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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129033 it is the complementary color #ED6FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129033 shade: #17902E, #28A241, #39B454, #4AC667 and #5BD87A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129033 shade: #129033, #017E20, #006C0D, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129033 shade: #119133, #129111, #359111, #579111 and #799111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129033 shade: #119133, #119155, #119177, #118891 and #116591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129033 shade matches the following richer shades: #119133 and #049E2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129033 shade: #119133, #1F8439, #2C763F, #396946 and #465C4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129033 shade: #369111, #149111, #119131, #119153 and #119175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129033 shade: #084719, #0D6C26, #119133, #16B540 and #1BDA4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129033 shade: #129033, #115791 and #911125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129033 shade: #129033, #311191 and #913111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129033 shade: #129033, #115791, #911171 and #914B11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129033 shade: #129033, #113191, #911171 and #917111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 65 / 44

HEX #129033

RGB 18 144 51

HSL 135.71, 0.78%, 0.32%

LAB 52.19, -51.6, 39.47

 

Complementary color

CMYK 0 / 53 / 14 / 7

HEX #ED6FCC

RGB 237 111 204

HSL 315.71, 0.78%, 0.68%

LAB 64.75, 59.59, -25.58

 

CMYK 84 / 0 / 68 / 44

HEX #17902E

RGB 23 144 46

HSL 131.4, 0.72%, 0.33%

LAB 52.2, -51.66, 41.75

 

CMYK 75 / 0 / 60 / 36

HEX #28A241

RGB 40 162 65

HSL 132.3, 0.6%, 0.4%

LAB 58.67, -53.17, 40.44

 

CMYK 68 / 0 / 53 / 29

HEX #39B454

RGB 57 180 84

HSL 133.17, 0.52%, 0.46%

LAB 65.08, -54.05, 38.98

 

CMYK 63 / 0 / 48 / 22

HEX #4AC667

RGB 74 198 103

HSL 134.03, 0.52%, 0.53%

LAB 71.43, -54.54, 37.53

 

CMYK 58 / 0 / 44 / 15

HEX #5BD87A

RGB 91 216 122

HSL 134.88, 0.62%, 0.6%

LAB 77.72, -54.76, 36.12

 

CMYK 88 / 0 / 65 / 44

HEX #129033

RGB 18 144 51

HSL 135.71, 0.78%, 0.32%

LAB 52.19, -51.6, 39.47

 

CMYK 99 / 0 / 75 / 51

HEX #017E20

RGB 1 126 32

HSL 134.88, 0.98%, 0.25%

LAB 45.68, -49.19, 40.64

 

CMYK 100 / 0 / 88 / 58

HEX #006C0D

RGB 0 108 13

HSL 127.22, 1%, 0.21%

LAB 39.16, -45.14, 40.88

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 88 / 0 / 65 / 43

HEX #119133

RGB 17 145 51

HSL 135.94, 0.79%, 0.32%

LAB 52.52, -52.02, 39.84

 

CMYK 88 / 0 / 88 / 43

HEX #129111

RGB 18 145 17

HSL 119.53, 0.79%, 0.32%

LAB 52.31, -54.7, 51.74

 

CMYK 63 / 0 / 88 / 43

HEX #359111

RGB 53 145 17

HSL 103.13, 0.79%, 0.32%

LAB 53, -48.74, 52.61

 

CMYK 40 / 0 / 88 / 43

HEX #579111

RGB 87 145 17

HSL 87.19, 0.79%, 0.32%

LAB 54.36, -38.24, 54.32

 

CMYK 17 / 0 / 88 / 43

HEX #799111

RGB 121 145 17

HSL 71.25, 0.79%, 0.32%

LAB 56.44, -24.53, 56.91

 

CMYK 88 / 0 / 65 / 43

HEX #119133

RGB 17 145 51

HSL 135.94, 0.79%, 0.32%

LAB 52.52, -52.02, 39.84

 

CMYK 88 / 0 / 41 / 43

HEX #119155

RGB 17 145 85

HSL 151.88, 0.79%, 0.32%

LAB 52.98, -46.51, 22.98

 

CMYK 88 / 0 / 18 / 43

HEX #119177

RGB 17 145 119

HSL 167.81, 0.79%, 0.32%

LAB 53.71, -38.4, 4.78

 

CMYK 88 / 6 / 0 / 43

HEX #118891

RGB 17 136 145

HSL 184.22, 0.79%, 0.32%

LAB 51.58, -26.31, -13.42

 

CMYK 88 / 30 / 0 / 43

HEX #116591

RGB 17 101 145

HSL 200.63, 0.79%, 0.32%

LAB 40.36, -6.93, -30.72

 

CMYK 88 / 0 / 65 / 43

HEX #119133

RGB 17 145 51

HSL 135.94, 0.79%, 0.32%

LAB 52.52, -52.02, 39.84

 

CMYK 97 / 0 / 72 / 38

HEX #049E2C

RGB 4 158 44

HSL 135.58, 0.95%, 0.32%

LAB 56.74, -57.72, 47.37

 

CMYK 88 / 0 / 65 / 43

HEX #119133

RGB 17 145 51

HSL 135.94, 0.79%, 0.32%

LAB 52.52, -52.02, 39.84

 

CMYK 77 / 0 / 57 / 48

HEX #1F8439

RGB 31 132 57

HSL 135.45, 0.62%, 0.32%

LAB 48.37, -44.98, 32.16

 

