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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12C98B it is the complementary color #ED3674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12C98B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12C98B shade: #17C986, #28DB99, #39EDAC, #4AFFBF and #5BFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12C98B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12C98B shade: #12C98B, #01B778, #00A565, #009352 and #00813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12C98B shade: #11C98B, #11C959, #11C927, #2CC911 and #5EC911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12C98B shade: #11C98B, #11C9BD, #11A4C9, #1173C9 and #1141C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12C98B shade matches the following richer shades: #11C98B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12C98B shade: #11C98B, #23B885, #35A67F, #46947A and #588274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12C98B shade: #11C927, #11C958, #11C989, #11C9BA and #11A7C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12C98B shade: #0A7D56, #0EA371, #11C98B, #19EBA4 and #3FEEB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12C98B shade: #12C98B, #112DC9 and #C93F11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12C98B shade: #12C98B, #8911C9 and #C98911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12C98B shade: #12C98B, #112DC9, #C91152 and #C9AE11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12C98B shade: #12C98B, #2D11C9, #C91152 and #AEC911

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 31 / 21

HEX #12C98B

RGB 18 201 139

HSL 159.67, 0.84%, 0.43%

LAB 72.07, -55.89, 19.55

 

Complementary color

CMYK 0 / 77 / 51 / 7

HEX #ED3674

RGB 237 54 116

HSL 339.67, 0.84%, 0.57%

LAB 53.92, 71.4, 9.44

 

CMYK 89 / 0 / 33 / 21

HEX #17C986

RGB 23 201 134

HSL 157.42, 0.79%, 0.44%

LAB 72.01, -56.7, 22.13

 

CMYK 82 / 0 / 30 / 14

HEX #28DB99

RGB 40 219 153

HSL 157.88, 0.71%, 0.51%

LAB 78.12, -58.01, 20.53

 

CMYK 76 / 0 / 27 / 7

HEX #39EDAC

RGB 57 237 172

HSL 158.33, 0.83%, 0.58%

LAB 84.18, -58.95, 19.06

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBF

RGB 74 255 191

HSL 158.78, 1%, 0.65%

LAB 90.2, -59.62, 17.72

 

CMYK 64 / 0 / 18 / 0

HEX #5BFFD2

RGB 91 255 210

HSL 163.54, 1%, 0.68%

LAB 90.96, -52.87, 9.07

 

CMYK 91 / 0 / 31 / 21

HEX #12C98B

RGB 18 201 139

HSL 159.67, 0.84%, 0.43%

LAB 72.07, -55.89, 19.55

 

CMYK 99 / 0 / 34 / 28

HEX #01B778

RGB 1 183 120

HSL 159.23, 0.99%, 0.36%

LAB 65.93, -54.08, 21.29

 

CMYK 100 / 0 / 39 / 35

HEX #00A565

RGB 0 165 101

HSL 156.73, 1%, 0.32%

LAB 59.75, -51.58, 23.22

 

CMYK 100 / 0 / 44 / 42

HEX #009352

RGB 0 147 82

HSL 153.47, 1%, 0.29%

LAB 53.47, -48.9, 25.24

 

CMYK 100 / 0 / 51 / 49

HEX #00813F

RGB 0 129 63

HSL 149.3, 1%, 0.25%

LAB 47.05, -46.03, 27.31

 

CMYK 92 / 0 / 31 / 21

HEX #11C98B

RGB 17 201 139

HSL 159.78, 0.84%, 0.43%

LAB 72.07, -55.94, 19.54

 

CMYK 92 / 0 / 56 / 21

HEX #11C959

RGB 17 201 89

HSL 143.48, 0.84%, 0.43%

LAB 71.29, -65.04, 43.94

 

CMYK 92 / 0 / 81 / 21

HEX #11C927

RGB 17 201 39

HSL 127.17, 0.84%, 0.43%

LAB 70.9, -69.98, 63.02

 

CMYK 78 / 0 / 92 / 21

HEX #2CC911

RGB 44 201 17

HSL 111.2, 0.84%, 0.43%

LAB 71.11, -68.36, 68.05

 

CMYK 53 / 0 / 92 / 21

HEX #5EC911

RGB 94 201 17

HSL 94.89, 0.84%, 0.43%

LAB 72.36, -57.93, 69.59

 

CMYK 92 / 0 / 31 / 21

HEX #11C98B

RGB 17 201 139

HSL 159.78, 0.84%, 0.43%

LAB 72.07, -55.94, 19.54

 

CMYK 92 / 0 / 6 / 21

HEX #11C9BD

RGB 17 201 189

HSL 176.09, 0.84%, 0.43%

LAB 73.26, -43.18, -5.71

 

CMYK 92 / 18 / 0 / 21

HEX #11A4C9

RGB 17 164 201

HSL 192.07, 0.84%, 0.43%

LAB 62.41, -21.74, -28.73

 

CMYK 92 / 43 / 0 / 21

HEX #1173C9

RGB 17 115 201

HSL 208.04, 0.84%, 0.43%

LAB 47.75, 6.4, -51.81

 

CMYK 92 / 68 / 0 / 21

HEX #1141C9

RGB 17 65 201

HSL 224.35, 0.84%, 0.43%

LAB 34.22, 38.89, -73.8

 

CMYK 92 / 0 / 31 / 21

HEX #11C98B

RGB 17 201 139

HSL 159.78, 0.84%, 0.43%

LAB 72.07, -55.94, 19.54

 

CMYK 92 / 0 / 31 / 21

HEX #11C98B

RGB 17 201 139

HSL 159.78, 0.84%, 0.43%

LAB 72.07, -55.94, 19.54

 

