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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #124E27 it is the complementary color #EDB1D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #124E27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #124E27 shade: #174E22, #286035, #397248, #4A845B and #5B966E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #124E27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #124E27 shade: #124E27, #013C14, #002A01, #001800 and #000600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #124E27 shade: #114E27, #114E16, #1D4E11, #2D4E11 and #3E4E11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #124E27 shade: #114E27, #114E37, #114E48, #11454E and #11344E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #124E27 shade matches the following richer shades: #114E27, #0A5624 and #025E22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #124E27 shade: #114E27, #194729, #213F2B, #29372E and #312F30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #124E27 shade: #1D4E11, #114E17, #114E27, #114E37 and #114E47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #124E27 shade: #020B05, #0A2D16, #114E27, #197038 and #219248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #124E27 shade: #124E27, #112D4E and #4E1114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #124E27 shade: #124E27, #27114E and #4E2711

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #124E27 shade: #124E27, #112D4E, #4E1139 and #4E3311

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #124E27 shade: #124E27, #111B4E, #4E1139 and #4E4511

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 50 / 69

HEX #124E27

RGB 18 78 39

HSL 141, 0.63%, 0.19%

LAB 28.7, -28.92, 17.71

 

Complementary color

CMYK 0 / 25 / 9 / 7

HEX #EDB1D8

RGB 237 177 216

HSL 321, 0.63%, 0.81%

LAB 78.7, 27.87, -11.09

 

CMYK 71 / 0 / 56 / 69

HEX #174E22

RGB 23 78 34

HSL 132, 0.54%, 0.2%

LAB 28.76, -28.74, 20.75

 

CMYK 58 / 0 / 45 / 62

HEX #286035

RGB 40 96 53

HSL 133.93, 0.41%, 0.27%

LAB 36.13, -28.96, 19.13

 

CMYK 50 / 0 / 37 / 55

HEX #397248

RGB 57 114 72

HSL 135.79, 0.33%, 0.34%

LAB 43.32, -28.85, 17.66

 

CMYK 44 / 0 / 31 / 48

HEX #4A845B

RGB 74 132 91

HSL 137.59, 0.28%, 0.4%

LAB 50.35, -28.62, 16.36

 

CMYK 39 / 0 / 27 / 41

HEX #5B966E

RGB 91 150 110

HSL 139.32, 0.24%, 0.47%

LAB 57.23, -28.34, 15.18

 

CMYK 77 / 0 / 50 / 69

HEX #124E27

RGB 18 78 39

HSL 141, 0.63%, 0.19%

LAB 28.7, -28.92, 17.71

 

CMYK 98 / 0 / 67 / 76

HEX #013C14

RGB 1 60 20

HSL 139.32, 0.97%, 0.12%

LAB 21.16, -28.05, 19.52

 

CMYK 100 / 0 / 98 / 84

HEX #002A01

RGB 0 42 1

HSL 121.43, 1%, 0.08%

LAB 13.58, -24.39, 19.05

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 78 / 0 / 50 / 69

HEX #114E27

RGB 17 78 39

HSL 141.64, 0.64%, 0.19%

LAB 28.68, -29.11, 17.67

 

CMYK 78 / 0 / 72 / 69

HEX #114E16

RGB 17 78 22

HSL 124.92, 0.64%, 0.19%

LAB 28.45, -31.83, 26.83

 

CMYK 63 / 0 / 78 / 69

HEX #1D4E11

RGB 29 78 17

HSL 108.2, 0.64%, 0.19%

LAB 28.77, -29.35, 29.63

 

CMYK 42 / 0 / 78 / 69

HEX #2D4E11

RGB 45 78 17

HSL 92.46, 0.64%, 0.19%

LAB 29.53, -23.68, 30.65

 

CMYK 21 / 0 / 78 / 69

HEX #3E4E11

RGB 62 78 17

HSL 75.74, 0.64%, 0.19%

LAB 30.67, -16.2, 32.17

 

CMYK 78 / 0 / 50 / 69

HEX #114E27

RGB 17 78 39

HSL 141.64, 0.64%, 0.19%

LAB 28.68, -29.11, 17.67

 

CMYK 78 / 0 / 29 / 69

HEX #114E37

RGB 17 78 55

HSL 157.38, 0.64%, 0.19%

LAB 29.01, -25.41, 8.21

 

CMYK 78 / 0 / 8 / 69

HEX #114E48

RGB 17 78 72

HSL 174.1, 0.64%, 0.19%

LAB 29.5, -20.42, -1.97

 

CMYK 78 / 12 / 0 / 69

HEX #11454E

RGB 17 69 78

HSL 188.85, 0.64%, 0.19%

LAB 26.52, -13.3, -10.32

 

CMYK 78 / 33 / 0 / 69

HEX #11344E

RGB 17 52 78

HSL 205.57, 0.64%, 0.19%

LAB 20.54, -2.44, -19.57

 

CMYK 78 / 0 / 50 / 69

HEX #114E27

RGB 17 78 39

HSL 141.64, 0.64%, 0.19%

LAB 28.68, -29.11, 17.67

 

CMYK 88 / 0 / 58 / 66

HEX #0A5624

RGB 10 86 36

HSL 140.53, 0.79%, 0.19%

LAB 31.46, -34.02, 22.85

 

CMYK 98 / 0 / 64 / 63

HEX #025E22

RGB 2 94 34

HSL 140.87, 0.96%, 0.19%

LAB 34.26, -38.25, 27.23

 

CMYK 78 / 0 / 50 / 69

HEX #114E27

RGB 17 78 39

HSL 141.64, 0.64%, 0.19%

LAB 28.68, -29.11, 17.67

 

