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Color name
HEX #126C0D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126C0D it is the complementary color #ED93F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126C0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #126C0D shade: #176C08, #287E1B, #39902E, #4AA241 and #5BB454

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126C0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #126C0D shade: #126C0D, #015A00, #004800, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #126C0D shade: #116D0C, #2C6D0C, #466D0C, #606D0C and #6D600C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #126C0D shade: #116D0C, #0C6D21, #0C6D3B, #0C6D55 and #0C6B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #126C0D shade matches the following richer shades: #116D0C and #097702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #126C0D shade: #116D0C, #1A6316, #235920, #2C4F2A and #354534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #126C0D shade: #466D0C, #2D6D0C, #136D0C, #0C6D20 and #0C6D39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #126C0D shade: #052304, #0B4808, #116D0C, #179211 and #1EB715

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #126C0D shade: #126C0D, #0C606D and #6D0C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #126C0D shade: #126C0D, #0C136D and #6D0C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #126C0D shade: #126C0D, #0C606D, #670C6D and #6D190C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #126C0D shade: #126C0D, #0C436D, #670C6D and #6D360C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 88 / 58

HEX #126C0D

RGB 18 108 13

HSL 116.84, 0.79%, 0.24%

LAB 39.38, -43.18, 41.16

 

Complementary color

CMYK 2 / 39 / 0 / 5

HEX #ED93F2

RGB 237 147 242

HSL 296.84, 0.79%, 0.76%

LAB 73.08, 48.24, -33.77

 

CMYK 79 / 0 / 93 / 58

HEX #176C08

RGB 23 108 8

HSL 111, 0.86%, 0.23%

LAB 39.45, -42.63, 42.53

 

CMYK 68 / 0 / 79 / 51

HEX #287E1B

RGB 40 126 27

HSL 112.12, 0.65%, 0.3%

LAB 46.25, -44.42, 43.31

 

CMYK 60 / 0 / 68 / 44

HEX #39902E

RGB 57 144 46

HSL 113.27, 0.52%, 0.37%

LAB 52.96, -45.36, 42.8

 

CMYK 54 / 0 / 60 / 36

HEX #4AA241

RGB 74 162 65

HSL 114.43, 0.43%, 0.45%

LAB 59.6, -45.81, 41.75

 

CMYK 49 / 0 / 53 / 29

HEX #5BB454

RGB 91 180 84

HSL 115.63, 0.39%, 0.52%

LAB 66.14, -45.97, 40.51

 

CMYK 83 / 0 / 88 / 58

HEX #126C0D

RGB 18 108 13

HSL 116.84, 0.79%, 0.24%

LAB 39.38, -43.18, 41.16

 

CMYK 99 / 0 / 100 / 65

HEX #015A00

RGB 1 90 0

HSL 119.33, 1%, 0.18%

LAB 32.52, -40.17, 38.91

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 60 / 0 / 89 / 57

HEX #2C6D0C

RGB 44 109 12

HSL 100.21, 0.8%, 0.24%

LAB 40.41, -37.9, 42.61

 

CMYK 36 / 0 / 89 / 57

HEX #466D0C

RGB 70 109 12

HSL 84.12, 0.8%, 0.24%

LAB 41.64, -28.75, 44.16

 

CMYK 12 / 0 / 89 / 57

HEX #606D0C

RGB 96 109 12

HSL 68.04, 0.8%, 0.24%

LAB 43.43, -17.35, 46.41

 

CMYK 0 / 12 / 89 / 57

HEX #6D600C

RGB 109 96 12

HSL 51.96, 0.8%, 0.24%

LAB 40.64, -3.82, 44.55

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 89 / 0 / 70 / 57

HEX #0C6D21

RGB 12 109 33

HSL 132.99, 0.8%, 0.24%

LAB 39.79, -42.56, 33.99

 

CMYK 89 / 0 / 46 / 57

HEX #0C6D3B

RGB 12 109 59

HSL 149.07, 0.8%, 0.24%

LAB 40.13, -38.43, 20.73

 

CMYK 89 / 0 / 22 / 57

HEX #0C6D55

RGB 12 109 85

HSL 165.15, 0.8%, 0.24%

LAB 40.69, -32.2, 6.13

 

CMYK 89 / 2 / 0 / 57

HEX #0C6B6D

RGB 12 107 109

HSL 181.24, 0.8%, 0.24%

LAB 40.73, -23.87, -8.37

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 92 / 0 / 98 / 53

HEX #097702

RGB 9 119 2

HSL 116.41, 0.97%, 0.24%

LAB 43.15, -48.19, 47

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 74 / 0 / 78 / 61

HEX #1A6316

RGB 26 99 22

HSL 116.88, 0.64%, 0.24%

LAB 36.37, -37.97, 35.25

 

CMYK 61 / 0 / 64 / 65

HEX #235920

RGB 35 89 32

HSL 116.84, 0.47%, 0.24%

LAB 33.15, -30.62, 27.18

 

CMYK 44 / 0 / 47 / 69

HEX #2C4F2A

RGB 44 79 42

HSL 116.76, 0.31%, 0.24%

LAB 30.14, -21.39, 17.96

 