CMYK 81 / 0 / 28 / 28

HEX #23B885

RGB 35 184 133

HSL 159.46, 0.68%, 0.43%

LAB 66.77, -49.47, 15.47

 

CMYK 68 / 0 / 23 / 35

HEX #35A67F

RGB 53 166 127

HSL 159.29, 0.52%, 0.43%

LAB 61.27, -41.06, 11.11

 

CMYK 53 / 0 / 18 / 42

HEX #46947A

RGB 70 148 122

HSL 160, 0.36%, 0.43%

LAB 55.97, -30.59, 6.47

 

CMYK 32 / 0 / 11 / 49

HEX #588274

RGB 88 130 116

HSL 160, 0.19%, 0.43%

LAB 51.04, -17.8, 2.95

 

CMYK 92 / 0 / 81 / 21

HEX #11C927

RGB 17 201 39

HSL 127.17, 0.84%, 0.43%

LAB 70.9, -69.98, 63.02

 

CMYK 92 / 0 / 56 / 21

HEX #11C958

RGB 17 201 88

HSL 143.15, 0.84%, 0.43%

LAB 71.28, -65.18, 44.4

 

CMYK 92 / 0 / 32 / 21

HEX #11C989

RGB 17 201 137

HSL 159.13, 0.84%, 0.43%

LAB 72.03, -56.38, 20.55

 

CMYK 92 / 0 / 7 / 21

HEX #11C9BA

RGB 17 201 186

HSL 175.11, 0.84%, 0.43%

LAB 73.18, -44.03, -4.2

 

CMYK 92 / 17 / 0 / 21

HEX #11A7C9

RGB 17 167 201

HSL 191.09, 0.84%, 0.43%

LAB 63.32, -23.29, -27.33

 

CMYK 92 / 0 / 31 / 51

HEX #0A7D56

RGB 10 125 86

HSL 159.65, 0.85%, 0.26%

LAB 46.18, -38.97, 13.24

 

CMYK 91 / 0 / 31 / 36

HEX #0EA371

RGB 14 163 113

HSL 159.87, 0.84%, 0.35%

LAB 59.42, -47.51, 16.21

 

CMYK 92 / 0 / 31 / 21

HEX #11C98B

RGB 17 201 139

HSL 159.78, 0.84%, 0.43%

LAB 72.07, -55.94, 19.54

 

CMYK 89 / 0 / 30 / 8

HEX #19EBA4

RGB 25 235 164

HSL 159.71, 0.84%, 0.51%

LAB 83.07, -62.59, 21.61

 

CMYK 74 / 0 / 25 / 7

HEX #3FEEB3

RGB 63 238 179

HSL 159.77, 0.84%, 0.59%

LAB 84.72, -57.08, 16.2

 

CMYK 91 / 0 / 31 / 21

HEX #12C98B

RGB 18 201 139

HSL 159.67, 0.84%, 0.43%

LAB 72.07, -55.89, 19.55

 

CMYK 92 / 78 / 0 / 21

HEX #112DC9

RGB 17 45 201

HSL 230.87, 0.84%, 0.43%

LAB 29.94, 50.78, -80.88

 

CMYK 0 / 69 / 92 / 21

HEX #C93F11

RGB 201 63 17

HSL 15, 0.84%, 0.43%

LAB 46.99, 52.92, 53.7

 

CMYK 91 / 0 / 31 / 21

HEX #12C98B

RGB 18 201 139

HSL 159.67, 0.84%, 0.43%

LAB 72.07, -55.89, 19.55

 

CMYK 32 / 92 / 0 / 21

HEX #8911C9

RGB 137 17 201

HSL 279.13, 0.84%, 0.43%

LAB 37.73, 70.97, -67.67

 

CMYK 0 / 32 / 92 / 21

HEX #C98911

RGB 201 137 17

HSL 39.13, 0.84%, 0.43%

LAB 61.95, 15.89, 64.54

 

CMYK 91 / 0 / 31 / 21

HEX #12C98B

RGB 18 201 139

HSL 159.67, 0.84%, 0.43%

LAB 72.07, -55.89, 19.55

 

CMYK 92 / 78 / 0 / 21

HEX #112DC9

RGB 17 45 201

HSL 230.87, 0.84%, 0.43%

LAB 29.94, 50.78, -80.88

 

CMYK 0 / 92 / 59 / 21

HEX #C91152

RGB 201 17 82

HSL 338.8, 0.84%, 0.43%

LAB 43.4, 67.75, 14.61

 

CMYK 0 / 13 / 92 / 21

HEX #C9AE11

RGB 201 174 17

HSL 51.2, 0.84%, 0.43%

LAB 71.37, -4.03, 71.66

 

CMYK 91 / 0 / 31 / 21

HEX #12C98B

RGB 18 201 139

HSL 159.67, 0.84%, 0.43%

LAB 72.07, -55.89, 19.55

 

CMYK 78 / 92 / 0 / 21

HEX #2D11C9

RGB 45 17 201

HSL 249.13, 0.84%, 0.43%

LAB 27.23, 63.27, -85.36

 

CMYK 0 / 92 / 59 / 21

HEX #C91152

RGB 201 17 82

HSL 338.8, 0.84%, 0.43%

LAB 43.4, 67.75, 14.61

 

CMYK 13 / 0 / 92 / 21

HEX #AEC911

RGB 174 201 17

HSL 68.8, 0.84%, 0.43%

LAB 76.57, -29.22, 74.75

 

Description

Color code: HEX #12C98B | qconv.com Color code: HEX #12C98B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 201 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 201 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 31 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 31% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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