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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11E373 it is the complementary color #EE1C8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11E373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11E373 shade: #16E36E, #27F581, #38FF94, #49FFA7 and #5AFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11E373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11E373 shade: #11E373, #00D160, #00BF4D, #00AD3A and #009B27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11E373 shade: #11E373, #11E33A, #20E311, #59E311 and #91E311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11E373 shade: #11E373, #11E3AC, #11E2E3, #11A9E3 and #1170E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11E373 shade matches the following richer shades: #11E373

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11E373 shade: #11E373, #24CF74, #38BC76, #4CA877 and #609478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11E373 shade: #1FE311, #11E33B, #11E373, #11E3AB and #11E3E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11E373 shade: #0B964C, #0EBD5F, #11E373, #2EEF88 and #55F29E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11E373 shade: #11E373, #1157E3 and #E31F11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11E373 shade: #11E373, #7311E3 and #E37311

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11E373 shade: #11E373, #1157E3, #E31181 and #E39D11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11E373 shade: #11E373, #1118E3, #E31181 and #E3DC11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

Complementary color

CMYK 0 / 88 / 41 / 7

HEX #EE1C8C

RGB 238 28 140

HSL 328, 0.86%, 0.52%

LAB 52.84, 79.24, -6.52

 

CMYK 90 / 0 / 52 / 11

HEX #16E36E

RGB 22 227 110

HSL 145.76, 0.82%, 0.49%

LAB 79.75, -69.96, 44.28

 

CMYK 84 / 0 / 47 / 4

HEX #27F581

RGB 39 245 129

HSL 146.21, 0.91%, 0.56%

LAB 85.67, -71.65, 42.61

 

CMYK 78 / 0 / 42 / 0

HEX #38FF94

RGB 56 255 148

HSL 147.74, 1%, 0.61%

LAB 89.16, -70.22, 37.89

 

CMYK 71 / 0 / 35 / 0

HEX #49FFA7

RGB 73 255 167

HSL 150.99, 1%, 0.64%

LAB 89.73, -64.66, 29.26

 

CMYK 65 / 0 / 27 / 0

HEX #5AFFBA

RGB 90 255 186

HSL 154.91, 1%, 0.68%

LAB 90.43, -58.28, 20.64

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 100 / 0 / 54 / 18

HEX #00D160

RGB 0 209 96

HSL 147.56, 1%, 0.41%

LAB 73.83, -67.23, 43.68

 

CMYK 100 / 0 / 60 / 25

HEX #00BF4D

RGB 0 191 77

HSL 144.19, 1%, 0.37%

LAB 67.87, -64.26, 45.46

 

CMYK 100 / 0 / 66 / 32

HEX #00AD3A

RGB 0 173 58

HSL 140.12, 1%, 0.34%

LAB 61.82, -61.05, 47.04

 

CMYK 100 / 0 / 75 / 39

HEX #009B27

RGB 0 155 39

HSL 135.1, 1%, 0.3%

LAB 55.67, -57.5, 48.17

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 0 / 74 / 11

HEX #11E33A

RGB 17 227 58

HSL 131.71, 0.86%, 0.48%

LAB 79.25, -76.04, 65.27

 

CMYK 86 / 0 / 93 / 11

HEX #20E311

RGB 32 227 17

HSL 115.71, 0.86%, 0.48%

LAB 79.21, -77.02, 74.77

 

CMYK 61 / 0 / 93 / 11

HEX #59E311

RGB 89 227 17

HSL 99.43, 0.86%, 0.48%

LAB 80.24, -68.11, 76.05

 

CMYK 36 / 0 / 93 / 11

HEX #91E311

RGB 145 227 17

HSL 83.43, 0.86%, 0.48%

LAB 82.38, -51.71, 78.68

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 0 / 24 / 11

HEX #11E3AC

RGB 17 227 172

HSL 164.29, 0.86%, 0.48%

LAB 80.76, -58.18, 14.21

 

CMYK 93 / 0 / 0 / 11

HEX #11E2E3

RGB 17 226 227

HSL 180.29, 0.86%, 0.48%

LAB 81.87, -43.16, -13.29

 

CMYK 93 / 26 / 0 / 11

HEX #11A9E3

RGB 17 169 227

HSL 196.57, 0.86%, 0.48%

LAB 65, -15.3, -39.12

 

