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Color name
HEX #12B937

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12B937 it is the complementary color #ED46C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12B937. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12B937 shade: #17B932, #28CB45, #39DD58, #4AEF6B and #5BFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12B937. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12B937 shade: #12B937, #01A724, #009511, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12B937 shade: #12B937, #1AB912, #47B912, #74B912 and #A1B912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12B937 shade: #12B937, #12B964, #12B991, #12B4B9 and #1287B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12B937 shade matches the following richer shades: #12B937 and #01CA2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12B937 shade: #12B937, #22A940, #339849, #438852 and #54775C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12B937 shade: #47B912, #1AB912, #12B936, #12B963 and #12B98F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12B937 shade: #0A6E20, #0E942C, #12B937, #16DF42 and #33EA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12B937 shade: #12B937, #1273B9 and #B91231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12B937 shade: #12B937, #3612B9 and #B93612

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12B937 shade: #12B937, #1273B9, #B91295 and #B95812

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12B937 shade: #12B937, #1241B9, #B91295 and #B98A12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

Complementary color

CMYK 0 / 70 / 16 / 7

HEX #ED46C8

RGB 237 70 200

HSL 313.29, 0.82%, 0.6%

LAB 58.56, 75.52, -32.88

 

CMYK 88 / 0 / 73 / 27

HEX #17B932

RGB 23 185 50

HSL 130, 0.78%, 0.41%

LAB 65.83, -64.13, 54.52

 

CMYK 80 / 0 / 66 / 20

HEX #28CB45

RGB 40 203 69

HSL 130.67, 0.67%, 0.48%

LAB 71.96, -66.17, 53.63

 

CMYK 74 / 0 / 60 / 13

HEX #39DD58

RGB 57 221 88

HSL 131.34, 0.71%, 0.55%

LAB 78.04, -67.58, 52.43

 

CMYK 69 / 0 / 55 / 6

HEX #4AEF6B

RGB 74 239 107

HSL 132, 0.84%, 0.61%

LAB 84.1, -68.53, 51.11

 

CMYK 64 / 0 / 51 / 0

HEX #5BFF7E

RGB 91 255 126

HSL 132.8, 1%, 0.68%

LAB 89.51, -68.46, 49.01

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 99 / 0 / 78 / 35

HEX #01A724

RGB 1 167 36

HSL 132.65, 0.99%, 0.33%

LAB 59.68, -61.22, 53.2

 

CMYK 100 / 0 / 89 / 42

HEX #009511

RGB 0 149 17

HSL 126.85, 1%, 0.29%

LAB 53.53, -57.16, 52.76

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 86 / 0 / 90 / 27

HEX #1AB912

RGB 26 185 18

HSL 117.13, 0.82%, 0.4%

LAB 65.72, -65.72, 63.22

 

CMYK 62 / 0 / 90 / 27

HEX #47B912

RGB 71 185 18

HSL 100.96, 0.82%, 0.4%

LAB 66.58, -58.28, 64.3

 

CMYK 37 / 0 / 90 / 27

HEX #74B912

RGB 116 185 18

HSL 84.79, 0.82%, 0.4%

LAB 68.35, -44.69, 66.5

 

CMYK 13 / 0 / 90 / 27

HEX #A1B912

RGB 161 185 18

HSL 68.62, 0.82%, 0.4%

LAB 71.09, -26.99, 69.86

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 90 / 0 / 46 / 27

HEX #12B964

RGB 18 185 100

HSL 149.46, 0.82%, 0.4%

LAB 66.33, -57.96, 32.36

 

CMYK 90 / 0 / 22 / 27

HEX #12B991

RGB 18 185 145

HSL 165.63, 0.82%, 0.4%

LAB 67.18, -48.28, 9.47

 

CMYK 90 / 3 / 0 / 27

HEX #12B4B9

RGB 18 180 185

HSL 181.8, 0.82%, 0.4%

LAB 66.73, -34.84, -13.26

 

CMYK 90 / 27 / 0 / 27

HEX #1287B9

RGB 18 135 185

HSL 197.96, 0.82%, 0.4%

LAB 52.9, -11.64, -34.48

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 100 / 0 / 77 / 21

HEX #01CA2E

RGB 1 202 46

HSL 133.43, 0.99%, 0.4%

LAB 71.18, -70.51, 61.17

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 80 / 0 / 62 / 34

HEX #22A940

RGB 34 169 64

HSL 133.33, 0.67%, 0.4%

LAB 60.86, -56.52, 43.39

 

