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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #134457 it is the complementary color #ECBBA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #134457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #134457 shade: #184452, #295665, #3A6878, #4B7A8B and #5C8C9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #134457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #134457 shade: #134457, #023244, #002031, #000E1E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #134457 shade: #134457, #133257, #131F57, #191357 and #2B1357

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #134457 shade: #134457, #133257, #131F57 and #131357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #134457 shade matches the following richer shades: #134457, #0A4860 and #014C69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #134457 shade: #134457, #1B404F, #243D46, #2D393D and #353535

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #134457 shade: #135745, #135757, #134557, #133357 and #132057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #134457 shade: #040F14, #0B2A35, #134457, #1A5F79 and #22799B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #134457 shade: #134457, #331357 and #574E13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #134457 shade: #134457, #571345 and #455713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #134457 shade: #134457, #331357, #572513 and #375713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #134457 shade: #134457, #471357, #572513 and #235713

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

Complementary color

CMYK 0 / 21 / 29 / 7

HEX #ECBBA8

RGB 236 187 168

HSL 16.76, 0.64%, 0.79%

LAB 79.73, 14.94, 16.34

 

CMYK 71 / 17 / 0 / 68

HEX #184452

RGB 24 68 82

HSL 194.48, 0.55%, 0.21%

LAB 26.56, -10, -12.86

 

CMYK 59 / 15 / 0 / 60

HEX #295665

RGB 41 86 101

HSL 195, 0.42%, 0.28%

LAB 34.12, -10.62, -13.37

 

CMYK 52 / 13 / 0 / 53

HEX #3A6878

RGB 58 104 120

HSL 195.48, 0.35%, 0.35%

LAB 41.46, -10.97, -13.82

 

CMYK 46 / 12 / 0 / 45

HEX #4B7A8B

RGB 75 122 139

HSL 195.94, 0.3%, 0.42%

LAB 48.61, -11.19, -14.25

 

CMYK 42 / 11 / 0 / 38

HEX #5C8C9E

RGB 92 140 158

HSL 196.36, 0.26%, 0.49%

LAB 55.58, -11.34, -14.66

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 97 / 26 / 0 / 73

HEX #023244

RGB 2 50 68

HSL 196.36, 0.94%, 0.14%

LAB 18.85, -7.52, -15.49

 

CMYK 100 / 35 / 0 / 81

HEX #002031

RGB 0 32 49

HSL 200.82, 1%, 0.1%

LAB 10.96, -4.1, -14.54

 

CMYK 100 / 53 / 0 / 88

HEX #000E1E

RGB 0 14 30

HSL 212, 1%, 0.06%

LAB 3.68, 0.15, -11.61

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 78 / 43 / 0 / 66

HEX #133257

RGB 19 50 87

HSL 212.65, 0.64%, 0.21%

LAB 20.47, 3.06, -25.68

 

CMYK 78 / 64 / 0 / 66

HEX #131F57

RGB 19 31 87

HSL 229.41, 0.64%, 0.21%

LAB 14.44, 17.08, -35.39

 

CMYK 71 / 78 / 0 / 66

HEX #191357

RGB 25 19 87

HSL 245.29, 0.64%, 0.21%

LAB 11.69, 26.38, -39.87

 

CMYK 51 / 78 / 0 / 66

HEX #2B1357

RGB 43 19 87

HSL 261.18, 0.64%, 0.21%

LAB 13.64, 29.38, -36.61

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 78 / 43 / 0 / 66

HEX #133257

RGB 19 50 87

HSL 212.65, 0.64%, 0.21%

LAB 20.47, 3.06, -25.68

 

CMYK 78 / 64 / 0 / 66

HEX #131F57

RGB 19 31 87

HSL 229.41, 0.64%, 0.21%

LAB 14.44, 17.08, -35.39

 

CMYK 78 / 78 / 0 / 66

HEX #131357

RGB 19 19 87

HSL 240, 0.64%, 0.21%

LAB 11.22, 25.63, -40.67

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 90 / 25 / 0 / 62

HEX #0A4860

RGB 10 72 96

HSL 196.74, 0.81%, 0.21%

LAB 28.23, -9.05, -19.35

 

CMYK 99 / 28 / 0 / 59

HEX #014C69

RGB 1 76 105

HSL 196.73, 0.98%, 0.21%

LAB 29.9, -8.68, -22.5

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 66 / 19 / 0 / 69

HEX #1B404F

RGB 27 64 79

HSL 197.31, 0.49%, 0.21%

LAB 25.15, -7.97, -13.04

 

