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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #122453 it is the complementary color #EDDBAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #122453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #122453 shade: #17244E, #283661, #394874, #4A5A87 and #5B6C9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #122453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #122453 shade: #122453, #011240, #00002D, #00001A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #122453 shade: #122453, #121253, #231253, #351253 and #461253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #122453 shade: #122453, #121253 and #121253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #122453 shade matches the following richer shades: #122453, #0A205B and #011D64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #122453 shade: #122453, #1A284B, #222B43, #2B2F3A and #333332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #122453 shade: #124753, #123653, #122453, #121353 and #221253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #122453 shade: #03060F, #0A1531, #122453, #193375 and #214197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #122453 shade: #122453, #4E1253 and #3E5312

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #122453 shade: #122453, #531224 and #245312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #122453 shade: #122453, #4E1253, #534112 and #175312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #122453 shade: #122453, #531245, #534112 and #125320

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

Complementary color

CMYK 0 / 8 / 27 / 7

HEX #EDDBAC

RGB 237 219 172

HSL 43.38, 0.64%, 0.8%

LAB 87.8, -0.87, 25.4

 

CMYK 71 / 54 / 0 / 69

HEX #17244E

RGB 23 36 78

HSL 225.82, 0.54%, 0.2%

LAB 15.46, 10.27, -27.63

 

CMYK 59 / 44 / 0 / 62

HEX #283661

RGB 40 54 97

HSL 225.26, 0.42%, 0.27%

LAB 23.51, 8.56, -27.34

 

CMYK 51 / 38 / 0 / 55

HEX #394874

RGB 57 72 116

HSL 224.75, 0.34%, 0.34%

LAB 31.27, 7.4, -27.14

 

CMYK 45 / 33 / 0 / 47

HEX #4A5A87

RGB 74 90 135

HSL 224.26, 0.29%, 0.41%

LAB 38.76, 6.56, -27.04

 

CMYK 41 / 30 / 0 / 40

HEX #5B6C9A

RGB 91 108 154

HSL 223.81, 0.26%, 0.48%

LAB 46.02, 5.91, -27.01

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 98 / 72 / 0 / 75

HEX #011240

RGB 1 18 64

HSL 223.81, 0.97%, 0.13%

LAB 7.31, 14.45, -31.17

 

CMYK 100 / 100 / 0 / 82

HEX #00002D

RGB 0 0 45

HSL 240, 1%, 0.09%

LAB 1.71, 12.03, -26.26

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 78 / 78 / 0 / 67

HEX #121253

RGB 18 18 83

HSL 240, 0.64%, 0.2%

LAB 10.45, 24.64, -39.21

 

CMYK 58 / 78 / 0 / 67

HEX #231253

RGB 35 18 83

HSL 255.69, 0.64%, 0.2%

LAB 12.05, 27.2, -36.52

 

CMYK 36 / 78 / 0 / 67

HEX #351253

RGB 53 18 83

HSL 272.31, 0.64%, 0.2%

LAB 14.48, 30.84, -32.46

 

CMYK 16 / 78 / 0 / 67

HEX #461253

RGB 70 18 83

HSL 288, 0.64%, 0.2%

LAB 17.27, 34.8, -27.82

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 78 / 78 / 0 / 67

HEX #121253

RGB 18 18 83

HSL 240, 0.64%, 0.2%

LAB 10.45, 24.64, -39.21

 

CMYK 78 / 78 / 0 / 67

HEX #121253

RGB 18 18 83

HSL 240, 0.64%, 0.2%

LAB 10.45, 24.64, -39.21

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 89 / 65 / 0 / 64

HEX #0A205B

RGB 10 32 91

HSL 223.7, 0.8%, 0.2%

LAB 14.7, 16.98, -37.68

 

CMYK 99 / 71 / 0 / 61

HEX #011D64

RGB 1 29 100

HSL 223.03, 0.98%, 0.2%

LAB 14.43, 22.37, -44.11

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 65 / 47 / 0 / 71

HEX #1A284B

RGB 26 40 75

HSL 222.86, 0.49%, 0.2%

LAB 16.72, 6.74, -23.55

 

