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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13547F it is the complementary color #ECAB80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13547F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13547F shade: #18547A, #29668D, #3A78A0, #4B8AB3 and #5C9CC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13547F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13547F shade: #13547F, #02426C, #003059, #001E46 and #000C33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13547F shade: #135580, #133780, #131A80, #291380 and #471380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13547F shade: #135580, #133780, #131A80 and #131380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13547F shade matches the following richer shades: #135580 and #07578C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13547F shade: #135580, #1F5274, #2B5068, #374D5C and #434B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13547F shade: #138070, #137380, #135680, #133980 and #131C80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13547F shade: #082538, #0D3D5C, #135580, #186CA4 and #1D84C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13547F shade: #13547F, #531380 and #807E13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13547F shade: #13547F, #801356 and #568013

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13547F shade: #13547F, #531380, #803D13 and #408013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13547F shade: #13547F, #731380, #803D13 and #1F8013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 34 / 0 / 50

HEX #13547F

RGB 19 84 127

HSL 203.89, 0.74%, 0.29%

LAB 34.01, -3.31, -29.78

 

Complementary color

CMYK 0 / 28 / 46 / 7

HEX #ECAB80

RGB 236 171 128

HSL 23.89, 0.74%, 0.71%

LAB 75.15, 18.79, 31.52

 

CMYK 80 / 31 / 0 / 52

HEX #18547A

RGB 24 84 122

HSL 203.27, 0.67%, 0.29%

LAB 33.86, -4.72, -26.91

 

CMYK 71 / 28 / 0 / 45

HEX #29668D

RGB 41 102 141

HSL 203.4, 0.55%, 0.36%

LAB 41.05, -6.2, -27.2

 

CMYK 64 / 25 / 0 / 37

HEX #3A78A0

RGB 58 120 160

HSL 203.53, 0.47%, 0.43%

LAB 48.1, -7.24, -27.44

 

CMYK 58 / 23 / 0 / 30

HEX #4B8AB3

RGB 75 138 179

HSL 203.65, 0.41%, 0.5%

LAB 55, -8, -27.67

 

CMYK 54 / 21 / 0 / 22

HEX #5C9CC6

RGB 92 156 198

HSL 203.77, 0.48%, 0.57%

LAB 61.77, -8.57, -27.9

 

CMYK 85 / 34 / 0 / 50

HEX #13547F

RGB 19 84 127

HSL 203.89, 0.74%, 0.29%

LAB 34.01, -3.31, -29.78

 

CMYK 98 / 39 / 0 / 58

HEX #02426C

RGB 2 66 108

HSL 203.77, 0.96%, 0.22%

LAB 26.71, -0.84, -29.43

 

CMYK 100 / 46 / 0 / 65

HEX #003059

RGB 0 48 89

HSL 207.64, 1%, 0.17%

LAB 19.37, 3.06, -28.79

 

CMYK 100 / 57 / 0 / 73

HEX #001E46

RGB 0 30 70

HSL 214.29, 1%, 0.14%

LAB 11.76, 7.67, -28.14

 

CMYK 100 / 76 / 0 / 80

HEX #000C33

RGB 0 12 51

HSL 225.88, 1%, 0.1%

LAB 4.53, 10.32, -26.25

 

CMYK 85 / 34 / 0 / 50

HEX #135580

RGB 19 85 128

HSL 203.67, 0.74%, 0.29%

LAB 34.38, -3.54, -29.8

 

CMYK 85 / 57 / 0 / 50

HEX #133780

RGB 19 55 128

HSL 220.18, 0.74%, 0.29%

LAB 25.04, 16.85, -44.76

 

CMYK 85 / 80 / 0 / 50

HEX #131A80

RGB 19 26 128

HSL 236.15, 0.74%, 0.29%

LAB 17.63, 36.4, -56.94

 

CMYK 68 / 85 / 0 / 50

HEX #291380

RGB 41 19 128

HSL 252.11, 0.74%, 0.29%

LAB 17.9, 41.77, -56.44

 

CMYK 45 / 85 / 0 / 50

HEX #471380

RGB 71 19 128

HSL 268.62, 0.74%, 0.29%

LAB 21.45, 45.43, -50.47

 

CMYK 85 / 34 / 0 / 50

HEX #135580

RGB 19 85 128

HSL 203.67, 0.74%, 0.29%

LAB 34.38, -3.54, -29.8

 

CMYK 85 / 57 / 0 / 50

HEX #133780

RGB 19 55 128

HSL 220.18, 0.74%, 0.29%

LAB 25.04, 16.85, -44.76

 

CMYK 85 / 80 / 0 / 50

HEX #131A80

RGB 19 26 128

HSL 236.15, 0.74%, 0.29%

LAB 17.63, 36.4, -56.94

 

CMYK 85 / 85 / 0 / 50

HEX #131380

RGB 19 19 128

HSL 240, 0.74%, 0.29%

LAB 16.32, 40.19, -59.11

 

CMYK 85 / 34 / 0 / 50

HEX #135580

RGB 19 85 128

HSL 203.67, 0.74%, 0.29%

LAB 34.38, -3.54, -29.8

 

CMYK 95 / 38 / 0 / 45

HEX #07578C

RGB 7 87 140

HSL 203.91, 0.9%, 0.29%

LAB 35.51, -0.82, -35.38

 

