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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12344D it is the complementary color #EDCBB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12344D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12344D shade: #173448, #28465B, #39586E, #4A6A81 and #5B7C94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12344D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12344D shade: #12344D, #01223A, #001027, #000014 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12344D shade: #12354E, #12244E, #12144E, #20124E and #30124E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12344D shade: #12354E, #12244E, #12144E and #12124E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12344D shade matches the following richer shades: #12354E, #0A3656 and #02375E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12344D shade: #12354E, #1A3346, #22323E, #293136 and #31302F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12344D shade: #124E47, #12454E, #12354E, #12254E and #12154E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12344D shade: #02070B, #0A1E2D, #12354E, #1A4B6F and #226291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12344D shade: #12344D, #37124E and #4D4E12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12344D shade: #12344D, #4E1235 and #354E12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12344D shade: #12344D, #37124E, #4E2B12 and #294E12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12344D shade: #12344D, #49124E, #4E2B12 and #174E12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 32 / 0 / 70

HEX #12344D

RGB 18 52 77

HSL 205.42, 0.62%, 0.19%

LAB 20.52, -2.68, -18.93

 

Complementary color

CMYK 0 / 14 / 25 / 7

HEX #EDCBB2

RGB 237 203 178

HSL 25.42, 0.62%, 0.81%

LAB 83.93, 8.24, 16.9

 

CMYK 68 / 28 / 0 / 72

HEX #173448

RGB 23 52 72

HSL 204.49, 0.52%, 0.19%

LAB 20.46, -3.65, -15.64

 

CMYK 56 / 23 / 0 / 64

HEX #28465B

RGB 40 70 91

HSL 204.71, 0.39%, 0.26%

LAB 28.35, -4.38, -15.88

 

CMYK 48 / 20 / 0 / 57

HEX #39586E

RGB 57 88 110

HSL 204.91, 0.32%, 0.33%

LAB 35.94, -4.82, -16.13

 

CMYK 43 / 18 / 0 / 49

HEX #4A6A81

RGB 74 106 129

HSL 205.09, 0.27%, 0.4%

LAB 43.28, -5.12, -16.4

 

CMYK 39 / 16 / 0 / 42

HEX #5B7C94

RGB 91 124 148

HSL 205.26, 0.24%, 0.47%

LAB 50.43, -5.34, -16.69

 

CMYK 77 / 32 / 0 / 70

HEX #12344D

RGB 18 52 77

HSL 205.42, 0.62%, 0.19%

LAB 20.52, -2.68, -18.93

 

CMYK 98 / 41 / 0 / 77

HEX #01223A

RGB 1 34 58

HSL 205.26, 0.97%, 0.12%

LAB 12.33, -1.06, -18.81

 

CMYK 100 / 59 / 0 / 85

HEX #001027

RGB 0 16 39

HSL 215.38, 1%, 0.08%

LAB 4.67, 2.46, -17.04

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 77 / 32 / 0 / 69

HEX #12354E

RGB 18 53 78

HSL 205, 0.63%, 0.19%

LAB 20.92, -2.95, -18.97

 

CMYK 77 / 54 / 0 / 69

HEX #12244E

RGB 18 36 78

HSL 222, 0.63%, 0.19%

LAB 15.17, 9.32, -28.11

 

CMYK 77 / 74 / 0 / 69

HEX #12144E

RGB 18 20 78

HSL 238, 0.63%, 0.19%

LAB 10.4, 21.3, -35.86

 

CMYK 59 / 77 / 0 / 69

HEX #20124E

RGB 32 18 78

HSL 254, 0.63%, 0.19%

LAB 11.2, 24.96, -34.5

 

CMYK 38 / 77 / 0 / 69

HEX #30124E

RGB 48 18 78

HSL 270, 0.63%, 0.19%

LAB 13.3, 28.33, -31

 

CMYK 77 / 32 / 0 / 69

HEX #12354E

RGB 18 53 78

HSL 205, 0.63%, 0.19%

LAB 20.92, -2.95, -18.97

 

CMYK 77 / 54 / 0 / 69

HEX #12244E

RGB 18 36 78

HSL 222, 0.63%, 0.19%

LAB 15.17, 9.32, -28.11

 

CMYK 77 / 74 / 0 / 69

HEX #12144E

RGB 18 20 78

HSL 238, 0.63%, 0.19%

LAB 10.4, 21.3, -35.86

 

CMYK 77 / 77 / 0 / 69

HEX #12124E

RGB 18 18 78

HSL 240, 0.63%, 0.19%

LAB 9.89, 22.7, -36.71

 

CMYK 77 / 32 / 0 / 69

HEX #12354E

RGB 18 53 78

HSL 205, 0.63%, 0.19%

LAB 20.92, -2.95, -18.97

 

CMYK 88 / 37 / 0 / 66

HEX #0A3656

RGB 10 54 86

HSL 205.26, 0.79%, 0.19%

LAB 21.49, -1.42, -23.42

 

CMYK 98 / 41 / 0 / 63

HEX #02375E

RGB 2 55 94

HSL 205.43, 0.96%, 0.19%

LAB 22.14, 0.55, -27.67

 

CMYK 77 / 32 / 0 / 69

HEX #12354E

RGB 18 53 78

HSL 205, 0.63%, 0.19%

LAB 20.92, -2.95, -18.97

 

