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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #134875 it is the complementary color #ECB78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #134875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #134875 shade: #184870, #295A83, #3A6C96, #4B7EA9 and #5C90BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #134875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #134875 shade: #134875, #023662, #00244F, #00123C and #000029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #134875 shade: #134876, #132E76, #131376, #2D1376 and #481376

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #134875 shade: #134876, #132E76, #131376 and #131376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #134875 shade matches the following richer shades: #134876 and #084981

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #134875 shade: #134876, #1E476B, #294760, #344655 and #3F4549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #134875 shade: #13766E, #136476, #134976, #132F76 and #131476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #134875 shade: #071D2F, #0D3352, #134876, #195E99 and #1E74BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #134875 shade: #134875, #531376 and #717613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #134875 shade: #134875, #761349 and #497613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #134875 shade: #134875, #531376, #763F13 and #357613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #134875 shade: #134875, #711376, #763F13 and #187613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 38 / 0 / 54

HEX #134875

RGB 19 72 117

HSL 207.55, 0.72%, 0.27%

LAB 29.56, 0.45, -30.59

 

Complementary color

CMYK 0 / 22 / 42 / 7

HEX #ECB78A

RGB 236 183 138

HSL 27.55, 0.72%, 0.73%

LAB 78.19, 13.46, 30.23

 

CMYK 79 / 36 / 0 / 56

HEX #184870

RGB 24 72 112

HSL 207.27, 0.65%, 0.27%

LAB 29.41, -0.95, -27.67

 

CMYK 69 / 31 / 0 / 49

HEX #295A83

RGB 41 90 131

HSL 207.33, 0.52%, 0.34%

LAB 36.79, -2.47, -27.82

 

CMYK 61 / 28 / 0 / 41

HEX #3A6C96

RGB 58 108 150

HSL 207.39, 0.44%, 0.41%

LAB 43.98, -3.52, -27.95

 

CMYK 56 / 25 / 0 / 34

HEX #4B7EA9

RGB 75 126 169

HSL 207.45, 0.39%, 0.48%

LAB 51.02, -4.28, -28.09

 

CMYK 51 / 23 / 0 / 26

HEX #5C90BC

RGB 92 144 188

HSL 207.5, 0.42%, 0.55%

LAB 57.9, -4.86, -28.25

 

CMYK 84 / 38 / 0 / 54

HEX #134875

RGB 19 72 117

HSL 207.55, 0.72%, 0.27%

LAB 29.56, 0.45, -30.59

 

CMYK 98 / 45 / 0 / 62

HEX #023662

RGB 2 54 98

HSL 207.5, 0.96%, 0.2%

LAB 22.06, 3.05, -30.4

 

CMYK 100 / 54 / 0 / 69

HEX #00244F

RGB 0 36 79

HSL 212.66, 1%, 0.15%

LAB 14.55, 7.33, -29.83

 

CMYK 100 / 70 / 0 / 76

HEX #00123C

RGB 0 18 60

HSL 222, 1%, 0.12%

LAB 6.85, 12.2, -29.06

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 84 / 39 / 0 / 54

HEX #134876

RGB 19 72 118

HSL 207.88, 0.72%, 0.27%

LAB 29.62, 0.86, -31.13

 

CMYK 84 / 61 / 0 / 54

HEX #132E76

RGB 19 46 118

HSL 223.64, 0.72%, 0.27%

LAB 21.58, 19.1, -44.06

 

CMYK 84 / 84 / 0 / 54

HEX #131376

RGB 19 19 118

HSL 240, 0.72%, 0.27%

LAB 15.02, 36.84, -54.86

 

CMYK 62 / 84 / 0 / 54

HEX #2D1376

RGB 45 19 118

HSL 255.76, 0.72%, 0.27%

LAB 17.14, 39.17, -51.29

 

CMYK 39 / 84 / 0 / 54

HEX #481376

RGB 72 19 118

HSL 272.12, 0.72%, 0.27%

LAB 20.64, 43.07, -45.41

 

CMYK 84 / 39 / 0 / 54

HEX #134876

RGB 19 72 118

HSL 207.88, 0.72%, 0.27%

LAB 29.62, 0.86, -31.13

 

CMYK 84 / 61 / 0 / 54

HEX #132E76

RGB 19 46 118

HSL 223.64, 0.72%, 0.27%

LAB 21.58, 19.1, -44.06

 

CMYK 84 / 84 / 0 / 54

HEX #131376

RGB 19 19 118

HSL 240, 0.72%, 0.27%

LAB 15.02, 36.84, -54.86

 

CMYK 84 / 84 / 0 / 54

HEX #131376

RGB 19 19 118

HSL 240, 0.72%, 0.27%

LAB 15.02, 36.84, -54.86

 

CMYK 84 / 39 / 0 / 54

HEX #134876

RGB 19 72 118

HSL 207.88, 0.72%, 0.27%

LAB 29.62, 0.86, -31.13

 

CMYK 94 / 43 / 0 / 49

HEX #084981

RGB 8 73 129

HSL 207.77, 0.88%, 0.27%

LAB 30.4, 3.87, -36.75

 

CMYK 84 / 39 / 0 / 54

HEX #134876

RGB 19 72 118

HSL 207.88, 0.72%, 0.27%

LAB 29.62, 0.86, -31.13

 

