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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12D8A6 it is the complementary color #ED2759. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12D8A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12D8A6 shade: #17D8A1, #28EAB4, #39FCC7, #4AFFDA and #5BFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12D8A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12D8A6 shade: #12D8A6, #01C693, #00B480, #00A26D and #00905A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12D8A6 shade: #11D9A6, #11D970, #11D93B, #1DD911 and #53D911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12D8A6 shade: #11D9A6, #11D5D9, #119FD9, #116AD9 and #1134D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12D8A6 shade matches the following richer shades: #11D9A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12D8A6 shade: #11D9A6, #24C69D, #37B393, #4AA08A and #5D8D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12D8A6 shade: #11D939, #11D96E, #11D9A3, #11D9D9 and #11A3D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12D8A6 shade: #0B8C6C, #0EB289, #11D9A6, #26EDBB and #4CF0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12D8A6 shade: #12D8A6, #111ED9 and #D95411

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12D8A6 shade: #12D8A6, #A311D9 and #D9A311

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12D8A6 shade: #12D8A6, #111ED9, #D91146 and #D9CB11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12D8A6 shade: #12D8A6, #4011D9, #D91146 and #AAD911

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 23 / 15

HEX #12D8A6

RGB 18 216 166

HSL 164.85, 0.85%, 0.46%

LAB 77.28, -55.35, 12.47

 

Complementary color

CMYK 0 / 84 / 62 / 7

HEX #ED2759

RGB 237 39 89

HSL 344.85, 0.85%, 0.54%

LAB 52.04, 73.31, 23.12

 

CMYK 89 / 0 / 25 / 15

HEX #17D8A1

RGB 23 216 161

HSL 162.9, 0.81%, 0.47%

LAB 77.2, -56.29, 15.01

 

CMYK 83 / 0 / 23 / 8

HEX #28EAB4

RGB 40 234 180

HSL 163.3, 0.82%, 0.54%

LAB 83.23, -57.64, 13.53

 

CMYK 77 / 0 / 21 / 1

HEX #39FCC7

RGB 57 252 199

HSL 163.69, 0.97%, 0.61%

LAB 89.21, -58.66, 12.17

 

CMYK 71 / 0 / 15 / 0

HEX #4AFFDA

RGB 74 255 218

HSL 167.73, 1%, 0.65%

LAB 90.8, -53.4, 4.65

 

CMYK 64 / 0 / 7 / 0

HEX #5BFFED

RGB 91 255 237

HSL 173.41, 1%, 0.68%

LAB 91.62, -46.32, -3.95

 

CMYK 92 / 0 / 23 / 15

HEX #12D8A6

RGB 18 216 166

HSL 164.85, 0.85%, 0.46%

LAB 77.28, -55.35, 12.47

 

CMYK 99 / 0 / 26 / 22

HEX #01C693

RGB 1 198 147

HSL 164.47, 0.99%, 0.39%

LAB 71.22, -53.56, 14.07

 

CMYK 100 / 0 / 29 / 29

HEX #00B480

RGB 0 180 128

HSL 162.67, 1%, 0.35%

LAB 65.12, -51.19, 15.85

 

CMYK 100 / 0 / 33 / 36

HEX #00A26D

RGB 0 162 109

HSL 160.37, 1%, 0.32%

LAB 58.92, -48.72, 17.73

 

CMYK 100 / 0 / 38 / 44

HEX #00905A

RGB 0 144 90

HSL 157.5, 1%, 0.28%

LAB 52.6, -46.14, 19.69

 

CMYK 92 / 0 / 24 / 15

HEX #11D9A6

RGB 17 217 166

HSL 164.7, 0.85%, 0.46%

LAB 77.58, -55.78, 12.89

 

CMYK 92 / 0 / 48 / 15

HEX #11D970

RGB 17 217 112

HSL 148.5, 0.85%, 0.46%

LAB 76.63, -66.69, 39.42

 

CMYK 92 / 0 / 73 / 15

HEX #11D93B

RGB 17 217 59

HSL 132.6, 0.85%, 0.46%

LAB 76.11, -73.13, 61.76

 

CMYK 87 / 0 / 92 / 15

HEX #1DD911

RGB 29 217 17

HSL 116.4, 0.85%, 0.46%

LAB 76.02, -74.51, 72.1

 

CMYK 62 / 0 / 92 / 15

HEX #53D911

RGB 83 217 17

HSL 100.2, 0.85%, 0.46%

LAB 76.98, -66.21, 73.29

 

CMYK 92 / 0 / 24 / 15

HEX #11D9A6

RGB 17 217 166

HSL 164.7, 0.85%, 0.46%

LAB 77.58, -55.78, 12.89

 

CMYK 92 / 2 / 0 / 15

HEX #11D5D9

RGB 17 213 217

HSL 181.2, 0.85%, 0.46%

LAB 77.71, -40.32, -14.19

 

CMYK 92 / 27 / 0 / 15

HEX #119FD9

RGB 17 159 217

HSL 197.4, 0.85%, 0.46%

LAB 61.59, -13.42, -38.92

 

CMYK 92 / 51 / 0 / 15

HEX #116AD9

RGB 17 106 217

HSL 213.3, 0.85%, 0.46%

LAB 46.23, 18.43, -63.4

 

CMYK 92 / 76 / 0 / 15

HEX #1134D9

RGB 17 52 217

HSL 229.5, 0.85%, 0.46%

LAB 33.1, 52.3, -84.92

 

CMYK 92 / 0 / 24 / 15

HEX #11D9A6

RGB 17 217 166

HSL 164.7, 0.85%, 0.46%

LAB 77.58, -55.78, 12.89

 