CMYK 93 / 51 / 0 / 11

HEX #1170E3

RGB 17 112 227

HSL 212.86, 0.86%, 0.48%

LAB 48.58, 18.5, -65.25

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 83 / 0 / 44 / 19

HEX #24CF74

RGB 36 207 116

HSL 148.07, 0.7%, 0.48%

LAB 73.72, -61.33, 33.75

 

CMYK 70 / 0 / 37 / 26

HEX #38BC76

RGB 56 188 118

HSL 148.18, 0.54%, 0.48%

LAB 68.11, -51.47, 25.4

 

CMYK 55 / 0 / 29 / 34

HEX #4CA877

RGB 76 168 119

HSL 148.04, 0.38%, 0.48%

LAB 62.4, -39, 17.21

 

CMYK 35 / 0 / 19 / 42

HEX #609478

RGB 96 148 120

HSL 147.69, 0.21%, 0.48%

LAB 57.1, -23.73, 9.37

 

CMYK 86 / 0 / 93 / 11

HEX #1FE311

RGB 31 227 17

HSL 116, 0.86%, 0.48%

LAB 79.2, -77.1, 74.76

 

CMYK 93 / 0 / 74 / 11

HEX #11E33B

RGB 17 227 59

HSL 132, 0.86%, 0.48%

LAB 79.26, -75.96, 64.94

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 0 / 25 / 11

HEX #11E3AB

RGB 17 227 171

HSL 164, 0.86%, 0.48%

LAB 80.74, -58.42, 14.71

 

CMYK 93 / 0 / 0 / 11

HEX #11E3E3

RGB 17 227 227

HSL 180, 0.86%, 0.48%

LAB 82.17, -43.61, -12.85

 

CMYK 93 / 0 / 49 / 41

HEX #0B964C

RGB 11 150 76

HSL 148.06, 0.86%, 0.32%

LAB 54.45, -50.44, 29.73

 

CMYK 93 / 0 / 50 / 26

HEX #0EBD5F

RGB 14 189 95

HSL 147.77, 0.86%, 0.4%

LAB 67.51, -60.39, 36.4

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 81 / 0 / 43 / 6

HEX #2EEF88

RGB 46 239 136

HSL 147.98, 0.86%, 0.56%

LAB 84.01, -67.87, 37.09

 

CMYK 65 / 0 / 35 / 5

HEX #55F29E

RGB 85 242 158

HSL 147.9, 0.86%, 0.64%

LAB 85.96, -59.64, 28.76

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 62 / 0 / 11

HEX #1157E3

RGB 17 87 227

HSL 220, 0.86%, 0.48%

LAB 41.97, 34.6, -76.02

 

CMYK 0 / 86 / 93 / 11

HEX #E31F11

RGB 227 31 17

HSL 4, 0.86%, 0.48%

LAB 48.7, 69.93, 57.25

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 49 / 93 / 0 / 11

HEX #7311E3

RGB 115 17 227

HSL 268, 0.86%, 0.48%

LAB 37.1, 74.04, -83.82

 

CMYK 0 / 49 / 93 / 11

HEX #E37311

RGB 227 115 17

HSL 28, 0.86%, 0.48%

LAB 60.46, 38.5, 65.01

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 62 / 0 / 11

HEX #1157E3

RGB 17 87 227

HSL 220, 0.86%, 0.48%

LAB 41.97, 34.6, -76.02

 

CMYK 0 / 93 / 43 / 11

HEX #E31181

RGB 227 17 129

HSL 328, 0.86%, 0.48%

LAB 49.88, 77.27, -4.51

 

CMYK 0 / 31 / 93 / 11

HEX #E39D11

RGB 227 157 17

HSL 40, 0.86%, 0.48%

LAB 69.81, 16.42, 71.7

 

CMYK 93 / 0 / 49 / 11

HEX #11E373

RGB 17 227 115

HSL 148, 0.86%, 0.48%

LAB 79.78, -69.44, 41.92

 

CMYK 93 / 89 / 0 / 11

HEX #1118E3

RGB 17 24 227

HSL 238, 0.86%, 0.48%

LAB 30.2, 67.54, -95.49

 

CMYK 0 / 93 / 43 / 11

HEX #E31181

RGB 227 17 129

HSL 328, 0.86%, 0.48%

LAB 49.88, 77.27, -4.51

 

CMYK 0 / 3 / 93 / 11

HEX #E3DC11

RGB 227 220 17

HSL 58, 0.86%, 0.48%

LAB 85.78, -16.16, 83.64

 

Description

Color code: HEX #11E373 | qconv.com Color code: HEX #11E373 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 227 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 227 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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