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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #133057 it is the complementary color #ECCFA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #133057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #133057 shade: #183052, #294265, #3A5478, #4B668B and #5C789E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #133057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #133057 shade: #133057, #021E44, #000C31, #00001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #133057 shade: #133057, #131E57, #1B1357, #2D1357 and #3F1357

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #133057 shade: #133057, #131E57 and #131357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #133057 shade matches the following richer shades: #133057, #0A2F60 and #012D69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #133057 shade: #133057, #1B314F, #243346, #2D343D and #353535

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #133057 shade: #135557, #134357, #133057, #131E57 and #1A1357

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #133057 shade: #040B14, #0B1D35, #133057, #1A4379 and #22559B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #133057 shade: #133057, #471357 and #4C5713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #133057 shade: #133057, #571330 and #305713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #133057 shade: #133057, #471357, #573A13 and #235713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #133057 shade: #133057, #571353, #573A13 and #135717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

Complementary color

CMYK 0 / 12 / 29 / 7

HEX #ECCFA8

RGB 236 207 168

HSL 34.41, 0.64%, 0.79%

LAB 84.63, 4.43, 23.13

 

CMYK 71 / 41 / 0 / 68

HEX #183052

RGB 24 48 82

HSL 215.17, 0.55%, 0.21%

LAB 19.71, 3.33, -23.54

 

CMYK 59 / 35 / 0 / 60

HEX #294265

RGB 41 66 101

HSL 215, 0.42%, 0.28%

LAB 27.59, 2.05, -23.48

 

CMYK 52 / 30 / 0 / 53

HEX #3A5478

RGB 58 84 120

HSL 214.84, 0.35%, 0.35%

LAB 35.2, 1.21, -23.48

 

CMYK 46 / 27 / 0 / 45

HEX #4B668B

RGB 75 102 139

HSL 214.69, 0.3%, 0.42%

LAB 42.56, 0.6, -23.53

 

CMYK 42 / 24 / 0 / 38

HEX #5C789E

RGB 92 120 158

HSL 214.55, 0.26%, 0.49%

LAB 49.71, 0.14, -23.64

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 97 / 56 / 0 / 73

HEX #021E44

RGB 2 30 68

HSL 214.55, 0.94%, 0.14%

LAB 11.68, 7.01, -26.87

 

CMYK 100 / 76 / 0 / 81

HEX #000C31

RGB 0 12 49

HSL 225.31, 1%, 0.1%

LAB 4.38, 9.22, -25.02

 

CMYK 100 / 100 / 0 / 88

HEX #00001E

RGB 0 0 30

HSL 240, 1%, 0.06%

LAB 0.85, 5.95, -15.88

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 78 / 66 / 0 / 66

HEX #131E57

RGB 19 30 87

HSL 230.29, 0.64%, 0.21%

LAB 14.15, 17.82, -35.87

 

CMYK 69 / 78 / 0 / 66

HEX #1B1357

RGB 27 19 87

HSL 247.06, 0.64%, 0.21%

LAB 11.87, 26.66, -39.58

 

CMYK 48 / 78 / 0 / 66

HEX #2D1357

RGB 45 19 87

HSL 262.94, 0.64%, 0.21%

LAB 13.9, 29.77, -36.18

 

CMYK 28 / 78 / 0 / 66

HEX #3F1357

RGB 63 19 87

HSL 278.82, 0.64%, 0.21%

LAB 16.56, 33.64, -31.73

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 78 / 66 / 0 / 66

HEX #131E57

RGB 19 30 87

HSL 230.29, 0.64%, 0.21%

LAB 14.15, 17.82, -35.87

 

CMYK 78 / 78 / 0 / 66

HEX #131357

RGB 19 19 87

HSL 240, 0.64%, 0.21%

LAB 11.22, 25.63, -40.67

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 90 / 51 / 0 / 62

HEX #0A2F60

RGB 10 47 96

HSL 214.19, 0.81%, 0.21%

LAB 19.81, 7.98, -32.69

 

CMYK 99 / 57 / 0 / 59

HEX #012D69

RGB 1 45 105

HSL 214.62, 0.98%, 0.21%

LAB 19.65, 12.69, -38.85

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 66 / 38 / 0 / 69

HEX #1B314F

RGB 27 49 79

HSL 214.62, 0.49%, 0.21%

LAB 20.02, 2.08, -21.03

 

