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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12E7D1 it is the complementary color #ED182E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12E7D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12E7D1 shade: #17E7CC, #28F9DF, #39FFF2, #4AFFFF and #5BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12E7D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12E7D1 shade: #12E7D1, #01D5BE, #00C3AB, #00B198 and #009F85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12E7D1 shade: #11E8D2, #11E898, #11E85E, #11E824 and #38E811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12E7D1 shade: #11E8D2, #11C4E8, #118AE8, #1150E8 and #1116E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12E7D1 shade matches the following richer shades: #11E8D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12E7D1 shade: #11E8D2, #25D4C2, #39BFB2, #4EABA2 and #629792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12E7D1 shade: #11E85C, #11E896, #11E8CF, #11C8E8 and #118EE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12E7D1 shade: #0B9B8C, #0EC2AF, #11E8D2, #33EFDC and #59F2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12E7D1 shade: #12E7D1, #2311E8 and #E87911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12E7D1 shade: #12E7D1, #CF11E8 and #E8CF11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12E7D1 shade: #12E7D1, #2311E8, #E8112A and #D6E811

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12E7D1 shade: #12E7D1, #6311E8, #E8112A and #96E811

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 10 / 9

HEX #12E7D1

RGB 18 231 209

HSL 173.8, 0.86%, 0.49%

LAB 82.85, -50.35, -2.3

 

Complementary color

CMYK 0 / 90 / 81 / 7

HEX #ED182E

RGB 237 24 46

HSL 353.8, 0.86%, 0.51%

LAB 50.52, 74.19, 46.37

 

CMYK 90 / 0 / 12 / 9

HEX #17E7CC

RGB 23 231 204

HSL 172.21, 0.82%, 0.5%

LAB 82.75, -51.49, 0.2

 

CMYK 84 / 0 / 10 / 2

HEX #28F9DF

RGB 40 249 223

HSL 172.54, 0.95%, 0.57%

LAB 88.7, -52.93, -1.05

 

CMYK 78 / 0 / 5 / 0

HEX #39FFF2

RGB 57 255 242

HSL 176.06, 1%, 0.61%

LAB 91.14, -49.06, -7.31

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 92 / 0 / 10 / 9

HEX #12E7D1

RGB 18 231 209

HSL 173.8, 0.86%, 0.49%

LAB 82.85, -50.35, -2.3

 

CMYK 100 / 0 / 11 / 16

HEX #01D5BE

RGB 1 213 190

HSL 173.49, 0.99%, 0.42%

LAB 76.87, -48.51, -0.95

 

CMYK 100 / 0 / 12 / 24

HEX #00C3AB

RGB 0 195 171

HSL 172.62, 1%, 0.38%

LAB 70.85, -46.22, 0.53

 

CMYK 100 / 0 / 14 / 31

HEX #00B198

RGB 0 177 152

HSL 171.53, 1%, 0.35%

LAB 64.73, -43.86, 2.08

 

CMYK 100 / 0 / 16 / 38

HEX #009F85

RGB 0 159 133

HSL 170.19, 1%, 0.31%

LAB 58.5, -41.45, 3.69

 

CMYK 93 / 0 / 9 / 9

HEX #11E8D2

RGB 17 232 210

HSL 173.86, 0.86%, 0.49%

LAB 83.17, -50.53, -2.36

 

CMYK 93 / 0 / 34 / 9

HEX #11E898

RGB 17 232 152

HSL 157.67, 0.86%, 0.49%

LAB 81.89, -64.4, 26.17

 

CMYK 93 / 0 / 59 / 9

HEX #11E85E

RGB 17 232 94

HSL 141.49, 0.86%, 0.49%

LAB 81.09, -73.93, 53.21

 

CMYK 93 / 0 / 84 / 9

HEX #11E824

RGB 17 232 36

HSL 125.3, 0.86%, 0.49%

LAB 80.72, -78.71, 72.75

 

CMYK 76 / 0 / 93 / 9

HEX #38E811

RGB 56 232 17

HSL 109.12, 0.86%, 0.49%

LAB 81.07, -75.75, 76.44

 

CMYK 93 / 0 / 9 / 9

HEX #11E8D2

RGB 17 232 210

HSL 173.86, 0.86%, 0.49%

LAB 83.17, -50.53, -2.36

 

CMYK 93 / 16 / 0 / 9

HEX #11C4E8

RGB 17 196 232

HSL 190.05, 0.86%, 0.49%

LAB 73.17, -27.56, -29.17

 

CMYK 93 / 41 / 0 / 9

HEX #118AE8

RGB 17 138 232

HSL 206.23, 0.86%, 0.49%

LAB 56.21, 4.27, -55.78

 

CMYK 93 / 66 / 0 / 9

HEX #1150E8

RGB 17 80 232

HSL 222.42, 0.86%, 0.49%

LAB 40.71, 40.91, -80.93

 

CMYK 93 / 91 / 0 / 9

HEX #1116E8

RGB 17 22 232

HSL 238.6, 0.86%, 0.49%

LAB 30.69, 69.47, -97.54

 

CMYK 93 / 0 / 9 / 9

HEX #11E8D2

RGB 17 232 210

HSL 173.86, 0.86%, 0.49%

LAB 83.17, -50.53, -2.36

 

CMYK 93 / 0 / 9 / 9

HEX #11E8D2

RGB 17 232 210

HSL 173.86, 0.86%, 0.49%

LAB 83.17, -50.53, -2.36

 