CMYK 85 / 34 / 0 / 50

HEX #135580

RGB 19 85 128

HSL 203.67, 0.74%, 0.29%

LAB 34.38, -3.54, -29.8

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 59 / 23 / 0 / 59

HEX #2B5068

RGB 43 80 104

HSL 203.61, 0.41%, 0.29%

LAB 32.37, -5.46, -17.93

 

CMYK 40 / 16 / 0 / 64

HEX #374D5C

RGB 55 77 92

HSL 204.32, 0.25%, 0.29%

LAB 31.56, -4.15, -11.51

 

CMYK 16 / 6 / 0 / 69

HEX #434B50

RGB 67 75 80

HSL 203.08, 0.09%, 0.29%

LAB 31.36, -2.01, -4.07

 

CMYK 85 / 0 / 13 / 50

HEX #138070

RGB 19 128 112

HSL 171.19, 0.74%, 0.29%

LAB 47.94, -32.59, 0.5

 

CMYK 85 / 10 / 0 / 50

HEX #137380

RGB 19 115 128

HSL 187.16, 0.74%, 0.29%

LAB 44.17, -21.02, -14.62

 

CMYK 85 / 33 / 0 / 50

HEX #135680

RGB 19 86 128

HSL 203.12, 0.74%, 0.29%

LAB 34.71, -4.17, -29.29

 

CMYK 85 / 55 / 0 / 50

HEX #133980

RGB 19 57 128

HSL 219.08, 0.74%, 0.29%

LAB 25.63, 15.43, -43.8

 

CMYK 85 / 78 / 0 / 50

HEX #131C80

RGB 19 28 128

HSL 235.05, 0.74%, 0.29%

LAB 18.04, 35.21, -56.25

 

CMYK 86 / 34 / 0 / 78

HEX #082538

RGB 8 37 56

HSL 203.75, 0.75%, 0.13%

LAB 13.59, -2.82, -15.38

 

CMYK 86 / 34 / 0 / 64

HEX #0D3D5C

RGB 13 61 92

HSL 203.54, 0.75%, 0.21%

LAB 24.31, -3.28, -22.9

 

CMYK 85 / 34 / 0 / 50

HEX #135580

RGB 19 85 128

HSL 203.67, 0.74%, 0.29%

LAB 34.38, -3.54, -29.8

 

CMYK 85 / 34 / 0 / 36

HEX #186CA4

RGB 24 108 164

HSL 204, 0.74%, 0.37%

LAB 43.65, -3.26, -36.83

 

CMYK 86 / 34 / 0 / 22

HEX #1D84C8

RGB 29 132 200

HSL 203.86, 0.75%, 0.45%

LAB 52.88, -3.59, -43.07

 

CMYK 85 / 34 / 0 / 50

HEX #13547F

RGB 19 84 127

HSL 203.89, 0.74%, 0.29%

LAB 34.01, -3.31, -29.78

 

CMYK 35 / 85 / 0 / 50

HEX #531380

RGB 83 19 128

HSL 275.23, 0.74%, 0.29%

LAB 23.21, 47.29, -47.5

 

CMYK 0 / 2 / 85 / 50

HEX #807E13

RGB 128 126 19

HSL 58.9, 0.74%, 0.29%

LAB 51.33, -11.42, 52.36

 

CMYK 85 / 34 / 0 / 50

HEX #13547F

RGB 19 84 127

HSL 203.89, 0.74%, 0.29%

LAB 34.01, -3.31, -29.78

 

CMYK 0 / 85 / 33 / 50

HEX #801356

RGB 128 19 86

HSL 323.12, 0.74%, 0.29%

LAB 28.71, 49.56, -11.11

 

CMYK 33 / 0 / 85 / 50

HEX #568013

RGB 86 128 19

HSL 83.12, 0.74%, 0.29%

LAB 48.84, -30.94, 48.99

 

CMYK 85 / 34 / 0 / 50

HEX #13547F

RGB 19 84 127

HSL 203.89, 0.74%, 0.29%

LAB 34.01, -3.31, -29.78

 

CMYK 35 / 85 / 0 / 50

HEX #531380

RGB 83 19 128

HSL 275.23, 0.74%, 0.29%

LAB 23.21, 47.29, -47.5

 

CMYK 0 / 52 / 85 / 50

HEX #803D13

RGB 128 61 19

HSL 23.12, 0.74%, 0.29%

LAB 33.93, 26.13, 37.18

 

CMYK 50 / 0 / 85 / 50

HEX #408013

RGB 64 128 19

HSL 95.23, 0.74%, 0.29%

LAB 47.72, -39, 47.56

 

CMYK 85 / 34 / 0 / 50

HEX #13547F

RGB 19 84 127

HSL 203.89, 0.74%, 0.29%

LAB 34.01, -3.31, -29.78

 

CMYK 10 / 85 / 0 / 50

HEX #731380

RGB 115 19 128

HSL 292.84, 0.74%, 0.29%

LAB 28.56, 53.05, -38.59

 

CMYK 0 / 52 / 85 / 50

HEX #803D13

RGB 128 61 19

HSL 23.12, 0.74%, 0.29%

LAB 33.93, 26.13, 37.18

 

CMYK 76 / 0 / 85 / 50

HEX #1F8013

RGB 31 128 19

HSL 113.39, 0.74%, 0.29%

LAB 46.68, -47.44, 46.23

 

Description

Color code: HEX #13547F | qconv.com Color code: HEX #13547F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 84 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 84 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 34 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 34% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Volkswagen Internati...
Link: http://en.volkswagen.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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