CMYK 72 / 34 / 0 / 58

HEX #1E476B

RGB 30 71 107

HSL 208.05, 0.56%, 0.27%

LAB 29.02, -1.31, -25.11

 

CMYK 57 / 26 / 0 / 62

HEX #294760

RGB 41 71 96

HSL 207.27, 0.4%, 0.27%

LAB 28.96, -3.02, -18.14

 

CMYK 39 / 18 / 0 / 67

HEX #344655

RGB 52 70 85

HSL 207.27, 0.24%, 0.27%

LAB 28.81, -2.8, -11.22

 

CMYK 14 / 5 / 0 / 71

HEX #3F4549

RGB 63 69 73

HSL 204, 0.07%, 0.27%

LAB 28.89, -1.49, -3.25

 

CMYK 84 / 0 / 7 / 54

HEX #13766E

RGB 19 118 110

HSL 175.15, 0.72%, 0.27%

LAB 44.55, -28.44, -3.29

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 84 / 38 / 0 / 54

HEX #134976

RGB 19 73 118

HSL 207.27, 0.72%, 0.27%

LAB 29.94, 0.19, -30.61

 

CMYK 84 / 60 / 0 / 54

HEX #132F76

RGB 19 47 118

HSL 223.03, 0.72%, 0.27%

LAB 21.87, 18.38, -43.59

 

CMYK 84 / 83 / 0 / 54

HEX #131476

RGB 19 20 118

HSL 239.39, 0.72%, 0.27%

LAB 15.21, 36.29, -54.55

 

CMYK 85 / 38 / 0 / 82

HEX #071D2F

RGB 7 29 47

HSL 207, 0.74%, 0.11%

LAB 10.02, -1.17, -14.53

 

CMYK 84 / 38 / 0 / 68

HEX #0D3352

RGB 13 51 82

HSL 206.96, 0.73%, 0.19%

LAB 20.29, -0.68, -22.64

 

CMYK 84 / 39 / 0 / 54

HEX #134876

RGB 19 72 118

HSL 207.88, 0.72%, 0.27%

LAB 29.62, 0.86, -31.13

 

CMYK 84 / 39 / 0 / 40

HEX #195E99

RGB 25 94 153

HSL 207.66, 0.72%, 0.35%

LAB 38.75, 1.27, -38.07

 

CMYK 84 / 39 / 0 / 26

HEX #1E74BD

RGB 30 116 189

HSL 207.55, 0.73%, 0.43%

LAB 47.55, 1.97, -45.22

 

CMYK 84 / 38 / 0 / 54

HEX #134875

RGB 19 72 117

HSL 207.55, 0.72%, 0.27%

LAB 29.56, 0.45, -30.59

 

CMYK 30 / 84 / 0 / 54

HEX #531376

RGB 83 19 118

HSL 278.79, 0.72%, 0.27%

LAB 22.35, 44.99, -42.55

 

CMYK 4 / 0 / 84 / 54

HEX #717613

RGB 113 118 19

HSL 63.03, 0.72%, 0.27%

LAB 47.64, -14.05, 48.68

 

CMYK 84 / 38 / 0 / 54

HEX #134875

RGB 19 72 117

HSL 207.55, 0.72%, 0.27%

LAB 29.56, 0.45, -30.59

 

CMYK 0 / 84 / 38 / 54

HEX #761349

RGB 118 19 73

HSL 327.27, 0.72%, 0.27%

LAB 26.15, 45.42, -6.52

 

CMYK 38 / 0 / 84 / 54

HEX #497613

RGB 73 118 19

HSL 87.27, 0.72%, 0.27%

LAB 44.83, -31.44, 45.1

 

CMYK 84 / 38 / 0 / 54

HEX #134875

RGB 19 72 117

HSL 207.55, 0.72%, 0.27%

LAB 29.56, 0.45, -30.59

 

CMYK 30 / 84 / 0 / 54

HEX #531376

RGB 83 19 118

HSL 278.79, 0.72%, 0.27%

LAB 22.35, 44.99, -42.55

 

CMYK 0 / 47 / 84 / 54

HEX #763F13

RGB 118 63 19

HSL 26.67, 0.72%, 0.27%

LAB 32.82, 20.52, 35.58

 

CMYK 55 / 0 / 84 / 54

HEX #357613

RGB 53 118 19

HSL 99.39, 0.72%, 0.27%

LAB 43.89, -38.43, 43.89

 

CMYK 84 / 38 / 0 / 54

HEX #134875

RGB 19 72 117

HSL 207.55, 0.72%, 0.27%

LAB 29.56, 0.45, -30.59

 

CMYK 4 / 84 / 0 / 54

HEX #711376

RGB 113 19 118

HSL 296.97, 0.72%, 0.27%

LAB 27.53, 50.85, -33.93

 

CMYK 0 / 47 / 84 / 54

HEX #763F13

RGB 118 63 19

HSL 26.67, 0.72%, 0.27%

LAB 32.82, 20.52, 35.58

 

CMYK 80 / 0 / 84 / 54

HEX #187613

RGB 24 118 19

HSL 116.97, 0.72%, 0.27%

LAB 43.06, -45.26, 42.82

 

Description

Color code: HEX #134875 | qconv.com Color code: HEX #134875 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 72 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 72 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 38 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 38% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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