CMYK 83 / 0 / 8 / 17

HEX #25D4C2

RGB 37 212 194

HSL 173.83, 0.7%, 0.49%

LAB 76.91, -45.37, -3.02

 

CMYK 70 / 0 / 7 / 25

HEX #39BFB2

RGB 57 191 178

HSL 174.18, 0.54%, 0.49%

LAB 70.42, -38.4, -3.86

 

CMYK 54 / 0 / 5 / 33

HEX #4EABA2

RGB 78 171 162

HSL 174.19, 0.37%, 0.49%

LAB 64.45, -29.73, -3.75

 

CMYK 35 / 0 / 3 / 41

HEX #629792

RGB 98 151 146

HSL 174.34, 0.21%, 0.49%

LAB 58.79, -18.72, -2.96

 

CMYK 93 / 0 / 60 / 9

HEX #11E85C

RGB 17 232 92

HSL 140.93, 0.86%, 0.49%

LAB 81.07, -74.18, 54.06

 

CMYK 93 / 0 / 35 / 9

HEX #11E896

RGB 17 232 150

HSL 157.12, 0.86%, 0.49%

LAB 81.86, -64.81, 27.15

 

CMYK 93 / 0 / 11 / 9

HEX #11E8CF

RGB 17 232 207

HSL 173.02, 0.86%, 0.49%

LAB 83.09, -51.34, -0.89

 

CMYK 93 / 14 / 0 / 9

HEX #11C8E8

RGB 17 200 232

HSL 188.93, 0.86%, 0.49%

LAB 74.35, -29.53, -27.36

 

CMYK 93 / 39 / 0 / 9

HEX #118EE8

RGB 17 142 232

HSL 205.12, 0.86%, 0.49%

LAB 57.36, 1.88, -53.94

 

CMYK 93 / 0 / 10 / 39

HEX #0B9B8C

RGB 11 155 140

HSL 173.75, 0.87%, 0.33%

LAB 57.47, -37.24, -1.77

 

CMYK 93 / 0 / 10 / 24

HEX #0EC2AF

RGB 14 194 175

HSL 173.67, 0.87%, 0.41%

LAB 70.71, -44.23, -1.84

 

CMYK 93 / 0 / 9 / 9

HEX #11E8D2

RGB 17 232 210

HSL 173.86, 0.86%, 0.49%

LAB 83.17, -50.53, -2.36

 

CMYK 79 / 0 / 8 / 6

HEX #33EFDC

RGB 51 239 220

HSL 173.94, 0.85%, 0.57%

LAB 85.81, -48.7, -3.71

 

CMYK 63 / 0 / 7 / 5

HEX #59F2E2

RGB 89 242 226

HSL 173.73, 0.85%, 0.65%

LAB 87.54, -43.76, -4.22

 

CMYK 92 / 0 / 10 / 9

HEX #12E7D1

RGB 18 231 209

HSL 173.8, 0.86%, 0.49%

LAB 82.85, -50.35, -2.3

 

CMYK 85 / 93 / 0 / 9

HEX #2311E8

RGB 35 17 232

HSL 245.02, 0.86%, 0.49%

LAB 30.84, 71.03, -97.27

 

CMYK 0 / 48 / 93 / 9

HEX #E87911

RGB 232 121 17

HSL 29.02, 0.86%, 0.49%

LAB 62.4, 37.45, 66.7

 

CMYK 92 / 0 / 10 / 9

HEX #12E7D1

RGB 18 231 209

HSL 173.8, 0.86%, 0.49%

LAB 82.85, -50.35, -2.3

 

CMYK 11 / 93 / 0 / 9

HEX #CF11E8

RGB 207 17 232

HSL 293.02, 0.86%, 0.49%

LAB 51.26, 86.34, -62.97

 

CMYK 0 / 11 / 93 / 9

HEX #E8CF11

RGB 232 207 17

HSL 53.02, 0.86%, 0.49%

LAB 82.82, -7.54, 81.58

 

CMYK 92 / 0 / 10 / 9

HEX #12E7D1

RGB 18 231 209

HSL 173.8, 0.86%, 0.49%

LAB 82.85, -50.35, -2.3

 

CMYK 85 / 93 / 0 / 9

HEX #2311E8

RGB 35 17 232

HSL 245.02, 0.86%, 0.49%

LAB 30.84, 71.03, -97.27

 

CMYK 0 / 93 / 82 / 9

HEX #E8112A

RGB 232 17 42

HSL 353.02, 0.86%, 0.49%

LAB 49.16, 73.72, 46.84

 

CMYK 8 / 0 / 93 / 9

HEX #D6E811

RGB 214 232 17

HSL 65.02, 0.86%, 0.49%

LAB 87.99, -27.36, 84.9

 

CMYK 92 / 0 / 10 / 9

HEX #12E7D1

RGB 18 231 209

HSL 173.8, 0.86%, 0.49%

LAB 82.85, -50.35, -2.3

 

CMYK 57 / 93 / 0 / 9

HEX #6311E8

RGB 99 17 232

HSL 262.88, 0.86%, 0.49%

LAB 35.75, 73.89, -88.97

 

CMYK 0 / 93 / 82 / 9

HEX #E8112A

RGB 232 17 42

HSL 353.02, 0.86%, 0.49%

LAB 49.16, 73.72, 46.84

 

CMYK 35 / 0 / 93 / 9

HEX #96E811

RGB 150 232 17

HSL 82.88, 0.86%, 0.49%

LAB 84.09, -51.99, 80.16

 

Description

Color code: HEX #12E7D1 | qconv.com Color code: HEX #12E7D1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 231 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 231 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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