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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11DE99 it is the complementary color #EE2166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11DE99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11DE99 shade: #16DE94, #27F0A7, #38FFBA, #49FFCD and #5AFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11DE99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11DE99 shade: #11DE99, #00CC86, #00BA73, #00A860 and #00964D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11DE99 shade: #10DE99, #10DE61, #10DE2A, #2EDE10 and #66DE10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11DE99 shade: #10DE99, #10DED1, #10B5DE, #107DDE and #1045DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11DE99 shade matches the following richer shades: #10DE99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11DE99 shade: #10DE99, #24CB93, #37B88C, #4AA486 and #5E9180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11DE99 shade: #10DE28, #10DE5F, #10DE96, #10DECD and #10B9DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11DE99 shade: #0B9264, #0DB87F, #10DE99, #29EEAC and #50F1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11DE99 shade: #11DE99, #102FDE and #DE4410

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11DE99 shade: #11DE99, #9610DE and #DE9610

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11DE99 shade: #11DE99, #102FDE, #DE1058 and #DEBF10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11DE99 shade: #11DE99, #2F10DE, #DE1058 and #BFDE10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 31 / 13

HEX #11DE99

RGB 17 222 153

HSL 159.8, 0.86%, 0.47%

LAB 78.85, -60.61, 21.5

 

Complementary color

CMYK 0 / 86 / 57 / 7

HEX #EE2166

RGB 238 33 102

HSL 339.8, 0.86%, 0.53%

LAB 52.09, 75.5, 15.36

 

CMYK 90 / 0 / 33 / 13

HEX #16DE94

RGB 22 222 148

HSL 157.8, 0.82%, 0.48%

LAB 78.78, -61.44, 24.02

 

CMYK 84 / 0 / 30 / 6

HEX #27F0A7

RGB 39 240 167

HSL 158.21, 0.87%, 0.55%

LAB 84.76, -62.86, 22.41

 

CMYK 78 / 0 / 27 / 0

HEX #38FFBA

RGB 56 255 186

HSL 159.2, 1%, 0.61%

LAB 89.82, -62.82, 19.69

 

CMYK 71 / 0 / 20 / 0

HEX #49FFCD

RGB 73 255 205

HSL 163.52, 1%, 0.64%

LAB 90.48, -56.61, 10.91

 

CMYK 65 / 0 / 12 / 0

HEX #5AFFE0

RGB 90 255 224

HSL 168.73, 1%, 0.68%

LAB 91.27, -49.71, 2.27

 

CMYK 92 / 0 / 31 / 13

HEX #11DE99

RGB 17 222 153

HSL 159.8, 0.86%, 0.47%

LAB 78.85, -60.61, 21.5

 

CMYK 100 / 0 / 34 / 20

HEX #00CC86

RGB 0 204 134

HSL 159.41, 1%, 0.4%

LAB 72.83, -58.75, 23.22

 

CMYK 100 / 0 / 38 / 27

HEX #00BA73

RGB 0 186 115

HSL 157.1, 1%, 0.36%

LAB 66.79, -56.26, 25.12

 

CMYK 100 / 0 / 43 / 34

HEX #00A860

RGB 0 168 96

HSL 154.29, 1%, 0.33%

LAB 60.65, -53.65, 27.09

 

CMYK 100 / 0 / 49 / 41

HEX #00964D

RGB 0 150 77

HSL 150.8, 1%, 0.29%

LAB 54.39, -50.89, 29.11

 

CMYK 93 / 0 / 31 / 13

HEX #10DE99

RGB 16 222 153

HSL 159.9, 0.87%, 0.47%

LAB 78.84, -60.65, 21.49

 

CMYK 93 / 0 / 56 / 13

HEX #10DE61

RGB 16 222 97

HSL 143.59, 0.87%, 0.47%

LAB 78, -70.55, 48.23

 

CMYK 93 / 0 / 81 / 13

HEX #10DE2A

RGB 16 222 42

HSL 127.57, 0.87%, 0.47%

LAB 77.59, -75.73, 68.45

 

CMYK 79 / 0 / 93 / 13

HEX #2EDE10

RGB 46 222 16

HSL 111.26, 0.87%, 0.47%

LAB 77.79, -74.22, 73.78

 

CMYK 54 / 0 / 93 / 13

HEX #66DE10

RGB 102 222 16

HSL 94.95, 0.87%, 0.47%

LAB 79.1, -63.2, 75.4

 

CMYK 93 / 0 / 31 / 13

HEX #10DE99

RGB 16 222 153

HSL 159.9, 0.87%, 0.47%

LAB 78.84, -60.65, 21.49

 

CMYK 93 / 0 / 6 / 13

HEX #10DED1

RGB 16 222 209

HSL 176.21, 0.87%, 0.47%

LAB 80.15, -46.62, -6.27

 

CMYK 93 / 18 / 0 / 13

HEX #10B5DE

RGB 16 181 222

HSL 191.94, 0.87%, 0.47%

LAB 68.34, -23.39, -31.18

 

CMYK 93 / 44 / 0 / 13

HEX #107DDE

RGB 16 125 222

HSL 208.25, 0.87%, 0.47%

LAB 51.9, 8.33, -57.09

 

CMYK 93 / 69 / 0 / 13

HEX #1045DE

RGB 16 69 222

HSL 224.56, 0.87%, 0.47%

LAB 37.19, 44.06, -81.03

 

CMYK 93 / 0 / 31 / 13

HEX #10DE99

RGB 16 222 153

HSL 159.9, 0.87%, 0.47%

LAB 78.84, -60.65, 21.49

 

