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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #133B9A it is the complementary color #ECC465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #133B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #133B9A shade: #183B95, #294DA8, #3A5FBB, #4B71CE and #5C83E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #133B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #133B9A shade: #133B9A, #022987, #001774, #000561 and #00004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #133B9A shade: #133B9A, #13169A, #33139A, #58139A and #7C139A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #133B9A shade: #133B9A, #13169A and #13139A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #133B9A shade matches the following richer shades: #133B9A and #0535A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #133B9A shade: #133B9A, #21408C, #2F467E, #3D4C70 and #4B5262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #133B9A shade: #13839A, #135F9A, #133B9A, #13179A and #32139A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #133B9A shade: #091F50, #0E2D75, #133B9A, #1749BF and #1C57E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #133B9A shade: #133B9A, #8C139A and #719A13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #133B9A shade: #133B9A, #9A133B and #3B9A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #133B9A shade: #133B9A, #8C139A, #9A7113 and #209A13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #133B9A shade: #133B9A, #9A137F, #9A7113 and #139A2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

Complementary color

CMYK 0 / 17 / 57 / 7

HEX #ECC465

RGB 236 196 101

HSL 42.22, 0.78%, 0.66%

LAB 80.88, 3.28, 52.28

 

CMYK 84 / 60 / 0 / 42

HEX #183B95

RGB 24 59 149

HSL 223.2, 0.72%, 0.34%

LAB 28.09, 23.11, -52.81

 

CMYK 76 / 54 / 0 / 34

HEX #294DA8

RGB 41 77 168

HSL 222.99, 0.61%, 0.41%

LAB 35.22, 20.19, -52.69

 

CMYK 69 / 49 / 0 / 27

HEX #3A5FBB

RGB 58 95 187

HSL 222.79, 0.53%, 0.48%

LAB 42.26, 17.9, -52.47

 

CMYK 64 / 45 / 0 / 19

HEX #4B71CE

RGB 75 113 206

HSL 222.6, 0.57%, 0.55%

LAB 49.21, 16.07, -52.24

 

CMYK 59 / 42 / 0 / 12

HEX #5C83E1

RGB 92 131 225

HSL 222.41, 0.69%, 0.62%

LAB 56.03, 14.59, -52.03

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 99 / 70 / 0 / 47

HEX #022987

RGB 2 41 135

HSL 222.41, 0.97%, 0.27%

LAB 21.39, 28.55, -55.16

 

CMYK 100 / 80 / 0 / 55

HEX #001774

RGB 0 23 116

HSL 228.1, 1%, 0.23%

LAB 14.81, 32.89, -53.94

 

CMYK 100 / 95 / 0 / 62

HEX #000561

RGB 0 5 97

HSL 236.91, 1%, 0.19%

LAB 8.75, 36.06, -51.53

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 88 / 86 / 0 / 40

HEX #13169A

RGB 19 22 154

HSL 238.67, 0.78%, 0.34%

LAB 20.22, 47.15, -68.86

 

CMYK 67 / 88 / 0 / 40

HEX #33139A

RGB 51 19 154

HSL 254.22, 0.78%, 0.34%

LAB 21.95, 50.2, -65.93

 

CMYK 43 / 88 / 0 / 40

HEX #58139A

RGB 88 19 154

HSL 270.67, 0.78%, 0.34%

LAB 26.37, 54.11, -58.49

 

CMYK 19 / 88 / 0 / 40

HEX #7C139A

RGB 124 19 154

HSL 286.67, 0.78%, 0.34%

LAB 32, 59.53, -49.07

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 88 / 86 / 0 / 40

HEX #13169A

RGB 19 22 154

HSL 238.67, 0.78%, 0.34%

LAB 20.22, 47.15, -68.86

 

CMYK 88 / 88 / 0 / 40

HEX #13139A

RGB 19 19 154

HSL 240, 0.78%, 0.34%

LAB 19.79, 48.44, -69.59

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 97 / 68 / 0 / 34

HEX #0535A8

RGB 5 53 168

HSL 222.33, 0.94%, 0.34%

LAB 27.86, 33.69, -64.75

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 76 / 54 / 0 / 45

HEX #21408C

RGB 33 64 140

HSL 222.62, 0.62%, 0.34%

LAB 29.12, 17.03, -45.6

 