CMYK 49 / 13 / 0 / 73

HEX #243D46

RGB 36 61 70

HSL 195.88, 0.32%, 0.21%

LAB 24.18, -6.8, -8.54

 

CMYK 26 / 7 / 0 / 76

HEX #2D393D

RGB 45 57 61

HSL 195, 0.15%, 0.21%

LAB 23.07, -3.86, -4.13

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 78 / 0 / 21 / 66

HEX #135745

RGB 19 87 69

HSL 164.12, 0.64%, 0.21%

LAB 32.67, -25.59, 4.54

 

CMYK 78 / 0 / 0 / 66

HEX #135757

RGB 19 87 87

HSL 180, 0.64%, 0.21%

LAB 33.23, -20.01, -5.98

 

CMYK 78 / 21 / 0 / 66

HEX #134557

RGB 19 69 87

HSL 195.88, 0.64%, 0.21%

LAB 26.97, -9.62, -15.49

 

CMYK 78 / 41 / 0 / 66

HEX #133357

RGB 19 51 87

HSL 211.76, 0.64%, 0.21%

LAB 20.81, 2.35, -25.14

 

CMYK 78 / 63 / 0 / 66

HEX #132057

RGB 19 32 87

HSL 228.53, 0.64%, 0.21%

LAB 14.73, 16.34, -34.91

 

CMYK 80 / 25 / 0 / 92

HEX #040F14

RGB 4 15 20

HSL 198.75, 0.67%, 0.05%

LAB 3.78, -2.05, -3.85

 

CMYK 79 / 21 / 0 / 79

HEX #0B2A35

RGB 11 42 53

HSL 195.71, 0.66%, 0.13%

LAB 15.4, -6.99, -10.44

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 79 / 21 / 0 / 53

HEX #1A5F79

RGB 26 95 121

HSL 196.42, 0.65%, 0.29%

LAB 37.45, -11.56, -20.69

 

CMYK 78 / 22 / 0 / 39

HEX #22799B

RGB 34 121 155

HSL 196.86, 0.64%, 0.37%

LAB 47.47, -13.26, -25.54

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 41 / 78 / 0 / 66

HEX #331357

RGB 51 19 87

HSL 268.24, 0.64%, 0.21%

LAB 14.72, 31, -34.79

 

CMYK 0 / 10 / 78 / 66

HEX #574E13

RGB 87 78 19

HSL 52.06, 0.64%, 0.21%

LAB 32.97, -3.78, 34.33

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 0 / 78 / 21 / 66

HEX #571345

RGB 87 19 69

HSL 315.88, 0.64%, 0.21%

LAB 19.73, 36.27, -14.16

 

CMYK 21 / 0 / 78 / 66

HEX #455713

RGB 69 87 19

HSL 75.88, 0.64%, 0.21%

LAB 34.25, -17.73, 35.04

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 41 / 78 / 0 / 66

HEX #331357

RGB 51 19 87

HSL 268.24, 0.64%, 0.21%

LAB 14.72, 31, -34.79

 

CMYK 0 / 57 / 78 / 66

HEX #572513

RGB 87 37 19

HSL 15.88, 0.64%, 0.21%

LAB 21.57, 21.72, 22.56

 

CMYK 37 / 0 / 78 / 66

HEX #375713

RGB 55 87 19

HSL 88.24, 0.64%, 0.21%

LAB 33.3, -23.89, 33.78

 

CMYK 78 / 22 / 0 / 66

HEX #134457

RGB 19 68 87

HSL 196.76, 0.64%, 0.21%

LAB 26.62, -8.99, -16.02

 

CMYK 18 / 78 / 0 / 66

HEX #471357

RGB 71 19 87

HSL 285.88, 0.64%, 0.21%

LAB 17.89, 35.5, -29.52

 

CMYK 0 / 57 / 78 / 66

HEX #572513

RGB 87 37 19

HSL 15.88, 0.64%, 0.21%

LAB 21.57, 21.72, 22.56

 

CMYK 60 / 0 / 78 / 66

HEX #235713

RGB 35 87 19

HSL 105.88, 0.64%, 0.21%

LAB 32.3, -31.17, 32.45

 

Description

Color code: HEX #134457 | qconv.com Color code: HEX #134457 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 68 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 68 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 22 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 22% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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