CMYK 63 / 27 / 0 / 73

HEX #1A3346

RGB 26 51 70

HSL 205.91, 0.46%, 0.19%

LAB 20.16, -3.02, -14.74

 

CMYK 45 / 19 / 0 / 76

HEX #22323E

RGB 34 50 62

HSL 205.71, 0.29%, 0.19%

LAB 19.92, -2.84, -9.64

 

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

CMYK 0 / 2 / 4 / 81

HEX #31302F

RGB 49 48 47

HSL 30, 0.02%, 0.19%

LAB 19.93, 0.21, 0.79

 

CMYK 77 / 0 / 9 / 69

HEX #124E47

RGB 18 78 71

HSL 173, 0.63%, 0.19%

LAB 29.49, -20.58, -1.33

 

CMYK 77 / 12 / 0 / 69

HEX #12454E

RGB 18 69 78

HSL 189, 0.63%, 0.19%

LAB 26.55, -13.14, -10.28

 

CMYK 77 / 32 / 0 / 69

HEX #12354E

RGB 18 53 78

HSL 205, 0.63%, 0.19%

LAB 20.92, -2.95, -18.97

 

CMYK 77 / 53 / 0 / 69

HEX #12254E

RGB 18 37 78

HSL 221, 0.63%, 0.19%

LAB 15.5, 8.57, -27.58

 

CMYK 77 / 73 / 0 / 69

HEX #12154E

RGB 18 21 78

HSL 237, 0.63%, 0.19%

LAB 10.67, 20.58, -35.43

 

CMYK 82 / 36 / 0 / 96

HEX #02070B

RGB 2 7 11

HSL 206.67, 0.69%, 0.03%

LAB 1.71, -0.75, -1.98

 

CMYK 78 / 33 / 0 / 82

HEX #0A1E2D

RGB 10 30 45

HSL 205.71, 0.64%, 0.11%

LAB 10.43, -2.09, -12.43

 

CMYK 77 / 32 / 0 / 69

HEX #12354E

RGB 18 53 78

HSL 205, 0.63%, 0.19%

LAB 20.92, -2.95, -18.97

 

CMYK 77 / 32 / 0 / 56

HEX #1A4B6F

RGB 26 75 111

HSL 205.41, 0.62%, 0.27%

LAB 30.4, -3.02, -25.47

 

CMYK 77 / 32 / 0 / 43

HEX #226291

RGB 34 98 145

HSL 205.41, 0.62%, 0.35%

LAB 39.78, -3.31, -31.61

 

CMYK 77 / 32 / 0 / 70

HEX #12344D

RGB 18 52 77

HSL 205.42, 0.62%, 0.19%

LAB 20.52, -2.68, -18.93

 

CMYK 29 / 77 / 0 / 69

HEX #37124E

RGB 55 18 78

HSL 277, 0.63%, 0.19%

LAB 14.37, 29.98, -29.21

 

CMYK 1 / 0 / 77 / 69

HEX #4D4E12

RGB 77 78 18

HSL 61, 0.63%, 0.19%

LAB 31.97, -8.84, 33.45

 

CMYK 77 / 32 / 0 / 70

HEX #12344D

RGB 18 52 77

HSL 205.42, 0.62%, 0.19%

LAB 20.52, -2.68, -18.93

 

CMYK 0 / 77 / 32 / 69

HEX #4E1235

RGB 78 18 53

HSL 325, 0.63%, 0.19%

LAB 17.03, 31.54, -7.26

 

CMYK 32 / 0 / 77 / 69

HEX #354E12

RGB 53 78 18

HSL 85, 0.63%, 0.19%

LAB 30.03, -20.23, 30.88

 

CMYK 77 / 32 / 0 / 70

HEX #12344D

RGB 18 52 77

HSL 205.42, 0.62%, 0.19%

LAB 20.52, -2.68, -18.93

 

CMYK 29 / 77 / 0 / 69

HEX #37124E

RGB 55 18 78

HSL 277, 0.63%, 0.19%

LAB 14.37, 29.98, -29.21

 

CMYK 0 / 45 / 77 / 69

HEX #4E2B12

RGB 78 43 18

HSL 25, 0.63%, 0.19%

LAB 21.55, 13.73, 22.71

 

CMYK 47 / 0 / 77 / 69

HEX #294E12

RGB 41 78 18

HSL 97, 0.63%, 0.19%

LAB 29.32, -25.16, 29.92

 

CMYK 77 / 32 / 0 / 70

HEX #12344D

RGB 18 52 77

HSL 205.42, 0.62%, 0.19%

LAB 20.52, -2.68, -18.93

 

CMYK 6 / 77 / 0 / 69

HEX #49124E

RGB 73 18 78

HSL 295, 0.63%, 0.19%

LAB 17.46, 34.49, -24.09

 

CMYK 0 / 45 / 77 / 69

HEX #4E2B12

RGB 78 43 18

HSL 25, 0.63%, 0.19%

LAB 21.55, 13.73, 22.71

 

CMYK 71 / 0 / 77 / 69

HEX #174E12

RGB 23 78 18

HSL 115, 0.63%, 0.19%

LAB 28.58, -30.91, 28.92

 

Description

Color code: HEX #12344D | qconv.com Color code: HEX #12344D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 52 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 52 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 32 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 32% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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