CMYK 63 / 44 / 0 / 51

HEX #2F467E

RGB 47 70 126

HSL 222.53, 0.46%, 0.34%

LAB 30.62, 9.91, -34.47

 

CMYK 46 / 32 / 0 / 56

HEX #3D4C70

RGB 61 76 112

HSL 222.35, 0.29%, 0.34%

LAB 32.55, 4.56, -22.6

 

CMYK 23 / 16 / 0 / 62

HEX #4B5262

RGB 75 82 98

HSL 221.74, 0.13%, 0.34%

LAB 34.83, 1.16, -10.22

 

CMYK 88 / 15 / 0 / 40

HEX #13839A

RGB 19 131 154

HSL 190.22, 0.78%, 0.34%

LAB 50.34, -20.53, -20.55

 

CMYK 88 / 38 / 0 / 40

HEX #135F9A

RGB 19 95 154

HSL 206.22, 0.78%, 0.34%

LAB 38.99, 0.51, -38.28

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 88 / 85 / 0 / 40

HEX #13179A

RGB 19 23 154

HSL 238.22, 0.78%, 0.34%

LAB 20.38, 46.69, -68.61

 

CMYK 68 / 88 / 0 / 40

HEX #32139A

RGB 50 19 154

HSL 253.78, 0.78%, 0.34%

LAB 21.86, 50.13, -66.09

 

CMYK 89 / 61 / 0 / 69

HEX #091F50

RGB 9 31 80

HSL 221.41, 0.8%, 0.17%

LAB 13.33, 12.75, -32.46

 

CMYK 88 / 62 / 0 / 54

HEX #0E2D75

RGB 14 45 117

HSL 221.94, 0.79%, 0.26%

LAB 21.04, 18.94, -44.32

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 88 / 62 / 0 / 25

HEX #1749BF

RGB 23 73 191

HSL 222.14, 0.79%, 0.42%

LAB 35.42, 30.18, -65.99

 

CMYK 88 / 62 / 0 / 11

HEX #1C57E3

RGB 28 87 227

HSL 222.21, 0.78%, 0.5%

LAB 42.17, 35.08, -75.69

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 9 / 88 / 0 / 40

HEX #8C139A

RGB 140 19 154

HSL 293.78, 0.78%, 0.34%

LAB 34.75, 62.3, -44.49

 

CMYK 27 / 0 / 88 / 40

HEX #719A13

RGB 113 154 19

HSL 78.22, 0.78%, 0.34%

LAB 58.67, -32.16, 58.14

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 0 / 88 / 62 / 40

HEX #9A133B

RGB 154 19 59

HSL 342.22, 0.78%, 0.34%

LAB 33.25, 53.96, 13.97

 

CMYK 62 / 0 / 88 / 40

HEX #3B9A13

RGB 59 154 19

HSL 102.22, 0.78%, 0.34%

LAB 56.18, -50.38, 55.01

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 9 / 88 / 0 / 40

HEX #8C139A

RGB 140 19 154

HSL 293.78, 0.78%, 0.34%

LAB 34.75, 62.3, -44.49

 

CMYK 0 / 27 / 88 / 40

HEX #9A7113

RGB 154 113 19

HSL 41.78, 0.78%, 0.34%

LAB 50.37, 8.07, 52.63

 

CMYK 79 / 0 / 88 / 40

HEX #209A13

RGB 32 154 19

HSL 114.22, 0.78%, 0.34%

LAB 55.55, -55.71, 54.22

 

CMYK 88 / 62 / 0 / 40

HEX #133B9A

RGB 19 59 154

HSL 222.22, 0.78%, 0.34%

LAB 28.38, 24.74, -55.41

 

CMYK 0 / 88 / 18 / 40

HEX #9A137F

RGB 154 19 127

HSL 312, 0.78%, 0.34%

LAB 35.73, 60.88, -26.13

 

CMYK 0 / 27 / 88 / 40

HEX #9A7113

RGB 154 113 19

HSL 41.78, 0.78%, 0.34%

LAB 50.37, 8.07, 52.63

 

CMYK 88 / 0 / 70 / 40

HEX #139A2E

RGB 19 154 46

HSL 132, 0.78%, 0.34%

LAB 55.53, -55.29, 45.32

 

Description

Color code: HEX #133B9A | qconv.com Color code: HEX #133B9A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 59 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 59 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 62 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 62% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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