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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12CE5D it is the complementary color #ED31A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12CE5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12CE5D shade: #17CE58, #28E06B, #39F27E, #4AFF91 and #5BFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12CE5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12CE5D shade: #12CE5D, #01BC4A, #00AA37, #009824 and #008611

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12CE5D shade: #11CE5D, #11CE2A, #2CCE11, #5FCE11 and #92CE11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12CE5D shade: #11CE5D, #11CE8F, #11CEC2, #11A7CE and #1174CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12CE5D shade matches the following richer shades: #11CE5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12CE5D shade: #11CE5D, #24BC60, #36AA64, #489768 and #5A856B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12CE5D shade: #2ECE11, #11CE27, #11CE5A, #11CE8C and #11CEBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12CE5D shade: #0B823A, #0EA84C, #11CE5D, #1EEB70 and #44EE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12CE5D shade: #12CE5D, #1160CE and #CE1115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12CE5D shade: #12CE5D, #5A11CE and #CE5A11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12CE5D shade: #12CE5D, #1160CE, #CE1186 and #CE7F11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12CE5D shade: #12CE5D, #1127CE, #CE1186 and #CEB811

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 55 / 19

HEX #12CE5D

RGB 18 206 93

HSL 143.94, 0.84%, 0.44%

LAB 72.93, -66, 44.03

 

Complementary color

CMYK 0 / 79 / 32 / 7

HEX #ED31A2

RGB 237 49 162

HSL 323.94, 0.84%, 0.56%

LAB 54.88, 76.98, -16.53

 

CMYK 89 / 0 / 57 / 19

HEX #17CE58

RGB 23 206 88

HSL 141.31, 0.8%, 0.45%

LAB 72.91, -66.39, 46.35

 

CMYK 82 / 0 / 52 / 12

HEX #28E06B

RGB 40 224 107

HSL 141.85, 0.75%, 0.52%

LAB 78.94, -68.09, 44.75

 

CMYK 76 / 0 / 48 / 5

HEX #39F27E

RGB 57 242 126

HSL 142.38, 0.88%, 0.59%

LAB 84.94, -69.31, 43.17

 

CMYK 71 / 0 / 43 / 0

HEX #4AFF91

RGB 74 255 145

HSL 143.54, 1%, 0.65%

LAB 89.4, -68.43, 39.73

 

CMYK 64 / 0 / 36 / 0

HEX #5BFFA4

RGB 91 255 164

HSL 146.71, 1%, 0.68%

LAB 90.06, -62.38, 31.27

 

CMYK 91 / 0 / 55 / 19

HEX #12CE5D

RGB 18 206 93

HSL 143.94, 0.84%, 0.44%

LAB 72.93, -66, 44.03

 

CMYK 99 / 0 / 61 / 26

HEX #01BC4A

RGB 1 188 74

HSL 143.42, 0.99%, 0.37%

LAB 66.88, -63.68, 45.68

 

CMYK 100 / 0 / 68 / 33

HEX #00AA37

RGB 0 170 55

HSL 139.41, 1%, 0.33%

LAB 60.8, -60.46, 47.2

 

CMYK 100 / 0 / 76 / 40

HEX #009824

RGB 0 152 36

HSL 134.21, 1%, 0.3%

LAB 54.64, -56.85, 48.23

 

CMYK 100 / 0 / 87 / 47

HEX #008611

RGB 0 134 17

HSL 127.61, 1%, 0.26%

LAB 48.37, -52.78, 48.17

 

CMYK 92 / 0 / 55 / 19

HEX #11CE5D

RGB 17 206 93

HSL 144.13, 0.85%, 0.44%

LAB 72.93, -66.06, 44.02

 

CMYK 92 / 0 / 80 / 19

HEX #11CE2A

RGB 17 206 42

HSL 127.94, 0.85%, 0.44%

LAB 72.51, -71.22, 63.69

 

CMYK 79 / 0 / 92 / 19

HEX #2CCE11

RGB 44 206 17

HSL 111.43, 0.85%, 0.44%

LAB 72.71, -69.83, 69.39

 

CMYK 54 / 0 / 92 / 19

HEX #5FCE11

RGB 95 206 17

HSL 95.24, 0.85%, 0.44%

LAB 73.94, -59.44, 70.92

 

CMYK 29 / 0 / 92 / 19

HEX #92CE11

RGB 146 206 17

HSL 79.05, 0.85%, 0.44%

LAB 76.25, -42.6, 73.76

 

CMYK 92 / 0 / 55 / 19

HEX #11CE5D

RGB 17 206 93

HSL 144.13, 0.85%, 0.44%

LAB 72.93, -66.06, 44.02

 

CMYK 92 / 0 / 31 / 19

HEX #11CE8F

RGB 17 206 143

HSL 160, 0.85%, 0.44%

LAB 73.7, -56.92, 19.68

 

CMYK 92 / 0 / 6 / 19

HEX #11CEC2

RGB 17 206 194

HSL 176.19, 0.85%, 0.44%

LAB 74.92, -43.93, -5.96

 

CMYK 92 / 19 / 0 / 19

HEX #11A7CE

RGB 17 167 206

HSL 192.38, 0.85%, 0.44%

LAB 63.52, -21.58, -29.81

 

CMYK 92 / 44 / 0 / 19

HEX #1174CE

RGB 17 116 206

HSL 208.57, 0.85%, 0.44%

LAB 48.34, 7.74, -53.72

 

CMYK 92 / 0 / 55 / 19

HEX #11CE5D

RGB 17 206 93

HSL 144.13, 0.85%, 0.44%

LAB 72.93, -66.06, 44.02

 