CMYK 49 / 36 / 0 / 74

HEX #222B43

RGB 34 43 67

HSL 223.64, 0.33%, 0.2%

LAB 17.8, 3.75, -16.35

 

CMYK 26 / 19 / 0 / 77

HEX #2B2F3A

RGB 43 47 58

HSL 224, 0.15%, 0.2%

LAB 19.44, 1.22, -7.56

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 78 / 14 / 0 / 67

HEX #124753

RGB 18 71 83

HSL 191.08, 0.64%, 0.2%

LAB 27.46, -12.5, -12.14

 

CMYK 78 / 35 / 0 / 67

HEX #123653

RGB 18 54 83

HSL 206.77, 0.64%, 0.2%

LAB 21.55, -1.58, -21.32

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 78 / 77 / 0 / 67

HEX #121353

RGB 18 19 83

HSL 239.08, 0.64%, 0.2%

LAB 10.7, 23.97, -38.81

 

CMYK 59 / 78 / 0 / 67

HEX #221253

RGB 34 18 83

HSL 254.77, 0.64%, 0.2%

LAB 11.94, 27.02, -36.71

 

CMYK 80 / 60 / 0 / 94

HEX #03060F

RGB 3 6 15

HSL 225, 0.67%, 0.04%

LAB 1.66, 0.57, -3.96

 

CMYK 80 / 57 / 0 / 81

HEX #0A1531

RGB 10 21 49

HSL 223.08, 0.66%, 0.12%

LAB 7.43, 6.62, -20.11

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 79 / 56 / 0 / 54

HEX #193375

RGB 25 51 117

HSL 223.04, 0.65%, 0.28%

LAB 23.2, 15.8, -40.79

 

CMYK 78 / 57 / 0 / 41

HEX #214197

RGB 33 65 151

HSL 223.73, 0.64%, 0.36%

LAB 30.25, 20.71, -50.51

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 6 / 78 / 0 / 67

HEX #4E1253

RGB 78 18 83

HSL 295.38, 0.64%, 0.2%

LAB 18.7, 36.77, -25.45

 

CMYK 25 / 0 / 78 / 67

HEX #3E5312

RGB 62 83 18

HSL 79.38, 0.64%, 0.2%

LAB 32.38, -18.85, 33.43

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 0 / 78 / 57 / 67

HEX #531224

RGB 83 18 36

HSL 343.38, 0.64%, 0.2%

LAB 17.46, 31.18, 5.66

 

CMYK 57 / 0 / 78 / 67

HEX #245312

RGB 36 83 18

HSL 103.38, 0.64%, 0.2%

LAB 30.89, -29.22, 31.45

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 6 / 78 / 0 / 67

HEX #4E1253

RGB 78 18 83

HSL 295.38, 0.64%, 0.2%

LAB 18.7, 36.77, -25.45

 

CMYK 0 / 22 / 78 / 67

HEX #534112

RGB 83 65 18

HSL 43.38, 0.64%, 0.2%

LAB 28.55, 2.16, 30.26

 

CMYK 72 / 0 / 78 / 67

HEX #175312

RGB 23 83 18

HSL 115.38, 0.64%, 0.2%

LAB 30.43, -32.9, 30.83

 

CMYK 78 / 57 / 0 / 67

HEX #122453

RGB 18 36 83

HSL 223.38, 0.64%, 0.2%

LAB 15.57, 11.48, -30.87

 

CMYK 0 / 78 / 17 / 67

HEX #531245

RGB 83 18 69

HSL 312.92, 0.64%, 0.2%

LAB 18.81, 35.53, -15.65

 

CMYK 0 / 22 / 78 / 67

HEX #534112

RGB 83 65 18

HSL 43.38, 0.64%, 0.2%

LAB 28.55, 2.16, 30.26

 

CMYK 78 / 0 / 61 / 67

HEX #125320

RGB 18 83 32

HSL 132.92, 0.64%, 0.2%

LAB 30.45, -32.23, 23.88

 

Description

Color code: HEX #122453 | qconv.com Color code: HEX #122453 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 36 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 36 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 57 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 57% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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