11B44A shade: #11B44A, #105DB5, #B5107E and #B56810

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11B44A shade: #11B44A, #102CB5, #B5107E and #B59A10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 59 / 29

HEX #11B44A

RGB 17 180 74

HSL 140.98, 0.83%, 0.39%

LAB 64.37, -60.41, 42.78

 

Complementary color

CMYK 0 / 68 / 24 / 7

HEX #EE4BB5

RGB 238 75 181

HSL 320.98, 0.83%, 0.61%

LAB 58.55, 71.55, -21.98

 

CMYK 88 / 0 / 62 / 29

HEX #16B445

RGB 22 180 69

HSL 137.85, 0.78%, 0.4%

LAB 64.36, -60.7, 45.08

 

CMYK 80 / 0 / 56 / 22

HEX #27C658

RGB 39 198 88

HSL 138.49, 0.67%, 0.46%

LAB 70.54, -62.39, 43.57

 

CMYK 74 / 0 / 50 / 15

HEX #38D86B

RGB 56 216 107

HSL 139.13, 0.67%, 0.53%

LAB 76.69, -63.53, 42.03

 

CMYK 69 / 0 / 46 / 8

HEX #49EA7E

RGB 73 234 126

HSL 139.75, 0.79%, 0.6%

LAB 82.79, -64.27, 40.52

 

CMYK 64 / 0 / 42 / 1

HEX #5AFC91

RGB 90 252 145

HSL 140.37, 0.96%, 0.67%

LAB 88.85, -64.73, 39.08

 

CMYK 91 / 0 / 59 / 29

HEX #11B44A

RGB 17 180 74

HSL 140.98, 0.83%, 0.39%

LAB 64.37, -60.41, 42.78

 

CMYK 100 / 0 / 66 / 36

HEX #00A237

RGB 0 162 55

HSL 140.37, 1%, 0.32%

LAB 58.15, -58.02, 44.29

 

CMYK 100 / 0 / 75 / 44

HEX #009024

RGB 0 144 36

HSL 135, 1%, 0.28%

LAB 51.92, -54.45, 45.48

 

CMYK 100 / 0 / 87 / 51

HEX #007E11

RGB 0 126 17

HSL 128.1, 1%, 0.25%

LAB 45.58, -50.39, 45.64

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 91 / 0 / 59 / 29

HEX #10B54A

RGB 16 181 74

HSL 141.09, 0.84%, 0.39%

LAB 64.69, -60.79, 43.15

 

CMYK 91 / 0 / 83 / 29

HEX #10B51E

RGB 16 181 30

HSL 125.09, 0.84%, 0.39%

LAB 64.36, -64.84, 59.4

 

CMYK 73 / 0 / 91 / 29

HEX #30B510

RGB 48 181 16

HSL 108.36, 0.84%, 0.39%

LAB 64.73, -61.73, 62.85

 

CMYK 49 / 0 / 91 / 29

HEX #5CB510

RGB 92 181 16

HSL 92.36, 0.84%, 0.39%

LAB 66.03, -51.15, 64.46

 

CMYK 24 / 0 / 91 / 29

HEX #89B510

RGB 137 181 16

HSL 76, 0.84%, 0.39%

LAB 68.32, -35.02, 67.28

 

CMYK 91 / 0 / 59 / 29

HEX #10B54A

RGB 16 181 74

HSL 141.09, 0.84%, 0.39%

LAB 64.69, -60.79, 43.15

 

CMYK 91 / 0 / 34 / 29

HEX #10B577

RGB 16 181 119

HSL 157.45, 0.84%, 0.39%

LAB 65.35, -52.92, 21.06

 

CMYK 91 / 0 / 10 / 29

HEX #10B5A3

RGB 16 181 163

HSL 173.45, 0.84%, 0.39%

LAB 66.37, -41.89, -1.62

 

CMYK 91 / 14 / 0 / 29

HEX #109BB5

RGB 16 155 181

HSL 189.45, 0.84%, 0.39%

LAB 58.87, -23.97, -22.95

 

CMYK 91 / 39 / 0 / 29

HEX #106FB5

RGB 16 111 181

HSL 205.45, 0.84%, 0.39%

LAB 45.38, 0.98, -44.05

 

CMYK 91 / 0 / 59 / 29

HEX #10B54A

RGB 16 181 74

HSL 141.09, 0.84%, 0.39%

LAB 64.69, -60.79, 43.15

 

CMYK 100 / 0 / 65 / 22

HEX #00C645

RGB 0 198 69

HSL 140.91, 1%, 0.39%

LAB 70.05, -67.34, 51.45

 

CMYK 91 / 0 / 59 / 29

HEX #10B54A

RGB 16 181 74

HSL 141.09, 0.84%, 0.39%

LAB 64.69, -60.79, 43.15

 

CMYK 81 / 0 / 52 / 35

HEX #20A54F

RGB 32 165 79

HSL 141.2, 0.68%, 0.39%

LAB 59.69, -53.31, 34.76

 

CMYK 67 / 0 / 44 / 42

HEX #319554

RGB 49 149 84

HSL 141, 0.51%, 0.39%

LAB 54.85, -43.79, 26.09

 

