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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #134C11 it is the complementary color #ECB3EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #134C11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #134C11 shade: #184C0C, #295E1F, #3A7032, #4B8245 and #5C9458

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #134C11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #134C11 shade: #134C11, #023A00, #002800, #001600 and #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #134C11 shade: #124A10, #224A10, #324A10, #414A10 and #4A4410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #134C11 shade: #124A10, #104A1E, #104A2E, #104A3D and #10484A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #134C11 shade matches the following richer shades: #124A10, #0C5209 and #055902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #134C11 shade: #124A10, #194318, #203B1F, #273427 and #2E2D2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #134C11 shade: #324A10, #234A10, #134A10, #104A1D and #104A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #134C11 shade: #010701, #0A2909, #124A10, #1B6C18 and #238E20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #134C11 shade: #134C11, #10424A and #4A102B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #134C11 shade: #134C11, #10134A and #4A1013

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #134C11 shade: #134C11, #10424A, #47104A and #4A1910

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #134C11 shade: #134C11, #10304A, #47104A and #4A2B10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 78 / 70

HEX #134C11

RGB 19 76 17

HSL 117.97, 0.63%, 0.18%

LAB 27.7, -31.17, 28.42

 

Complementary color

CMYK 1 / 25 / 0 / 7

HEX #ECB3EE

RGB 236 179 238

HSL 297.97, 0.63%, 0.82%

LAB 79.75, 30.36, -21.39

 

CMYK 68 / 0 / 84 / 70

HEX #184C0C

RGB 24 76 12

HSL 108.75, 0.73%, 0.17%

LAB 27.82, -30.37, 30.69

 

CMYK 56 / 0 / 67 / 63

HEX #295E1F

RGB 41 94 31

HSL 110.48, 0.5%, 0.25%

LAB 35.15, -31.11, 30.02

 

CMYK 48 / 0 / 55 / 56

HEX #3A7032

RGB 58 112 50

HSL 112.26, 0.38%, 0.32%

LAB 42.34, -31.28, 28.75

 

CMYK 42 / 0 / 47 / 49

HEX #4B8245

RGB 75 130 69

HSL 114.1, 0.31%, 0.39%

LAB 49.36, -31.2, 27.38

 

CMYK 38 / 0 / 41 / 42

HEX #5C9458

RGB 92 148 88

HSL 116, 0.25%, 0.46%

LAB 56.25, -31, 26.05

 

CMYK 75 / 0 / 78 / 70

HEX #134C11

RGB 19 76 17

HSL 117.97, 0.63%, 0.18%

LAB 27.7, -31.17, 28.42

 

CMYK 97 / 0 / 100 / 77

HEX #023A00

RGB 2 58 0

HSL 117.93, 1%, 0.11%

LAB 20.2, -29.56, 27.6

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 76 / 0 / 78 / 71

HEX #124A10

RGB 18 74 16

HSL 117.93, 0.64%, 0.18%

LAB 26.92, -30.71, 28.04

 

CMYK 54 / 0 / 78 / 71

HEX #224A10

RGB 34 74 16

HSL 101.38, 0.64%, 0.18%

LAB 27.5, -26.03, 28.84

 

CMYK 32 / 0 / 78 / 71

HEX #324A10

RGB 50 74 16

HSL 84.83, 0.64%, 0.18%

LAB 28.41, -19.61, 30.06

 

CMYK 12 / 0 / 78 / 71

HEX #414A10

RGB 65 74 16

HSL 69.31, 0.64%, 0.18%

LAB 29.56, -12.57, 31.58

 

CMYK 0 / 8 / 78 / 71

HEX #4A4410

RGB 74 68 16

HSL 53.79, 0.64%, 0.18%

LAB 28.45, -4.45, 30.77

 

CMYK 76 / 0 / 78 / 71

HEX #124A10

RGB 18 74 16

HSL 117.93, 0.64%, 0.18%

LAB 26.92, -30.71, 28.04

 

CMYK 78 / 0 / 59 / 71

HEX #104A1E

RGB 16 74 30

HSL 134.48, 0.64%, 0.18%

LAB 27.02, -29.26, 20.88

 

CMYK 78 / 0 / 38 / 71

HEX #104A2E

RGB 16 74 46

HSL 151.03, 0.64%, 0.18%

LAB 27.31, -25.98, 11.55

 

CMYK 78 / 0 / 18 / 71

HEX #104A3D

RGB 16 74 61

HSL 166.55, 0.64%, 0.18%

LAB 27.69, -21.92, 2.49

 

CMYK 78 / 3 / 0 / 71

HEX #10484A

RGB 16 72 74

HSL 182.07, 0.64%, 0.18%

LAB 27.41, -16.62, -6.38

 

CMYK 76 / 0 / 78 / 71

HEX #124A10

RGB 18 74 16

HSL 117.93, 0.64%, 0.18%

LAB 26.92, -30.71, 28.04

 

CMYK 85 / 0 / 89 / 68

HEX #0C5209

RGB 12 82 9

HSL 117.53, 0.8%, 0.18%

LAB 29.74, -35.42, 33.48

 

CMYK 94 / 0 / 98 / 65

HEX #055902

RGB 5 89 2

HSL 117.93, 0.96%, 0.18%

LAB 32.22, -39.2, 38

 

CMYK 76 / 0 / 78 / 71

HEX #124A10

RGB 18 74 16

HSL 117.93, 0.64%, 0.18%

LAB 26.92, -30.71, 28.04

 