CMYK 65 / 0 / 42 / 72

HEX #194729

RGB 25 71 41

HSL 140.87, 0.48%, 0.19%

LAB 26.37, -23.67, 13.48

 

CMYK 48 / 0 / 32 / 75

HEX #213F2B

RGB 33 63 43

HSL 140, 0.31%, 0.19%

LAB 23.85, -16.58, 8.85

 

CMYK 25 / 0 / 16 / 78

HEX #29372E

RGB 41 55 46

HSL 141.43, 0.15%, 0.19%

LAB 21.58, -8.06, 3.76

 

CMYK 0 / 4 / 2 / 81

HEX #312F30

RGB 49 47 48

HSL 330, 0.02%, 0.19%

LAB 19.64, 1.12, -0.33

 

CMYK 63 / 0 / 78 / 69

HEX #1D4E11

RGB 29 78 17

HSL 108.2, 0.64%, 0.19%

LAB 28.77, -29.35, 29.63

 

CMYK 78 / 0 / 71 / 69

HEX #114E17

RGB 17 78 23

HSL 125.9, 0.64%, 0.19%

LAB 28.46, -31.71, 26.34

 

CMYK 78 / 0 / 50 / 69

HEX #114E27

RGB 17 78 39

HSL 141.64, 0.64%, 0.19%

LAB 28.68, -29.11, 17.67

 

CMYK 78 / 0 / 29 / 69

HEX #114E37

RGB 17 78 55

HSL 157.38, 0.64%, 0.19%

LAB 29.01, -25.41, 8.21

 

CMYK 78 / 0 / 9 / 69

HEX #114E47

RGB 17 78 71

HSL 173.11, 0.64%, 0.19%

LAB 29.47, -20.74, -1.37

 

CMYK 82 / 0 / 55 / 96

HEX #020B05

RGB 2 11 5

HSL 140, 0.69%, 0.03%

LAB 2.38, -3.2, 1.45

 

CMYK 78 / 0 / 51 / 82

HEX #0A2D16

RGB 10 45 22

HSL 140.57, 0.64%, 0.11%

LAB 15.48, -19.01, 11.29

 

CMYK 78 / 0 / 50 / 69

HEX #114E27

RGB 17 78 39

HSL 141.64, 0.64%, 0.19%

LAB 28.68, -29.11, 17.67

 

CMYK 78 / 0 / 50 / 56

HEX #197038

RGB 25 112 56

HSL 141.38, 0.64%, 0.27%

LAB 41.34, -38.5, 24.01

 

CMYK 77 / 0 / 51 / 43

HEX #219248

RGB 33 146 72

HSL 140.71, 0.63%, 0.35%

LAB 53.33, -47.47, 30.47

 

CMYK 77 / 0 / 50 / 69

HEX #124E27

RGB 18 78 39

HSL 141, 0.63%, 0.19%

LAB 28.7, -28.92, 17.71

 

CMYK 78 / 42 / 0 / 69

HEX #112D4E

RGB 17 45 78

HSL 212.46, 0.64%, 0.19%

LAB 18.13, 2.49, -23.38

 

CMYK 0 / 78 / 74 / 69

HEX #4E1114

RGB 78 17 20

HSL 357.05, 0.64%, 0.19%

LAB 15.86, 28.54, 14.77

 

CMYK 77 / 0 / 50 / 69

HEX #124E27

RGB 18 78 39

HSL 141, 0.63%, 0.19%

LAB 28.7, -28.92, 17.71

 

CMYK 50 / 78 / 0 / 69

HEX #27114E

RGB 39 17 78

HSL 261.64, 0.64%, 0.19%

LAB 11.84, 26.94, -33.43

 

CMYK 0 / 50 / 78 / 69

HEX #4E2711

RGB 78 39 17

HSL 21.64, 0.64%, 0.19%

LAB 20.48, 16.2, 22.13

 

CMYK 77 / 0 / 50 / 69

HEX #124E27

RGB 18 78 39

HSL 141, 0.63%, 0.19%

LAB 28.7, -28.92, 17.71

 

CMYK 78 / 42 / 0 / 69

HEX #112D4E

RGB 17 45 78

HSL 212.46, 0.64%, 0.19%

LAB 18.13, 2.49, -23.38

 

CMYK 0 / 78 / 27 / 69

HEX #4E1139

RGB 78 17 57

HSL 320.66, 0.64%, 0.19%

LAB 17.07, 32.56, -10.04

 

CMYK 0 / 35 / 78 / 69

HEX #4E3311

RGB 78 51 17

HSL 33.44, 0.64%, 0.19%

LAB 23.76, 8.5, 25.66

 

CMYK 77 / 0 / 50 / 69

HEX #124E27

RGB 18 78 39

HSL 141, 0.63%, 0.19%

LAB 28.7, -28.92, 17.71

 

CMYK 78 / 65 / 0 / 69

HEX #111B4E

RGB 17 27 78

HSL 230.16, 0.64%, 0.19%

LAB 12.31, 15.99, -32.75

 

CMYK 0 / 78 / 27 / 69

HEX #4E1139

RGB 78 17 57

HSL 320.66, 0.64%, 0.19%

LAB 17.07, 32.56, -10.04

 

CMYK 0 / 12 / 78 / 69

HEX #4E4511

RGB 78 69 17

HSL 51.15, 0.64%, 0.19%

LAB 29.2, -2.96, 31.2

 

Description

Color code: HEX #124E27 | qconv.com Color code: HEX #124E27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 78 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 78 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 50 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 50% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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