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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #123963 it is the complementary color #EDC69C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #123963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #123963 shade: #17395E, #284B71, #395D84, #4A6F97 and #5B81AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #123963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #123963 shade: #123963, #012750, #00153D, #00032A and #000017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #123963 shade: #123963, #122363, #161263, #2C1263 and #421263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #123963 shade: #123963, #122363 and #121263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #123963 shade matches the following richer shades: #123963 and #08386C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #123963 shade: #123963, #1B3959, #253950, #2E3A46 and #383A3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #123963 shade: #126361, #124E63, #123963, #122363 and #161263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #123963 shade: #05101D, #0B2540, #123963, #184D85 and #1E61A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #123963 shade: #123963, #4C1263 and #596312

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #123963 shade: #123963, #631239 and #396312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #123963 shade: #123963, #4C1263, #633B12 and #296312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #123963 shade: #123963, #631261, #633B12 and #126313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

Complementary color

CMYK 0 / 16 / 34 / 7

HEX #EDC69C

RGB 237 198 156

HSL 31.11, 0.69%, 0.77%

LAB 82.27, 8, 26.23

 

CMYK 76 / 39 / 0 / 63

HEX #17395E

RGB 23 57 94

HSL 211.27, 0.61%, 0.23%

LAB 23.39, 1.72, -25.63

 

CMYK 65 / 34 / 0 / 56

HEX #284B71

RGB 40 75 113

HSL 211.23, 0.48%, 0.3%

LAB 31.06, 0.29, -25.66

 

CMYK 57 / 30 / 0 / 48

HEX #395D84

RGB 57 93 132

HSL 211.2, 0.4%, 0.37%

LAB 38.49, -0.67, -25.71

 

CMYK 51 / 26 / 0 / 41

HEX #4A6F97

RGB 74 111 151

HSL 211.17, 0.34%, 0.44%

LAB 45.72, -1.36, -25.79

 

CMYK 46 / 24 / 0 / 33

HEX #5B81AA

RGB 91 129 170

HSL 211.14, 0.32%, 0.51%

LAB 52.76, -1.88, -25.9

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 99 / 51 / 0 / 69

HEX #012750

RGB 1 39 80

HSL 211.14, 0.98%, 0.16%

LAB 15.68, 5.65, -28.68

 

CMYK 100 / 66 / 0 / 76

HEX #00153D

RGB 0 21 61

HSL 219.34, 1%, 0.12%

LAB 7.89, 10.49, -28.09

 

CMYK 100 / 93 / 0 / 84

HEX #00032A

RGB 0 3 42

HSL 235.71, 1%, 0.08%

LAB 2.1, 9.41, -23.36

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 82 / 65 / 0 / 61

HEX #122363

RGB 18 35 99

HSL 227.41, 0.69%, 0.23%

LAB 16.66, 19.03, -39.77

 

CMYK 78 / 82 / 0 / 61

HEX #161263

RGB 22 18 99

HSL 242.96, 0.69%, 0.23%

LAB 12.63, 30.99, -46.38

 

CMYK 56 / 82 / 0 / 61

HEX #2C1263

RGB 44 18 99

HSL 259.26, 0.69%, 0.23%

LAB 14.78, 33.77, -42.76

 

CMYK 33 / 82 / 0 / 61

HEX #421263

RGB 66 18 99

HSL 275.56, 0.69%, 0.23%

LAB 17.88, 37.68, -37.57

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 82 / 65 / 0 / 61

HEX #122363

RGB 18 35 99

HSL 227.41, 0.69%, 0.23%

LAB 16.66, 19.03, -39.77

 

CMYK 82 / 82 / 0 / 61

HEX #121263

RGB 18 18 99

HSL 240, 0.69%, 0.23%

LAB 12.36, 30.64, -46.83

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 93 / 48 / 0 / 58

HEX #08386C

RGB 8 56 108

HSL 211.2, 0.86%, 0.23%

LAB 23.55, 6.6, -34.48

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 70 / 36 / 0 / 65

HEX #1B3959

RGB 27 57 89

HSL 210.97, 0.53%, 0.23%

LAB 23.27, 0.46, -22.54

 

