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Color name
HEX #129469

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129469 it is the complementary color #ED6B96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129469 shade: #179464, #28A677, #39B88A, #4ACA9D and #5BDCB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129469 shade: #129469, #018256, #007043, #005E30 and #004C1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129469 shade: #12956A, #129546, #129523, #249512 and #489512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129469 shade: #12956A, #12958D, #127A95, #125795 and #123395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129469 shade matches the following richer shades: #12956A and #04A36E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129469 shade: #12956A, #208865, #2D7A61, #3B6C5C and #485F57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129469 shade: #129524, #129547, #12956A, #12958D and #127B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129469 shade: #094C36, #0D7150, #12956A, #17BA84 and #1BDF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129469 shade: #129469, #122495 and #953512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129469 shade: #129469, #6A1295 and #956A12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129469 shade: #129469, #122495, #95123E and #958412

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129469 shade: #129469, #281295, #95123E and #7F9512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 29 / 42

HEX #129469

RGB 18 148 105

HSL 160.15, 0.78%, 0.33%

LAB 54.37, -43.17, 13.71

 

Complementary color

CMYK 0 / 55 / 37 / 7

HEX #ED6B96

RGB 237 107 150

HSL 340.15, 0.78%, 0.67%

LAB 62.27, 54.29, 1.46

 

CMYK 84 / 0 / 32 / 42

HEX #179464

RGB 23 148 100

HSL 156.96, 0.73%, 0.34%

LAB 54.33, -43.91, 16.46

 

CMYK 76 / 0 / 28 / 35

HEX #28A677

RGB 40 166 119

HSL 157.62, 0.61%, 0.4%

LAB 60.83, -44.88, 14.89

 

CMYK 69 / 0 / 25 / 28

HEX #39B88A

RGB 57 184 138

HSL 158.27, 0.53%, 0.47%

LAB 67.27, -45.46, 13.49

 

CMYK 63 / 0 / 22 / 21

HEX #4ACA9D

RGB 74 202 157

HSL 158.91, 0.55%, 0.54%

LAB 73.63, -45.79, 12.23

 

CMYK 59 / 0 / 20 / 14

HEX #5BDCB0

RGB 91 220 176

HSL 159.53, 0.65%, 0.61%

LAB 79.92, -45.95, 11.09

 

CMYK 88 / 0 / 29 / 42

HEX #129469

RGB 18 148 105

HSL 160.15, 0.78%, 0.33%

LAB 54.37, -43.17, 13.71

 

CMYK 99 / 0 / 34 / 49

HEX #018256

RGB 1 130 86

HSL 159.53, 0.98%, 0.26%

LAB 47.81, -41.58, 15.46

 

CMYK 100 / 0 / 40 / 56

HEX #007043

RGB 0 112 67

HSL 155.89, 1%, 0.22%

LAB 41.21, -38.94, 17.51

 

CMYK 100 / 0 / 49 / 63

HEX #005E30

RGB 0 94 48

HSL 150.64, 1%, 0.18%

LAB 34.43, -36.02, 19.68

 

CMYK 100 / 0 / 62 / 70

HEX #004C1D

RGB 0 76 29

HSL 142.89, 1%, 0.15%

LAB 27.46, -32.78, 21.9

 

CMYK 88 / 0 / 29 / 42

HEX #12956A

RGB 18 149 106

HSL 160.31, 0.78%, 0.33%

LAB 54.72, -43.34, 13.63

 

CMYK 88 / 0 / 53 / 42

HEX #129546

RGB 18 149 70

HSL 143.82, 0.78%, 0.33%

LAB 54.1, -50.6, 32.41

 

CMYK 88 / 0 / 77 / 42

HEX #129523

RGB 18 149 35

HSL 127.79, 0.78%, 0.33%

LAB 53.76, -54.81, 47.74

 

CMYK 76 / 0 / 88 / 42

HEX #249512

RGB 36 149 18

HSL 111.76, 0.78%, 0.33%

LAB 53.94, -53.54, 53.05

 

CMYK 52 / 0 / 88 / 42

HEX #489512

RGB 72 149 18

HSL 95.27, 0.78%, 0.33%

LAB 54.99, -44.91, 54.37

 

CMYK 88 / 0 / 29 / 42

HEX #12956A

RGB 18 149 106

HSL 160.31, 0.78%, 0.33%

LAB 54.72, -43.34, 13.63

 

CMYK 88 / 0 / 5 / 42

HEX #12958D

RGB 18 149 141

HSL 176.34, 0.78%, 0.33%

LAB 55.63, -33.81, -5.05

 

CMYK 88 / 18 / 0 / 42

HEX #127A95

RGB 18 122 149

HSL 192.37, 0.78%, 0.33%

LAB 47.26, -17.49, -22.36

 

CMYK 88 / 42 / 0 / 42

HEX #125795

RGB 18 87 149

HSL 208.4, 0.78%, 0.33%

LAB 36.2, 3.57, -39.72

 

CMYK 88 / 66 / 0 / 42

HEX #123395

RGB 18 51 149

HSL 224.89, 0.78%, 0.33%

LAB 25.76, 28.15, -56.64

 

CMYK 88 / 0 / 29 / 42

HEX #12956A

RGB 18 149 106

HSL 160.31, 0.78%, 0.33%

LAB 54.72, -43.34, 13.63

 

CMYK 98 / 0 / 33 / 36

HEX #04A36E

RGB 4 163 110

HSL 160, 0.95%, 0.33%

LAB 59.29, -48.68, 17.68

 

CMYK 88 / 0 / 29 / 42

HEX #12956A

RGB 18 149 106

HSL 160.31, 0.78%, 0.33%

LAB 54.72, -43.34, 13.63

 

