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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #133871 it is the complementary color #ECC78E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #133871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #133871 shade: #18386C, #294A7F, #3A5C92, #4B6EA5 and #5C80B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #133871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #133871 shade: #133871, #02265E, #00144B, #000238 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #133871 shade: #133871, #131E71, #201371, #3A1371 and #531371

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #133871 shade: #133871, #131E71 and #131371

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #133871 shade matches the following richer shades: #133871 and #08367C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #133871 shade: #133871, #1D3A66, #283C5B, #333F51 and #3E4146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #133871 shade: #136B71, #135171, #133871, #131F71 and #1F1371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #133871 shade: #07152A, #0D264E, #133871, #194994 and #1F5BB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #133871 shade: #133871, #5E1371 and #5E7113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #133871 shade: #133871, #711338 and #387113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #133871 shade: #133871, #5E1371, #714B13 and #267113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #133871 shade: #133871, #711367, #714B13 and #13711C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

Complementary color

CMYK 0 / 16 / 40 / 7

HEX #ECC78E

RGB 236 199 142

HSL 36.38, 0.71%, 0.74%

LAB 82.18, 5.48, 33.41

 

CMYK 78 / 48 / 0 / 58

HEX #18386C

RGB 24 56 108

HSL 217.14, 0.64%, 0.26%

LAB 24.02, 8.37, -33.71

 

CMYK 68 / 42 / 0 / 50

HEX #294A7F

RGB 41 74 127

HSL 216.98, 0.51%, 0.33%

LAB 31.58, 6.41, -33.58

 

CMYK 60 / 37 / 0 / 43

HEX #3A5C92

RGB 58 92 146

HSL 216.82, 0.43%, 0.4%

LAB 38.95, 5.03, -33.46

 

CMYK 55 / 33 / 0 / 35

HEX #4B6EA5

RGB 75 110 165

HSL 216.67, 0.38%, 0.47%

LAB 46.13, 4.01, -33.39

 

CMYK 50 / 30 / 0 / 28

HEX #5C80B8

RGB 92 128 184

HSL 216.52, 0.39%, 0.54%

LAB 53.14, 3.22, -33.37

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 98 / 60 / 0 / 63

HEX #02265E

RGB 2 38 94

HSL 216.52, 0.96%, 0.19%

LAB 16.54, 13.03, -36.68

 

CMYK 100 / 73 / 0 / 71

HEX #00144B

RGB 0 20 75

HSL 224, 1%, 0.15%

LAB 9.06, 17.96, -36.03

 

CMYK 100 / 96 / 0 / 78

HEX #000238

RGB 0 2 56

HSL 237.86, 1%, 0.11%

LAB 2.97, 17.32, -32.45

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 83 / 73 / 0 / 56

HEX #131E71

RGB 19 30 113

HSL 232.98, 0.71%, 0.26%

LAB 16.79, 28.31, -48.7

 

CMYK 72 / 83 / 0 / 56

HEX #201371

RGB 32 19 113

HSL 248.3, 0.71%, 0.26%

LAB 15.3, 36.18, -51.13

 

CMYK 49 / 83 / 0 / 56

HEX #3A1371

RGB 58 19 113

HSL 264.89, 0.71%, 0.26%

LAB 18.18, 39.51, -46.29

 

CMYK 27 / 83 / 0 / 56

HEX #531371

RGB 83 19 113

HSL 280.85, 0.71%, 0.26%

LAB 21.93, 43.87, -40.01

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 83 / 73 / 0 / 56

HEX #131E71

RGB 19 30 113

HSL 232.98, 0.71%, 0.26%

LAB 16.79, 28.31, -48.7

 

CMYK 83 / 83 / 0 / 56

HEX #131371

RGB 19 19 113

HSL 240, 0.71%, 0.26%

LAB 14.38, 35.11, -52.69

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 94 / 56 / 0 / 51

HEX #08367C

RGB 8 54 124

HSL 216.21, 0.88%, 0.26%

LAB 24.15, 15.02, -43.71

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 72 / 43 / 0 / 60

HEX #1D3A66

RGB 29 58 102

HSL 216.16, 0.56%, 0.26%

LAB 24.47, 5.33, -29.1

 

