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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1272CE it is the complementary color #ED8D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1272CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1272CE shade: #1772C9, #2884DC, #3996EF, #4AA8FF and #5BBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1272CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1272CE shade: #1272CE, #0160BB, #004EA8, #003C95 and #002A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1272CE shade: #1172CE, #113FCE, #1711CE, #4A11CE and #7D11CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1272CE shade: #1172CE, #113FCE and #1111CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1272CE shade matches the following richer shades: #1172CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1272CE shade: #1172CE, #2471BC, #3671AA, #487197 and #5A7085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1272CE shade: #11CEC5, #11A5CE, #1173CE, #1141CE and #1511CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1272CE shade: #0B4882, #0E5DA8, #1172CE, #1E87EB and #449BEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1272CE shade: #1272CE, #9211CE and #BECE11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1272CE shade: #1272CE, #CE1173 and #73CE11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1272CE shade: #1272CE, #9211CE, #CE6D11 and #4DCE11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1272CE shade: #1272CE, #CB11CE, #CE6D11 and #15CE11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 45 / 0 / 19

HEX #1272CE

RGB 18 114 206

HSL 209.36, 0.84%, 0.44%

LAB 47.78, 9.04, -54.63

 

Complementary color

CMYK 0 / 41 / 79 / 7

HEX #ED8D31

RGB 237 141 49

HSL 29.36, 0.84%, 0.56%

LAB 67.48, 29.87, 61.13

 

CMYK 89 / 43 / 0 / 21

HEX #1772C9

RGB 23 114 201

HSL 209.33, 0.79%, 0.44%

LAB 47.54, 7.36, -52.15

 

CMYK 82 / 40 / 0 / 14

HEX #2884DC

RGB 40 132 220

HSL 209.33, 0.72%, 0.51%

LAB 54.16, 4.81, -52.33

 

CMYK 76 / 37 / 0 / 6

HEX #3996EF

RGB 57 150 239

HSL 209.34, 0.85%, 0.58%

LAB 60.71, 2.75, -52.45

 

CMYK 71 / 34 / 0 / 0

HEX #4AA8FF

RGB 74 168 255

HSL 208.84, 1%, 0.65%

LAB 67.04, 0.04, -51.14

 

CMYK 64 / 27 / 0 / 0

HEX #5BBAFF

RGB 91 186 255

HSL 205.24, 1%, 0.68%

LAB 72.6, -7.45, -42.36

 

CMYK 91 / 45 / 0 / 19

HEX #1272CE

RGB 18 114 206

HSL 209.36, 0.84%, 0.44%

LAB 47.78, 9.04, -54.63

 

CMYK 99 / 49 / 0 / 27

HEX #0160BB

RGB 1 96 187

HSL 209.35, 0.99%, 0.37%

LAB 41.15, 12.35, -54.34

 

CMYK 100 / 54 / 0 / 34

HEX #004EA8

RGB 0 78 168

HSL 212.14, 1%, 0.33%

LAB 34.55, 16.5, -53.81

 

CMYK 100 / 60 / 0 / 42

HEX #003C95

RGB 0 60 149

HSL 215.84, 1%, 0.29%

LAB 27.85, 20.98, -53.23

 

CMYK 100 / 68 / 0 / 49

HEX #002A82

RGB 0 42 130

HSL 220.62, 1%, 0.25%

LAB 21.09, 25.7, -52.51

 

CMYK 92 / 45 / 0 / 19

HEX #1172CE

RGB 17 114 206

HSL 209.21, 0.85%, 0.44%

LAB 47.76, 9, -54.65

 

CMYK 92 / 69 / 0 / 19

HEX #113FCE

RGB 17 63 206

HSL 225.4, 0.85%, 0.44%

LAB 34.25, 41.99, -76.66

 

CMYK 89 / 92 / 0 / 19

HEX #1711CE

RGB 23 17 206

HSL 241.9, 0.85%, 0.44%

LAB 26.85, 64, -88.95

 

CMYK 64 / 92 / 0 / 19

HEX #4A11CE

RGB 74 17 206

HSL 258.1, 0.85%, 0.44%

LAB 30.19, 66, -83.29

 

CMYK 39 / 92 / 0 / 19

HEX #7D11CE

RGB 125 17 206

HSL 274.29, 0.85%, 0.44%

LAB 36.4, 70.54, -72.83

 

CMYK 92 / 45 / 0 / 19

HEX #1172CE

RGB 17 114 206

HSL 209.21, 0.85%, 0.44%

LAB 47.76, 9, -54.65

 

CMYK 92 / 69 / 0 / 19

HEX #113FCE

RGB 17 63 206

HSL 225.4, 0.85%, 0.44%

LAB 34.25, 41.99, -76.66

 

CMYK 92 / 92 / 0 / 19

HEX #1111CE

RGB 17 17 206

HSL 240, 0.85%, 0.44%

LAB 26.67, 63.91, -89.25

 

CMYK 92 / 45 / 0 / 19

HEX #1172CE

RGB 17 114 206

HSL 209.21, 0.85%, 0.44%

LAB 47.76, 9, -54.65

 

CMYK 92 / 45 / 0 / 19

HEX #1172CE

RGB 17 114 206

HSL 209.21, 0.85%, 0.44%

LAB 47.76, 9, -54.65

 

CMYK 81 / 40 / 0 / 26

HEX #2471BC

RGB 36 113 188

HSL 209.61, 0.68%, 0.44%

LAB 46.73, 4, -45.94

 