CMYK 63 / 0 / 64 / 74

HEX #194318

RGB 25 67 24

HSL 118.6, 0.47%, 0.18%

LAB 24.6, -24.86, 21.46

 

CMYK 46 / 0 / 47 / 77

HEX #203B1F

RGB 32 59 31

HSL 117.86, 0.31%, 0.18%

LAB 22.07, -17.25, 14.2

 

CMYK 25 / 0 / 25 / 80

HEX #273427

RGB 39 52 39

HSL 120, 0.14%, 0.18%

LAB 20.18, -8.63, 6.48

 

CMYK 0 / 2 / 0 / 82

HEX #2E2D2E

RGB 46 45 46

HSL 300, 0.01%, 0.18%

LAB 18.61, 0.68, -0.49

 

CMYK 32 / 0 / 78 / 71

HEX #324A10

RGB 50 74 16

HSL 84.83, 0.64%, 0.18%

LAB 28.41, -19.61, 30.06

 

CMYK 53 / 0 / 78 / 71

HEX #234A10

RGB 35 74 16

HSL 100.34, 0.64%, 0.18%

LAB 27.55, -25.68, 28.9

 

CMYK 74 / 0 / 78 / 71

HEX #134A10

RGB 19 74 16

HSL 116.9, 0.64%, 0.18%

LAB 26.94, -30.48, 28.08

 

CMYK 78 / 0 / 61 / 71

HEX #104A1D

RGB 16 74 29

HSL 133.45, 0.64%, 0.18%

LAB 27.01, -29.42, 21.43

 

CMYK 78 / 0 / 41 / 71

HEX #104A2C

RGB 16 74 44

HSL 148.97, 0.64%, 0.18%

LAB 27.27, -26.46, 12.75

 

CMYK 86 / 0 / 86 / 97

HEX #010701

RGB 1 7 1

HSL 120, 0.75%, 0.02%

LAB 1.45, -2.4, 1.72

 

CMYK 76 / 0 / 78 / 84

HEX #0A2909

RGB 10 41 9

HSL 118.13, 0.64%, 0.1%

LAB 13.65, -19.45, 15.96

 

CMYK 76 / 0 / 78 / 71

HEX #124A10

RGB 18 74 16

HSL 117.93, 0.64%, 0.18%

LAB 26.92, -30.71, 28.04

 

CMYK 75 / 0 / 78 / 58

HEX #1B6C18

RGB 27 108 24

HSL 117.86, 0.64%, 0.26%

LAB 39.62, -40.89, 37.74

 

CMYK 75 / 0 / 77 / 44

HEX #238E20

RGB 35 142 32

HSL 118.36, 0.63%, 0.34%

LAB 51.62, -50.59, 46.78

 

CMYK 75 / 0 / 78 / 70

HEX #134C11

RGB 19 76 17

HSL 117.97, 0.63%, 0.18%

LAB 27.7, -31.17, 28.42

 

CMYK 78 / 11 / 0 / 71

HEX #10424A

RGB 16 66 74

HSL 188.28, 0.64%, 0.18%

LAB 25.26, -13.14, -9.61

 

CMYK 0 / 78 / 42 / 71

HEX #4A102B

RGB 74 16 43

HSL 332.07, 0.64%, 0.18%

LAB 15.49, 29.74, -2.47

 

CMYK 75 / 0 / 78 / 70

HEX #134C11

RGB 19 76 17

HSL 117.97, 0.63%, 0.18%

LAB 27.7, -31.17, 28.42

 

CMYK 78 / 74 / 0 / 71

HEX #10134A

RGB 16 19 74

HSL 236.9, 0.64%, 0.18%

LAB 9.56, 20.12, -34.47

 

CMYK 0 / 78 / 74 / 71

HEX #4A1013

RGB 74 16 19

HSL 356.9, 0.64%, 0.18%

LAB 14.81, 27.42, 13.9

 

CMYK 75 / 0 / 78 / 70

HEX #134C11

RGB 19 76 17

HSL 117.97, 0.63%, 0.18%

LAB 27.7, -31.17, 28.42

 

CMYK 78 / 11 / 0 / 71

HEX #10424A

RGB 16 66 74

HSL 188.28, 0.64%, 0.18%

LAB 25.26, -13.14, -9.61

 

CMYK 4 / 78 / 0 / 71

HEX #47104A

RGB 71 16 74

HSL 296.9, 0.64%, 0.18%

LAB 16.53, 34.01, -22.85

 

CMYK 0 / 66 / 78 / 71

HEX #4A1910

RGB 74 25 16

HSL 9.31, 0.64%, 0.18%

LAB 16.45, 22.68, 17.76

 

CMYK 75 / 0 / 78 / 70

HEX #134C11

RGB 19 76 17

HSL 117.97, 0.63%, 0.18%

LAB 27.7, -31.17, 28.42

 

CMYK 78 / 35 / 0 / 71

HEX #10304A

RGB 16 48 74

HSL 206.9, 0.64%, 0.18%

LAB 18.88, -1.51, -19.49

 

CMYK 4 / 78 / 0 / 71

HEX #47104A

RGB 71 16 74

HSL 296.9, 0.64%, 0.18%

LAB 16.53, 34.01, -22.85

 

CMYK 0 / 42 / 78 / 71

HEX #4A2B10

RGB 74 43 16

HSL 27.93, 0.64%, 0.18%

LAB 20.91, 11.6, 22.99

 

Description

Color code: HEX #134C11 | qconv.com Color code: HEX #134C11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 76 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 76 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 78 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 78% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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