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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126307 it is the complementary color #ED9CF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126307. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #126307 shade: #176302, #287515, #398728, #4A993B and #5BAB4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126307. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #126307 shade: #126307, #015100, #003F00, #002D00 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #126307 shade: #126406, #2B6406, #446406, #5D6406 and #645106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #126307 shade: #126406, #066414, #06642E, #066447 and #066460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #126307 shade matches the following richer shades: #126406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #126307 shade: #126406, #185B0F, #1F5218, #254A20 and #2C4129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #126307 shade: #456406, #2C6406, #136406, #066413 and #06642C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #126307 shade: #041601, #0B3D04, #126406, #198A09 and #20B10C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #126307 shade: #126307, #065D64 and #640638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #126307 shade: #126307, #061364 and #640613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #126307 shade: #126307, #065D64, #570664 and #640D06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #126307 shade: #126307, #064164, #570664 and #642906

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 93 / 61

HEX #126307

RGB 18 99 7

HSL 112.83, 0.87%, 0.21%

LAB 36.11, -40.46, 39.86

 

Complementary color

CMYK 4 / 37 / 0 / 3

HEX #ED9CF8

RGB 237 156 248

HSL 292.83, 0.87%, 0.79%

LAB 75.18, 44.69, -33.79

 

CMYK 77 / 0 / 98 / 61

HEX #176302

RGB 23 99 2

HSL 107.01, 0.96%, 0.2%

LAB 36.2, -39.83, 41.4

 

CMYK 66 / 0 / 82 / 54

HEX #287515

RGB 40 117 21

HSL 108.13, 0.7%, 0.27%

LAB 43.1, -41.53, 42.35

 

CMYK 58 / 0 / 70 / 47

HEX #398728

RGB 57 135 40

HSL 109.26, 0.54%, 0.34%

LAB 49.92, -42.45, 42.11

 

CMYK 52 / 0 / 61 / 40

HEX #4A993B

RGB 74 153 59

HSL 110.43, 0.44%, 0.42%

LAB 56.64, -42.87, 41.17

 

CMYK 47 / 0 / 54 / 33

HEX #5BAB4E

RGB 91 171 78

HSL 111.61, 0.37%, 0.49%

LAB 63.26, -43, 39.98

 

CMYK 82 / 0 / 93 / 61

HEX #126307

RGB 18 99 7

HSL 112.83, 0.87%, 0.21%

LAB 36.11, -40.46, 39.86

 

CMYK 99 / 0 / 100 / 68

HEX #015100

RGB 1 81 0

HSL 119.26, 1%, 0.16%

LAB 29.14, -37.33, 36.2

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 82 / 0 / 94 / 61

HEX #126406

RGB 18 100 6

HSL 112.34, 0.89%, 0.21%

LAB 36.47, -40.85, 40.45

 

CMYK 57 / 0 / 94 / 61

HEX #2B6406

RGB 43 100 6

HSL 96.38, 0.89%, 0.21%

LAB 37.19, -34.87, 41.34

 

CMYK 32 / 0 / 94 / 61

HEX #446406

RGB 68 100 6

HSL 80.43, 0.89%, 0.21%

LAB 38.47, -25.48, 42.94

 

CMYK 7 / 0 / 94 / 61

HEX #5D6406

RGB 93 100 6

HSL 64.47, 0.89%, 0.21%

LAB 40.34, -14.05, 45.22

 

CMYK 0 / 19 / 94 / 61

HEX #645106

RGB 100 81 6

HSL 47.87, 0.89%, 0.21%

LAB 35.22, 0.45, 41.45

 

CMYK 82 / 0 / 94 / 61

HEX #126406

RGB 18 100 6

HSL 112.34, 0.89%, 0.21%

LAB 36.47, -40.85, 40.45

 

CMYK 94 / 0 / 80 / 61

HEX #066414

RGB 6 100 20

HSL 128.94, 0.89%, 0.21%

LAB 36.37, -41.47, 35.93

 

CMYK 94 / 0 / 54 / 61

HEX #06642E

RGB 6 100 46

HSL 145.53, 0.89%, 0.21%

LAB 36.65, -38.04, 23.64

 

CMYK 94 / 0 / 29 / 61

HEX #066447

RGB 6 100 71

HSL 161.49, 0.89%, 0.21%

LAB 37.13, -32.5, 9.58

 

CMYK 94 / 0 / 4 / 61

HEX #066460

RGB 6 100 96

HSL 177.45, 0.89%, 0.21%

LAB 37.84, -25.07, -4.74

 

CMYK 82 / 0 / 94 / 61

HEX #126406

RGB 18 100 6

HSL 112.34, 0.89%, 0.21%

LAB 36.47, -40.85, 40.45

 

CMYK 82 / 0 / 94 / 61

HEX #126406

RGB 18 100 6

HSL 112.34, 0.89%, 0.21%

LAB 36.47, -40.85, 40.45

 

CMYK 74 / 0 / 84 / 64

HEX #185B0F

RGB 24 91 15

HSL 112.89, 0.72%, 0.21%

LAB 33.37, -35.99, 34.96

 

CMYK 62 / 0 / 71 / 68

HEX #1F5218

RGB 31 82 24

HSL 112.76, 0.55%, 0.21%

LAB 30.38, -29.74, 28.09

 

