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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11CE9B it is the complementary color #EE3164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11CE9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11CE9B shade: #16CE96, #27E0A9, #38F2BC, #49FFCF and #5AFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11CE9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11CE9B shade: #11CE9B, #00BC88, #00AA75, #009862 and #00864F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11CE9B shade: #10CF9C, #10CF68, #10CF35, #1FCF10 and #53CF10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11CE9B shade: #10CF9C, #10CFCF, #109CCF, #1068CF and #1035CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11CE9B shade matches the following richer shades: #10CF9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11CE9B shade: #10CF9C, #22BD93, #35AB8B, #479983 and #59867A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11CE9B shade: #10CF33, #10CF66, #10CF99, #10CFCC and #109FCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11CE9B shade: #0A8362, #0DA97F, #10CF9C, #1CECB4 and #43EFC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11CE9B shade: #11CE9B, #1020CF and #CF4D10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11CE9B shade: #11CE9B, #9910CF and #CF9910

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11CE9B shade: #11CE9B, #1020CF, #CF1046 and #CFBF10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11CE9B shade: #11CE9B, #3A10CF, #CF1046 and #A6CF10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 25 / 19

HEX #11CE9B

RGB 17 206 155

HSL 163.81, 0.85%, 0.44%

LAB 73.95, -54.16, 13.63

 

Complementary color

CMYK 0 / 79 / 58 / 7

HEX #EE3164

RGB 238 49 100

HSL 343.81, 0.85%, 0.56%

LAB 53.27, 71.88, 18.18

 

CMYK 89 / 0 / 27 / 19

HEX #16CE96

RGB 22 206 150

HSL 161.74, 0.81%, 0.45%

LAB 73.88, -55.08, 16.21

 

CMYK 83 / 0 / 25 / 12

HEX #27E0A9

RGB 39 224 169

HSL 162.16, 0.75%, 0.52%

LAB 79.96, -56.42, 14.69

 

CMYK 77 / 0 / 22 / 5

HEX #38F2BC

RGB 56 242 188

HSL 162.58, 0.88%, 0.58%

LAB 85.99, -57.41, 13.3

 

CMYK 71 / 0 / 19 / 0

HEX #49FFCF

RGB 73 255 207

HSL 164.18, 1%, 0.64%

LAB 90.52, -56.15, 9.94

 

CMYK 65 / 0 / 11 / 0

HEX #5AFFE2

RGB 90 255 226

HSL 169.45, 1%, 0.68%

LAB 91.32, -49.22, 1.31

 

CMYK 92 / 0 / 25 / 19

HEX #11CE9B

RGB 17 206 155

HSL 163.81, 0.85%, 0.44%

LAB 73.95, -54.16, 13.63

 

CMYK 100 / 0 / 28 / 26

HEX #00BC88

RGB 0 188 136

HSL 163.4, 1%, 0.37%

LAB 67.83, -52.37, 15.27

 

CMYK 100 / 0 / 31 / 33

HEX #00AA75

RGB 0 170 117

HSL 161.29, 1%, 0.33%

LAB 61.68, -49.93, 17.11

 

CMYK 100 / 0 / 36 / 40

HEX #009862

RGB 0 152 98

HSL 158.68, 1%, 0.3%

LAB 55.42, -47.4, 19.04

 

CMYK 100 / 0 / 41 / 47

HEX #00864F

RGB 0 134 79

HSL 155.37, 1%, 0.26%

LAB 49.03, -44.74, 21.06

 

CMYK 92 / 0 / 25 / 19

HEX #10CF9C

RGB 16 207 156

HSL 163.98, 0.86%, 0.44%

LAB 74.28, -54.36, 13.56

 

CMYK 92 / 0 / 50 / 19

HEX #10CF68

RGB 16 207 104

HSL 147.64, 0.86%, 0.44%

LAB 73.37, -64.76, 39.27

 

CMYK 92 / 0 / 74 / 19

HEX #10CF35

RGB 16 207 53

HSL 131.62, 0.86%, 0.44%

LAB 72.89, -70.79, 60.58

 

CMYK 85 / 0 / 92 / 19

HEX #1FCF10

RGB 31 207 16

HSL 115.29, 0.86%, 0.44%

LAB 72.86, -71.58, 69.59

 

CMYK 60 / 0 / 92 / 19

HEX #53CF10

RGB 83 207 16

HSL 98.95, 0.86%, 0.44%

LAB 73.87, -62.91, 70.84

 

CMYK 92 / 0 / 25 / 19

HEX #10CF9C

RGB 16 207 156

HSL 163.98, 0.86%, 0.44%

LAB 74.28, -54.36, 13.56

 

CMYK 92 / 0 / 0 / 19

HEX #10CFCF

RGB 16 207 207

HSL 180, 0.86%, 0.44%

LAB 75.6, -40.63, -11.97

 

CMYK 92 / 25 / 0 / 19

HEX #109CCF

RGB 16 156 207

HSL 196.02, 0.86%, 0.44%

LAB 60.24, -15.41, -35.45

 

CMYK 92 / 50 / 0 / 19

HEX #1068CF

RGB 16 104 207

HSL 212.36, 0.86%, 0.44%

LAB 44.96, 15.73, -59.74

 

CMYK 92 / 74 / 0 / 19

HEX #1035CF

RGB 16 53 207

HSL 228.38, 0.86%, 0.44%

LAB 32.17, 48.31, -80.68

 

CMYK 92 / 0 / 25 / 19

HEX #10CF9C

RGB 16 207 156

HSL 163.98, 0.86%, 0.44%

LAB 74.28, -54.36, 13.56

 

CMYK 92 / 0 / 25 / 19

HEX #10CF9C

RGB 16 207 156

HSL 163.98, 0.86%, 0.44%

LAB 74.28, -54.36, 13.56

 

