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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12BAAE it is the complementary color #ED4551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12BAAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12BAAE shade: #17BAA9, #28CCBC, #39DECF, #4AF0E2 and #5BFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12BAAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12BAAE shade: #12BAAE, #01A89B, #009688, #008475 and #007262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12BAAE shade: #12B9AD, #12B980, #12B953, #12B926 and #2BB912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12BAAE shade: #12B9AD, #1298B9, #126BB9, #123EB9 and #1212B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12BAAE shade matches the following richer shades: #12B9AD and #01CABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12BAAE shade: #12B9AD, #22A99F, #339891, #438883 and #547775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12BAAE shade: #12B952, #12B97F, #12B9AB, #129AB9 and #126EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12BAAE shade: #0A6E67, #0E948A, #12B9AD, #16DFD0 and #33EADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12BAAE shade: #12BAAE, #2512B9 and #B96812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12BAAE shade: #12BAAE, #AB12B9 and #B9AB12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12BAAE shade: #12BAAE, #2512B9, #B91220 and #A6B912

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12BAAE shade: #12BAAE, #5812B9, #B91220 and #73B912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

Complementary color

CMYK 0 / 71 / 66 / 7

HEX #ED4551

RGB 237 69 81

HSL 355.71, 0.82%, 0.6%

LAB 54.92, 64.37, 31.55

 

CMYK 88 / 0 / 9 / 27

HEX #17BAA9

RGB 23 186 169

HSL 173.74, 0.78%, 0.41%

LAB 68.14, -42.01, -2.32

 

CMYK 80 / 0 / 8 / 20

HEX #28CCBC

RGB 40 204 188

HSL 174.15, 0.67%, 0.48%

LAB 74.36, -43.31, -3.52

 

CMYK 74 / 0 / 7 / 13

HEX #39DECF

RGB 57 222 207

HSL 174.55, 0.71%, 0.55%

LAB 80.53, -44.29, -4.61

 

CMYK 69 / 0 / 6 / 6

HEX #4AF0E2

RGB 74 240 226

HSL 174.94, 0.85%, 0.62%

LAB 86.64, -45.02, -5.6

 

CMYK 64 / 0 / 4 / 0

HEX #5BFFF5

RGB 91 255 245

HSL 176.34, 1%, 0.68%

LAB 91.84, -44.26, -7.77

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 99 / 0 / 8 / 34

HEX #01A89B

RGB 1 168 155

HSL 175.33, 0.99%, 0.33%

LAB 61.98, -39.06, -3.62

 

CMYK 100 / 0 / 9 / 41

HEX #009688

RGB 0 150 136

HSL 174.4, 1%, 0.29%

LAB 55.68, -36.66, -2.13

 

CMYK 100 / 0 / 11 / 48

HEX #008475

RGB 0 132 117

HSL 173.18, 1%, 0.26%

LAB 49.24, -34.16, -0.56

 

CMYK 100 / 0 / 14 / 55

HEX #007262

RGB 0 114 98

HSL 171.58, 1%, 0.22%

LAB 42.64, -31.62, 1.09

 

CMYK 90 / 0 / 6 / 27

HEX #12B9AD

RGB 18 185 173

HSL 175.69, 0.82%, 0.4%

LAB 67.91, -40.7, -4.88

 

CMYK 90 / 0 / 31 / 27

HEX #12B980

RGB 18 185 128

HSL 159.52, 0.82%, 0.4%

LAB 66.81, -52.33, 18.21

 

CMYK 90 / 0 / 55 / 27

HEX #12B953

RGB 18 185 83

HSL 143.35, 0.82%, 0.4%

LAB 66.1, -60.7, 40.56

 

CMYK 90 / 0 / 79 / 27

HEX #12B926

RGB 18 185 38

HSL 127.19, 0.82%, 0.4%

LAB 65.72, -65.4, 58.42

 

CMYK 77 / 0 / 90 / 27

HEX #2BB912

RGB 43 185 18

HSL 111.02, 0.82%, 0.4%

LAB 65.95, -63.69, 63.51

 

CMYK 90 / 0 / 6 / 27

HEX #12B9AD

RGB 18 185 173

HSL 175.69, 0.82%, 0.4%

LAB 67.91, -40.7, -4.88

 

CMYK 90 / 18 / 0 / 27

HEX #1298B9

RGB 18 152 185

HSL 191.86, 0.82%, 0.4%

LAB 58.12, -20.93, -26.37

 

CMYK 90 / 42 / 0 / 27

HEX #126BB9

RGB 18 107 185

HSL 208.02, 0.82%, 0.4%

LAB 44.44, 5.18, -47.87

 

CMYK 90 / 66 / 0 / 27

HEX #123EB9

RGB 18 62 185

HSL 224.19, 0.82%, 0.4%

LAB 31.98, 34.83, -68.1

 

CMYK 90 / 90 / 0 / 27

HEX #1212B9

RGB 18 18 185

HSL 240, 0.82%, 0.4%

LAB 23.88, 57.86, -81.52

 

CMYK 90 / 0 / 6 / 27

HEX #12B9AD

RGB 18 185 173

HSL 175.69, 0.82%, 0.4%

LAB 67.91, -40.7, -4.88

 