CMYK 92 / 0 / 55 / 19

HEX #11CE5D

RGB 17 206 93

HSL 144.13, 0.85%, 0.44%

LAB 72.93, -66.06, 44.02

 

CMYK 81 / 0 / 49 / 26

HEX #24BC60

RGB 36 188 96

HSL 143.68, 0.68%, 0.44%

LAB 67.42, -58.14, 35.82

 

CMYK 68 / 0 / 41 / 33

HEX #36AA64

RGB 54 170 100

HSL 143.79, 0.52%, 0.44%

LAB 62.04, -48.22, 26.92

 

CMYK 52 / 0 / 31 / 41

HEX #489768

RGB 72 151 104

HSL 144.3, 0.35%, 0.44%

LAB 56.6, -35.47, 17.53

 

CMYK 32 / 0 / 20 / 48

HEX #5A856B

RGB 90 133 107

HSL 143.72, 0.19%, 0.44%

LAB 51.85, -20.71, 9.35

 

CMYK 78 / 0 / 92 / 19

HEX #2ECE11

RGB 46 206 17

HSL 110.79, 0.85%, 0.44%

LAB 72.74, -69.56, 69.43

 

CMYK 92 / 0 / 81 / 19

HEX #11CE27

RGB 17 206 39

HSL 126.98, 0.85%, 0.44%

LAB 72.5, -71.39, 64.52

 

CMYK 92 / 0 / 56 / 19

HEX #11CE5A

RGB 17 206 90

HSL 143.17, 0.85%, 0.44%

LAB 72.89, -66.48, 45.39

 

CMYK 92 / 0 / 32 / 19

HEX #11CE8C

RGB 17 206 140

HSL 159.05, 0.85%, 0.44%

LAB 73.65, -57.58, 21.18

 

CMYK 92 / 0 / 8 / 19

HEX #11CEBE

RGB 17 206 190

HSL 174.92, 0.85%, 0.44%

LAB 74.81, -45.06, -3.96

 

CMYK 92 / 0 / 55 / 49

HEX #0B823A

RGB 11 130 58

HSL 143.7, 0.84%, 0.28%

LAB 47.42, -46.45, 30.43

 

CMYK 92 / 0 / 55 / 34

HEX #0EA84C

RGB 14 168 76

HSL 144.16, 0.85%, 0.36%

LAB 60.45, -56.4, 37.14

 

CMYK 92 / 0 / 55 / 19

HEX #11CE5D

RGB 17 206 93

HSL 144.13, 0.85%, 0.44%

LAB 72.93, -66.06, 44.02

 

CMYK 87 / 0 / 52 / 8

HEX #1EEB70

RGB 30 235 112

HSL 144, 0.84%, 0.52%

LAB 82.3, -71.71, 46.49

 

CMYK 71 / 0 / 43 / 7

HEX #44EE88

RGB 68 238 136

HSL 144, 0.83%, 0.6%

LAB 84.05, -64.83, 37.2

 

CMYK 91 / 0 / 55 / 19

HEX #12CE5D

RGB 18 206 93

HSL 143.94, 0.84%, 0.44%

LAB 72.93, -66, 44.03

 

CMYK 92 / 53 / 0 / 19

HEX #1160CE

RGB 17 96 206

HSL 214.92, 0.85%, 0.44%

LAB 42.67, 20.58, -62.87

 

CMYK 0 / 92 / 90 / 19

HEX #CE1115

RGB 206 17 21

HSL 358.73, 0.85%, 0.44%

LAB 43.62, 66.71, 50.28

 

CMYK 91 / 0 / 55 / 19

HEX #12CE5D

RGB 18 206 93

HSL 143.94, 0.84%, 0.44%

LAB 72.93, -66, 44.03

 

CMYK 56 / 92 / 0 / 19

HEX #5A11CE

RGB 90 17 206

HSL 263.17, 0.85%, 0.44%

LAB 31.88, 67.14, -80.44

 

CMYK 0 / 56 / 92 / 19

HEX #CE5A11

RGB 206 90 17

HSL 23.17, 0.85%, 0.44%

LAB 52.37, 42.72, 57.86

 

CMYK 91 / 0 / 55 / 19

HEX #12CE5D

RGB 18 206 93

HSL 143.94, 0.84%, 0.44%

LAB 72.93, -66, 44.03

 

CMYK 92 / 53 / 0 / 19

HEX #1160CE

RGB 17 96 206

HSL 214.92, 0.85%, 0.44%

LAB 42.67, 20.58, -62.87

 

CMYK 0 / 92 / 35 / 19

HEX #CE1186

RGB 206 17 134

HSL 322.86, 0.85%, 0.44%

LAB 45.97, 73.17, -13.84

 

CMYK 0 / 38 / 92 / 19

HEX #CE7F11

RGB 206 127 17

HSL 34.92, 0.85%, 0.44%

LAB 60.2, 23.5, 63.51

 

CMYK 91 / 0 / 55 / 19

HEX #12CE5D

RGB 18 206 93

HSL 143.94, 0.84%, 0.44%

LAB 72.93, -66, 44.03

 

CMYK 92 / 81 / 0 / 19

HEX #1127CE

RGB 17 39 206

HSL 233.02, 0.85%, 0.44%

LAB 29.48, 55.48, -84.56

 

CMYK 0 / 92 / 35 / 19

HEX #CE1186

RGB 206 17 134

HSL 322.86, 0.85%, 0.44%

LAB 45.97, 73.17, -13.84

 

CMYK 0 / 11 / 92 / 19

HEX #CEB811

RGB 206 184 17

HSL 53.02, 0.85%, 0.44%

LAB 74.47, -7.04, 74.23

 

Description

Color code: HEX #12CE5D | qconv.com Color code: HEX #12CE5D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 206 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 206 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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