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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12634A it is the complementary color #ED9CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12634A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12634A shade: #176345, #287558, #39876B, #4A997E and #5BAB91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12634A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12634A shade: #12634A, #015137, #003F24, #002D11 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12634A shade: #12634A, #126334, #12631E, #1B6312 and #316312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12634A shade: #12634A, #12635F, #125063, #123A63 and #122463

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12634A shade matches the following richer shades: #12634A and #086C4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12634A shade: #12634A, #1B5946, #255042, #2E463F and #383D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12634A shade: #12631E, #126333, #126349, #12635F and #125163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12634A shade: #051D15, #0B4030, #12634A, #188564 and #1EA87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12634A shade: #12634A, #121B63 and #632912

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12634A shade: #12634A, #491263 and #634912

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12634A shade: #12634A, #121B63, #63122B and #635912

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12634A shade: #12634A, #211263, #63122B and #546312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

Complementary color

CMYK 0 / 34 / 24 / 7

HEX #ED9CB5

RGB 237 156 181

HSL 341.48, 0.69%, 0.77%

LAB 72.97, 33.56, -0.41

 

CMYK 77 / 0 / 30 / 61

HEX #176345

RGB 23 99 69

HSL 156.32, 0.62%, 0.24%

LAB 37, -30.57, 10.64

 

CMYK 66 / 0 / 25 / 54

HEX #287558

RGB 40 117 88

HSL 157.4, 0.49%, 0.31%

LAB 44.06, -30.99, 9.18

 

CMYK 58 / 0 / 21 / 47

HEX #39876B

RGB 57 135 107

HSL 158.46, 0.41%, 0.38%

LAB 50.99, -31.1, 7.93

 

CMYK 52 / 0 / 18 / 40

HEX #4A997E

RGB 74 153 126

HSL 159.49, 0.35%, 0.45%

LAB 57.79, -31.05, 6.82

 

CMYK 47 / 0 / 15 / 33

HEX #5BAB91

RGB 91 171 145

HSL 160.5, 0.32%, 0.51%

LAB 64.48, -30.91, 5.83

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 99 / 0 / 32 / 68

HEX #015137

RGB 1 81 55

HSL 160.5, 0.98%, 0.16%

LAB 29.83, -28.94, 9.3

 

CMYK 100 / 0 / 43 / 75

HEX #003F24

RGB 0 63 36

HSL 154.29, 1%, 0.12%

LAB 22.59, -26.13, 11.5

 

CMYK 100 / 0 / 62 / 82

HEX #002D11

RGB 0 45 17

HSL 142.67, 1%, 0.09%

LAB 15.05, -22.83, 13.85

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 82 / 0 / 47 / 61

HEX #126334

RGB 18 99 52

HSL 145.19, 0.69%, 0.23%

LAB 36.56, -35.14, 20.14

 

CMYK 82 / 0 / 70 / 61

HEX #12631E

RGB 18 99 30

HSL 128.89, 0.69%, 0.23%

LAB 36.26, -38.61, 31.55

 

CMYK 73 / 0 / 82 / 61

HEX #1B6312

RGB 27 99 18

HSL 113.33, 0.69%, 0.23%

LAB 36.37, -38.09, 36.8

 

CMYK 51 / 0 / 82 / 61

HEX #316312

RGB 49 99 18

HSL 97.04, 0.69%, 0.23%

LAB 37.15, -31.83, 37.82

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 82 / 0 / 4 / 61

HEX #12635F

RGB 18 99 95

HSL 177.04, 0.69%, 0.23%

LAB 37.62, -23.8, -4.43

 

CMYK 82 / 19 / 0 / 61

HEX #125063

RGB 18 80 99

HSL 194.07, 0.69%, 0.23%

LAB 31.27, -11.89, -16.54

 

CMYK 82 / 41 / 0 / 61

HEX #123A63

RGB 18 58 99

HSL 210.37, 0.69%, 0.23%

LAB 23.85, 2.34, -28.17

 

CMYK 82 / 64 / 0 / 61

HEX #122463

RGB 18 36 99

HSL 226.67, 0.69%, 0.23%

LAB 16.95, 18.3, -39.3

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 93 / 0 / 29 / 58

HEX #086C4D

RGB 8 108 77

HSL 161.4, 0.86%, 0.23%

LAB 40.1, -34.23, 10.11

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 70 / 0 / 21 / 65

HEX #1B5946

RGB 27 89 70

HSL 161.61, 0.53%, 0.23%

LAB 33.61, -24.86, 5.28

 