CMYK 68 / 34 / 0 / 33

HEX #3671AA

RGB 54 113 170

HSL 209.48, 0.52%, 0.44%

LAB 46.31, -0.29, -36.11

 

CMYK 52 / 25 / 0 / 41

HEX #487197

RGB 72 113 151

HSL 208.86, 0.35%, 0.44%

LAB 46.21, -3.05, -25.03

 

CMYK 32 / 16 / 0 / 48

HEX #5A7085

RGB 90 112 133

HSL 209.3, 0.19%, 0.44%

LAB 46.25, -2.74, -14.19

 

CMYK 92 / 0 / 4 / 19

HEX #11CEC5

RGB 17 206 197

HSL 177.14, 0.85%, 0.44%

LAB 75.01, -43.07, -7.45

 

CMYK 92 / 20 / 0 / 19

HEX #11A5CE

RGB 17 165 206

HSL 193.02, 0.85%, 0.44%

LAB 62.92, -20.53, -30.74

 

CMYK 92 / 44 / 0 / 19

HEX #1173CE

RGB 17 115 206

HSL 208.89, 0.85%, 0.44%

LAB 48.05, 8.37, -54.18

 

CMYK 92 / 68 / 0 / 19

HEX #1141CE

RGB 17 65 206

HSL 224.76, 0.85%, 0.44%

LAB 34.71, 40.74, -75.9

 

CMYK 90 / 92 / 0 / 19

HEX #1511CE

RGB 21 17 206

HSL 241.27, 0.85%, 0.44%

LAB 26.78, 63.97, -89.06

 

CMYK 92 / 45 / 0 / 49

HEX #0B4882

RGB 11 72 130

HSL 209.24, 0.84%, 0.28%

LAB 30.2, 5.17, -37.7

 

CMYK 92 / 45 / 0 / 34

HEX #0E5DA8

RGB 14 93 168

HSL 209.22, 0.85%, 0.36%

LAB 39.15, 7.13, -46.37

 

CMYK 92 / 45 / 0 / 19

HEX #1172CE

RGB 17 114 206

HSL 209.21, 0.85%, 0.44%

LAB 47.76, 9, -54.65

 

CMYK 87 / 43 / 0 / 8

HEX #1E87EB

RGB 30 135 235

HSL 209.27, 0.84%, 0.52%

LAB 55.69, 7.89, -58.27

 

CMYK 71 / 35 / 0 / 7

HEX #449BEE

RGB 68 155 238

HSL 209.29, 0.83%, 0.6%

LAB 62.38, 0.85, -49.23

 

CMYK 91 / 45 / 0 / 19

HEX #1272CE

RGB 18 114 206

HSL 209.36, 0.84%, 0.44%

LAB 47.78, 9.04, -54.63

 

CMYK 29 / 92 / 0 / 19

HEX #9211CE

RGB 146 17 206

HSL 280.95, 0.85%, 0.44%

LAB 39.53, 73.12, -67.58

 

CMYK 8 / 0 / 92 / 19

HEX #BECE11

RGB 190 206 17

HSL 65.08, 0.85%, 0.44%

LAB 79.12, -24.94, 77.25

 

CMYK 91 / 45 / 0 / 19

HEX #1272CE

RGB 18 114 206

HSL 209.36, 0.84%, 0.44%

LAB 47.78, 9.04, -54.63

 

CMYK 0 / 92 / 44 / 19

HEX #CE1173

RGB 206 17 115

HSL 328.89, 0.85%, 0.44%

LAB 45.3, 71.39, -3.15

 

CMYK 44 / 0 / 92 / 19

HEX #73CE11

RGB 115 206 17

HSL 88.89, 0.85%, 0.44%

LAB 74.72, -53.47, 71.88

 

CMYK 91 / 45 / 0 / 19

HEX #1272CE

RGB 18 114 206

HSL 209.36, 0.84%, 0.44%

LAB 47.78, 9.04, -54.63

 

CMYK 29 / 92 / 0 / 19

HEX #9211CE

RGB 146 17 206

HSL 280.95, 0.85%, 0.44%

LAB 39.53, 73.12, -67.58

 

CMYK 0 / 47 / 92 / 19

HEX #CE6D11

RGB 206 109 17

HSL 29.21, 0.85%, 0.44%

LAB 56.19, 33.11, 60.59

 

CMYK 63 / 0 / 92 / 19

HEX #4DCE11

RGB 77 206 17

HSL 100.95, 0.85%, 0.44%

LAB 73.39, -63.95, 70.24

 

CMYK 91 / 45 / 0 / 19

HEX #1272CE

RGB 18 114 206

HSL 209.36, 0.84%, 0.44%

LAB 47.78, 9.04, -54.63

 

CMYK 1 / 92 / 0 / 19

HEX #CB11CE

RGB 203 17 206

HSL 299.05, 0.85%, 0.44%

LAB 48.95, 81.7, -51.88

 

CMYK 0 / 47 / 92 / 19

HEX #CE6D11

RGB 206 109 17

HSL 29.21, 0.85%, 0.44%

LAB 56.19, 33.11, 60.59

 

CMYK 90 / 0 / 92 / 19

HEX #15CE11

RGB 21 206 17

HSL 118.73, 0.85%, 0.44%

LAB 72.46, -72.06, 69.08

 

Description

Color code: HEX #1272CE | qconv.com Color code: HEX #1272CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 114 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 114 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 45 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 45% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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