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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #128B40 it is the complementary color #ED74BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #128B40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #128B40 shade: #178B3B, #289D4E, #39AF61, #4AC174 and #5BD387

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #128B40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #128B40 shade: #128B40, #01792D, #00671A, #005507 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #128B40 shade: #128B40, #128B1F, #258B12, #468B12 and #678B12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #128B40 shade: #128B40, #128B61, #128B82, #12748B and #12548B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #128B40 shade matches the following richer shades: #128B40 and #05983D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #128B40 shade: #128B40, #1E7F43, #2B7246, #386549 and #45584C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #128B40 shade: #268B12, #128B1E, #128B3E, #128B5F and #128B7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #128B40 shade: #08421E, #0D672F, #128B40, #16B051 and #1BD462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #128B40 shade: #128B40, #12468B and #8B1216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #128B40 shade: #128B40, #3E128B and #8B3E12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #128B40 shade: #128B40, #12468B, #8B125F and #8B5712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #128B40 shade: #128B40, #12228B, #8B125F and #8B7B12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

Complementary color

CMYK 0 / 51 / 19 / 7

HEX #ED74BF

RGB 237 116 191

HSL 322.81, 0.77%, 0.69%

LAB 65.17, 55.31, -17.62

 

CMYK 83 / 0 / 58 / 45

HEX #178B3B

RGB 23 139 59

HSL 138.62, 0.72%, 0.32%

LAB 50.64, -48.3, 33.84

 

CMYK 75 / 0 / 50 / 38

HEX #289D4E

RGB 40 157 78

HSL 139.49, 0.59%, 0.39%

LAB 57.19, -49.49, 32.19

 

CMYK 67 / 0 / 45 / 31

HEX #39AF61

RGB 57 175 97

HSL 140.34, 0.51%, 0.45%

LAB 63.67, -50.14, 30.62

 

CMYK 62 / 0 / 40 / 24

HEX #4AC174

RGB 74 193 116

HSL 141.18, 0.49%, 0.52%

LAB 70.08, -50.46, 29.14

 

CMYK 57 / 0 / 36 / 17

HEX #5BD387

RGB 91 211 135

HSL 142, 0.58%, 0.59%

LAB 76.41, -50.56, 27.77

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 99 / 0 / 63 / 53

HEX #01792D

RGB 1 121 45

HSL 142, 0.98%, 0.24%

LAB 44.05, -46.06, 33.01

 

CMYK 100 / 0 / 75 / 60

HEX #00671A

RGB 0 103 26

HSL 135.15, 1%, 0.2%

LAB 37.44, -42.52, 34.55

 

CMYK 100 / 0 / 92 / 67

HEX #005507

RGB 0 85 7

HSL 124.94, 1%, 0.17%

LAB 30.67, -38.26, 34.93

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 87 / 0 / 78 / 45

HEX #128B1F

RGB 18 139 31

HSL 126.45, 0.77%, 0.31%

LAB 50.33, -51.99, 45.77

 

CMYK 73 / 0 / 87 / 45

HEX #258B12

RGB 37 139 18

HSL 110.58, 0.77%, 0.31%

LAB 50.57, -50.09, 50.07

 

CMYK 50 / 0 / 87 / 45

HEX #468B12

RGB 70 139 18

HSL 94.21, 0.77%, 0.31%

LAB 51.62, -41.57, 51.4

 

CMYK 26 / 0 / 87 / 45

HEX #678B12

RGB 103 139 18

HSL 77.85, 0.77%, 0.31%

LAB 53.38, -29.22, 53.61

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 87 / 0 / 30 / 45

HEX #128B61

RGB 18 139 97

HSL 159.17, 0.77%, 0.31%

LAB 51.22, -41.43, 13.87

 

CMYK 87 / 0 / 6 / 45

HEX #128B82

RGB 18 139 130

HSL 175.54, 0.77%, 0.31%

LAB 52.07, -32.45, -3.97

 

CMYK 87 / 17 / 0 / 45

HEX #12748B

RGB 18 116 139

HSL 191.4, 0.77%, 0.31%

LAB 44.92, -17.78, -20.05

 

CMYK 87 / 40 / 0 / 45

HEX #12548B

RGB 18 84 139

HSL 207.27, 0.77%, 0.31%

LAB 34.67, 1.46, -36.1

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 97 / 0 / 60 / 40

HEX #05983D

RGB 5 152 61

HSL 142.86, 0.94%, 0.31%

LAB 54.89, -53.81, 37.83

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 76 / 0 / 47 / 50

HEX #1E7F43

RGB 30 127 67

HSL 142.89, 0.62%, 0.31%

LAB 46.79, -41.59, 24.88

 