CMYK 49 / 27 / 0 / 73

HEX #243346

RGB 36 51 70

HSL 213.53, 0.32%, 0.21%

LAB 20.77, -0.18, -13.75

 

CMYK 26 / 15 / 0 / 76

HEX #2D343D

RGB 45 52 61

HSL 213.75, 0.15%, 0.21%

LAB 21.4, -0.55, -6.64

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 78 / 2 / 0 / 66

HEX #135557

RGB 19 85 87

HSL 181.76, 0.64%, 0.21%

LAB 32.53, -18.93, -7.02

 

CMYK 78 / 23 / 0 / 66

HEX #134357

RGB 19 67 87

HSL 197.65, 0.64%, 0.21%

LAB 26.28, -8.37, -16.56

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 78 / 66 / 0 / 66

HEX #131E57

RGB 19 30 87

HSL 230.29, 0.64%, 0.21%

LAB 14.15, 17.82, -35.87

 

CMYK 70 / 78 / 0 / 66

HEX #1A1357

RGB 26 19 87

HSL 246.18, 0.64%, 0.21%

LAB 11.78, 26.52, -39.73

 

CMYK 80 / 45 / 0 / 92

HEX #040B14

RGB 4 11 20

HSL 213.75, 0.67%, 0.05%

LAB 2.85, -0.16, -5.2

 

CMYK 79 / 45 / 0 / 79

HEX #0B1D35

RGB 11 29 53

HSL 214.29, 0.66%, 0.13%

LAB 10.61, 2.38, -17.94

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 79 / 45 / 0 / 53

HEX #1A4379

RGB 26 67 121

HSL 214.11, 0.65%, 0.29%

LAB 28.42, 6.34, -34.91

 

CMYK 78 / 45 / 0 / 39

HEX #22559B

RGB 34 85 155

HSL 214.71, 0.64%, 0.37%

LAB 36.37, 8.91, -43.04

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 18 / 78 / 0 / 66

HEX #471357

RGB 71 19 87

HSL 285.88, 0.64%, 0.21%

LAB 17.89, 35.5, -29.52

 

CMYK 13 / 0 / 78 / 66

HEX #4C5713

RGB 76 87 19

HSL 69.71, 0.64%, 0.21%

LAB 34.8, -14.44, 35.76

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 0 / 78 / 45 / 66

HEX #571330

RGB 87 19 48

HSL 334.41, 0.64%, 0.21%

LAB 18.82, 33.38, -0.84

 

CMYK 45 / 0 / 78 / 66

HEX #305713

RGB 48 87 19

HSL 94.41, 0.64%, 0.21%

LAB 32.9, -26.68, 33.25

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 18 / 78 / 0 / 66

HEX #471357

RGB 71 19 87

HSL 285.88, 0.64%, 0.21%

LAB 17.89, 35.5, -29.52

 

CMYK 0 / 33 / 78 / 66

HEX #573A13

RGB 87 58 19

HSL 34.41, 0.64%, 0.21%

LAB 27.02, 8.69, 28.37

 

CMYK 60 / 0 / 78 / 66

HEX #235713

RGB 35 87 19

HSL 105.88, 0.64%, 0.21%

LAB 32.3, -31.17, 32.45

 

CMYK 78 / 45 / 0 / 66

HEX #133057

RGB 19 48 87

HSL 214.41, 0.64%, 0.21%

LAB 19.8, 4.49, -26.74

 

CMYK 0 / 78 / 5 / 66

HEX #571353

RGB 87 19 83

HSL 303.53, 0.64%, 0.21%

LAB 20.5, 38.65, -22.48

 

CMYK 0 / 33 / 78 / 66

HEX #573A13

RGB 87 58 19

HSL 34.41, 0.64%, 0.21%

LAB 27.02, 8.69, 28.37

 

CMYK 78 / 0 / 74 / 66

HEX #135717

RGB 19 87 23

HSL 123.53, 0.64%, 0.21%

LAB 31.84, -34.79, 30.05

 

Description

Color code: HEX #133057 | qconv.com Color code: HEX #133057 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 48 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 48 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 45 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 45% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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