CMYK 66 / 0 / 52 / 40

HEX #339849

RGB 51 152 73

HSL 133.07, 0.5%, 0.4%

LAB 55.73, -46.4, 33.01

 

CMYK 51 / 0 / 40 / 47

HEX #438852

RGB 67 136 82

HSL 133.04, 0.34%, 0.4%

LAB 51.16, -34.27, 22.48

 

CMYK 29 / 0 / 23 / 53

HEX #54775C

RGB 84 119 92

HSL 133.71, 0.17%, 0.4%

LAB 46.78, -18.48, 10.93

 

CMYK 62 / 0 / 90 / 27

HEX #47B912

RGB 71 185 18

HSL 100.96, 0.82%, 0.4%

LAB 66.58, -58.28, 64.3

 

CMYK 86 / 0 / 90 / 27

HEX #1AB912

RGB 26 185 18

HSL 117.13, 0.82%, 0.4%

LAB 65.72, -65.72, 63.22

 

CMYK 90 / 0 / 71 / 27

HEX #12B936

RGB 18 185 54

HSL 132.93, 0.82%, 0.4%

LAB 65.82, -64.15, 52.99

 

CMYK 90 / 0 / 46 / 27

HEX #12B963

RGB 18 185 99

HSL 149.1, 0.82%, 0.4%

LAB 66.31, -58.14, 32.86

 

CMYK 90 / 0 / 23 / 27

HEX #12B98F

RGB 18 185 143

HSL 164.91, 0.82%, 0.4%

LAB 67.13, -48.77, 10.5

 

CMYK 91 / 0 / 71 / 57

HEX #0A6E20

RGB 10 110 32

HSL 133.2, 0.83%, 0.24%

LAB 40.12, -43.21, 34.79

 

CMYK 91 / 0 / 70 / 42

HEX #0E942C

RGB 14 148 44

HSL 133.43, 0.83%, 0.32%

LAB 53.44, -54.01, 43.91

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 90 / 0 / 70 / 13

HEX #16DF42

RGB 22 223 66

HSL 133.13, 0.82%, 0.48%

LAB 78.07, -73.99, 61.28

 

CMYK 78 / 0 / 61 / 8

HEX #33EA5C

RGB 51 234 92

HSL 133.44, 0.81%, 0.56%

LAB 82.01, -72.05, 55.22

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 90 / 38 / 0 / 27

HEX #1273B9

RGB 18 115 185

HSL 205.15, 0.82%, 0.4%

LAB 46.83, 0.19, -44.06

 

CMYK 0 / 90 / 74 / 27

HEX #B91231

RGB 185 18 49

HSL 348.86, 0.82%, 0.4%

LAB 39.53, 61.86, 29.65

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 71 / 90 / 0 / 27

HEX #3612B9

RGB 54 18 185

HSL 252.93, 0.82%, 0.4%

LAB 25.92, 59.18, -78.07

 

CMYK 0 / 71 / 90 / 27

HEX #B93612

RGB 185 54 18

HSL 12.93, 0.82%, 0.4%

LAB 42.76, 51.08, 48.97

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 90 / 38 / 0 / 27

HEX #1273B9

RGB 18 115 185

HSL 205.15, 0.82%, 0.4%

LAB 46.83, 0.19, -44.06

 

CMYK 0 / 90 / 19 / 27

HEX #B91295

RGB 185 18 149

HSL 312.93, 0.82%, 0.4%

LAB 42.64, 70.36, -28.43

 

CMYK 0 / 52 / 90 / 27

HEX #B95812

RGB 185 88 18

HSL 25.15, 0.82%, 0.4%

LAB 48.68, 35.49, 53.38

 

CMYK 90 / 0 / 70 / 27

HEX #12B937

RGB 18 185 55

HSL 133.29, 0.82%, 0.4%

LAB 65.83, -64.05, 52.61

 

CMYK 90 / 65 / 0 / 27

HEX #1241B9

RGB 18 65 185

HSL 223.11, 0.82%, 0.4%

LAB 32.73, 32.87, -66.88

 

CMYK 0 / 90 / 19 / 27

HEX #B91295

RGB 185 18 149

HSL 312.93, 0.82%, 0.4%

LAB 42.64, 70.36, -28.43

 

CMYK 0 / 25 / 90 / 27

HEX #B98A12

RGB 185 138 18

HSL 43.11, 0.82%, 0.4%

LAB 60.37, 8.22, 62.31

 

Description

Color code: HEX #12B937 | qconv.com Color code: HEX #12B937 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 185 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 185 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 70% 27% C M Y K

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Provide designers and agencies with accurate color values.

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