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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126358 it is the complementary color #ED9CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #126358 shade: #176353, #287566, #398779, #4A998C and #5BAB9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #126358 shade: #126358, #015145, #003F32, #002D1F and #001B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #126358 shade: #126358, #126342, #12632C, #126316 and #236312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #126358 shade: #126358, #125863, #124263, #122C63 and #121663

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #126358 shade matches the following richer shades: #126358 and #086C5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #126358 shade: #126358, #1B5951, #25504A, #2E4643 and #383D3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #126358 shade: #12632B, #126341, #126356, #125963 and #124463

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #126358 shade: #051D1A, #0B4039, #126358, #188577 and #1EA896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #126358 shade: #126358, #161263 and #633612

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #126358 shade: #126358, #561263 and #635612

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #126358 shade: #126358, #161263, #63121E and #5F6312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #126358 shade: #126358, #2E1263, #63121E and #466312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

Complementary color

CMYK 0 / 34 / 30 / 7

HEX #ED9CA7

RGB 237 156 167

HSL 351.85, 0.69%, 0.77%

LAB 72.61, 31.64, 6.81

 

CMYK 77 / 0 / 16 / 61

HEX #176353

RGB 23 99 83

HSL 167.37, 0.62%, 0.24%

LAB 37.35, -26.81, 2.59

 

CMYK 66 / 0 / 13 / 54

HEX #287566

RGB 40 117 102

HSL 168.31, 0.49%, 0.31%

LAB 44.42, -27.31, 1.37

 

CMYK 58 / 0 / 10 / 47

HEX #398779

RGB 57 135 121

HSL 169.23, 0.41%, 0.38%

LAB 51.36, -27.52, 0.32

 

CMYK 52 / 0 / 8 / 40

HEX #4A998C

RGB 74 153 140

HSL 170.13, 0.35%, 0.45%

LAB 58.16, -27.57, -0.6

 

CMYK 47 / 0 / 7 / 33

HEX #5BAB9F

RGB 91 171 159

HSL 171, 0.32%, 0.51%

LAB 64.85, -27.54, -1.43

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 99 / 0 / 15 / 68

HEX #015145

RGB 1 81 69

HSL 171, 0.98%, 0.16%

LAB 30.21, -24.83, 0.95

 

CMYK 100 / 0 / 21 / 75

HEX #003F32

RGB 0 63 50

HSL 167.62, 1%, 0.12%

LAB 22.95, -22.15, 2.82

 

CMYK 100 / 0 / 31 / 82

HEX #002D1F

RGB 0 45 31

HSL 161.33, 1%, 0.09%

LAB 15.36, -19.21, 4.93

 

CMYK 100 / 0 / 56 / 89

HEX #001B0C

RGB 0 27 12

HSL 146.67, 1%, 0.05%

LAB 7.32, -12.78, 5.75

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 82 / 0 / 33 / 61

HEX #126342

RGB 18 99 66

HSL 155.56, 0.69%, 0.23%

LAB 36.83, -32.06, 12.21

 

CMYK 82 / 0 / 56 / 61

HEX #12632C

RGB 18 99 44

HSL 139.26, 0.69%, 0.23%

LAB 36.43, -36.6, 24.51

 

CMYK 82 / 0 / 78 / 61

HEX #126316

RGB 18 99 22

HSL 122.96, 0.69%, 0.23%

LAB 36.2, -39.45, 35.02

 

CMYK 65 / 0 / 82 / 61

HEX #236312

RGB 35 99 18

HSL 107.41, 0.69%, 0.23%

LAB 36.6, -36.14, 37.1

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 82 / 11 / 0 / 61

HEX #125863

RGB 18 88 99

HSL 188.15, 0.69%, 0.23%

LAB 34, -16.53, -12.36

 

CMYK 82 / 33 / 0 / 61

HEX #124263

RGB 18 66 99

HSL 204.44, 0.69%, 0.23%

LAB 26.52, -3.08, -23.94

 

CMYK 82 / 56 / 0 / 61

HEX #122C63

RGB 18 44 99

HSL 220.74, 0.69%, 0.23%

LAB 19.35, 12.4, -35.39

 

CMYK 82 / 78 / 0 / 61

HEX #121663

RGB 18 22 99

HSL 237.04, 0.69%, 0.23%

LAB 13.25, 28.13, -45.37

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 93 / 0 / 12 / 58

HEX #086C5F

RGB 8 108 95

HSL 172.2, 0.86%, 0.23%

LAB 40.58, -29.14, -0.09

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 70 / 0 / 9 / 65

HEX #1B5951

RGB 27 89 81

HSL 172.26, 0.53%, 0.23%

LAB 33.92, -21.68, -1.15

 