CMYK 76 / 0 / 26 / 47

HEX #208865

RGB 32 136 101

HSL 159.81, 0.62%, 0.33%

LAB 50.52, -37.64, 10.63

 

CMYK 63 / 0 / 20 / 52

HEX #2D7A61

RGB 45 122 97

HSL 160.52, 0.46%, 0.33%

LAB 46.1, -30.06, 6.76

 

CMYK 45 / 0 / 15 / 58

HEX #3B6C5C

RGB 59 108 92

HSL 160.41, 0.29%, 0.33%

LAB 41.89, -20.8, 3.8

 

CMYK 24 / 0 / 8 / 63

HEX #485F57

RGB 72 95 87

HSL 159.13, 0.14%, 0.33%

LAB 38.29, -10.54, 1.75

 

CMYK 88 / 0 / 76 / 42

HEX #129524

RGB 18 149 36

HSL 128.24, 0.78%, 0.33%

LAB 53.76, -54.73, 47.39

 

CMYK 88 / 0 / 52 / 42

HEX #129547

RGB 18 149 71

HSL 144.27, 0.78%, 0.33%

LAB 54.11, -50.43, 31.92

 

CMYK 88 / 0 / 29 / 42

HEX #12956A

RGB 18 149 106

HSL 160.31, 0.78%, 0.33%

LAB 54.72, -43.34, 13.63

 

CMYK 88 / 0 / 5 / 42

HEX #12958D

RGB 18 149 141

HSL 176.34, 0.78%, 0.33%

LAB 55.63, -33.81, -5.05

 

CMYK 88 / 17 / 0 / 42

HEX #127B95

RGB 18 123 149

HSL 191.91, 0.78%, 0.33%

LAB 47.58, -18.04, -21.87

 

CMYK 88 / 0 / 29 / 70

HEX #094C36

RGB 9 76 54

HSL 160.3, 0.79%, 0.17%

LAB 28.1, -25.92, 7.54

 

CMYK 88 / 0 / 29 / 56

HEX #0D7150

RGB 13 113 80

HSL 160.2, 0.79%, 0.25%

LAB 41.96, -35.19, 10.91

 

CMYK 88 / 0 / 29 / 42

HEX #12956A

RGB 18 149 106

HSL 160.31, 0.78%, 0.33%

LAB 54.72, -43.34, 13.63

 

CMYK 88 / 0 / 29 / 27

HEX #17BA84

RGB 23 186 132

HSL 160.12, 0.78%, 0.41%

LAB 67.25, -51.49, 16.66

 

CMYK 88 / 0 / 29 / 13

HEX #1BDF9E

RGB 27 223 158

HSL 160.1, 0.78%, 0.49%

LAB 79.32, -59.38, 19.54

 

CMYK 88 / 0 / 29 / 42

HEX #129469

RGB 18 148 105

HSL 160.15, 0.78%, 0.33%

LAB 54.37, -43.17, 13.71

 

CMYK 88 / 76 / 0 / 42

HEX #122495

RGB 18 36 149

HSL 231.76, 0.78%, 0.33%

LAB 22.16, 37.92, -62.57

 

CMYK 0 / 64 / 88 / 42

HEX #953512

RGB 149 53 18

HSL 16.03, 0.78%, 0.33%

LAB 35.94, 38.75, 40.78

 

CMYK 88 / 0 / 29 / 42

HEX #129469

RGB 18 148 105

HSL 160.15, 0.78%, 0.33%

LAB 54.37, -43.17, 13.71

 

CMYK 29 / 88 / 0 / 42

HEX #6A1295

RGB 106 18 149

HSL 280.31, 0.78%, 0.33%

LAB 28.56, 55.86, -51.74

 

CMYK 0 / 29 / 88 / 42

HEX #956A12

RGB 149 106 18

HSL 40.31, 0.78%, 0.33%

LAB 47.93, 9.73, 50.69

 

CMYK 88 / 0 / 29 / 42

HEX #129469

RGB 18 148 105

HSL 160.15, 0.78%, 0.33%

LAB 54.37, -43.17, 13.71

 

CMYK 88 / 76 / 0 / 42

HEX #122495

RGB 18 36 149

HSL 231.76, 0.78%, 0.33%

LAB 22.16, 37.92, -62.57

 

CMYK 0 / 88 / 58 / 42

HEX #95123E

RGB 149 18 62

HSL 339.85, 0.78%, 0.33%

LAB 32.19, 53.03, 10.38

 

CMYK 0 / 11 / 88 / 42

HEX #958412

RGB 149 132 18

HSL 52.21, 0.78%, 0.33%

LAB 55.01, -4.97, 56.47

 

CMYK 88 / 0 / 29 / 42

HEX #129469

RGB 18 148 105

HSL 160.15, 0.78%, 0.33%

LAB 54.37, -43.17, 13.71

 

CMYK 73 / 88 / 0 / 42

HEX #281295

RGB 40 18 149

HSL 250.08, 0.78%, 0.33%

LAB 20.26, 48.36, -65.69

 

CMYK 0 / 88 / 58 / 42

HEX #95123E

RGB 149 18 62

HSL 339.85, 0.78%, 0.33%

LAB 32.19, 53.03, 10.38

 

CMYK 15 / 0 / 88 / 42

HEX #7F9512

RGB 127 149 18

HSL 70.08, 0.78%, 0.33%

LAB 58.09, -23.89, 58.24

 

Description

Color code: HEX #129469 | qconv.com Color code: HEX #129469 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 148 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 148 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 29 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 29% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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