CMYK 51 / 0 / 33 / 48

HEX #418559

RGB 65 133 89

HSL 141.18, 0.34%, 0.39%

LAB 50.24, -32.13, 17.28

 

CMYK 31 / 0 / 21 / 54

HEX #51755D

RGB 81 117 93

HSL 140, 0.18%, 0.39%

LAB 45.99, -18.26, 9.2

 

CMYK 73 / 0 / 91 / 29

HEX #31B510

RGB 49 181 16

HSL 108, 0.84%, 0.39%

LAB 64.75, -61.56, 62.87

 

CMYK 91 / 0 / 85 / 29

HEX #10B51B

RGB 16 181 27

HSL 124, 0.84%, 0.39%

LAB 64.35, -64.99, 60.13

 

CMYK 91 / 0 / 61 / 29

HEX #10B547

RGB 16 181 71

HSL 140, 0.84%, 0.39%

LAB 64.65, -61.18, 44.5

 

CMYK 91 / 0 / 36 / 29

HEX #10B573

RGB 16 181 115

HSL 156, 0.84%, 0.39%

LAB 65.28, -53.76, 23.1

 

CMYK 91 / 0 / 12 / 29

HEX #10B59F

RGB 16 181 159

HSL 172, 0.84%, 0.39%

LAB 66.26, -43.01, 0.44

 

CMYK 92 / 0 / 59 / 58

HEX #096A2B

RGB 9 106 43

HSL 141.03, 0.84%, 0.23%

LAB 38.8, -40.45, 27.88

 

CMYK 91 / 0 / 59 / 44

HEX #0D903B

RGB 13 144 59

HSL 141.07, 0.83%, 0.31%

LAB 52.23, -50.95, 35.69

 

CMYK 91 / 0 / 59 / 29

HEX #10B54A

RGB 16 181 74

HSL 141.09, 0.84%, 0.39%

LAB 64.69, -60.79, 43.15

 

CMYK 91 / 0 / 59 / 14

HEX #14DB5A

RGB 20 219 90

HSL 141.11, 0.83%, 0.47%

LAB 77.01, -70.35, 50.24

 

CMYK 81 / 0 / 52 / 8

HEX #2DEB70

RGB 45 235 112

HSL 141.16, 0.83%, 0.55%

LAB 82.46, -70.44, 46.71

 

CMYK 91 / 0 / 59 / 29

HEX #11B44A

RGB 17 180 74

HSL 140.98, 0.83%, 0.39%

LAB 64.37, -60.41, 42.78

 

CMYK 91 / 49 / 0 / 29

HEX #105DB5

RGB 16 93 181

HSL 212, 0.84%, 0.39%

LAB 40.04, 12.5, -52.61

 

CMYK 0 / 91 / 85 / 29

HEX #B5101B

RGB 181 16 27

HSL 356, 0.84%, 0.39%

LAB 38.33, 60.41, 40.94

 

CMYK 91 / 0 / 59 / 29

HEX #11B44A

RGB 17 180 74

HSL 140.98, 0.83%, 0.39%

LAB 64.37, -60.41, 42.78

 

CMYK 61 / 91 / 0 / 29

HEX #4710B5

RGB 71 16 181

HSL 260, 0.84%, 0.39%

LAB 26.87, 59.81, -74.07

 

CMYK 0 / 61 / 91 / 29

HEX #B54710

RGB 181 71 16

HSL 20, 0.84%, 0.39%

LAB 44.76, 42.31, 50.82

 

CMYK 91 / 0 / 59 / 29

HEX #11B44A

RGB 17 180 74

HSL 140.98, 0.83%, 0.39%

LAB 64.37, -60.41, 42.78

 

CMYK 91 / 49 / 0 / 29

HEX #105DB5

RGB 16 93 181

HSL 212, 0.84%, 0.39%

LAB 40.04, 12.5, -52.61

 

CMYK 0 / 91 / 30 / 29

HEX #B5107E

RGB 181 16 126

HSL 320, 0.84%, 0.39%

LAB 40.74, 67.06, -17.34

 

CMYK 0 / 43 / 91 / 29

HEX #B56810

RGB 181 104 16

HSL 32, 0.84%, 0.39%

LAB 51.57, 25.23, 55.86

 

CMYK 91 / 0 / 59 / 29

HEX #11B44A

RGB 17 180 74

HSL 140.98, 0.83%, 0.39%

LAB 64.37, -60.41, 42.78

 

CMYK 91 / 76 / 0 / 29

HEX #102CB5

RGB 16 44 181

HSL 229.82, 0.84%, 0.39%

LAB 27.43, 44.48, -73.24

 

CMYK 0 / 91 / 30 / 29

HEX #B5107E

RGB 181 16 126

HSL 320, 0.84%, 0.39%

LAB 40.74, 67.06, -17.34

 

CMYK 0 / 15 / 91 / 29

HEX #B59A10

RGB 181 154 16

HSL 50.18, 0.84%, 0.39%

LAB 64.14, -2.35, 65.44

 

Description

Color code: HEX #11B44A | qconv.com Color code: HEX #11B44A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 180 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 180 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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