CMYK 82 / 0 / 22 / 26

HEX #22BD93

RGB 34 189 147

HSL 163.74, 0.7%, 0.44%

LAB 68.64, -48.24, 10.47

 

CMYK 69 / 0 / 19 / 33

HEX #35AB8B

RGB 53 171 139

HSL 163.73, 0.53%, 0.44%

LAB 63.13, -40.31, 7.08

 

CMYK 54 / 0 / 14 / 40

HEX #479983

RGB 71 153 131

HSL 163.9, 0.37%, 0.44%

LAB 57.81, -30.55, 3.99

 

CMYK 34 / 0 / 9 / 47

HEX #59867A

RGB 89 134 122

HSL 164, 0.2%, 0.44%

LAB 52.49, -18.22, 1.56

 

CMYK 92 / 0 / 75 / 19

HEX #10CF33

RGB 16 207 51

HSL 130.99, 0.86%, 0.44%

LAB 72.88, -70.95, 61.24

 

CMYK 92 / 0 / 51 / 19

HEX #10CF66

RGB 16 207 102

HSL 147.02, 0.86%, 0.44%

LAB 73.35, -65.08, 40.21

 

CMYK 92 / 0 / 26 / 19

HEX #10CF99

RGB 16 207 153

HSL 163.04, 0.86%, 0.44%

LAB 74.21, -55.06, 15.07

 

CMYK 92 / 0 / 1 / 19

HEX #10CFCC

RGB 16 207 204

HSL 179.06, 0.86%, 0.44%

LAB 75.51, -41.52, -10.49

 

CMYK 92 / 23 / 0 / 19

HEX #109FCF

RGB 16 159 207

HSL 195.08, 0.86%, 0.44%

LAB 61.14, -17.04, -34.05

 

CMYK 92 / 0 / 25 / 49

HEX #0A8362

RGB 10 131 98

HSL 163.64, 0.86%, 0.28%

LAB 48.48, -38.45, 9.47

 

CMYK 92 / 0 / 25 / 34

HEX #0DA97F

RGB 13 169 127

HSL 163.85, 0.86%, 0.36%

LAB 61.65, -46.58, 11.56

 

CMYK 92 / 0 / 25 / 19

HEX #10CF9C

RGB 16 207 156

HSL 163.98, 0.86%, 0.44%

LAB 74.28, -54.36, 13.56

 

CMYK 88 / 0 / 24 / 7

HEX #1CECB4

RGB 28 236 180

HSL 163.85, 0.85%, 0.52%

LAB 83.72, -59.21, 14.21

 

CMYK 72 / 0 / 19 / 6

HEX #43EFC1

RGB 67 239 193

HSL 163.95, 0.84%, 0.6%

LAB 85.39, -53.77, 9.86

 

CMYK 92 / 0 / 25 / 19

HEX #11CE9B

RGB 17 206 155

HSL 163.81, 0.85%, 0.44%

LAB 73.95, -54.16, 13.63

 

CMYK 92 / 85 / 0 / 19

HEX #1020CF

RGB 16 32 207

HSL 234.97, 0.86%, 0.44%

LAB 28.51, 58.94, -86.77

 

CMYK 0 / 63 / 92 / 19

HEX #CF4D10

RGB 207 77 16

HSL 19.16, 0.86%, 0.44%

LAB 50.23, 49.11, 56.73

 

CMYK 92 / 0 / 25 / 19

HEX #11CE9B

RGB 17 206 155

HSL 163.81, 0.85%, 0.44%

LAB 73.95, -54.16, 13.63

 

CMYK 26 / 92 / 0 / 19

HEX #9910CF

RGB 153 16 207

HSL 283.04, 0.86%, 0.44%

LAB 40.65, 74.39, -66.28

 

CMYK 0 / 26 / 92 / 19

HEX #CF9910

RGB 207 153 16

HSL 43.04, 0.86%, 0.44%

LAB 66.59, 9.82, 68.48

 

CMYK 92 / 0 / 25 / 19

HEX #11CE9B

RGB 17 206 155

HSL 163.81, 0.85%, 0.44%

LAB 73.95, -54.16, 13.63

 

CMYK 92 / 85 / 0 / 19

HEX #1020CF

RGB 16 32 207

HSL 234.97, 0.86%, 0.44%

LAB 28.51, 58.94, -86.77

 

CMYK 0 / 92 / 66 / 19

HEX #CF1046

RGB 207 16 70

HSL 343.04, 0.86%, 0.44%

LAB 44.34, 68.67, 23.59

 

CMYK 0 / 8 / 92 / 19

HEX #CFBF10

RGB 207 191 16

HSL 54.97, 0.86%, 0.44%

LAB 76.41, -10.22, 75.89

 

CMYK 92 / 0 / 25 / 19

HEX #11CE9B

RGB 17 206 155

HSL 163.81, 0.85%, 0.44%

LAB 73.95, -54.16, 13.63

 

CMYK 72 / 92 / 0 / 19

HEX #3A10CF

RGB 58 16 207

HSL 253.19, 0.86%, 0.44%

LAB 28.84, 65.62, -86.16

 

CMYK 0 / 92 / 66 / 19

HEX #CF1046

RGB 207 16 70

HSL 343.04, 0.86%, 0.44%

LAB 44.34, 68.67, 23.59

 

CMYK 20 / 0 / 92 / 19

HEX #A6CF10

RGB 166 207 16

HSL 72.88, 0.86%, 0.44%

LAB 77.74, -35.28, 75.59

 

Description

Color code: HEX #11CE9B | qconv.com Color code: HEX #11CE9B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 206 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 206 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 25 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 25% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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