CMYK 54 / 0 / 18 / 69

HEX #255042

RGB 37 80 66

HSL 160.47, 0.37%, 0.23%

LAB 30.7, -18.87, 3.69

 

CMYK 34 / 0 / 10 / 73

HEX #2E463F

RGB 46 70 63

HSL 162.5, 0.21%, 0.23%

LAB 27.63, -11.08, 1.26

 

CMYK 8 / 0 / 3 / 76

HEX #383D3B

RGB 56 61 59

HSL 156, 0.04%, 0.23%

LAB 25.24, -2.57, 0.51

 

CMYK 82 / 0 / 70 / 61

HEX #12631E

RGB 18 99 30

HSL 128.89, 0.69%, 0.23%

LAB 36.26, -38.61, 31.55

 

CMYK 82 / 0 / 48 / 61

HEX #126333

RGB 18 99 51

HSL 144.44, 0.69%, 0.23%

LAB 36.54, -35.33, 20.7

 

CMYK 82 / 0 / 26 / 61

HEX #126349

RGB 18 99 73

HSL 160.74, 0.69%, 0.23%

LAB 36.99, -30.28, 8.19

 

CMYK 82 / 0 / 4 / 61

HEX #12635F

RGB 18 99 95

HSL 177.04, 0.69%, 0.23%

LAB 37.62, -23.8, -4.43

 

CMYK 82 / 18 / 0 / 61

HEX #125163

RGB 18 81 99

HSL 193.33, 0.69%, 0.23%

LAB 31.61, -12.48, -16.02

 

CMYK 83 / 0 / 28 / 89

HEX #051D15

RGB 5 29 21

HSL 160, 0.71%, 0.07%

LAB 8.7, -11.38, 2.66

 

CMYK 83 / 0 / 25 / 75

HEX #0B4030

RGB 11 64 48

HSL 161.89, 0.71%, 0.15%

LAB 23.51, -21.51, 4.97

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 82 / 0 / 25 / 48

HEX #188564

RGB 24 133 100

HSL 161.83, 0.69%, 0.31%

LAB 49.36, -37.59, 9.57

 

CMYK 82 / 0 / 25 / 34

HEX #1EA87E

RGB 30 168 126

HSL 161.74, 0.7%, 0.39%

LAB 61.47, -45.19, 11.88

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 82 / 73 / 0 / 61

HEX #121B63

RGB 18 27 99

HSL 233.33, 0.69%, 0.23%

LAB 14.48, 24.76, -43.35

 

CMYK 0 / 59 / 82 / 61

HEX #632912

RGB 99 41 18

HSL 17.04, 0.69%, 0.23%

LAB 24.58, 24.68, 27

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 26 / 82 / 0 / 61

HEX #491263

RGB 73 18 99

HSL 280.74, 0.69%, 0.23%

LAB 19.01, 39.09, -35.68

 

CMYK 0 / 26 / 82 / 61

HEX #634912

RGB 99 73 18

HSL 40.74, 0.69%, 0.23%

LAB 32.84, 5.26, 35.11

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 82 / 73 / 0 / 61

HEX #121B63

RGB 18 27 99

HSL 233.33, 0.69%, 0.23%

LAB 14.48, 24.76, -43.35

 

CMYK 0 / 82 / 57 / 61

HEX #63122B

RGB 99 18 43

HSL 341.48, 0.69%, 0.23%

LAB 21.06, 37.1, 6.23

 

CMYK 0 / 10 / 82 / 61

HEX #635912

RGB 99 89 18

HSL 52.59, 0.69%, 0.23%

LAB 37.56, -4.42, 39.51

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 67 / 82 / 0 / 61

HEX #211263

RGB 33 18 99

HSL 251.11, 0.69%, 0.23%

LAB 13.57, 32.21, -44.8

 

CMYK 0 / 82 / 57 / 61

HEX #63122B

RGB 99 18 43

HSL 341.48, 0.69%, 0.23%

LAB 21.06, 37.1, 6.23

 

CMYK 15 / 0 / 82 / 61

HEX #546312

RGB 84 99 18

HSL 71.11, 0.69%, 0.23%

LAB 39.33, -17.32, 40.65

 

Description

Color code: HEX #12634A | qconv.com Color code: HEX #12634A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 99 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 99 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 25 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 25% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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