CMYK 93 / 0 / 31 / 13

HEX #10DE99

RGB 16 222 153

HSL 159.9, 0.87%, 0.47%

LAB 78.84, -60.65, 21.49

 

CMYK 82 / 0 / 28 / 20

HEX #24CB93

RGB 36 203 147

HSL 159.88, 0.7%, 0.47%

LAB 73.02, -53.61, 16.63

 

CMYK 70 / 0 / 24 / 28

HEX #37B88C

RGB 55 184 140

HSL 159.53, 0.54%, 0.47%

LAB 67.27, -45.31, 12.4

 

CMYK 55 / 0 / 18 / 36

HEX #4AA486

RGB 74 164 134

HSL 160, 0.38%, 0.47%

LAB 61.42, -34.32, 7.49

 

CMYK 35 / 0 / 12 / 43

HEX #5E9180

RGB 94 145 128

HSL 160, 0.21%, 0.47%

LAB 56.28, -21.05, 3.62

 

CMYK 93 / 0 / 82 / 13

HEX #10DE28

RGB 16 222 40

HSL 126.99, 0.87%, 0.47%

LAB 77.58, -75.84, 68.96

 

CMYK 93 / 0 / 57 / 13

HEX #10DE5F

RGB 16 222 95

HSL 143.01, 0.87%, 0.47%

LAB 77.98, -70.82, 49.12

 

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

CMYK 93 / 0 / 8 / 13

HEX #10DECD

RGB 16 222 205

HSL 175.05, 0.87%, 0.47%

LAB 80.04, -47.74, -4.3

 

CMYK 93 / 17 / 0 / 13

HEX #10B9DE

RGB 16 185 222

HSL 190.78, 0.87%, 0.47%

LAB 69.53, -25.42, -29.34

 

CMYK 92 / 0 / 32 / 43

HEX #0B9264

RGB 11 146 100

HSL 159.56, 0.86%, 0.31%

LAB 53.55, -44.03, 15.37

 

CMYK 93 / 0 / 31 / 28

HEX #0DB87F

RGB 13 184 127

HSL 160, 0.87%, 0.39%

LAB 66.44, -52.43, 18.23

 

CMYK 93 / 0 / 31 / 13

HEX #10DE99

RGB 16 222 153

HSL 159.9, 0.87%, 0.47%

LAB 78.84, -60.65, 21.49

 

CMYK 83 / 0 / 28 / 7

HEX #29EEAC

RGB 41 238 172

HSL 159.9, 0.85%, 0.55%

LAB 84.28, -60.89, 19.16

 

CMYK 67 / 0 / 22 / 5

HEX #50F1BB

RGB 80 241 187

HSL 159.88, 0.85%, 0.63%

LAB 86.11, -54.12, 14.04

 

CMYK 92 / 0 / 31 / 13

HEX #11DE99

RGB 17 222 153

HSL 159.8, 0.86%, 0.47%

LAB 78.85, -60.61, 21.5

 

CMYK 93 / 79 / 0 / 13

HEX #102FDE

RGB 16 47 222

HSL 230.97, 0.87%, 0.47%

LAB 32.74, 56.56, -88.4

 

CMYK 0 / 69 / 93 / 13

HEX #DE4410

RGB 222 68 16

HSL 15.15, 0.87%, 0.47%

LAB 51.5, 57.93, 58.85

 

CMYK 92 / 0 / 31 / 13

HEX #11DE99

RGB 17 222 153

HSL 159.8, 0.86%, 0.47%

LAB 78.85, -60.61, 21.5

 

CMYK 32 / 93 / 0 / 13

HEX #9610DE

RGB 150 16 222

HSL 279.03, 0.87%, 0.47%

LAB 41.42, 76.86, -73.68

 

CMYK 0 / 32 / 93 / 13

HEX #DE9610

RGB 222 150 16

HSL 39.03, 0.87%, 0.47%

LAB 67.56, 18, 69.97

 

CMYK 92 / 0 / 31 / 13

HEX #11DE99

RGB 17 222 153

HSL 159.8, 0.86%, 0.47%

LAB 78.85, -60.61, 21.5

 

CMYK 93 / 79 / 0 / 13

HEX #102FDE

RGB 16 47 222

HSL 230.97, 0.87%, 0.47%

LAB 32.74, 56.56, -88.4

 

CMYK 0 / 93 / 60 / 13

HEX #DE1058

RGB 222 16 88

HSL 339.03, 0.87%, 0.47%

LAB 47.76, 73.27, 17.5

 

CMYK 0 / 14 / 93 / 13

HEX #DEBF10

RGB 222 191 16

HSL 50.97, 0.87%, 0.47%

LAB 77.77, -3.69, 77.52

 

CMYK 92 / 0 / 31 / 13

HEX #11DE99

RGB 17 222 153

HSL 159.8, 0.86%, 0.47%

LAB 78.85, -60.61, 21.5

 

CMYK 79 / 93 / 0 / 13

HEX #2F10DE

RGB 47 16 222

HSL 249.03, 0.87%, 0.47%

LAB 30.03, 69.01, -92.88

 

CMYK 0 / 93 / 60 / 13

HEX #DE1058

RGB 222 16 88

HSL 339.03, 0.87%, 0.47%

LAB 47.76, 73.27, 17.5

 

CMYK 14 / 0 / 93 / 13

HEX #BFDE10

RGB 191 222 16

HSL 69.03, 0.87%, 0.47%

LAB 83.63, -32.09, 80.93

 

Description

Color code: HEX #11DE99 | qconv.com Color code: HEX #11DE99 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 222 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 222 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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