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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1275BE it is the complementary color #ED8A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1275BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1275BE shade: #1775B9, #2887CC, #3999DF, #4AABF2 and #5BBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1275BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1275BE shade: #1275BE, #0163AB, #005198, #003F85 and #002D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1275BE shade: #1175BF, #1146BF, #1118BF, #3A11BF and #6911BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1275BE shade: #1175BF, #1146BF, #1118BF and #1111BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1275BE shade matches the following richer shades: #1175BF and #0078D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1275BE shade: #1175BF, #2273AE, #33709D, #446D8C and #556B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1275BE shade: #11BFAB, #11A5BF, #1177BF, #1148BF and #111ABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1275BE shade: #0A4773, #0E5E99, #1175BF, #158CE5 and #379FEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1275BE shade: #1275BE, #7C11BF and #BCBF11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1275BE shade: #1275BE, #BF1177 and #77BF11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1275BE shade: #1275BE, #7C11BF, #BF5A11 and #54BF11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1275BE shade: #1275BE, #B011BF, #BF5A11 and #20BF11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 38 / 0 / 25

HEX #1275BE

RGB 18 117 190

HSL 205.47, 0.83%, 0.41%

LAB 47.71, 0.91, -45.55

 

Complementary color

CMYK 0 / 42 / 73 / 7

HEX #ED8A41

RGB 237 138 65

HSL 25.47, 0.83%, 0.59%

LAB 66.95, 32.07, 53.73

 

CMYK 88 / 37 / 0 / 27

HEX #1775B9

RGB 23 117 185

HSL 205.19, 0.78%, 0.41%

LAB 47.5, -0.72, -42.99

 

CMYK 80 / 34 / 0 / 20

HEX #2887CC

RGB 40 135 204

HSL 205.24, 0.67%, 0.48%

LAB 54.17, -2.92, -43.27

 

CMYK 74 / 31 / 0 / 13

HEX #3999DF

RGB 57 153 223

HSL 205.3, 0.72%, 0.55%

LAB 60.76, -4.66, -43.5

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF2

RGB 74 171 242

HSL 205.36, 0.87%, 0.62%

LAB 67.27, -6.04, -43.7

 

CMYK 64 / 26 / 0 / 0

HEX #5BBDFF

RGB 91 189 255

HSL 204.15, 1%, 0.68%

LAB 73.44, -9.08, -41.05

 

CMYK 91 / 38 / 0 / 25

HEX #1275BE

RGB 18 117 190

HSL 205.47, 0.83%, 0.41%

LAB 47.71, 0.91, -45.55

 

CMYK 99 / 42 / 0 / 33

HEX #0163AB

RGB 1 99 171

HSL 205.41, 0.99%, 0.34%

LAB 41.01, 3.88, -45.18

 

CMYK 100 / 47 / 0 / 40

HEX #005198

RGB 0 81 152

HSL 208.03, 1%, 0.3%

LAB 34.3, 7.76, -44.61

 

CMYK 100 / 53 / 0 / 48

HEX #003F85

RGB 0 63 133

HSL 211.58, 1%, 0.26%

LAB 27.43, 12.01, -44.03

 

CMYK 100 / 61 / 0 / 55

HEX #002D72

RGB 0 45 114

HSL 216.32, 1%, 0.22%

LAB 20.41, 16.64, -43.44

HEX #002D72

CMYK 91 / 39 / 0 / 25

HEX #1175BF

RGB 17 117 191

HSL 205.52, 0.84%, 0.41%

LAB 47.76, 1.24, -46.06

 

CMYK 91 / 63 / 0 / 25

HEX #1146BF

RGB 17 70 191

HSL 221.72, 0.84%, 0.41%

LAB 34.52, 31.85, -67.46

 

CMYK 91 / 87 / 0 / 25

HEX #1118BF

RGB 17 24 191

HSL 237.59, 0.84%, 0.41%

LAB 25.36, 57.45, -82.61

 

CMYK 70 / 91 / 0 / 25

HEX #3A11BF

RGB 58 17 191

HSL 254.14, 0.84%, 0.41%

LAB 26.91, 61.25, -79.98

 

CMYK 45 / 91 / 0 / 25

HEX #6911BF

RGB 105 17 191

HSL 270.34, 0.84%, 0.41%

LAB 32.18, 65.08, -71.09

 

CMYK 91 / 39 / 0 / 25

HEX #1175BF

RGB 17 117 191

HSL 205.52, 0.84%, 0.41%

LAB 47.76, 1.24, -46.06

 

CMYK 91 / 63 / 0 / 25

HEX #1146BF

RGB 17 70 191

HSL 221.72, 0.84%, 0.41%

LAB 34.52, 31.85, -67.46

 

CMYK 91 / 87 / 0 / 25

HEX #1118BF

RGB 17 24 191

HSL 237.59, 0.84%, 0.41%

LAB 25.36, 57.45, -82.61

 

CMYK 91 / 91 / 0 / 25

HEX #1111BF

RGB 17 17 191

HSL 240, 0.84%, 0.41%

LAB 24.58, 59.82, -83.92

 

CMYK 91 / 39 / 0 / 25

HEX #1175BF

RGB 17 117 191

HSL 205.52, 0.84%, 0.41%

LAB 47.76, 1.24, -46.06

 

CMYK 100 / 42 / 0 / 18

HEX #0078D0

RGB 0 120 208

HSL 205.38, 1%, 0.41%

LAB 49.48, 5.43, -53.04

 

CMYK 91 / 39 / 0 / 25

HEX #1175BF

RGB 17 117 191

HSL 205.52, 0.84%, 0.41%

LAB 47.76, 1.24, -46.06

 

