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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #131866 it is the complementary color #ECE799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #131866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #131866 shade: #181861, #292A74, #3A3C87, #4B4E9A and #5C60AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #131866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #131866 shade: #131866, #020653, #000040, #00002D and #00001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #131866 shade: #121867, #241267, #3B1267, #521267 and #671265

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #131866 shade: #121867 and #121267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #131866 shade matches the following richer shades: #121867 and #090F71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #131866 shade: #121867, #1C205D, #262953, #303249 and #3A3A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #131866 shade: #124567, #122F67, #121867, #231267 and #3A1267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #131866 shade: #060721, #0C0F44, #121867, #19208A and #1F28AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #131866 shade: #131866, #67125C and #3A6712

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #131866 shade: #131866, #671218 and #186712

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #131866 shade: #131866, #67125C, #676112 and #12671E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #131866 shade: #131866, #671242, #676112 and #126737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 76 / 0 / 60

HEX #131866

RGB 19 24 102

HSL 236.39, 0.69%, 0.24%

LAB 14.12, 28.06, -45.91

 

Complementary color

CMYK 0 / 2 / 35 / 7

HEX #ECE799

RGB 236 231 153

HSL 56.39, 0.69%, 0.76%

LAB 90.45, -9.65, 38.62

 

CMYK 75 / 75 / 0 / 62

HEX #181861

RGB 24 24 97

HSL 240, 0.6%, 0.24%

LAB 13.89, 26.71, -42.98

 

CMYK 65 / 64 / 0 / 55

HEX #292A74

RGB 41 42 116

HSL 239.2, 0.48%, 0.31%

LAB 21.54, 24.23, -42.81

 

CMYK 57 / 56 / 0 / 47

HEX #3A3C87

RGB 58 60 135

HSL 238.44, 0.4%, 0.38%

LAB 29.11, 22.23, -42.45

 

CMYK 51 / 49 / 0 / 40

HEX #4B4E9A

RGB 75 78 154

HSL 237.72, 0.34%, 0.45%

LAB 36.51, 20.65, -42.1

 

CMYK 47 / 45 / 0 / 32

HEX #5C60AD

RGB 92 96 173

HSL 237.04, 0.33%, 0.52%

LAB 43.74, 19.38, -41.8

 

CMYK 81 / 76 / 0 / 60

HEX #131866

RGB 19 24 102

HSL 236.39, 0.69%, 0.24%

LAB 14.12, 28.06, -45.91

 

CMYK 98 / 93 / 0 / 67

HEX #020653

RGB 2 6 83

HSL 237.04, 0.95%, 0.17%

LAB 6.93, 30.65, -45.07

 

CMYK 100 / 100 / 0 / 75

HEX #000040

RGB 0 0 64

HSL 240, 1%, 0.13%

LAB 3.34, 23.39, -37.66

 

CMYK 100 / 100 / 0 / 82

HEX #00002D

RGB 0 0 45

HSL 240, 1%, 0.09%

LAB 1.71, 12.03, -26.26

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 83 / 77 / 0 / 60

HEX #121867

RGB 18 24 103

HSL 235.76, 0.7%, 0.24%

LAB 14.18, 28.35, -46.48

 

CMYK 65 / 83 / 0 / 60

HEX #241267

RGB 36 18 103

HSL 252.71, 0.7%, 0.24%

LAB 14.33, 33.9, -46.19

 

CMYK 43 / 83 / 0 / 60

HEX #3B1267

RGB 59 18 103

HSL 268.94, 0.7%, 0.24%

LAB 17.19, 37.41, -41.39

 

CMYK 20 / 83 / 0 / 60

HEX #521267

RGB 82 18 103

HSL 285.18, 0.7%, 0.24%

LAB 20.85, 41.83, -35.27

 

CMYK 0 / 83 / 2 / 60

HEX #671265

RGB 103 18 101

HSL 301.41, 0.7%, 0.24%

LAB 24.5, 46, -27.9

 

CMYK 83 / 77 / 0 / 60

HEX #121867

RGB 18 24 103

HSL 235.76, 0.7%, 0.24%

LAB 14.18, 28.35, -46.48

 

CMYK 83 / 83 / 0 / 60

HEX #121267

RGB 18 18 103

HSL 240, 0.7%, 0.24%

LAB 12.86, 32.08, -48.66

 

CMYK 83 / 77 / 0 / 60

HEX #121867

RGB 18 24 103

HSL 235.76, 0.7%, 0.24%

LAB 14.18, 28.35, -46.48

 

CMYK 92 / 87 / 0 / 56

HEX #090F71

RGB 9 15 113

HSL 236.54, 0.85%, 0.24%

LAB 13.18, 36.74, -54.69

 

CMYK 83 / 77 / 0 / 60

HEX #121867

RGB 18 24 103

HSL 235.76, 0.7%, 0.24%

LAB 14.18, 28.35, -46.48

 

CMYK 70 / 66 / 0 / 64

HEX #1C205D

RGB 28 32 93

HSL 236.31, 0.54%, 0.24%

LAB 15.85, 20.22, -37.09

 

CMYK 54 / 51 / 0 / 67

HEX #262953

RGB 38 41 83

HSL 236, 0.37%, 0.24%

LAB 18.46, 12.12, -26.14

 