CMYK 62 / 0 / 39 / 55

HEX #2B7246

RGB 43 114 70

HSL 142.82, 0.45%, 0.31%

LAB 42.75, -33.02, 17.97

 

CMYK 45 / 0 / 28 / 60

HEX #386549

RGB 56 101 73

HSL 142.67, 0.29%, 0.31%

LAB 38.95, -22.51, 11.11

 

CMYK 22 / 0 / 14 / 65

HEX #45584C

RGB 69 88 76

HSL 142.11, 0.12%, 0.31%

LAB 35.53, -10.08, 4.57

 

CMYK 73 / 0 / 87 / 45

HEX #268B12

RGB 38 139 18

HSL 110.08, 0.77%, 0.31%

LAB 50.59, -49.9, 50.1

 

CMYK 87 / 0 / 78 / 45

HEX #128B1E

RGB 18 139 30

HSL 125.95, 0.77%, 0.31%

LAB 50.32, -52.07, 46.11

 

CMYK 87 / 0 / 55 / 45

HEX #128B3E

RGB 18 139 62

HSL 141.82, 0.77%, 0.31%

LAB 50.62, -48.37, 32.27

 

CMYK 87 / 0 / 32 / 45

HEX #128B5F

RGB 18 139 95

HSL 158.18, 0.77%, 0.31%

LAB 51.18, -41.91, 14.95

 

CMYK 87 / 0 / 9 / 45

HEX #128B7F

RGB 18 139 127

HSL 174.05, 0.77%, 0.31%

LAB 51.98, -33.35, -2.36

 

CMYK 88 / 0 / 55 / 74

HEX #08421E

RGB 8 66 30

HSL 142.76, 0.78%, 0.15%

LAB 23.81, -27.33, 16.87

 

CMYK 87 / 0 / 54 / 60

HEX #0D672F

RGB 13 103 47

HSL 142.67, 0.78%, 0.23%

LAB 37.83, -38.27, 24.56

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 88 / 0 / 54 / 31

HEX #16B051

RGB 22 176 81

HSL 142.99, 0.78%, 0.39%

LAB 63.19, -57.75, 38.02

 

CMYK 87 / 0 / 54 / 17

HEX #1BD462

RGB 27 212 98

HSL 143.03, 0.77%, 0.47%

LAB 74.95, -66.63, 44.12

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 87 / 50 / 0 / 45

HEX #12468B

RGB 18 70 139

HSL 214.21, 0.77%, 0.31%

LAB 30.33, 10.86, -43.04

 

CMYK 0 / 87 / 84 / 45

HEX #8B1216

RGB 139 18 22

HSL 358.02, 0.77%, 0.31%

LAB 29.36, 48.21, 32.11

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 55 / 87 / 0 / 45

HEX #3E128B

RGB 62 18 139

HSL 261.82, 0.77%, 0.31%

LAB 21.29, 47.49, -57.7

 

CMYK 0 / 55 / 87 / 45

HEX #8B3E12

RGB 139 62 18

HSL 21.82, 0.77%, 0.31%

LAB 35.94, 30.24, 40.09

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 87 / 50 / 0 / 45

HEX #12468B

RGB 18 70 139

HSL 214.21, 0.77%, 0.31%

LAB 30.33, 10.86, -43.04

 

CMYK 0 / 87 / 32 / 45

HEX #8B125F

RGB 139 18 95

HSL 321.82, 0.77%, 0.31%

LAB 31.23, 53.59, -12.97

 

CMYK 0 / 37 / 87 / 45

HEX #8B5712

RGB 139 87 18

HSL 34.21, 0.77%, 0.31%

LAB 41.77, 16.1, 45.05

 

CMYK 87 / 0 / 54 / 45

HEX #128B40

RGB 18 139 64

HSL 142.81, 0.77%, 0.31%

LAB 50.65, -48.06, 31.27

 

CMYK 87 / 76 / 0 / 45

HEX #12228B

RGB 18 34 139

HSL 232.07, 0.77%, 0.31%

LAB 20.58, 35.49, -58.97

 

CMYK 0 / 87 / 32 / 45

HEX #8B125F

RGB 139 18 95

HSL 321.82, 0.77%, 0.31%

LAB 31.23, 53.59, -12.97

 

CMYK 0 / 12 / 87 / 45

HEX #8B7B12

RGB 139 123 18

HSL 52.07, 0.77%, 0.31%

LAB 51.49, -4.65, 53.18

 

Description

Color code: HEX #128B40 | qconv.com Color code: HEX #128B40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 139 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 139 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 54 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 54% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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