CMYK 56 / 34 / 0 / 64

HEX #283C5B

RGB 40 60 91

HSL 216.47, 0.39%, 0.26%

LAB 25.07, 2.22, -20.97

 

CMYK 37 / 22 / 0 / 68

HEX #333F51

RGB 51 63 81

HSL 216, 0.23%, 0.26%

LAB 26.31, 0.2, -12.45

 

CMYK 11 / 7 / 0 / 73

HEX #3E4146

RGB 62 65 70

HSL 217.5, 0.06%, 0.26%

LAB 27.43, -0.06, -3.47

 

CMYK 83 / 5 / 0 / 56

HEX #136B71

RGB 19 107 113

HSL 183.83, 0.71%, 0.26%

LAB 40.97, -21.91, -10.43

 

CMYK 83 / 28 / 0 / 56

HEX #135171

RGB 19 81 113

HSL 200.43, 0.71%, 0.26%

LAB 32.29, -6.97, -23.77

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 83 / 73 / 0 / 56

HEX #131F71

RGB 19 31 113

HSL 232.34, 0.71%, 0.26%

LAB 17.04, 27.64, -48.29

 

CMYK 73 / 83 / 0 / 56

HEX #1F1371

RGB 31 19 113

HSL 247.66, 0.71%, 0.26%

LAB 15.22, 36.08, -51.27

 

CMYK 83 / 50 / 0 / 84

HEX #07152A

RGB 7 21 42

HSL 216, 0.71%, 0.1%

LAB 6.76, 2.54, -15.99

 

CMYK 83 / 51 / 0 / 69

HEX #0D264E

RGB 13 38 78

HSL 216.92, 0.71%, 0.18%

LAB 15.6, 7.02, -27.43

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 83 / 51 / 0 / 42

HEX #194994

RGB 25 73 148

HSL 216.59, 0.71%, 0.34%

LAB 32.06, 13.15, -45.77

 

CMYK 83 / 50 / 0 / 28

HEX #1F5BB7

RGB 31 91 183

HSL 216.32, 0.71%, 0.42%

LAB 39.9, 15.68, -53.99

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 17 / 83 / 0 / 56

HEX #5E1371

RGB 94 19 113

HSL 287.87, 0.71%, 0.26%

LAB 23.8, 46.02, -36.9

 

CMYK 17 / 0 / 83 / 56

HEX #5E7113

RGB 94 113 19

HSL 72.13, 0.71%, 0.26%

LAB 44.57, -20.12, 45.38

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 0 / 83 / 50 / 56

HEX #711338

RGB 113 19 56

HSL 336.38, 0.71%, 0.26%

LAB 24.52, 42.23, 2.53

 

CMYK 50 / 0 / 83 / 56

HEX #387113

RGB 56 113 19

HSL 96.38, 0.71%, 0.26%

LAB 42.3, -35.4, 42.47

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 17 / 83 / 0 / 56

HEX #5E1371

RGB 94 19 113

HSL 287.87, 0.71%, 0.26%

LAB 23.8, 46.02, -36.9

 

CMYK 0 / 34 / 83 / 56

HEX #714B13

RGB 113 75 19

HSL 35.74, 0.71%, 0.26%

LAB 35.18, 10.97, 37.52

 

CMYK 66 / 0 / 83 / 56

HEX #267113

RGB 38 113 19

HSL 107.87, 0.71%, 0.26%

LAB 41.64, -40.66, 41.61

 

CMYK 83 / 50 / 0 / 56

HEX #133871

RGB 19 56 113

HSL 216.38, 0.71%, 0.26%

LAB 24.19, 9.81, -36.64

 

CMYK 0 / 83 / 9 / 56

HEX #711367

RGB 113 19 103

HSL 306.38, 0.71%, 0.26%

LAB 26.61, 48.31, -25.74

 

CMYK 0 / 34 / 83 / 56

HEX #714B13

RGB 113 75 19

HSL 35.74, 0.71%, 0.26%

LAB 35.18, 10.97, 37.52

 

CMYK 83 / 0 / 75 / 56

HEX #13711C

RGB 19 113 28

HSL 125.74, 0.71%, 0.26%

LAB 41.27, -43.61, 37.77

 

Description

Color code: HEX #133871 | qconv.com Color code: HEX #133871 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 56 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 56 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 50 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 50% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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