CMYK 92 / 0 / 24 / 15

HEX #11D9A6

RGB 17 217 166

HSL 164.7, 0.85%, 0.46%

LAB 77.58, -55.78, 12.89

 

CMYK 82 / 0 / 21 / 22

HEX #24C69D

RGB 36 198 157

HSL 164.81, 0.69%, 0.46%

LAB 71.69, -49.26, 9.38

 

CMYK 69 / 0 / 18 / 30

HEX #37B393

RGB 55 179 147

HSL 164.52, 0.53%, 0.46%

LAB 65.87, -41.49, 6.57

 

CMYK 54 / 0 / 14 / 37

HEX #4AA08A

RGB 74 160 138

HSL 164.65, 0.37%, 0.46%

LAB 60.28, -31.47, 3.61

 

CMYK 34 / 0 / 9 / 45

HEX #5D8D81

RGB 93 141 129

HSL 165, 0.21%, 0.46%

LAB 55.03, -19.04, 1.24

 

CMYK 92 / 0 / 74 / 15

HEX #11D939

RGB 17 217 57

HSL 132, 0.85%, 0.46%

LAB 76.09, -73.29, 62.44

 

CMYK 92 / 0 / 49 / 15

HEX #11D96E

RGB 17 217 110

HSL 147.9, 0.85%, 0.46%

LAB 76.6, -67.01, 40.37

 

CMYK 92 / 0 / 25 / 15

HEX #11D9A3

RGB 17 217 163

HSL 163.8, 0.85%, 0.46%

LAB 77.51, -56.49, 14.39

 

CMYK 92 / 0 / 0 / 15

HEX #11D9D9

RGB 17 217 217

HSL 180, 0.85%, 0.46%

LAB 78.9, -42.11, -12.41

 

CMYK 92 / 25 / 0 / 15

HEX #11A3D9

RGB 17 163 217

HSL 196.2, 0.85%, 0.46%

LAB 62.78, -15.61, -37.06

 

CMYK 92 / 0 / 23 / 45

HEX #0B8C6C

RGB 11 140 108

HSL 165.12, 0.85%, 0.3%

LAB 51.74, -39.59, 8.28

 

CMYK 92 / 0 / 23 / 30

HEX #0EB289

RGB 14 178 137

HSL 165, 0.85%, 0.38%

LAB 64.76, -47.66, 10.42

 

CMYK 92 / 0 / 24 / 15

HEX #11D9A6

RGB 17 217 166

HSL 164.7, 0.85%, 0.46%

LAB 77.58, -55.78, 12.89

 

CMYK 84 / 0 / 21 / 7

HEX #26EDBB

RGB 38 237 187

HSL 164.92, 0.85%, 0.54%

LAB 84.26, -57.3, 11.33

 

CMYK 68 / 0 / 17 / 6

HEX #4CF0C7

RGB 76 240 199

HSL 165, 0.85%, 0.62%

LAB 86, -51.54, 7.62

 

CMYK 92 / 0 / 23 / 15

HEX #12D8A6

RGB 18 216 166

HSL 164.85, 0.85%, 0.46%

LAB 77.28, -55.35, 12.47

 

CMYK 92 / 86 / 0 / 15

HEX #111ED9

RGB 17 30 217

HSL 236.1, 0.85%, 0.46%

LAB 29.56, 62.69, -90.82

 

CMYK 0 / 61 / 92 / 15

HEX #D95411

RGB 217 84 17

HSL 20.1, 0.85%, 0.46%

LAB 53.09, 49.6, 59.2

 

CMYK 92 / 0 / 23 / 15

HEX #12D8A6

RGB 18 216 166

HSL 164.85, 0.85%, 0.46%

LAB 77.28, -55.35, 12.47

 

CMYK 25 / 92 / 0 / 15

HEX #A311D9

RGB 163 17 217

HSL 283.8, 0.85%, 0.46%

LAB 43.06, 77.45, -68.05

 

CMYK 0 / 25 / 92 / 15

HEX #D9A311

RGB 217 163 17

HSL 43.8, 0.85%, 0.46%

LAB 70.17, 8.87, 71.46

 

CMYK 92 / 0 / 23 / 15

HEX #12D8A6

RGB 18 216 166

HSL 164.85, 0.85%, 0.46%

LAB 77.28, -55.35, 12.47

 

CMYK 92 / 86 / 0 / 15

HEX #111ED9

RGB 17 30 217

HSL 236.1, 0.85%, 0.46%

LAB 29.56, 62.69, -90.82

 

CMYK 0 / 92 / 68 / 15

HEX #D91146

RGB 217 17 70

HSL 344.1, 0.85%, 0.46%

LAB 46.44, 71, 26.67

 

CMYK 0 / 6 / 92 / 15

HEX #D9CB11

RGB 217 203 17

HSL 55.8, 0.85%, 0.46%

LAB 80.46, -11.96, 79.22

 

CMYK 92 / 0 / 23 / 15

HEX #12D8A6

RGB 18 216 166

HSL 164.85, 0.85%, 0.46%

LAB 77.28, -55.35, 12.47

 

CMYK 71 / 92 / 0 / 15

HEX #4011D9

RGB 64 17 217

HSL 254.1, 0.85%, 0.46%

LAB 30.64, 68.19, -88.95

 

CMYK 0 / 92 / 68 / 15

HEX #D91146

RGB 217 17 70

HSL 344.1, 0.85%, 0.46%

LAB 46.44, 71, 26.67

 

CMYK 22 / 0 / 92 / 15

HEX #AAD911

RGB 170 217 17

HSL 74.1, 0.85%, 0.46%

LAB 80.86, -38.19, 78.04

 

Description

Color code: HEX #12D8A6 | qconv.com Color code: HEX #12D8A6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 216 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 216 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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