CMYK 54 / 29 / 0 / 69

HEX #253950

RGB 37 57 80

HSL 212.09, 0.37%, 0.23%

LAB 23.33, -0.48, -16.46

 

CMYK 34 / 17 / 0 / 73

HEX #2E3A46

RGB 46 58 70

HSL 210, 0.21%, 0.23%

LAB 23.83, -1.55, -9

 

CMYK 8 / 5 / 0 / 76

HEX #383A3D

RGB 56 58 61

HSL 216, 0.04%, 0.23%

LAB 24.33, -0.14, -2.16

 

CMYK 82 / 0 / 2 / 61

HEX #126361

RGB 18 99 97

HSL 178.52, 0.69%, 0.23%

LAB 37.69, -23.16, -5.56

 

CMYK 82 / 21 / 0 / 61

HEX #124E63

RGB 18 78 99

HSL 195.56, 0.69%, 0.23%

LAB 30.59, -10.68, -17.6

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 82 / 65 / 0 / 61

HEX #122363

RGB 18 35 99

HSL 227.41, 0.69%, 0.23%

LAB 16.66, 19.03, -39.77

 

CMYK 78 / 82 / 0 / 61

HEX #161263

RGB 22 18 99

HSL 242.96, 0.69%, 0.23%

LAB 12.63, 30.99, -46.38

 

CMYK 83 / 45 / 0 / 89

HEX #05101D

RGB 5 16 29

HSL 212.5, 0.71%, 0.07%

LAB 4.44, 0.1, -9.66

 

CMYK 83 / 42 / 0 / 75

HEX #0B2540

RGB 11 37 64

HSL 210.57, 0.71%, 0.15%

LAB 14.2, 1.23, -20.03

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 82 / 42 / 0 / 48

HEX #184D85

RGB 24 77 133

HSL 210.83, 0.69%, 0.31%

LAB 32.25, 4.22, -36.26

 

CMYK 82 / 42 / 0 / 34

HEX #1E61A8

RGB 30 97 168

HSL 210.87, 0.7%, 0.39%

LAB 40.66, 5.76, -43.95

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 23 / 82 / 0 / 61

HEX #4C1263

RGB 76 18 99

HSL 282.96, 0.69%, 0.23%

LAB 19.52, 39.71, -34.85

 

CMYK 10 / 0 / 82 / 61

HEX #596312

RGB 89 99 18

HSL 67.41, 0.69%, 0.23%

LAB 39.73, -14.97, 41.17

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 0 / 82 / 42 / 61

HEX #631239

RGB 99 18 57

HSL 331.11, 0.69%, 0.23%

LAB 21.51, 38.52, -2.92

 

CMYK 42 / 0 / 82 / 61

HEX #396312

RGB 57 99 18

HSL 91.11, 0.69%, 0.23%

LAB 37.55, -28.91, 38.34

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 23 / 82 / 0 / 61

HEX #4C1263

RGB 76 18 99

HSL 282.96, 0.69%, 0.23%

LAB 19.52, 39.71, -34.85

 

CMYK 0 / 40 / 82 / 61

HEX #633B12

RGB 99 59 18

HSL 30.37, 0.69%, 0.23%

LAB 28.96, 13.95, 31.38

 

CMYK 59 / 0 / 82 / 61

HEX #296312

RGB 41 99 18

HSL 102.96, 0.69%, 0.23%

LAB 36.82, -34.43, 37.38

 

CMYK 82 / 42 / 0 / 61

HEX #123963

RGB 18 57 99

HSL 211.11, 0.69%, 0.23%

LAB 23.52, 3.04, -28.69

 

CMYK 0 / 82 / 2 / 61

HEX #631261

RGB 99 18 97

HSL 301.48, 0.69%, 0.23%

LAB 23.5, 44.39, -26.91

 

CMYK 0 / 40 / 82 / 61

HEX #633B12

RGB 99 59 18

HSL 30.37, 0.69%, 0.23%

LAB 28.96, 13.95, 31.38

 

CMYK 82 / 0 / 81 / 61

HEX #126313

RGB 18 99 19

HSL 120.74, 0.69%, 0.23%

LAB 36.17, -39.71, 36.17

 

Description

Color code: HEX #123963 | qconv.com Color code: HEX #123963 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 57 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 57 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 42 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 42% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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