CMYK 100 / 0 / 7 / 21

HEX #01CABB

RGB 1 202 187

HSL 175.52, 0.99%, 0.4%

LAB 73.44, -44.69, -4.37

 

CMYK 90 / 0 / 6 / 27

HEX #12B9AD

RGB 18 185 173

HSL 175.69, 0.82%, 0.4%

LAB 67.91, -40.7, -4.88

 

CMYK 80 / 0 / 6 / 34

HEX #22A99F

RGB 34 169 159

HSL 175.56, 0.67%, 0.4%

LAB 62.69, -36.41, -4.78

 

CMYK 66 / 0 / 5 / 40

HEX #339891

RGB 51 152 145

HSL 175.84, 0.5%, 0.4%

LAB 57.27, -30.29, -4.84

 

CMYK 51 / 0 / 4 / 47

HEX #438883

RGB 67 136 131

HSL 175.65, 0.34%, 0.4%

LAB 52.33, -23.04, -4.03

 

CMYK 29 / 0 / 2 / 53

HEX #547775

RGB 84 119 117

HSL 176.57, 0.17%, 0.4%

LAB 47.45, -12.83, -2.91

 

CMYK 90 / 0 / 56 / 27

HEX #12B952

RGB 18 185 82

HSL 142.99, 0.82%, 0.4%

LAB 66.09, -60.85, 41.03

 

CMYK 90 / 0 / 31 / 27

HEX #12B97F

RGB 18 185 127

HSL 159.16, 0.82%, 0.4%

LAB 66.79, -52.55, 18.72

 

CMYK 90 / 0 / 8 / 27

HEX #12B9AB

RGB 18 185 171

HSL 174.97, 0.82%, 0.4%

LAB 67.85, -41.27, -3.86

 

CMYK 90 / 17 / 0 / 27

HEX #129AB9

RGB 18 154 185

HSL 191.14, 0.82%, 0.4%

LAB 58.74, -21.98, -25.42

 

CMYK 90 / 41 / 0 / 27

HEX #126EB9

RGB 18 110 185

HSL 206.95, 0.82%, 0.4%

LAB 45.34, 3.29, -46.45

 

CMYK 91 / 0 / 6 / 57

HEX #0A6E67

RGB 10 110 103

HSL 175.8, 0.83%, 0.24%

LAB 41.53, -27.48, -3.55

 

CMYK 91 / 0 / 7 / 42

HEX #0E948A

RGB 14 148 138

HSL 175.52, 0.83%, 0.32%

LAB 55.18, -34.49, -3.99

 

CMYK 90 / 0 / 6 / 27

HEX #12B9AD

RGB 18 185 173

HSL 175.69, 0.82%, 0.4%

LAB 67.91, -40.7, -4.88

 

CMYK 90 / 0 / 7 / 13

HEX #16DFD0

RGB 22 223 208

HSL 175.52, 0.82%, 0.48%

LAB 80.46, -47.1, -5.28

 

CMYK 78 / 0 / 6 / 8

HEX #33EADD

RGB 51 234 221

HSL 175.74, 0.81%, 0.56%

LAB 84.37, -46.29, -6.37

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 80 / 90 / 0 / 27

HEX #2512B9

RGB 37 18 185

HSL 246.83, 0.82%, 0.4%

LAB 24.73, 58.39, -80.09

 

CMYK 0 / 44 / 90 / 27

HEX #B96812

RGB 185 104 18

HSL 30.9, 0.82%, 0.4%

LAB 52.13, 26.99, 55.99

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 8 / 90 / 0 / 27

HEX #AB12B9

RGB 171 18 185

HSL 294.97, 0.82%, 0.4%

LAB 42.14, 72.99, -50.87

 

CMYK 0 / 8 / 90 / 27

HEX #B9AB12

RGB 185 171 18

HSL 54.97, 0.82%, 0.4%

LAB 69.1, -9.53, 69.1

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 80 / 90 / 0 / 27

HEX #2512B9

RGB 37 18 185

HSL 246.83, 0.82%, 0.4%

LAB 24.73, 58.39, -80.09

 

CMYK 0 / 90 / 83 / 27

HEX #B91220

RGB 185 18 32

HSL 354.97, 0.82%, 0.4%

LAB 39.33, 61.29, 39.46

 

CMYK 10 / 0 / 90 / 27

HEX #A6B912

RGB 166 185 18

HSL 66.83, 0.82%, 0.4%

LAB 71.45, -24.87, 70.3

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 52 / 90 / 0 / 27

HEX #5812B9

RGB 88 18 185

HSL 265.15, 0.82%, 0.4%

LAB 29.44, 61.75, -72.13

 

CMYK 0 / 90 / 83 / 27

HEX #B91220

RGB 185 18 32

HSL 354.97, 0.82%, 0.4%

LAB 39.33, 61.29, 39.46

 

CMYK 38 / 0 / 90 / 27

HEX #73B912

RGB 115 185 18

HSL 85.15, 0.82%, 0.4%

LAB 68.3, -45.05, 66.44

 

Description

Color code: HEX #12BAAE | qconv.com Color code: HEX #12BAAE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 186 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 186 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 6 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 6% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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