CMYK 63 / 0 / 47 / 54

HEX #2C763F

RGB 44 118 63

HSL 135.41, 0.46%, 0.32%

LAB 44.02, -35.86, 23.62

 

CMYK 46 / 0 / 33 / 59

HEX #396946

RGB 57 105 70

HSL 136.25, 0.3%, 0.32%

LAB 40.27, -24.86, 14.73

 

CMYK 24 / 0 / 17 / 64

HEX #465C4C

RGB 70 92 76

HSL 136.36, 0.14%, 0.32%

LAB 36.89, -12.02, 6.51

 

CMYK 63 / 0 / 88 / 43

HEX #369111

RGB 54 145 17

HSL 102.66, 0.79%, 0.32%

LAB 53.03, -48.49, 52.65

 

CMYK 86 / 0 / 88 / 43

HEX #149111

RGB 20 145 17

HSL 118.59, 0.79%, 0.32%

LAB 52.33, -54.5, 51.76

 

CMYK 88 / 0 / 66 / 43

HEX #119131

RGB 17 145 49

HSL 135, 0.79%, 0.32%

LAB 52.5, -52.25, 40.73

 

CMYK 88 / 0 / 43 / 43

HEX #119153

RGB 17 145 83

HSL 150.94, 0.79%, 0.32%

LAB 52.94, -46.91, 24.03

 

CMYK 88 / 0 / 19 / 43

HEX #119175

RGB 17 145 117

HSL 166.88, 0.79%, 0.32%

LAB 53.66, -38.94, 5.86

 

CMYK 89 / 0 / 65 / 72

HEX #084719

RGB 8 71 25

HSL 136.19, 0.8%, 0.15%

LAB 25.65, -30.25, 22.02

 

CMYK 88 / 0 / 65 / 58

HEX #0D6C26

RGB 13 108 38

HSL 135.79, 0.79%, 0.24%

LAB 39.5, -41.48, 31.27

 

CMYK 88 / 0 / 65 / 43

HEX #119133

RGB 17 145 51

HSL 135.94, 0.79%, 0.32%

LAB 52.52, -52.02, 39.84

 

CMYK 88 / 0 / 65 / 29

HEX #16B540

RGB 22 181 64

HSL 135.85, 0.78%, 0.4%

LAB 64.63, -61.6, 47.61

 

CMYK 88 / 0 / 65 / 15

HEX #1BDA4D

RGB 27 218 77

HSL 135.71, 0.78%, 0.48%

LAB 76.63, -71.12, 55.42

 

CMYK 88 / 0 / 65 / 44

HEX #129033

RGB 18 144 51

HSL 135.71, 0.78%, 0.32%

LAB 52.19, -51.6, 39.47

 

CMYK 88 / 40 / 0 / 43

HEX #115791

RGB 17 87 145

HSL 207.19, 0.79%, 0.32%

LAB 35.95, 1.87, -37.71

 

CMYK 0 / 88 / 74 / 43

HEX #911125

RGB 145 17 37

HSL 350.63, 0.79%, 0.32%

LAB 30.77, 50.7, 24.78

 

CMYK 88 / 0 / 65 / 44

HEX #129033

RGB 18 144 51

HSL 135.71, 0.78%, 0.32%

LAB 52.19, -51.6, 39.47

 

CMYK 66 / 88 / 0 / 43

HEX #311191

RGB 49 17 145

HSL 255, 0.79%, 0.32%

LAB 20.43, 48.24, -62.9

 

CMYK 0 / 66 / 88 / 43

HEX #913111

RGB 145 49 17

HSL 15, 0.79%, 0.32%

LAB 34.51, 39.07, 39.73

 

CMYK 88 / 0 / 65 / 44

HEX #129033

RGB 18 144 51

HSL 135.71, 0.78%, 0.32%

LAB 52.19, -51.6, 39.47

 

CMYK 88 / 40 / 0 / 43

HEX #115791

RGB 17 87 145

HSL 207.19, 0.79%, 0.32%

LAB 35.95, 1.87, -37.71

 

CMYK 0 / 88 / 22 / 43

HEX #911171

RGB 145 17 113

HSL 315, 0.79%, 0.32%

LAB 33.16, 57.44, -21.45

 

CMYK 0 / 48 / 88 / 43

HEX #914B11

RGB 145 75 17

HSL 27.19, 0.79%, 0.32%

LAB 39.74, 25.66, 44.06

 

CMYK 88 / 0 / 65 / 44

HEX #129033

RGB 18 144 51

HSL 135.71, 0.78%, 0.32%

LAB 52.19, -51.6, 39.47

 

CMYK 88 / 66 / 0 / 43

HEX #113191

RGB 17 49 145

HSL 225, 0.79%, 0.32%

LAB 24.83, 27.86, -55.71

 

CMYK 0 / 88 / 22 / 43

HEX #911171

RGB 145 17 113

HSL 315, 0.79%, 0.32%

LAB 33.16, 57.44, -21.45

 

CMYK 0 / 22 / 88 / 43

HEX #917111

RGB 145 113 17

HSL 45, 0.79%, 0.32%

LAB 49.34, 3.81, 51.93

 

Description

Color code: HEX #129033 | qconv.com Color code: HEX #129033 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 144 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 144 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 65 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 65% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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