CMYK 50 / 0 / 57 / 71

HEX #254A20

RGB 37 74 32

HSL 112.86, 0.4%, 0.21%

LAB 27.83, -23.02, 20.89

 

CMYK 32 / 0 / 37 / 75

HEX #2C4129

RGB 44 65 41

HSL 112.5, 0.23%, 0.21%

LAB 25.19, -13.93, 12.08

 

CMYK 31 / 0 / 94 / 61

HEX #456406

RGB 69 100 6

HSL 79.79, 0.89%, 0.21%

LAB 38.54, -25.05, 43.02

 

CMYK 56 / 0 / 94 / 61

HEX #2C6406

RGB 44 100 6

HSL 95.74, 0.89%, 0.21%

LAB 37.23, -34.55, 41.39

 

CMYK 81 / 0 / 94 / 61

HEX #136406

RGB 19 100 6

HSL 111.7, 0.89%, 0.21%

LAB 36.49, -40.69, 40.47

 

CMYK 94 / 0 / 81 / 61

HEX #066413

RGB 6 100 19

HSL 128.3, 0.89%, 0.21%

LAB 36.37, -41.55, 36.3

 

CMYK 94 / 0 / 56 / 61

HEX #06642C

RGB 6 100 44

HSL 144.26, 0.89%, 0.21%

LAB 36.62, -38.39, 24.71

 

CMYK 82 / 0 / 95 / 91

HEX #041601

RGB 4 22 1

HSL 111.43, 0.91%, 0.05%

LAB 5.44, -9.4, 7.56

 

CMYK 82 / 0 / 93 / 76

HEX #0B3D04

RGB 11 61 4

HSL 112.63, 0.88%, 0.13%

LAB 21.64, -28.28, 27.62

 

CMYK 82 / 0 / 94 / 61

HEX #126406

RGB 18 100 6

HSL 112.34, 0.89%, 0.21%

LAB 36.47, -40.85, 40.45

 

CMYK 82 / 0 / 93 / 46

HEX #198A09

RGB 25 138 9

HSL 112.56, 0.88%, 0.29%

LAB 49.98, -52.05, 51.36

 

CMYK 82 / 0 / 93 / 31

HEX #20B10C

RGB 32 177 12

HSL 112.73, 0.87%, 0.37%

LAB 63.16, -62.93, 62.02

 

CMYK 82 / 0 / 93 / 61

HEX #126307

RGB 18 99 7

HSL 112.83, 0.87%, 0.21%

LAB 36.11, -40.46, 39.86

 

CMYK 94 / 7 / 0 / 61

HEX #065D64

RGB 6 93 100

HSL 184.47, 0.89%, 0.21%

LAB 35.57, -20.05, -10.62

 

CMYK 0 / 94 / 44 / 61

HEX #640638

RGB 100 6 56

HSL 328.09, 0.89%, 0.21%

LAB 20.54, 41.97, -3.64

 

CMYK 82 / 0 / 93 / 61

HEX #126307

RGB 18 99 7

HSL 112.83, 0.87%, 0.21%

LAB 36.11, -40.46, 39.86

 

CMYK 94 / 81 / 0 / 61

HEX #061364

RGB 6 19 100

HSL 231.7, 0.89%, 0.21%

LAB 12.12, 29.61, -47.92

 

CMYK 0 / 94 / 81 / 61

HEX #640613

RGB 100 6 19

HSL 351.7, 0.89%, 0.21%

LAB 19.58, 39.29, 21.08

 

CMYK 82 / 0 / 93 / 61

HEX #126307

RGB 18 99 7

HSL 112.83, 0.87%, 0.21%

LAB 36.11, -40.46, 39.86

 

CMYK 94 / 7 / 0 / 61

HEX #065D64

RGB 6 93 100

HSL 184.47, 0.89%, 0.21%

LAB 35.57, -20.05, -10.62

 

CMYK 13 / 94 / 0 / 61

HEX #570664

RGB 87 6 100

HSL 291.7, 0.89%, 0.21%

LAB 20.35, 45.63, -34.06

 

CMYK 0 / 87 / 94 / 61

HEX #640D06

RGB 100 13 6

HSL 4.47, 0.89%, 0.21%

LAB 20.09, 37.06, 27.95

 

CMYK 82 / 0 / 93 / 61

HEX #126307

RGB 18 99 7

HSL 112.83, 0.87%, 0.21%

LAB 36.11, -40.46, 39.86

 

CMYK 94 / 35 / 0 / 61

HEX #064164

RGB 6 65 100

HSL 202.34, 0.89%, 0.21%

LAB 25.98, -3.26, -25.46

 

CMYK 13 / 94 / 0 / 61

HEX #570664

RGB 87 6 100

HSL 291.7, 0.89%, 0.21%

LAB 20.35, 45.63, -34.06

 

CMYK 0 / 59 / 94 / 61

HEX #642906

RGB 100 41 6

HSL 22.34, 0.89%, 0.21%

LAB 24.67, 24.7, 32.75

 

Description

Color code: HEX #126307 | qconv.com Color code: HEX #126307 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 99 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 99 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 93 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 93% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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