CMYK 34 / 32 / 0 / 71

HEX #303249

RGB 48 50 73

HSL 235.2, 0.21%, 0.24%

LAB 21.54, 5.49, -14.5

 

CMYK 8 / 8 / 0 / 75

HEX #3A3A3F

RGB 58 58 63

HSL 240, 0.04%, 0.24%

LAB 24.59, 1.18, -3.09

 

CMYK 83 / 33 / 0 / 60

HEX #124567

RGB 18 69 103

HSL 204, 0.7%, 0.24%

LAB 27.75, -3.42, -24.58

 

CMYK 83 / 54 / 0 / 60

HEX #122F67

RGB 18 47 103

HSL 219.53, 0.7%, 0.24%

LAB 20.6, 11.92, -35.99

 

CMYK 83 / 77 / 0 / 60

HEX #121867

RGB 18 24 103

HSL 235.76, 0.7%, 0.24%

LAB 14.18, 28.35, -46.48

 

CMYK 66 / 83 / 0 / 60

HEX #231267

RGB 35 18 103

HSL 252, 0.7%, 0.24%

LAB 14.23, 33.77, -46.36

 

CMYK 44 / 83 / 0 / 60

HEX #3A1267

RGB 58 18 103

HSL 268.24, 0.7%, 0.24%

LAB 17.04, 37.23, -41.63

 

CMYK 82 / 79 / 0 / 87

HEX #060721

RGB 6 7 33

HSL 237.78, 0.69%, 0.08%

LAB 2.71, 5.73, -15.4

 

CMYK 82 / 78 / 0 / 73

HEX #0C0F44

RGB 12 15 68

HSL 236.79, 0.7%, 0.16%

LAB 7.56, 20, -33.57

 

CMYK 83 / 77 / 0 / 60

HEX #121867

RGB 18 24 103

HSL 235.76, 0.7%, 0.24%

LAB 14.18, 28.35, -46.48

 

CMYK 82 / 77 / 0 / 46

HEX #19208A

RGB 25 32 138

HSL 236.28, 0.69%, 0.32%

LAB 20.34, 36.81, -58.74

 

CMYK 82 / 77 / 0 / 32

HEX #1F28AD

RGB 31 40 173

HSL 236.2, 0.7%, 0.4%

LAB 26.23, 44.73, -70.42

 

CMYK 81 / 76 / 0 / 60

HEX #131866

RGB 19 24 102

HSL 236.39, 0.69%, 0.24%

LAB 14.12, 28.06, -45.91

 

CMYK 0 / 83 / 11 / 60

HEX #67125C

RGB 103 18 92

HSL 307.76, 0.7%, 0.24%

LAB 23.96, 44.48, -22.83

 

CMYK 44 / 0 / 83 / 60

HEX #3A6712

RGB 58 103 18

HSL 91.76, 0.7%, 0.24%

LAB 38.97, -30.37, 39.71

 

CMYK 81 / 76 / 0 / 60

HEX #131866

RGB 19 24 102

HSL 236.39, 0.69%, 0.24%

LAB 14.12, 28.06, -45.91

 

CMYK 0 / 83 / 77 / 60

HEX #671218

RGB 103 18 24

HSL 355.76, 0.7%, 0.24%

LAB 21.51, 37.11, 20.15

 

CMYK 77 / 0 / 83 / 60

HEX #186712

RGB 24 103 18

HSL 115.76, 0.7%, 0.24%

LAB 37.73, -40.15, 38.09

 

CMYK 81 / 76 / 0 / 60

HEX #131866

RGB 19 24 102

HSL 236.39, 0.69%, 0.24%

LAB 14.12, 28.06, -45.91

 

CMYK 0 / 83 / 11 / 60

HEX #67125C

RGB 103 18 92

HSL 307.76, 0.7%, 0.24%

LAB 23.96, 44.48, -22.83

 

CMYK 0 / 6 / 83 / 60

HEX #676112

RGB 103 97 18

HSL 55.76, 0.7%, 0.24%

LAB 40.37, -7.12, 42.22

 

CMYK 83 / 0 / 71 / 60

HEX #12671E

RGB 18 103 30

HSL 128.47, 0.7%, 0.24%

LAB 37.7, -40.05, 33.12

 

CMYK 81 / 76 / 0 / 60

HEX #131866

RGB 19 24 102

HSL 236.39, 0.69%, 0.24%

LAB 14.12, 28.06, -45.91

 

CMYK 0 / 83 / 36 / 60

HEX #671242

RGB 103 18 66

HSL 326.12, 0.7%, 0.24%

LAB 22.69, 40.74, -7.28

 

CMYK 0 / 6 / 83 / 60

HEX #676112

RGB 103 97 18

HSL 55.76, 0.7%, 0.24%

LAB 40.37, -7.12, 42.22

 

CMYK 83 / 0 / 47 / 60

HEX #126737

RGB 18 103 55

HSL 146.12, 0.7%, 0.24%

LAB 38.03, -36.16, 20.32

 

Description

Color code: HEX #131866 | qconv.com Color code: HEX #131866 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 24 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 24 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 76 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 76% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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