CMYK 54 / 0 / 7 / 69

HEX #25504A

RGB 37 80 74

HSL 171.63, 0.37%, 0.23%

LAB 30.94, -16.64, -1.06

 

CMYK 34 / 0 / 4 / 73

HEX #2E4643

RGB 46 70 67

HSL 172.5, 0.21%, 0.23%

LAB 27.75, -10.02, -1.16

 

CMYK 8 / 0 / 2 / 76

HEX #383D3C

RGB 56 61 60

HSL 168, 0.04%, 0.23%

LAB 25.27, -2.33, -0.11

 

CMYK 82 / 0 / 57 / 61

HEX #12632B

RGB 18 99 43

HSL 138.52, 0.69%, 0.23%

LAB 36.42, -36.77, 25.04

 

CMYK 82 / 0 / 34 / 61

HEX #126341

RGB 18 99 65

HSL 154.81, 0.69%, 0.23%

LAB 36.81, -32.3, 12.79

 

CMYK 82 / 0 / 13 / 61

HEX #126356

RGB 18 99 86

HSL 170.37, 0.69%, 0.23%

LAB 37.34, -26.61, 0.71

 

CMYK 82 / 10 / 0 / 61

HEX #125963

RGB 18 89 99

HSL 187.41, 0.69%, 0.23%

LAB 34.34, -17.1, -11.84

 

CMYK 82 / 31 / 0 / 61

HEX #124463

RGB 18 68 99

HSL 202.96, 0.69%, 0.23%

LAB 27.2, -4.39, -22.88

 

CMYK 83 / 0 / 10 / 89

HEX #051D1A

RGB 5 29 26

HSL 172.5, 0.71%, 0.07%

LAB 8.87, -10.04, -0.76

 

CMYK 83 / 0 / 11 / 75

HEX #0B4039

RGB 11 64 57

HSL 172.08, 0.71%, 0.15%

LAB 23.78, -18.72, -0.59

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 82 / 0 / 11 / 48

HEX #188577

RGB 24 133 119

HSL 172.29, 0.69%, 0.31%

LAB 49.86, -32.39, -0.79

 

CMYK 82 / 0 / 11 / 34

HEX #1EA896

RGB 30 168 150

HSL 172.17, 0.7%, 0.39%

LAB 62.07, -38.9, -0.66

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 78 / 82 / 0 / 61

HEX #161263

RGB 22 18 99

HSL 242.96, 0.69%, 0.23%

LAB 12.63, 30.99, -46.38

 

CMYK 0 / 45 / 82 / 61

HEX #633612

RGB 99 54 18

HSL 26.67, 0.69%, 0.23%

LAB 27.67, 17.02, 30.11

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 13 / 82 / 0 / 61

HEX #561263

RGB 86 18 99

HSL 290.37, 0.69%, 0.23%

LAB 21.25, 41.85, -31.96

 

CMYK 0 / 13 / 82 / 61

HEX #635612

RGB 99 86 18

HSL 50.37, 0.69%, 0.23%

LAB 36.65, -2.64, 38.68

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 78 / 82 / 0 / 61

HEX #161263

RGB 22 18 99

HSL 242.96, 0.69%, 0.23%

LAB 12.63, 30.99, -46.38

 

CMYK 0 / 82 / 70 / 61

HEX #63121E

RGB 99 18 30

HSL 351.11, 0.69%, 0.23%

LAB 20.75, 36.12, 14.92

 

CMYK 4 / 0 / 82 / 61

HEX #5F6312

RGB 95 99 18

HSL 62.96, 0.69%, 0.23%

LAB 40.25, -12.12, 41.83

 

CMYK 82 / 0 / 11 / 61

HEX #126358

RGB 18 99 88

HSL 171.85, 0.69%, 0.23%

LAB 37.4, -26, -0.43

 

CMYK 54 / 82 / 0 / 61

HEX #2E1263

RGB 46 18 99

HSL 260.74, 0.69%, 0.23%

LAB 15.03, 34.09, -42.35

 

CMYK 0 / 82 / 70 / 61

HEX #63121E

RGB 99 18 30

HSL 351.11, 0.69%, 0.23%

LAB 20.75, 36.12, 14.92

 

CMYK 29 / 0 / 82 / 61

HEX #466312

RGB 70 99 18

HSL 81.48, 0.69%, 0.23%

LAB 38.32, -23.6, 39.35

 

Description

Color code: HEX #126358 | qconv.com Color code: HEX #126358 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 99 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 99 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 11 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 11% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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