CMYK 80 / 34 / 0 / 32

HEX #2273AE

RGB 34 115 174

HSL 205.29, 0.67%, 0.41%

LAB 46.52, -2.75, -38.14

 

CMYK 68 / 29 / 0 / 38

HEX #33709D

RGB 51 112 157

HSL 205.47, 0.51%, 0.41%

LAB 45.26, -4.81, -30.13

 

CMYK 51 / 22 / 0 / 45

HEX #446D8C

RGB 68 109 140

HSL 205.83, 0.35%, 0.41%

LAB 44.32, -5.14, -21.44

 

CMYK 31 / 13 / 0 / 52

HEX #556B7B

RGB 85 107 123

HSL 205.26, 0.18%, 0.41%

LAB 44.06, -4.06, -11.56

 

CMYK 91 / 0 / 10 / 25

HEX #11BFAB

RGB 17 191 171

HSL 173.1, 0.84%, 0.41%

LAB 69.7, -43.93, -1.14

 

CMYK 91 / 14 / 0 / 25

HEX #11A5BF

RGB 17 165 191

HSL 188.97, 0.84%, 0.41%

LAB 62.33, -25.65, -23.27

 

CMYK 91 / 38 / 0 / 25

HEX #1177BF

RGB 17 119 191

HSL 204.83, 0.84%, 0.41%

LAB 48.35, 0.02, -45.11

 

CMYK 91 / 62 / 0 / 25

HEX #1148BF

RGB 17 72 191

HSL 221.03, 0.84%, 0.41%

LAB 35.03, 30.53, -66.62

 

CMYK 91 / 86 / 0 / 25

HEX #111ABF

RGB 17 26 191

HSL 236.9, 0.84%, 0.41%

LAB 25.62, 56.67, -82.18

 

CMYK 91 / 38 / 0 / 55

HEX #0A4773

RGB 10 71 115

HSL 205.14, 0.84%, 0.25%

LAB 28.92, -0.56, -30.35

 

CMYK 91 / 39 / 0 / 40

HEX #0E5E99

RGB 14 94 153

HSL 205.47, 0.83%, 0.33%

LAB 38.55, 0.4, -38.39

 

CMYK 91 / 39 / 0 / 25

HEX #1175BF

RGB 17 117 191

HSL 205.52, 0.84%, 0.41%

LAB 47.76, 1.24, -46.06

 

CMYK 91 / 39 / 0 / 10

HEX #158CE5

RGB 21 140 229

HSL 205.67, 0.83%, 0.49%

LAB 56.66, 2.11, -53.39

 

CMYK 77 / 33 / 0 / 7

HEX #379FEC

RGB 55 159 236

HSL 205.52, 0.83%, 0.57%

LAB 63.06, -3.75, -47.06

 

CMYK 91 / 38 / 0 / 25

HEX #1275BE

RGB 18 117 190

HSL 205.47, 0.83%, 0.41%

LAB 47.71, 0.91, -45.55

 

CMYK 35 / 91 / 0 / 25

HEX #7C11BF

RGB 124 17 191

HSL 276.9, 0.84%, 0.41%

LAB 34.9, 67.3, -66.52

 

CMYK 2 / 0 / 91 / 25

HEX #BCBF11

RGB 188 191 17

HSL 61.03, 0.84%, 0.41%

LAB 74.82, -18.43, 73.83

 

CMYK 91 / 38 / 0 / 25

HEX #1275BE

RGB 18 117 190

HSL 205.47, 0.83%, 0.41%

LAB 47.71, 0.91, -45.55

 

CMYK 0 / 91 / 38 / 25

HEX #BF1177

RGB 191 17 119

HSL 324.83, 0.84%, 0.41%

LAB 42.47, 68.38, -10.17

 

CMYK 38 / 0 / 91 / 25

HEX #77BF11

RGB 119 191 17

HSL 84.83, 0.84%, 0.41%

LAB 70.33, -46.14, 68.35

 

CMYK 91 / 38 / 0 / 25

HEX #1275BE

RGB 18 117 190

HSL 205.47, 0.83%, 0.41%

LAB 47.71, 0.91, -45.55

 

CMYK 35 / 91 / 0 / 25

HEX #7C11BF

RGB 124 17 191

HSL 276.9, 0.84%, 0.41%

LAB 34.9, 67.3, -66.52

 

CMYK 0 / 53 / 91 / 25

HEX #BF5A11

RGB 191 90 17

HSL 25.17, 0.84%, 0.41%

LAB 50.01, 36.86, 55.09

 

CMYK 56 / 0 / 91 / 25

HEX #54BF11

RGB 84 191 17

HSL 96.9, 0.84%, 0.41%

LAB 68.89, -57.1, 66.56

 

CMYK 91 / 38 / 0 / 25

HEX #1275BE

RGB 18 117 190

HSL 205.47, 0.83%, 0.41%

LAB 47.71, 0.91, -45.55

 

CMYK 8 / 91 / 0 / 25

HEX #B011BF

RGB 176 17 191

HSL 294.83, 0.84%, 0.41%

LAB 43.35, 74.92, -52.41

 

CMYK 0 / 53 / 91 / 25

HEX #BF5A11

RGB 191 90 17

HSL 25.17, 0.84%, 0.41%

LAB 50.01, 36.86, 55.09

 

CMYK 83 / 0 / 91 / 25

HEX #20BF11

RGB 32 191 17

HSL 114.83, 0.84%, 0.41%

LAB 67.73, -66.89, 65.13

 

Description

Color code: HEX #1275BE | qconv.com Color code: HEX #1275BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 117 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 117 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 38% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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