CMYK 23 / 0 / 25 / 73

HEX #354534

RGB 53 69 52

HSL 116.47, 0.14%, 0.24%

LAB 27.47, -10.36, 8.22

 

CMYK 36 / 0 / 89 / 57

HEX #466D0C

RGB 70 109 12

HSL 84.12, 0.8%, 0.24%

LAB 41.64, -28.75, 44.16

 

CMYK 59 / 0 / 89 / 57

HEX #2D6D0C

RGB 45 109 12

HSL 99.59, 0.8%, 0.24%

LAB 40.45, -37.61, 42.66

 

CMYK 83 / 0 / 89 / 57

HEX #136D0C

RGB 19 109 12

HSL 115.67, 0.8%, 0.24%

LAB 39.75, -43.42, 41.78

 

CMYK 89 / 0 / 71 / 57

HEX #0C6D20

RGB 12 109 32

HSL 132.37, 0.8%, 0.24%

LAB 39.78, -42.68, 34.44

 

CMYK 89 / 0 / 48 / 57

HEX #0C6D39

RGB 12 109 57

HSL 147.84, 0.8%, 0.24%

LAB 40.1, -38.83, 21.82

 

CMYK 86 / 0 / 89 / 86

HEX #052304

RGB 5 35 4

HSL 118.06, 0.79%, 0.08%

LAB 10.87, -18.78, 14.19

 

CMYK 85 / 0 / 89 / 72

HEX #0B4808

RGB 11 72 8

HSL 117.19, 0.8%, 0.16%

LAB 25.93, -32.06, 30.28

 

CMYK 84 / 0 / 89 / 57

HEX #116D0C

RGB 17 109 12

HSL 116.91, 0.8%, 0.24%

LAB 39.72, -43.71, 41.73

 

CMYK 84 / 0 / 88 / 43

HEX #179211

RGB 23 146 17

HSL 117.21, 0.79%, 0.32%

LAB 52.71, -54.48, 52.11

 

CMYK 84 / 0 / 89 / 28

HEX #1EB715

RGB 30 183 21

HSL 116.67, 0.79%, 0.4%

LAB 65.12, -64.64, 62.17

 

CMYK 83 / 0 / 88 / 58

HEX #126C0D

RGB 18 108 13

HSL 116.84, 0.79%, 0.24%

LAB 39.38, -43.18, 41.16

 

CMYK 89 / 12 / 0 / 57

HEX #0C606D

RGB 12 96 109

HSL 188.04, 0.8%, 0.24%

LAB 37.02, -18, -13.99

 

CMYK 0 / 89 / 48 / 57

HEX #6D0C39

RGB 109 12 57

HSL 332.16, 0.8%, 0.24%

LAB 23.03, 43.09, -0.43

 

CMYK 83 / 0 / 88 / 58

HEX #126C0D

RGB 18 108 13

HSL 116.84, 0.79%, 0.24%

LAB 39.38, -43.18, 41.16

 

CMYK 89 / 83 / 0 / 57

HEX #0C136D

RGB 12 19 109

HSL 235.67, 0.8%, 0.24%

LAB 13.52, 33.28, -51.52

 

CMYK 0 / 89 / 83 / 57

HEX #6D0C13

RGB 109 12 19

HSL 355.67, 0.8%, 0.24%

LAB 22.16, 40.55, 24.51

 

CMYK 83 / 0 / 88 / 58

HEX #126C0D

RGB 18 108 13

HSL 116.84, 0.79%, 0.24%

LAB 39.38, -43.18, 41.16

 

CMYK 89 / 12 / 0 / 57

HEX #0C606D

RGB 12 96 109

HSL 188.04, 0.8%, 0.24%

LAB 37.02, -18, -13.99

 

CMYK 6 / 89 / 0 / 57

HEX #670C6D

RGB 103 12 109

HSL 296.29, 0.8%, 0.24%

LAB 24.48, 48.97, -33.13

 

CMYK 0 / 77 / 89 / 57

HEX #6D190C

RGB 109 25 12

HSL 8.04, 0.8%, 0.24%

LAB 23.58, 36.15, 29.78

 

CMYK 83 / 0 / 88 / 58

HEX #126C0D

RGB 18 108 13

HSL 116.84, 0.79%, 0.24%

LAB 39.38, -43.18, 41.16

 

CMYK 89 / 39 / 0 / 57

HEX #0C436D

RGB 12 67 109

HSL 205.98, 0.8%, 0.24%

LAB 27.29, -0.25, -29.14

 

CMYK 6 / 89 / 0 / 57

HEX #670C6D

RGB 103 12 109

HSL 296.29, 0.8%, 0.24%

LAB 24.48, 48.97, -33.13

 

CMYK 0 / 50 / 89 / 57

HEX #6D360C

RGB 109 54 12

HSL 25.98, 0.8%, 0.24%

LAB 29.2, 21.45, 34.9

 

Description

Color code: HEX #126C0D | qconv.com Color code: HEX #126C0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 108 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 108 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 88 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 88% 58% C M Y K

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Provide designers and agencies with accurate color values.

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